Etree - Matt Vernon - 1054 shows
Last Update: Sunday Jan 21, 2018

[ DIFFERENCE | WANT LIST (0) | COMMENTS (17) | EMAIL ]

View List:
Jump To Artist:

Grateful Dead http://www.dead.net
  Date Venue - City, State My Sound Rating Notes   Media  
1. 01/13/80 Oakland-Alameda County Coliseum - Oakland, CA A- sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT [2008-03-06]Overall good to very good sound with only a few isolated glitches. The show has some good moments but in general these one set formats don't give the band time to get warmed up as they are used to do with a whole evening. Typical tight song driven performance of this time.   2 SHN notes
2. 01/13/80 Oakland-Alameda County Coliseum - Oakland, CA A- flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller [2010-03-16]Some "static" in a few places, but otherwise no complaints with the sound. This is more complete than the previous source.   2 FLAC notes
3. 01/13/80 Oakland-Alameda County Coliseum - Oakland, CA B+ flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion [2011-01-22]Fragment of interest to folks who find Owsley's escapades and role in developing the gd's sound intriguing.   1 FLAC notes
4. 03/30/80 Capitol Theater - Passaic, NJ A- Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead [2008-03-06]This is very well performed show, with no off moments - if you like the song selection and the gd at this time in their career then this whole show is a good snapshot - very good sound as well. Nothing epic for me fwiw.   3 SHN notes
5. 03/30/80 Capitol Theater - Passaic, NJ A- flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller [2008-03-12]Very good sound - odd that both the aud and the sbd missing a chunk of Saint to end set 1. Best show of the 3 day run?   2 FLAC notes
6. 03/30/80 Capitol Theater - Passaic, NJ A/B flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC [2008-07-22]Remaster of prior version with pitch correction etc - this is above average for 1980   2 FLAC notes
7. 03/30/80 Capitol Theater - Passaic, NJ A- flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082 [2009-03-06]Another nice Glassberg aud, good show.   3 FLAC notes
8. 03/30/80 Capitol Theater - Passaic, NJ A- flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller [2009-03-23]Workmanlike precision - excellent matrix - worthy for your collection even if it doesn't make the top 10 concerts of 1980   3 FLAC notes
9. 03/30/80 Capitol Theater - Passaic, NJ X flac24; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082   5 FLAC notes
10. 03/30/80 Capitol Theater - Passaic, NJ X Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead   3 SHN notes
11. 03/31/80 Capitol Theater - Passaic, NJ B+ Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file)[2008-03-08]Recording has some sort of processing (hiss/NR) or incorrect dolby that leaves that swishiness in the voices and cymbols - plus some cuts/drop outs etc - so give it a B+. The location sounds fine, maybe a new transfer from the master will sound better some day. Show is good but not as consistent as the previous one - and the song choice is not that interesting as well.   2 SHN notes
12. 04/01/80 Capitol Theater - Passaic, NJ A- Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead [2008-03-17]Nice clean aud - this has a strong set 2 song choice which avoids the less than interesting choices - Feel Like A Stranger, China -> Rider, Estimated -> He's Gone-> The Other One-> Drums-> Stella Blue-> Around & Around, E: Shakedown Street. This is a very good show with of course the April Fools prank   3 SHN notes
13. 04/01/80 Capitol Theater - Passaic, NJ A- mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller [2008-03-17]Nice mix etc for boards of this era. Set 2 again has a good song choice.   2 SHN notes
14. 04/01/80 Capitol Theater - Passaic, NJ A- SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy [2008-01-23]April Fool's instrument swap to start the show with Promised Land. Nice sound - set 2 is a good song selection for my tastes - another consistent delivery by the band - nothing to make it epic however, good mix. As of the listening date, I think this is the only version with the He's Gone patched (sbd that is).   3 SHN notes
15. 04/01/80 Capitol Theater - Passaic, NJ   Bertha remaster of Charlie Miller's previous seed, by Jay Ashley   3 FLAC  
16. 04/01/80 Capitol Theater - Passaic, NJ X flac24; MOTB.0076; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe   5 FLAC notes
17. 04/01/80 Capitol Theater - Passaic, NJ A- flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe [2007-01-30]Obviously the best transcription of the Glassberg recording - this performance seems to improve with repeated listenings - like set 2 song selection and good sample of the style of playing at this juncture   2 FLAC notes
18. 04/01/80 Capitol Theater - Passaic, NJ A- flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386 [2009-05-02]This is a very good matrix of a show that I have grown to like through listening to the many sources available - the playing is tight and the show unfolds seamlessly as though the band had a deliberate plan they executed as intended.   3 FLAC notes
19. 04/05/80 Saturday Night Live, NBC Studios - New York, NY A- flac16; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > 16/44.1 wav encoding; Wav > TLH (level 8) > flac + metadata B. Proctor 2/19/12 [2012-03-25]Straight up renditions   1 FLAC notes
20. 04/28/80 Boutwell Auditorium - Birmingham, AL X non-dank Barry Glassberg -> upgrade in circulation (this is obsolete)   2 SHN notes
21. 04/28/80 Boutwell Auditorium - Birmingham, AL A- flac16 MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe [2007-12-14]Very nice sound. Somewhat persistent annoying audience whistler throughout. Show is well played, a few flubs but the band plows right through them. Worth a listen.   2 FLAC notes
22. 04/28/80 Boutwell Auditorium - Birmingham, AL X flac24 MOTB Release: 0040 24/96 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe   5 FLAC notes
