Etree - Marc Deardorff - 373 shows
Last Update: Wednesday May 06, 2026

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Grateful Dead http://www.dead.net
  Date Venue - City, State Comments Media  
1. ??/??/39 Compilation - Compilation, US flac1644 direct transfer from original 45 singles to CD using a 199? Sony standalone Record Player with a direct analog lines to a 1997 Sony CD Burner. flac16  
2. 01/02/70 Fillmore East early show - New York, NY likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute 1 shn notes
3. 01/02/70 Fillmore East early show - New York, NY late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change 1 shn notes
4. 01/02/70 Fillmore East early show - New York, NY complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno 2 shn notes
5. 01/02/70 Fillmore East - late show - New York, NY flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck flac16  
6. 01/02/70 Fillmore East - late show - New York, NY late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change shn  
7. 01/03/70 Fillmore East (Late Show) - New York, NY early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan 3 shn notes
8. 01/03/70 Fillmore East (Late Show) - New York, NY improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET 2 shn notes
9. 01/03/70 Fillmore East (Late Show) - New York, NY flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros. 2 flac notes
10. 01/03/70 Fillmore East (Early Show) - New York, NY flac16/48kHz; Early & Late Show Recording Info: SBD > Master Reel > Cassette > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller 0 flac16/48  
11. 01/03/70 Fillmore East (Late Show) - New York, NY flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017 0 flac16/48  
12. 01/10/70 Golden Hall - San Diego, CA Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd 1 shn notes
13. 01/10/70 Golden Hall - San Diego, CA Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister. 1 shn notes
14. 01/10/70 Golden Hall - San Diego, CA flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] 1 flac notes
15. 01/10/70 Golden Hall - San Diego, CA flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
16. 01/10/70 Golden Hall - San Diego, CA flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
17. 01/10/70 Golden Hall - San Diego, CA flac24; source: MR > R1 > RX (purported to be 2nd gen) transfer: RX > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] 3 flac24 notes
18. 01/10/70 Golden Hall - San Diego, CA flac24; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller 3 flac24  
19. 01/10/70 Golden Hall - San Diego, CA flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller 1 flac16  
20. 01/16/70 Springer's Inn Portland - Portland, OR sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow 2 shn notes
21. 01/16/70 Springer's Inn Portland - Portland, OR flac16; restoration of source ID 7111; see info file for details 1 flac16  
22. 01/16/70 Springer's Inn Portland - Portland, OR flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 0 flac16  
23. 01/17/70 Gill Coliseum, Oregon State University - Corvallis, OR Master Soundboard Reel > DAT > CDR; via Scott Clugston 1 shn notes
24. 01/17/70 Gill Coliseum, Oregon State University - Corvallis, OR SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman 1 shn notes
25. 01/23/70 Honolulu Civic Auditorium - Honolulu, HI updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree 1 shn notes
26. 01/23/70 Honolulu Civic Auditorium - Honolulu, HI Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor 2 shn notes
27. 01/24/70 Honolulu Civic Auditorium - Honolulu, HI SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton 1 shn notes
28. 01/30/70 The Warehouse - New Orleans, LA SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon 1 shn notes
29. 01/31/70 The Warehouse - New Orleans, LA SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman 1 shn notes
30. 01/31/70 The Warehouse - New Orleans, LA SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended. 1 shn notes
31. 02/01/70 The Warehouse - New Orleans, LA SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan 1 shn notes
32. 02/01/70 The Warehouse - New Orleans, LA Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit 1 shn notes
33. 02/01/70 The Warehouse - New Orleans, LA flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC flac16  
34. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon 1 shn notes
35. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit 1 shn notes
36. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman 1 shn notes
37. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO SBD> RR> RR> PCM> DAT; Transfer: Tascam DA-20 mkII> SB Audigy> SF 6.0> CDWave>mkwACT> .shn 1 shn notes
38. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO flac16; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Transferred By David Gans; Mastered By Charlie Miller flac16  
39. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO flac24; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Transferred By David Gans; Mastered By Charlie Miller flac24  
40. 02/04/70 Family Dog at the Great Highway - San Francisco, CA Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan 1 shn notes
41. 02/04/70 Family Dog at the Great Highway - San Francisco, CA SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller 1 shn notes
42. 02/04/70 Family Dog at the Great Highway - San Francisco, CA Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman 1 shn notes
43. 02/05/70 Fillmore West - San Francisco, CA SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute 1 shn notes
44. 02/05/70 Fillmore West - San Francisco, CA SBD> MR> C> D> CD; via Don Bean 1 shn notes
45. 02/05/70 Fillmore West - San Francisco, CA Flac16
Reel To Reel > CD Burner > Roxio Sound Editor > Wav > Flac Frontend
--Recorded my Reel with a TEAC 2300S reel to reel into a 1997 Sony CD Burner (Analogue to Digital with RCA cable output on the TEAC and input to the burner).
Ripped the CD's that were burned using Roxio import CD function on my Windows 7 computer and saved them as 14H kbps / 44 kHz .wav files . Tracked and adjusted volume of the .wav files using Roxio Sound Editor (2009). converted to Flac Frontend - flac 16.
All work done by Brian Flegel - brianflegel@gmail.com - 02/29/2024 & 03/01/2024
Flac16  
46. 02/05/70 Fillmore West - San Francisco, CA flac1644 Soundboard Aud composite, speed corrected by Brian Flegel Flac16/44  
47. 02/06/70 Fillmore West - San Francisco, CA SBD> MR> C> D> CD; via Don Bean 1 shn notes
48. 02/07/70 Fillmore West - San Francisco, CA SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment 1 shn notes
49. 02/07/70 Fillmore West - San Francisco, CA SBD> MR> C> D> CD; via Don Bean 1 shn notes
50. 02/07/70 Fillmore West - San Francisco, CA SBD> MR> C> D> CD; EAC> SHN by naked_jaybird 1 shn notes
51. 02/08/70 Fillmore West - San Francisco, CA MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs 2 shn notes
52. 02/08/70 Fillmore West - San Francisco, CA AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit 2 shn notes
53. 02/08/70 Fillmore West - San Francisco, CA composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux 2 shn notes
54. 02/11/70 Fillmore East (late show) - New York, NY early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown 2 shn notes
55. 02/11/70 Fillmore East (late show) - New York, NY flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material 2 flac notes
56. 02/11/70 Fillmore East (late show) - New York, NY flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW 1 flac notes
57. 02/11/70 Fillmore East (late show) - New York, NY SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn 1 shn notes
58. 02/11/70 Fillmore East (late show) - New York, NY flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC 1 flac notes
59. 02/11/70 Fillmore East - New York, NY flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC 1 flac16  
60. 02/11/70 Fillmore East (late show) - New York, NY flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16 flac16  
61. 02/11/70 Fillmore East (late show) - New York, NY MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC flac16  
62. 02/11/70 Fillmore East (late show) - New York, NY flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC flac24  
63. 02/12/70 Ungano's Night Club - New York, NY SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments 1 shn notes
64. 02/12/70 Ungano's Night Club - New York, NY SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates) 1 shn notes
65. 02/13/70 Fillmore East (Late Show) - New York, NY early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd 1 shn notes
66. 02/13/70 Fillmore East (Late Show) - New York, NY early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al 2 shn notes
67. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac 1 flac notes
68. 02/13/70 Fillmore East - New York, NY reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy 1 shn notes
69. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) 2 flac notes
70. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (Fixed version now in circulation) 2 flac notes
71. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; 2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD) 0 flac16  
72. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c 1 flac16  
73. 02/13/70 Fillmore East - New York, NY early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd shn  
74. 02/13/70 Fillmore East - New York, NY flac16; 5th gen aud casette from unknown source > WAV flac16  
75. 02/13/70 Fillmore East - New York, NY flac24; unknown mono recording equipment -> master tapes -> 1st generation analog (no digital beforehand) Maxell XLII-90 cassettes, Dolby B on -> Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files Flac24/96  
76. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Recording Info: SBD > Master Reel (7 inch 1/2 Track at 15ips) > DAT (48k); Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v10.2 > FLAC/16  
77. 02/14/70 Fillmore East - New York, NY complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman 2 shn notes
78. 02/14/70 Fillmore East - New York, NY flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
79. 02/14/70 Fillmore East - New York, NY flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original version of this source had a 0:02 digital anomaly in "Uncle John's Band" (t11) 0 flac16  
80. 02/14/70 Fillmore East - New York, NY flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger flac16  
81. 02/14/70 Fillmore East - New York, NY flac1644 Soundboard source: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM - shnid 141007 - from the Tim Dalton coilleted, transferred by Charlie Miller and mastered by Scott Clugston. Audience source: hitachi trq-222 > cassette master - shnid 124495 - recorded by Jim Cooper, transferred and mastered Rob Berger. Matrix mix sbd 80% / aud 20% Flac16/44  
82. 02/23/70 The Auditorium - Austin, TX SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon 1 shn notes
83. 02/23/70 The Auditorium - Austin, TX Source: SBD > Master Reel > Cassette > DAT > CD > SHN remastering Info: SHN > TLH > 16bit WAV > Adobe Audition 2023 (automatic phase correction) > iZotope RX10 Advanced (EQ + variable speed + de-hum + mono mixdown) > 16bit wav > TLH > 16bit FLAC flac16  
84. 02/27/70 Family Dog at the Great Highway - San Francisco, CA Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland 2 shn notes
85. 02/27/70 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller 2 flac notes
86. 02/28/70 Family Dog at the Great Highway - San Francisco, CA SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band 2 shn notes
87. 03/01/70 Family Dog at the Great Highway - San Francisco, CA SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes 2 shn notes
88. 03/01/70 Family Dog at the Great Highway - San Francisco, CA S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee 1 shn notes
89. 03/01/70 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015 1 flac16  
90. 03/01/70 Family Dog at the Great Highway - San Francisco, CA flac16; Source: Soundboard > Mater Reel > Dat (44.1k) 1 flac16  
91. 03/07/70 Civic Auditorium - Santa Monica, CA low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes 1 shn notes