23. 04/28/80 Boutwell Auditorium - Birmingham, AL A- flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 [2009-07-10]Very good audience tape, the sound check is from "way back"   2 FLAC notes
24. 04/28/80 Boutwell Auditorium - Birmingham, AL X Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation   3 SHN notes
25. 04/29/80 Fox Theater - Atlanta, GA A- dankseed version - solid show, nice Terrapin, Jerry has some good licks in The Music Never Stopped. Good aud. tape   3 SHN notes
26. 04/29/80 Fox Theater - Atlanta, GA A- Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2006-01-22]Very clear recording from Joani, but the show doesn't have many highlights and a higher proportion than usual of the songs aren't my favorites - things like Ramble On Rose and Minglewood in set 2 - I wouldn't grab this one if I'm looking for an 80's show. Not bad, just sort of well played but blah.   2 FLAC notes
27. 04/29/80 Fox Theater - Atlanta, GA A- Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky [2006-01-23] ANother well played show, with this bit being the most interesting as they work out the GTH material. Lost Sailor > Saint > Terrapin Station > Almost Playing Jam ... Not an epic performance. Very nice sound on the tape by Barry and MOTB crew.   3 FLAC notes
28. 04/29/80 Fox Theater - Atlanta, GA X Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation   3 SHN notes
29. 04/29/80 Fox Theater - Atlanta, GA A- flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 [2009-07-10]Very good audience tape   2 FLAC notes
30. 05/01/80 Greensboro Coliseum - Greensboro, NC A- Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc [2008-03-12]Very nice aud - TC notes that the whole show is very rocked out and I agree - it also notes that the Estimated has a cool jam and that A&A is the last of the "double time jams at the end" for a decade. Very typical of the tight rock&roll gd at this time.   2 SHN notes
31. 05/01/80 Greensboro Coliseum - Greensboro, NC X flac24; MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DFF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB0084   5 FLAC notes
32. 05/01/80 Greensboro Coliseum - Greensboro, NC A- flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [2009-04-29]Excellent sound and a very rock-n-roll show with a cool jam in Estimated - well worth a listen.   3 FLAC notes
33. 05/01/80 Greensboro Coliseum - Greensboro, NC A- flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 [2009-07-23]Great tape -   3 FLAC notes
34. 05/01/80 Greensboro Coliseum - Greensboro, NC X Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation   3 SHN notes
35. 05/01/80 Greensboro Coliseum - Greensboro, NC X flac24; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from the floor by Bob Morris.   0 FLAC24 notes
36. 05/02/80 Hampton Coliseum - Hampton, VA A- Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc [2008-03-15]Another fine set of aud recordings, capturing the gd when they were playing very consistent shows, strong rock energy, not much jamming.   2 SHN notes
37. 05/02/80 Hampton Coliseum - Hampton, VA A- Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-01-22]Another fine aud from Joani but an equally quality show - Minglewood to start and Miracle > Bertha > GL to close the show sort of sums it up. Set 2 looks like it might have some meaty goodness with a Alabama > Stranger > Eyes as the pre-drums but the band seems to stay confined in a familiar playing style, consistently delivering a nice product. Makes it hard to say why this is a show to expend energy to find - but if you do get the recording Joani's tapes provide a topnotch listening experience to a good show.   2 FLAC notes
38. 05/02/80 Hampton Coliseum - Hampton, VA A- flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085 [2009-10-30]This is the best transcription of this upfront recording - set 1 song selection sort of blah to me - set 2 is very good with a nice little jam in NFA. Very good recording   2 FLAC notes
39. 05/02/80 Hampton Coliseum - Hampton, VA X flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085   5 FLAC notes
40. 05/02/80 Hampton Coliseum - Hampton, VA A- flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 [2009-07-10]Very good audience tape   2 FLAC notes
41. 05/02/80 Hampton Coliseum - Hampton, VA X flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 Recorded FOB from the floor by Bob Morris   0 FLAC24 notes
42. 05/04/80 Baltimore Civic Center - Baltimore, MD A- Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy [2008-03-07]Another flawlessly executed show, very clean sounding aud as well. Set 1 starts off with a 1/2 step > Franklin's > Stranger (though there is no real segue into stranger). The rest of set 1 is ok - song choice pedestrian for the most part. Set 2 is typical song choice and execution for this era as well.   3 SHN notes
43. 05/04/80 Baltimore Civic Center - Baltimore, MD X flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)   5 FLAC notes
44. 05/04/80 Baltimore Civic Center - Baltimore, MD X flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates.   4 FLAC notes
45. 05/04/80 Baltimore Civic Center - Baltimore, MD A- flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.) [2009-04-22]This show is worth a listen and this is a great tape - set 1 features several multi-song segues so its more like "set 1 songs played in set 2 style". Gets the momentum flowing. Set 2 features lots of folks favorites and is what one hopes to hear - the other thing is the playing seems very fresh despite the commonality of the songs - so give this one a listen. On my recommended list.   3 FLAC notes
46. 05/04/80 Baltimore Civic Center - Baltimore, MD X flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates   3 FLAC notes
47. 05/04/80 Baltimore Civic Center - Baltimore, MD A- flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009 [2009-07-10]Very good audience tape   3 FLAC notes