92. 03/08/70 Star Theatre - Phoenix, AZ SBD>?>DAT>CDR uploaded by theotherwayne@yahoo.com 2 shn notes
93. 03/08/70 Star Theatre - Phoenix, AZ SBD MR>C>D>CD; Unknown seeder 1 shn notes
94. 03/08/70 Star Theatre - Phoenix, AZ flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
95. 03/08/70 Star Theatre - Phoenix, AZ flac16/48kHz; Source: sbd > ??? > cassette (from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 - Transfer by Tom Markson; Lineage: wav 24/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/48 >CD Wave > Flac 1648; edited and mastered SIRMick April 2019 flac16/48  
96. 03/08/70 Star Theatre - Phoenix, AZ flac24; Source: sbd > ??? >cassette (high gen, from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 -Transfer by Tom Markson; Lineage: wav 24/38 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick flac24  
97. 03/20/70 Capitol Theater - Port Chester, NY S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes 2 shn notes
98. 03/20/70 Capitol Theater - Port Chester, NY mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz 1 shn notes
99. 03/20/70 Capitol Theater - Port Chester, NY flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC flac16  
100. 03/21/70 Capitol Theater (Late) - Port Chester, NY late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch 1 shn notes
101. 03/21/70 Capitol Theater (Early) - Port Chester, NY early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2 1 shn notes
102. 03/21/70 Capitol Theater (Early) - Port Chester, NY early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch 1 shn notes
103. 03/21/70 Capitol Theater (Early) - Port Chester, NY late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project 2 shn notes
104. 03/21/70 Capitol Theater (Late) - Port Chester, NY late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project shn  
105. 03/21/70 Capitol Theater (Late) - Port Chester, NY flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs. flac16  
106. 03/21/70 Capitol Theater (Late) - Port Chester, NY flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger flac16  
107. 03/21/70 Capitol Theater (Late) - Port Chester, NY flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper flac16  
108. 03/21/70 Capitol Theater (Late) - Port Chester, NY flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019 flac16  
109. 03/24/70 Pirates World - Dania, FL S:MR> Cass> DAT> Cass> DAT> ZA2> CDWAV> SHN; note differs from previous shn set in fille (8/4/67) and tracking; presumably transferred by David Hollister; see info file for notes; upload by Ben Yerys? 1 shn notes
110. 03/24/70 Pirates World - Dania, FL flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC 1 flac notes
111. 03/24/70 Pirates World - Dania, FL flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k) 1 flac16/48  
112. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth 2 shn notes
113. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com 2 shn notes
114. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 2 flac16  
115. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 0 flac24  
116. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021 flac16  
117. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source. flac16  
118. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 flac16  
119. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011 flac24  
120. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011 flac16  
121. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 flac24  
122. 04/09/70 Fillmore West - San Francisco, CA complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes 1 shn notes
123. 04/09/70 Fillmore West - San Francisco, CA flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH 1 flac16  
124. 04/09/70 Fillmore West - San Francisco, CA flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019 flac16  
125. 04/09/70 Fillmore West - San Francisco, CA flac1648 Harry Ely's Audience Master (unknown equipment) > 1st Generation Cassette > Mark Terry's 2nd Generation Cassette (Maxell UD XLII-C90, no dolby) Transfer Info: Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496 flac16/48  
126. 04/09/70 Fillmore West - San Francisco, CA flac2496 Harry Ely's Audience Master (unknown equipment) > 1st Generation Cassette > Mark Terry's 2nd Generation Cassette (Maxell UD XLII-C90, no dolby) Transfer Info: Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496 flac24/96  
127. 04/09/70 Fillmore West - San Francisco, CA flac1644 Soundboard: Dick Latvala's 1st Generation Cassette supplies "Me & My Uncle" thru "Uncle john's Band" Harry Ely's Audience Master (unknown equipment) > 1st Generation Cassette > Mark Terry's 2nd Generation Cassette (Maxell UD XLII-C90, no dolby) supplies "Katie Mae" thru most of "Turn On Your Lovelight" Transfer Info: Dick's 1st Generation Cassette (Nakamichi Dragon) > Sony PCM-R700 > .wav 16/44.1 Second Generation Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > dBpoweramp (.wav 16/44.1) Adobe Audition CC 2025 > TLH flac16 flac16/44  
128. 04/11/70 Fillmore West - San Francisco, CA Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman 1 shn notes
129. 04/11/70 Fillmore West - San Francisco, CA flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k) 1 flac16  
130. 04/11/70 Fillmore West - San Francisco, CA flac16; Partial Set 3; 7 Inch Half Track Reel Master @ 7.5 ips-Recorded by Bear (Reel # 4 Only); 1st Generation Cassettes(TDK SA-X 100's) Transferred By Dick Latvala; (Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer (Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) flac16  
131. 04/12/70 Fillmore West - San Francisco, CA combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan 2 shn notes
132. 04/12/70 Fillmore West - San Francisco, CA flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%] flac16  
133. 04/12/70 Fillmore West - San Francisco, CA flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984 flac16  
134. 04/15/70 Winterland Arena - San Francisco, CA sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa 1 shn notes
135. 04/15/70 Winterland Arena - San Francisco, CA MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed 1 shn notes
136. 04/15/70 Winterland Arena - San Francisco, CA flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.) flac16  
137. 04/24/70 Mammoth Gardens - Denver, CO AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate. 1 shn notes
138. 04/24/70 Mammoth Gardens - Denver, CO AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel 1 shn notes
139. 04/24/70 Mammoth Gardens - Denver, CO MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis 2 shn notes
140. 04/24/70 Mammoth Gardens - Denver, CO sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004 1 shn notes
141. 05/01/70 Alfred College - Alfred, NY Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston 1 shn notes
142. 05/01/70 Alfred College - Alfred, NY flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller
1 flac notes
143. 05/01/70 Alfred College - Alfred, NY flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 1 flac notes
144. 05/01/70 Alfred College - Alfred, NY partial acoustic; filler on both 3/31/73 and 10/9/76 (qv) 1 shn notes
145. 05/02/70 Harpur College - Binghamton, NY flac16; SBD > 3xcass (maxell XLII), transfer: cassette > Yamaha KX-W282 > Monster digital cable > Yamaha RX-530 > Monster digital cable > JVC XL-R5000 > CDR > EAC (offsets set) > CDWav > Flac (level 8), Dick's Picks 8 Outtake 1 flac notes
146. 05/02/70 Harpur College - Binghamton, NY flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller 0 flac16/48  
147. 05/02/70 Harpur College - Binghamton, NY flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell flac24  
148. 05/02/70 Harpur College - Binghamton, NY flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details flac16  
149. 05/02/70 Harpur College - Binghamton, NY flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC flac16  
150. 05/03/70 Field House, Wesleyan University - Middletown, CT AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman 1 shn notes
151. 05/03/70 Field House, Wesleyan University - Middletown, CT AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe) 2 shn notes
152. 05/03/70 Field House, Wesleyan University - Middletown, CT flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac flac16  
153. 05/03/70 Field House, Wesleyan University - Middletown, CT flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper) flac16  
154. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice) 1 shn notes
155. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky 1 flac notes
156. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA flac24; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins > TLH > Flac Transfer and Mastering: Bill Koucky 3 flac24 notes
157. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation) 1 shn notes
158. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA Source: MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN; 2022 reseed: SBE repaired in track 04, SHN files re-encoded to FLAC-8: SHN>WAV>FLAC-8 flac16  
159. 05/07/70 Dupont Gymnasium, MIT - Cambridge, MA AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree 4 shn notes
160. 05/07/70 Dupont Gymnasium, MIT - Cambridge, MA main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details 2 flac notes
161. 05/07/70 Dupont Gymnasium, MIT - Cambridge, MA flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018; the original version of this source had a tracking error in the set 3 files flac16  
162. 05/08/70 Farrell Hall - Delhi, NY flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 1 flac notes
163. 05/09/70 Worcester Polytechnic Institute - Worcester, MA Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman 1 shn notes
164. 05/14/70 Meramec Community College - Kirkwood, MO SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman 2 shn notes
165. 05/14/70 Meramec Community College - Kirkwood, MO flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC 2 flac notes
166. 05/14/70 Meramec Community College - Kirkwood, MO Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston 2 shn notes
167. 05/14/70 Meramec Community College - Kirkwood, MO Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03 1 shn notes
168. 05/14/70 Meramec Community College - Kirkwood, MO SBD>MR>?>D>CD>EAC>SHN (acoustic set) SBD>MR>D>CD>EAC>SHN (electric set) same as /shninfo_detail.php?shnid=12439 with sbe's fixed and seektables appended. 2 shn notes
169. 05/14/70 Meramec Community College - Kirkwood, MO flac16; MSR > DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC) 1 flac notes
170. 05/14/70 Meramec Community College - Kirkwood, MO flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k) 1 flac16  
171. 05/15/70 Fillmore East (Late Show) - New York, NY acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR 5 shn notes
172. 05/15/70 Fillmore East (Late Show) - New York, NY New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. 4 shn notes
173. 05/15/70 Fillmore East (Late Show) - New York, NY flac24; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger flac24  
174. 05/15/70 Fillmore East (Late Show) - New York, NY flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger flac16  
175. 05/16/70 Temple University - Philadelphia, PA AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman 1 shn notes
176. 05/16/70 Temple University - Philadelphia, PA AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner 1 shn notes
177. 05/24/70 Newcastle-Under-Lyme - Newcastle, England SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes 2 shn notes
178. 05/24/70 Newcastle-Under-Lyme - Newcastle, England AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes 1 shn notes
179. 05/24/70 Newcastle-Under-Lyme - Newcastle, England flac16/48kHz; Source: sbd > reel master > cassette > dat (48k) 2 flac16/48  
180. 05/24/70 Newcastle-Under-Lyme - Newcastle, England flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481 flac16  
181. 05/24/70 Newcastle-Under-Lyme - Newcastle, England flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC flac16  
182. 05/24/70 Newcastle-Under-Lyme - Newcastle, England flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481 flac16  