48. 05/04/80 Baltimore Civic Center - Baltimore, MD X flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Patched w/ shnid 11768 Nak 300's using Soundforge 9.0; Recorded by Bob Morris [2010-03-01]Patched version of previous seed   3 FLAC notes
49. 05/04/80 Baltimore Civic Center - Baltimore, MD X flac24; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96kHz) > Soundforge 9.0 Encore recorded with Charlie Connor's Sony ECM-990 stereo mic. Recorded by Bob Morris   0 FLAC24 notes
50. 05/04/80 Baltimore Civic Center - Baltimore, MD X flac24; 2 AKG-1000E> Sony D-5; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding   0 FLAC24 notes
51. 05/06/80 Recreation Hall, Pennsylvania State University - State College, PA A- Lineage: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800 [2008-03-12]This quote from the LMA captures this performance and recording - "the quality of this AUD is awesome and the front end of the second set is totally fantastic!! stranger > he's gone > other one is an ass whoopin 35 minute block of the new and old. snap this one up now!"   3 SHN notes
52. 05/06/80 Recreation Hall, Pennsylvania State University - State College, PA A- flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009 [2009-07-10]Very good audience tape   3 FLAC notes
53. 05/06/80 Recreation Hall, Pennsylvania State University - State College, PA X Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore [2009-12-31]More distant soundingthan the Morris aud on spot listening   3 SHN notes
54. 05/06/80 Recreation Hall, Pennsylvania State University - State College, PA X flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris [2011-05-22]Patched version of prior source   3 FLAC notes
55. 05/07/80 Barton Hall, Cornell University - Ithaca, NY A- SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller [2008-03-06]TC has a long and positive review of this show. To me, this is a slightly below average show for this tour because of the song selection and the sort of draggy moments when the band defaults into autopilot mode for the aft end of set 2. The Shakedown is rated as a strong one but can't say that I was blown over by it to want to immediately play it again.   3 SHN notes
56. 05/07/80 Barton Hall, Cornell University - Ithaca, NY A- Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston [2008-03-16] Yet another example of the very consistent, high energy - not much jamming style the gd were into at this time - check it out if that's your poison.   3 SHN notes
57. 05/07/80 Barton Hall, Cornell University - Ithaca, NY B+ flac16; Source: (fob) Sony Ecm-990 Stereo Mic > Cassette Master (marantz Superscope Cd320 maxell Udxlii); Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit 5.6mhz) > Audiogate (1-bit 5.6mhz > 16-bit 44.1khz) > Cdwav (edits); Recorded by Bob Morris w/ thanks to Sam R and Charlie Connor [2009-09-05]Good sound, Bob uses the "Plain' in the barn" lyrics a few times. Very good May 80 show, sound quality not as good as some of the other Morris seeds from spring 1980 run.   2 FLAC notes
58. 05/07/80 Barton Hall, Cornell University - Ithaca, NY X flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding   0 FLAC24 notes
59. 05/08/80 Glens Falls Civic Center - Glens Falls, NY A- Recording by Jim Wise: 2 Nak 700s + Nak 300 blend>Sony TC-D5 taped by Jim Wise via Raoul Duke and the Miami SHN Machine Set 1 of this show impressed me more than set 2. Listening to this once won't be a waste of your time but more than that might be unless you went or have a special fondness for this era. [2008-03-17]2nd listen - set 1 delivered with high energy and a nice mix up of song styles etc. Set 2 pre-drums has the somewhat unusual UJB > Estimated > Eyes sequence. Post drums is more formulaic Bobby based.   2 SHN notes
60. 05/08/80 Glens Falls Civic Center - Glens Falls, NY B+ Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman [2008-03-24]Takes a while for the sbd mix to get dialed in - I think I prefer the aud on this night. Not as much energy comes through on the sbd.   2 SHN notes
61. 05/08/80 Glens Falls Civic Center - Glens Falls, NY A- flac16; Master SDB Cassette > Cassette > DAT > CDR. Playback: CDR > Classic Portable CD Player > Panasonic EQ > Tascam CDRW 5000 Stand Alone CD Burner > CDR > increased the volume to acceptable levels and did some other tweaking > Flac frontend > flac; unknown relation to prior patched sbd in circulation [2009-02-11]This is a fine sounding board and a very well executed show - it should not dissapoint   2 FLAC notes
62. 05/08/80 Glens Falls Civic Center - Glens Falls, NY A- flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-08-03]Tight performance - excellent aud tape.   2 FLAC notes
63. 05/08/80 Glens Falls Civic Center - Glens Falls, NY B/A flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor [2009-08-26]Nice recording - solid May 80 show with a nice song selection for my tastes.   2 FLAC notes
64. 05/08/80 Glens Falls Civic Center - Glens Falls, NY X Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation   2 SHN notes
65. 05/08/80 Glens Falls Civic Center - Glens Falls, NY   flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche   3 FLAC  
66. 05/08/80 Glens Falls Civic Center - Glens Falls, NY X flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding   0 FLAC24 notes
67. 05/10/80 Hartford Civic Center - Hartford, CT A Excellent sound and an exceptional show. Set 1 is very well played, though is may not have any singularly best-ever song renditions. Set 2 is note-worthy for having CAT appear early on in the set (instead of post drums) which imparts a more rocked-out feel to the set. Many of the pre-drums set 2 songs are nicely jammed out. This is a core holding in my opinion.   3 SHN notes