183. 06/04/70 Fillmore West - San Francisco, CA Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller 1 shn notes
184. 06/04/70 Fillmore West - San Francisco, CA flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. 2 flac16  
185. 06/04/70 Fillmore West - San Francisco, CA flac16; Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. 2 flac16  
186. 06/04/70 Fillmore West - San Francisco, CA flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise flac16  
187. 06/04/70 Fillmore West - San Francisco, CA flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16 flac16  
188. 06/05/70 Fillmore West - San Francisco, CA SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes 2 shn notes
189. 06/05/70 Fillmore West - San Francisco, CA flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC 2 flac notes
190. 06/05/70 Fillmore West - San Francisco, CA SBD> MR> C> D> CD> SHN; see info file for flaw notes; via thecore@core.com 2 shn notes
191. 06/05/70 Fillmore West - San Francisco, CA flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015 1 flac16  
192. 06/05/70 Fillmore West - San Francisco, CA flac16; Matrix from Soundboard (shnid:28653) (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC and Audience (shnid:109847) Lineage: Source #1: Dire Wolf through New Speedway - unknown gen aud cassette; Source #2: Cold Rain through Mama Tried - unknown gen aud cassette; Source #3: Cryptical through Casey - unknown gen aud cassette flac16  
193. 06/05/70 Fillmore West - San Francisco, CA flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details flac16  
194. 06/06/70 Fillmore West - San Francisco, CA electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes 2 shn notes
195. 06/06/70 Fillmore West - San Francisco, CA flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller. 2 flac notes
196. 06/06/70 Fillmore West - San Francisco, CA flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
197. 06/06/70 Fillmore West - San Francisco, CA flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise flac16  
198. 06/07/70 Fillmore West - San Francisco, CA acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield 3 shn notes
199. 06/07/70 Fillmore West - San Francisco, CA shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob 2 shn notes
200. 06/07/70 Fillmore West - San Francisco, CA flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) flac16/48  
201. 06/13/70 Red Vest - Oahu, HI Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli 2 shn notes
202. 06/21/70 Pauley Ballroom, U. of California - Berkeley, CA AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes 1 shn notes
203. 06/21/70 Pauley Ballroom, U. of California - Berkeley, CA flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged. flac16/48  
204. 06/24/70 Capitol Theater (Late) - Port Chester, NY late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa 2 shn notes
205. 06/24/70 Capitol Theater (Late) - Port Chester, NY early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics 3 shn notes
206. 06/24/70 Capitol Theater (Late) - Port Chester, NY Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan 1 shn notes
207. 06/24/70 Capitol Theater (Late) - Port Chester, NY Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC 1 flac notes
208. 06/24/70 Capitol Theater (Late) - Port Chester, NY flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose 1 flac notes
209. 06/24/70 Capitol Theater (Late) - Port Chester, NY flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019 flac16  
210. 06/24/70 Capitol Theater (Late) - Port Chester, NY flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger flac16  
211. 06/24/70 Capitol Theater (Late) - Port Chester, NY late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch shn  
212. 06/24/70 Capitol Theater (Late) - Port Chester, NY flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009 flac16  
213. 07/01/70 Winnipeg Fairgrounds - Winnipeg, MB SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman 1 shn notes
214. 07/10/70 Fillmore East - New York, NY AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman 1 shn notes
215. 07/11/70 Fillmore East - New York, NY AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman 2 shn notes
216. 07/12/70 Fillmore East - New York, NY source: aud > ??? > shn > wav > shn via SirMick 2 shn notes
217. 07/12/70 Fillmore East - New York, NY flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename flac16  
218. 07/12/70 Fillmore East - New York, NY flac16; Marty Weinberg's 5" 1/4 track Master Audience Reel>HHb CDR-850>CDR>EAC>CDR>EAC>.WAV>TLH>.FLAC flac16  
219. 07/12/70 Fillmore East - New York, NY flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details flac16  
220. 07/12/70 Fillmore East - New York, NY flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC flac16  
221. 07/14/70 Euphoria Ballroom - San Rafael, CA both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman 2 shn notes
222. 07/14/70 Euphoria Ballroom - San Rafael, CA sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030 2 flac notes
223. 07/16/70 Euphoria Ballroom - San Rafael, CA partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd 1 shn notes
224. 07/16/70 Euphoria Ballroom - San Rafael, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller 1 flac notes
225. 07/16/70 Euphoria Ballroom - San Rafael, CA Set 2; SBD>MR>?>C>CD>SHN 1 shn notes
226. 07/16/70 Euphoria Ballroom - San Rafael, CA flac16; Source: SBD > Master Reel > Cass > CDR; Lineage: CDR > Eac > wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick December 2017 0 flac16  
227. 07/30/70 Lion's Share - San Anselmo, CA SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman 1 shn notes
228. 07/30/70 Lion's Share - San Anselmo, CA flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper flac16  
229. 07/??/70 Festival Express Train - Unknown, Canada flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller flac16  
230. 08/05/70 Golden Hall Community Concourse - San Diego, CA SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore 1 shn notes
231. 08/05/70 Golden Hall Community Concourse - San Diego, CA MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile 1 shn notes
232. 08/17/70 Fillmore West - San Francisco, CA Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman 1 shn notes
233. 08/18/70 Fillmore West - San Francisco, CA AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret 2 shn notes
234. 08/18/70 Fillmore West - San Francisco, CA flac16/48kHz; Unknown Audience Cassette > FLAC 0 flac16/48  
235. 08/18/70 Fillmore West - San Francisco, CA flac24; Unknown Audience Cassette > FLAC 0 flac24  
236. 08/18/70 Fillmore West - San Francisco, CA flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%) flac16  
237. 08/18/70 Fillmore West - San Francisco, CA flac24; Unknown Audience Cassette > FLAC; Fixed version in circulation flac24  
238. 08/19/70 Fillmore West - San Francisco, CA AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman 2 shn notes
239. 08/19/70 Fillmore West - San Francisco, CA flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded 2 flac notes
240. 08/19/70 Fillmore West - San Francisco, CA flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC 2 flac notes
241. 08/30/70 KQED Studios - San Francisco, CA FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus 1 shn notes
242. 08/30/70 KQED Studios - San Francisco, CA Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs. 1 shn notes
243. 09/17/70 Fillmore East - New York, NY mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner 2 shn notes
244. 09/17/70 Fillmore East - New York, NY remaster of shnid 16090, by SIRMick 2 shn notes
245. 09/17/70 Fillmore East - New York, NY AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006 1 flac notes
246. 09/17/70 Fillmore East - New York, NY MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set 1 shn notes
247. 09/17/70 Fillmore East - New York, NY flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019 flac16  
248. 09/17/70 Fillmore East - New York, NY flac24; Partial Set 3 Source: AKG190E > Uher 400L >Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac24; edited and mastered SIRMick March 2019 flac24  
249. 09/17/70 Fillmore East - New York, NY flac16/44.1khz Matrix of Dark Star by Sirmick flac16/44  
250. 09/17/70 Fillmore East - New York, NY flac1644 Acoustic Set This is an remaster of shnid=16090 Edited & Remastered by Daniel Flac16/44  
251. 09/18/70 Fillmore East - New York, NY Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets 2 shn notes
252. 09/18/70 Fillmore East - New York, NY updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton 1 shn notes
253. 09/18/70 Fillmore East - New York, NY flac16; source 1: sbd > mr > r > d > cd > eac > shn > wav > flac; source 2: aud > mc > ? > c > r > cd > eac> shn > wav > flac; remaster of the sources from shnid 17893; via SIRMick 1 flac notes
254. 09/18/70 Fillmore East - New York, NY SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD 1 shn notes
255. 09/18/70 Fillmore East - New York, NY flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009 1 flac notes
256. 09/19/70 Fillmore East - New York, NY SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller 1 shn notes
257. 09/19/70 Fillmore East - New York, NY MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions 1 shn notes
258. 09/19/70 Fillmore East - New York, NY Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner 1 flac notes
259. 09/19/70 Fillmore East - New York, NY flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell 1 flac notes
260. 09/19/70 Fillmore East - New York, NY flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds 1 flac notes
261. 09/19/70 Fillmore East - New York, NY flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 flac16  
262. 09/19/70 Fillmore East - New York, NY flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC flac16  
263. 09/19/70 Fillmore East - New York, NY flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger flac16  
264. 09/20/70 Fillmore East - New York, NY mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault." 2 shn notes
265. 09/20/70 Fillmore East - New York, NY This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone 2 shn notes
266. 09/20/70 Fillmore East - New York, NY flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes 1 flac notes
267. 09/20/70 Fillmore East - New York, NY flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 2 flac notes
268. 09/20/70 Fillmore East - New York, NY flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS** 2 flac16  
269. 09/20/70 Fillmore East - New York, NY flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 0 flac16  
270. 09/20/70 Fillmore East - New York, NY flac24; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 0 flac24/96  
271. 09/20/70 Fillmore East - New York, NY flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2. flac16  
272. 10/04/70 Winterland Arena - San Francisco, CA SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes 1 shn notes
273. 10/04/70 Winterland Arena - San Francisco, CA KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles 1 shn notes
274. 10/04/70 Winterland Arena - San Francisco, CA SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd 1 shn notes
275. 10/04/70 Winterland Arena - San Francisco, CA flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019 flac16  
276. 10/10/70 Colden Auditorium - Queens College - Flushing, NY AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes 1 shn notes
277. 10/10/70 Colden Auditorium - Queens College - Flushing, NY flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019 flac16/48  
278. 10/11/70 Marion Shea Aud., Paterson State Col. - Wayne, NJ AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman 1 shn notes
279. 10/17/70 Cleveland Music Hall - Cleveland, OH flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller flac16  
280. 10/23/70 McDonough Arena, Georgetown U. - Washington, DC Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03 2 shn notes
281. 10/23/70 McDonough Arena, Georgetown U. - Washington, DC flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe 1 flac notes