68. 05/10/80 Hartford Civic Center - Hartford, CT A- AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F [2007-05-04]Upgrade from Willy's shnid=7559 (same source, transfer fixes flaws on prior xfer). This is a very rocked out, high energy show with a relentless pace. I like it a lot. Didn't compare this to the Rolfe but they are probably similar. On the Rolfe, I attenuated the cherry bombs which were loud and close. They don't sound nearby here - don't know if they were attenuated or if the mics were further away.   3 FLAC notes
69. 05/10/80 Hartford Civic Center - Hartford, CT X Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation   3 SHN notes
70. 05/10/80 Hartford Civic Center - Hartford, CT A/B flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC [2008-05-27]This was the 1st show in 1980 that I listened to and was more or less blown away by it - but this sbd which appeared this year in circulation didn't impact me as strongly as the aud - maybe a matrix will capture the crowd energy. Overall its your typical 1980 sbd mix.   2 FLAC notes
71. 05/10/80 Hartford Civic Center - Hartford, CT A- flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2009-05-09]This was teh 1st 1980 show I ever listened to on tape - it has a must hear 2nd set with a CAT in a pre-drum slot. Steve's tape is excellent.   3 FLAC notes
72. 05/10/80 Hartford Civic Center - Hartford, CT A- flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-08-03]I really like this show - great setlist and performed with more than enough energy - the recording is very clear and clean with just the right amount of crowd hoots and hollers.   3 FLAC notes
73. 05/10/80 Hartford Civic Center - Hartford, CT A- flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor [2009-08-26]Always liked this show with the great set 2 setlist - nice sound on this tape.   3 FLAC notes
74. 05/10/80 Hartford Civic Center - Hartford, CT A/B flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010 [2010-06-23]I like this show. This is a very good aud, but maybe a bit more distant than the other aud sources.   3 FLAC notes
75. 05/10/80 Hartford Civic Center - Hartford, CT X flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg   0 FLAC24 notes
76. 05/10/80 Hartford Civic Center - Hartford, CT A/B flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg [2011-03-05]Very good recording but Rolfe might be better(?) no direct comparison. Listening to the show this time I did not have the same high rating as the 1st time I heard it, which might be do to Rolfe being better tape (catches more of the crowd excitement) or my familiarization with the era.   3 FLAC notes
77. 05/11/80 Cumberland County Civic Center - Portland, ME A/B Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is.[2008-03-31]This is a show which is well played throughout - typical setlist for the time but almost every show in this May 1980 tour is worth a spin if you like 1980 gd. There is a small annoying audience member who provides a sort of descending wail throughout the show - don't know if this is the woman who used to be at the Greek shows but its sounds similar. Anycase, an enjoyable way to spend a few hours.   2 SHN notes
78. 05/11/80 Cumberland County Civic Center - Portland, ME X Original SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation   3 SHN notes
79. 05/11/80 Cumberland County Civic Center - Portland, ME A- Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon [2008-03-07]Very nice audience recording - another well played show throughout with a nice song mix - done in the style of the times - nothing to specifically note as over the top, more of a show characterized by the overall playing - if you like 1980 gd, this will appeal to you.   3 SHN notes
80. 05/11/80 Cumberland County Civic Center - Portland, ME A- flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087 [2008-04-01]Very nice sound on this board and a great set 2 setlist. Recommended that you listen to some source from this date.   3 FLAC notes
81. 05/11/80 Cumberland County Civic Center - Portland, ME X SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation)   3 FLAC notes
82. 05/11/80 Cumberland County Civic Center - Portland, ME A- flac16; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg [2009-05-02]Nice audience recording - a good but not one of the top shows of this period   3 FLAC notes
83. 05/11/80 Cumberland County Civic Center - Portland, ME X flac24; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg   0 FLAC notes
84. 05/11/80 Cumberland County Civic Center - Portland, ME A- flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction. [2009-05-15]Excelleny auid tape from a string May 1980 show - Like the 2nd set setlist.   3 FLAC notes
85. 05/11/80 Cumberland County Civic Center - Portland, ME B/C flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor [2009-09-04]This source suffers from faint bleedthru of a previous recording - listen in drum or in the quiter bits like Black Peter.   3 FLAC notes
86. 05/11/80 Cumberland County Civic Center - Portland, ME X SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation   3 SHN notes
87. 05/11/80 Cumberland County Civic Center - Portland, ME A- flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010 [2010-05-17]Nice tape and a strong performance for 1980 - I liked BRR Blues and of course the S>F that opens set 2 is worth mentioning..   3 FLAC notes
88. 05/11/80 Cumberland County Civic Center - Portland, ME X flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010   3 FLAC24 notes
89. 05/11/80 Cumberland County Civic Center - Portland, ME X flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris.   0 FLAC24 notes
90. 05/12/80 Boston Garden - Boston, MA A- Nak 700's > Sony TC158 Master Cassette. recorded by Steve Rolfe, front row balcony. A>D by Noah Weiner (noahbw@home.com) October, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only). Soundforge was used for normalizing and editing. [2008-03-15]Very good aud considering the Garden. This is a show worth hearing for the Caution jam pre-drums. This comment from the LMA captures the gist of this show "2nd set energy is phenomenal. Great version of Saint, crazy waltz-like jam after He's Gone, super high energy Sugar Mags and Jerry belting out the lyrics on US Blues. A true gem."   3 SHN notes
91. 05/12/80 Boston Garden - Boston, MA A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-05-27]This is a strong performance that circs in a good aud recording - this sbd is a nice addition - mostly for the mix of Brent and Phil in the Caution jam where you can hear their contributions clearly. Definitely a good addition to your collection if you are partial to this era of the gd   2 FLAC notes
92. 05/12/80 Boston Garden - Boston, MA A- flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)[2009-04-16]Patch is in the space segment   2 FLAC notes
93. 05/12/80 Boston Garden - Boston, MA B flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor [2009-09-05]This is recorded a ways back and sounds indirect with a bit too much nearby crowd chatter. I enjoyed this show.   3 FLAC notes
94. 05/12/80 Boston Garden - Boston, MA A- flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010 [2010-05-17]Very good aud tape - this performance is a tad better than the previous night - the jam into drums being noteworthy. Jerry seems more energetic than usual on the standard US Blues encore   3 FLAC notes
95. 05/14/80 Nassau Veterans Memorial Coliseum - Uniondale, NY B+ Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston [2008-03-20] From Mr. Miller "None of this show was used for Go To Nassau. I was at this show, felt it was kinda laid back, but fun. I agree that the 3rd night of the run was the best by far. " This tape has some blemishes, and the performance is a notch less engaging than others at this time.   3 SHN notes
96. 05/14/80 Nassau Veterans Memorial Coliseum - Uniondale, NY X flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry) [2011-01-30]Confirmed with comment that location is poorer compared to Glassberg aud   3 FLAC notes
97. 05/14/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg [2011-06-21] The version of TMNS to end set 1 is very good. Not Barry's best but still a very good aud of a good show from a strong May 80 tour.   3 FLAC notes
98. 05/15/80 Nassau Veterans Memorial Coliseum - Uniondale, NY X AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B [2008-03-28]An upgrade to this is in circulation   2 SHN notes
99. 05/15/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A/B flac16; AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K > CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC (level 8) [2008-04-04]This performance contributed some material to teh GTN release so one hopes it would be one of the better May 1980 shows - it has its moments but isn't head and shoulders over other dates - the Jack Starw > Franklin's opening pair gets things off to an energetic start.The second set has a strong song choice which melds the new GTH material with the old classics.   2 FLAC notes
100. 05/15/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2009-01-14]Good mix and sound. Typical show for this month.   2 FLAC notes
101. 05/15/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1 [2009-12-31]Excellent show and recording.   3 FLAC notes
102. 05/16/80 Nassau Veterans Memorial Coliseum - Uniondale, NY X Master Soundboard Cassette > Cassette > DAT> CDR. Around & Around cuts, missing Johnny B. Goode and Brokedown Palace. Clugston 12/25/01 [2011-07-01]More complete version based on this shnid is available   3 SHN notes
103. 05/16/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008 [2008-01-22]After listening to a bunch of Joani walker auds this sbd sounds kind of life less. This is one of the nights that contributed to the GTN release. TC rates the whole show as worth hearing. Set 1 has a nice LLR > C >R to close and the pre-drums Stranger > Althea > Sailor > Saint > Eyes features the new Go To Heaven material well. The Dew in set 2 was rarely performed in the early Brent era - so that adds a little special sauce to the night. The band had a more than statistical number of notable shows at Nassau Coliseum and this one would fit that trend. This source is a merging of several sbd sources of various lineage in order to get something complete.   3 FLAC notes
104. 05/16/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Source: 3 Nak 300's > NAK550 Lineage: MAUD>C>WAV>FLAC [2009-09-03]This is a very good show and a good tape - sound quality is typical for aud tapes of this era - set 2 has a good mix of old and new songs - can never go wrong with a Dew in set 2.   3 FLAC notes
105. 05/16/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Transfer: Master Cassette Transfer->RR ->Cassette Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac [2010-04-30]Very nice audience recording - ambiance w/o distraction - maybe small glitch in EOTW.   3 FLAC notes
106. 05/16/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg [2011-01-20]Excellent audience recording, but during set 2 sometimes the right channel is low. Good but not standout show. Dew is over rated - but since it wasn't overplayed it comes across as special   3 FLAC notes
107. 05/29/80 Des Moines Civic Center - Des Moines, IA A/B Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon - not a bad recording but not great either. show has some energy but nothing that would compel you to search this out. [2008-03-17]Gave this another spin - very good but not stellar aud. I think the LIG in set 1 is wortha listen. The post drums/space is also good with a Sailro>Saint>CAT (a nice song combo IMO). So I'm upping my rating of the sound and show from my 1st listen from a few years back. Remarkably there is no reveiw on the LMA for this show!   3 SHN notes