282. 10/23/70 McDonough Arena, Georgetown U. - Washington, DC includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho shn  
283. 10/24/70 Kiel Opera House - St. Louis, MO S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler 1 shn notes
284. 10/24/70 Kiel Opera House - St. Louis, MO flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC 1 flac notes
285. 10/24/70 Kiel Opera House - St. Louis, MO flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) 0 flac16  
286. 10/24/70 Kiel Opera House - St. Louis, MO flac24; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick flac24  
287. 10/24/70 Kiel Opera House - St. Louis, MO flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1 flac16  
288. 10/30/70 Gym, SUNY (Late Show) - Stony Brook, NY SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman 2 shn notes
289. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa 1 shn notes
290. 10/30/70 Gym, SUNY (Late Show) - Stony Brook, NY Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09 1 shn notes
291. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) flac16/48  
292. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) flac16  
293. 10/30/70 Gym, SUNY (Late Show) - Stony Brook, NY flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 flac16  
294. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 flac16  
295. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY flac16/44 FIXED Version. Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 flac16  
296. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 flac24  
297. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY flac24/96 FIXED Version. Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 flac24  
298. 10/30/70 Gym, SUNY (Early Show) - Stony Brook, NY Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels) shn  
299. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer 1 shn notes
300. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames 2 shn notes
301. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006 2 flac notes
302. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY Early Show: MSR>C>DAT>WAV>SHN
Circulated via alt.binaries.gdead usenet group in 4/2003
Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
1 shn notes
303. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred By Digitalrbb; Mastered By Charlie Miller flac16/48  
304. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
305. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 flac16  
306. 10/31/70 Gym, S.U.N.Y. (Early) - Stony Brook, NY flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 flac24  
307. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16  
308. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 Edited and mastered SIRMick August 2021 flac24  
309. 11/05/70 Capitol Theater - Port Chester, NY Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN 2 shn notes
310. 11/05/70 Capitol Theater - Port Chester, NY D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. This is remaster of shnid 17182 I decided to track it a little differently to the original seed 1 flac notes
311. 11/05/70 Capitol Theater - Port Chester, NY Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan 1 shn notes
312. 11/06/70 Capitol Theater - Port Chester, NY see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?) 3 shn notes
313. 11/06/70 Capitol Theater - Port Chester, NY Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone 3 shn notes
314. 11/06/70 Capitol Theater - Port Chester, NY disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes 1 shn notes
315. 11/06/70 Capitol Theater - Port Chester, NY flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger flac16  
316. 11/07/70 Capitol Theater - Port Chester, NY Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner 2 shn notes
317. 11/07/70 Capitol Theater - Port Chester, NY flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger 1 flac notes
318. 11/07/70 Capitol Theater - Port Chester, NY flac24; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>flac tranferred & seeded by Rob Berger 1 flac24 notes
319. 11/07/70 Capitol Theater - Port Chester, NY flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger flac16  
320. 11/07/70 Capitol Theater - Port Chester, NY flac16; source: aud 1st gen reel master taped by Jack Toner; lineage: mac>7" reel@ 7.5 ips, no nr technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger flac16  
321. 11/08/70 Capitol Theater - Port Chester, NY Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master. 2 shn notes
322. 11/08/70 Capitol Theater - Port Chester, NY THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004 2 shn notes
323. 11/08/70 Capitol Theater - Port Chester, NY The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. 3 shn notes
324. 11/08/70 Capitol Theater - Port Chester, NY AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner 3 shn notes
325. 11/08/70 Capitol Theater - Port Chester, NY flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition 1 flac notes
326. 11/08/70 Capitol Theater - Port Chester, NY flac16; aud 1st gen reel, Jery Moore's reel copy of Marty Weinberg's reel; lineage: mar > 7" reel @ 3.75 ips, dolby b; master: akg d190e > uher 4000L 5" open reel deck taped by Marty Weinberg technics rs-1506 > teac an-180/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; transferred & seeded by Rob Berger april 2012 flac16  
327. 11/08/70 Capitol Theater - Port Chester, NY flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021 flac24  
328. 11/08/70 Capitol Theater - Port Chester, NY flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger flac16  
329. 11/08/70 Capitol Theater - Port Chester, NY mixed sources (see info file); DAT>CD conversion, Miles Garrett; CD> SHN, Morgan Evans; via Rick Lepley lepleyr@hotmail.com; note in absence of md5s for previous listing, not sure if there are 2 different shn sets shn  
330. 11/08/70 Capitol Theater - Port Chester, NY Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set. shn  
331. 11/09/70 Action House - Island Park, NY AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes 1 shn notes