108. 05/29/80 Des Moines Civic Center - Des Moines, IA A- sets 1p,2; Nak 300, FOB right center of stage> Nak 550 > DAT, taper unknown; Transfer: DATs (48) > Sony 60ES > M-Audio Audiophile USB > CDWAV > Golwave minor edits and resampling > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman [2008-04-04]The 2nd set has a nice, classic song selection which shows the bands experimentation of where to place the Sailor> Saint material. Here is happens this way:Estimated -> Eyes ->drums ->space->Sailor-> Saint ->Comes a Time...being a real fan of CAT as the ballad this show gets bonus points - very listenabel aud.   2 FLAC notes
109. 05/30/80 Milwaukee Auditorium - Milwaukee, WI B/A Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon not a great aud source but good enough to determine this was a solid show but nothing spectacular. unless you attended you don't need this [2008-03-31]Gave this a 2nd listen - source improves in sound quality as show unfolds, though it starts out with a borderline C+ rating. The jam into the drums segment is worth a listen - the rest of the show is very good maintaining the energy and setlists of the May 1980 run   3 SHN notes
110. 05/30/80 Milwaukee Auditorium - Milwaukee, WI A/B flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-05-27}Another 1980 sbd that appeared for the 2008 GD marathon - pleasant enough mix and sound - not the strongest show from May 1980 but typical of the performances from that tour   1 FLAC notes
111. 05/30/80 Milwaukee Auditorium - Milwaukee, WI A- flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller [2008-07-15]Complete show in sbd (set 2 same as prior seed). Fairly respectable show, but I'd rate it as typical for 1980 w/o something unique.   2 FLAC notes
112. 05/31/80 Metropolitan Sports Center - Bloomington, MN A- AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy [2008-03-20]Nice aud - another typical show for this era - tight energetic playing, no epic jams, lots of Go To Heaven material. From the LMA - "I forgot how good this show was. After the hassle in Milwaukee the night before (see review),the boys seem ready to have some fun. They're hot out of the box with a smoking tandem and wrap the first set with the same energy on Deal. The front of the second set features mostly medium-slow tempo ballads (three of them with a nautical theme) and the back half all rockers. What is unusual is the inverted middle of the set with Wharf Rat>Other One before Drums and Miracle>Bertha after."   2 SHN notes
113. 05/31/80 Metropolitan Sports Center - Bloomington, MN B/A flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller [2008-05-07]IIRC, maybe the mix starts out a little light on the guitars, but overall, can't be too picky. This is an above average performance - keeping in mind what and how the band was playing at this time,   3 FLAC notes
114. 05/??/80 Nassau Veterans Memorial Coliseum - Uniondale, NY B+ flac16; FM broadcast > cassette (TDK SA-90) > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC [2008-03-15]Has a noticeable FM signature - many songs are cut - doesn't really capture much of a concert feel. Skip this and get the full releases.   1 FLAC notes
115. 06/05/80 Compton Terrace Amphitheatre - Tempe, AZ B+ FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore [2008-03-17]Being an outdoor venue, there is no reverb to add to the ambiance of the recording. Set 2 starts off with China Cat Sunflower-> I Know You Rider-> Lost Sailor-> Saint Of Circumstance-> Terrapin Station as they try different placements of the new Sailor > Saint combo. nothing to distinguish this performance from others and the sound quality is a bit lower imo.   2 SHN notes
116. 06/05/80 Compton Terrace Amphitheatre - Tempe, AZ B+ flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor [2009-08-08]NIce aud recording - good performance but nothing to put it in the top shows of teh year.   3 FLAC notes
117. 06/05/80 Compton Terrace Amphitheatre - Tempe, AZ X flac24; (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris. Transfer (Jul 09) and 24/96 edit/patch (Dec 09) by Bob Morris.   0 FLAC24 notes
118. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO C Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy [2008-05-03]Significant overload distortion on this one so skip it in favor of the Joani Walker Charlie Miller seed.   2 SHN notes
119. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO A- flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller [2008-04-01]Very good aud - these 1980 shows have places where the jam is worth listening to - the entry into and out of drums - drums itself seem very similar this whole year - this is a good but not a top quartile show of 1980. The intro to NFA is good.   3 FLAC notes
120. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO B+ flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick [2008-04-04]An upgrade over what was available at the time but now get the Walker tape. This one sounds boomier and definitely not as "clear". This is a good show for 1980   2 FLAC notes
121. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO A- flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2009-03-21]This show is rock-n-roll gd, doesn't have any transportational mind bending jams - just a party for their 15 year anniversary. The sound on this recording is very good, though perhaps a bit directional given that its an outdoor show and lacking any hall ambiance - 3 song encore of high energy tunes is unusual, maybe unique?   2 FLAC notes
122. 06/07/80 Folsom Field, University Of Colorado - Boulder, CO B+ flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor [2009-09-08]15th anniversary show - nice jam pre-drums - sound is typical for outdoor venues - not much reverb so soundfield is a bit 2-dimensional   3 FLAC notes
123. 06/08/80 Folsom Field, University Of Colorado - Boulder, CO A- FOB Senn 421's>Nak 550 Cm>DAT>CD>EAC>Soundforge4>SHN Recorded By Rob Eaton [2008-03-17] This show seems a tad special starting set 1 with Uncle John's Band-> Playin' In The Band-> Uncle John's Band and a double encore. SO far in my 1980 listening, the band seems to be into this performance more than usual so it is a recomended listening.   3 SHN notes