332. 11/10/70 Action House - Island Park, NY AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman 1 shn notes
333. 11/10/70 Action House - Island Park, NY partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner 1 shn notes
334. 11/11/70 46th Street Rock Palace - Brooklyn, NY AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman 2 shn notes
335. 11/11/70 46th Street Rock Palace - Brooklyn, NY flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick 2 flac notes
336. 11/16/70 Fillmore East - New York, NY SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). 1 shn notes
337. 11/16/70 Fillmore East - New York, NY SBDMR> DAT> CD-r> EAC> SHN; fits on 1x80; retracked and seeded by Mike Lai; reportedly chopped up, as are previous seeds 1 shn notes
338. 11/16/70 Fillmore East - New York, NY flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16 flac16  
339. 11/16/70 Fillmore East - New York, NY flac16; SBD > RR > ? > ? > Cassette; Transfer Info: Nak MR2 Deck > Cassette > WAV >Soundforge > FLAC flac16  
340. 11/20/70 The Palestra, U. of Rochester - Rochester, NY AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook 2 shn notes
341. 11/21/70 Sargent Gym, Boston University - Boston, MA Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes 1 shn notes
342. 11/21/70 Sargent Gym, Boston University - Boston, MA SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman 1 shn notes
343. 11/29/70 Club Agora - Columbus, OH AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes 1 shn notes
344. 11/??/70 Unknown - New York, NY flac16; Master Reel>CD>FLAC; Taped by Marty Weinberg, Transferred by Michael Parrish 1 flac16  
345. 12/12/70 Santa Rosa Fairgrounds - Santa Rosa, CA Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes 1 shn notes
346. 12/12/70 Santa Rosa Fairgrounds - Santa Rosa, CA flac1644; partial; Gene Taback's Master Audience Cassette (Sony TC-124 with Sony Stereo Mic); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded flac16  
347. 12/17/70 Winterland - San Francisco, CA flac16; SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac 1 flac notes
348. 12/23/70 Winterland Arena - San Francisco, CA Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon 1 shn notes
349. 12/23/70 Winterland Arena - San Francisco, CA flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac 1 flac notes
350. 12/23/70 Winterland Arena - San Francisco, CA flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
351. 12/26/70 Legion Stadium - El Monte, CA SBD> ?? (maybe 2 reel gens)> PCM> WAV> CDR> EAC> SHN; Transfer: SPDIF> SEK'D Prodif96Pro, Speed corrected via Samplitude 1 shn notes
352. 12/26/70 Legion Stadium - El Monte, CA Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller 2 shn notes
353. 12/26/70 Legion Stadium - El Monte, CA flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369 2 flac notes
354. 12/26/70 Legion Stadium - El Monte, CA sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa shn  
355. 12/27/70 Legion Stadium - El Monte, CA MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan 2 shn notes
356. 12/27/70 Legion Stadium - El Monte, CA SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller 2 shn notes
357. 12/28/70 Legion Stadium - El Monte, CA SBD> MR> C> DAT> CD> EAC> SHN> WAV (for edits)> SHN; with patches from AUD Sony ECM-22> Rm> Dat> CD> Sound Forge> CD> EAC> .wav; by Steve Barbella, from Seth Kaplan SBD seed; d2 tracked for 80 min 2 shn notes
358. 12/28/70 Legion Stadium - El Monte, CA SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller 2 shn notes
359. 12/28/70 Legion Stadium - El Monte, CA AUD : MR > DAT > CD via Alan Fink 2 shn notes
360. 12/28/70 Legion Stadium - El Monte, CA flac16; AUD : MR > Reel > DAT > CD original via Alan Fink - patched and speed correction by Kevin Tobin 2 flac notes
361. 12/28/70 Legion Stadium - El Monte, CA DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin 2 DTS Audio notes
362. 12/28/70 Legion Stadium - El Monte, CA flac16; Matrix 2 Source Mix - SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - matrix mixing by Kevin Tobin 2 flac notes
363. 12/31/70 Winterland Arena - San Francisco, CA "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed 1 shn notes
364. 12/31/70 Winterland Arena - San Francisco, CA Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH) 1 shn notes
365. 12/31/70 Winterland Arena - San Francisco, CA partial; S:MReel> DAT> Satellite Feed> DAT> ZA2> SoundForge NR (removed hum)> DartPro32 de-hissed (gain 3.0)> CD; filler on 10/24/70 1 shn notes
366. 12/31/70 Winterland Arena (aftershow) - San Francisco, CA "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed shn  
367. 12/31/70 Winterland Arena - San Francisco, CA flac16; Partial Show, source: sony ecm-22p's>sony tc-770 reel @ 7.5 ips; lineage: aud reel master>7" reel @ 7.5 ips technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 16/44>flac; transferred & seeded by Rob Berger 9/24/09 flac16  
368. 12/??/70 Radio - Unknown, Unknown Unknown source. 1 shn notes
369. ??/??/70 Pacific High Recording Studio - San Francisco, CA studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A 1 shn notes
370. ??/??/70 Pacific High Recording Studio - San Francisco, CA flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD 1 flac notes
371. ??/??/70 Unknown - Unknown, Unknown flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source
Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN
flac16  

Grateful Dead Video  
  Date Venue - City, State Comments Media  
1. 08/30/70 KQED Studios - San Francisco, CA BHP using video from Alan Bershaw and FM audio upgrade
Show Type: Pro-shot Generation (if known): Low
Media Type: DVD5 Media Count: 5
Upgrade ?: NO
Lossless Source shnid= 12762
Misc Link(s): LosslessLegs Page
DVD5  
2. 08/30/70 KQED Studios - San Francisco, CA P.K Production
Show Type: Pro-shot Generation (if known):
Media Type: DVD5 Media Count: 1
Upgrade ?: NO
Lossless Source shnid= 12762
Misc Link(s): LosslessLegs Page
DVD  

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