124. 06/08/80 Folsom Field, University Of Colorado - Boulder, CO A- flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller [2008-04-01]This show is standing up well to repeated listening - the band clearly did something unusual in the setlist choice - and this is a very good sounding aud - so give this a whirl - you won't be dissapointed.   3 FLAC notes
125. 06/08/80 Folsom Field, University Of Colorado - Boulder, CO B+ flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris [2009-09-08]Good tape for an outdoor show - set 1 mixes it up with a UJB>PITB sandwich to start off   3 FLAC notes
126. 06/08/80 Folsom Field, University Of Colorado - Boulder, CO A- Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor [2009-12-29]Did no t compare if this is the same as the Eaton recording, but that's the assumption   3 SHN notes
127. 06/12/80 Portland Memorial Coliseum - Portland, OR A- AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy [2008-03-13]Another very good aud that captures teh band playing very rocked out shows with the song mix in rotation w/o any flubs etc. So if you like this era of the gd, then this is another good example, as this person noted on the LMA "Who is the taper? Phenomenal job brother! This sounds almost as good as 11/29/80. But I like this show just as much. Check out the huge versions of BEW and Cassidy in the 1st set. Second set what the boys were all about...amazing live music at its best! One hell of a show!!! I do not know enough about all the Mount St. Helen eruptions and the timing of them. I was only 6 years old at the time of this show. All I can say is, it's tough to beat 1980 Grateful Dead music. Keep the great AUDs coming!!!"   3 SHN notes
128. 06/12/80 Portland Memorial Coliseum - Portland, OR A- Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston [2008-03-17]Set 2 starts off with Drums-> Scarlet Begonias-> Fire On The Mountain-> Estimated Prophet. Nice aud - give this a spin.   2 SHN notes
129. 06/13/80 Seattle Center Arena - Seattle, WA A/B Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston [2008-03-20]Very clear, and somewhat overloaded at times aud tape. Characteristic show of this era - set 2 has this tasty chunk - LIG-> China -> Rider-> CC Rider-> Terrapin -> Drums-> The Other One-> Wharf Rat-> but the execution itself has nothing to single it out.This LMA quote provides some background "he highlight of the show had to be the incredible version of "Let it Grow" into "China Cat Sunflower". For those who were privileged to attend or listened to the tape, you'll hear a nice lull in the music right at the segue into "I Know You Rider". The reason for this is Mr. Weir had broken a string and needed some time for repair....Jerry and Phil use this opportunity for some serious entertainment. Bob eventually completes the string repair and joins the band for a scorching version of "Rider"."   3 SHN notes
130. 06/13/80 Seattle Center Arena - Seattle, WA A- flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2008-04-26]Nice sound, average 1980 performance.   3 FLAC notes
131. 06/13/80 Seattle Center Arena - Seattle, WA A- lac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris [2009-09-08]Upfront recording - Bob seems to be playing off tune in a few places - set 2 has an atypical LIG >CC > IKYR pre-drums.   3 FLAC notes
132. 06/14/80 Spokane Coliseum - Spokane, WA B+ Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston [2008-03-21]Very similar sound to prior night for same mics. Upfront. This show is more energetic than the prior night as well by a little bit. Nothing to warrant specifically seeking this one out though.   3 SHN notes
133. 06/14/80 Spokane Coliseum - Spokane, WA A/B flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2008-04-26]Nice sound ok show but not a compelling listen   3 FLAC notes
134. 06/14/80 Spokane Coliseum - Spokane, WA A- flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris [2009-08-08]This is a very good audience tape - check out the space out of drums for great Jerry improv and nice Brent support.   3 FLAC notes
135. 06/14/80 Spokane Coliseum - Spokane, WA A- flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1 [2010-01-27]This is a very tasty aud- cear, bright sound, no intrusive audience noise - made me like the show much more than I did before I listened to this source.   3 FLAC notes
136. 06/14/80 Spokane Coliseum - Spokane, WA X flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded by Bob Morris. Transfer (Jul 09) and edit/patch (Dec 09) by Bob Morris.   0 FLAC24 notes
137. 06/19/80 West High Auditorium - Anchorage, AK X SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation   2 SHN notes
138. 06/19/80 West High Auditorium - Anchorage, AK A- Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller [2007-10-20]Warmup show, though still worth a listen. I like this run of shows.   3 FLAC notes
139. 06/19/80 West High Auditorium - Anchorage, AK A- Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2007-01-08]Very clear aud - in part a result of the room. Doesn't get much cleaner than this. Nice bass response as well. show is 1st of run and a tad bit relaxed (maybe some issues with the equipment or tiredness from travel).   2 FLAC notes
140. 06/19/80 West High Auditorium - Anchorage, AK X flac16; Recording Info: SBD -> Cassette Master Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; upgrade in circulation   2 FLAC notes
141. 06/20/80 West High Auditorium - Anchorage, AK X both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation   3 SHN notes
142. 06/20/80 West High Auditorium - Anchorage, AK A Claridge aud patch from Healy - great recording and one of the best shows from 1980. Set 1 starts w/ a 4 song segue fest with Jerry adding many embellishes. All songs in set 1 are well played and clearly not just run throughs to fill the alotted time. Set 2 has a most execellent Estimated > TOO. Core holding for me.   3 SHN notes
143. 06/20/80 West High Auditorium - Anchorage, AK A- Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row J, Seat 2, Right Side; 25' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2008-01-09]Very nice clear sound, little reverb from hall because of size. This is a nice little 1980 show - starts off with a nice and unusual segue fest of Jack Starw > Franklins > Mama Tried > Mexicali Blues, closes with a Sailor > Saint > deal with a LIG > Althea in between. Set 2 continues the energy with Alabama > GSET. Estimated > TOO > NFA > Peter > A&A > JBG is somewhat standard but the playing is excellent 80 style.   3 FLAC notes
144. 06/20/80 West High Auditorium - Anchorage, AK   SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley   3 FLAC  
145. 06/20/80 West High Auditorium - Anchorage, AK X SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation   3 FLAC notes
146. 06/20/80 West High Auditorium - Anchorage, AK A- Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller [2008-04-04]I really like the Estimated > Other One> drums > Space > NFA segment. TOO doesn't have any massive Phil intro - sort of sneaks up nicely - Garcia doing some very good guitar work there - NFA has that grungier chording that paired up nicely with the more subtle rendering of TOO. Surprised this one hasn't been turned into a matrix yet.   3 FLAC notes
147. 06/20/80 West High Auditorium - Anchorage, AK A- flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) [2008-07-22]When I 1st heard the aud of this show I thought it was very strong performance - though this is a nice matrix I did not find myself as drawn into the performance esp the post drum portion   3 FLAC notes
148. 06/20/80 West High Auditorium - Anchorage, AK X flac16; SBD > MC > SS > SBM2 > CDA> WAV(EAC) > SHN > DAW(Bertha) > CDA/SHN > CE2k > FLAC [pitch corrected version of shn id 25468 by Bill Tetzeli]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
149. 06/20/80 West High Auditorium - Anchorage, AK X set 1; analog SBD -> Processed in Sound Forge 4.0 -> CDR; Generation Unknown; had been around for a while as data wavs in abgd circles, now shned by James Hicks; note most tracks have more than 1 song; upgrade in circulation   1 SHN notes
150. 06/21/80 West High Auditorium - Anchorage, AK X Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation   3 SHN notes
151. 06/21/80 West High Auditorium - Anchorage, AK A- Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi - another very nice sounding aud at the summer solstice. This night isn't as good as the previous but don't let that deter you. Still worth a listen and for its time this is a very good audience recording. [2008-05-03]STill sounds very good and a worthy aud for your collection for a strong 1980 show.   3 SHN notes
152. 06/21/80 West High Auditorium - Anchorage, AK A- Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches [2007-01-21]Exceptional sound of a well executed show featuring the playing style of this time. Only thing that doesn't make this epic is that "the playing style of this time" was based on a consistently delivered product that focused more on the songs. Nevertheless, well delivered product and a way above average aud tape.   3 FLAC notes
153. 06/21/80 West High Auditorium - Anchorage, AK X flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs   3 FLAC notes
154. 06/21/80 West High Auditorium - Anchorage, AK X flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan.   4 FLAC notes
155. 06/21/80 West High Auditorium - Anchorage, AK   Bertha Remaster of Master Soundboard Cassette Source   3 FLAC  
156. 06/21/80 West High Auditorium - Anchorage, AK A- flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs [2008-04-10]Excellent mix of a very fine 1980 show - well worth a listen   3 FLAC notes
157. 06/21/80 West High Auditorium - Anchorage, AK A- flac 16; Soundboard> Cassette Master> Sonic Solutions (20bit)> SBM2> Master CD> EAC> FLAC. Cassette Masters provided by Richard Hale, Transfer and patch by David Gans, FLAC and upload by Joe Samaritano [2008-04-26]Excellent sound and a great 1980 show -paired with the prior night and this is a great snapshot of the gd in 1980   3 FLAC notes
158. 06/21/80 West High Auditorium - Anchorage, AK X SBD -> ?? -> DAT(2) -> CDR; transfer: Sony PCM-M1 -> coaxial SRC -> Marantz CDR630 ->? Astarte CD-Copy 2.0.3 -> AIFF -> SoundApp (WAVE) -> SHN; seed via J. Wise et al; transfer by Dan M.; d1t1, Random digi-noise/distortion for first 45 seconds; d1t6,? Major Splice is on Master; d2t3, 1st Verse is missing; see additional flaw note about d2t7 in pub comments; upgrade in circulation   3 SHN notes
159. 06/21/80 West High Auditorium - Anchorage, AK X flac16; Repatched fix of shn id 8369 - Master Soundboard Cassette > Reel To Reel > DAT> CDR by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
160. 06/21/80 West High Auditorium - Anchorage, AK A- flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) [2011-06-24] These Alaska shows are generally a good run and this matrix provides a good listening experience for the last show. I prefer the songs on the prior night but still this is a very good show for this year and this version would please most folks.   3 FLAC notes
161. 06/21/80 West High Auditorium - Anchorage, AK A- flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller [2011-07-01]This is the preferred pure sbd version of this show as of this date.   3 FLAC notes
162. 06/29/80 Pauley Pavilion, UCLA - Los Angeles, CA B 2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy [2008-05-03] Noticeable "swirliness" to this one - unfortunately, its the only sbd that circs as of now   1 SHN notes
163. 06/29/80 Pauley Pavilion, UCLA - Los Angeles, CA B+ set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon- ok sound, ok songs, nothing demands you need to get this set [2008-04-27]Opinion unchanged for the most part though most shows during this time were similarly played.   1 SHN notes
164. 06/29/80 Pauley Pavilion, UCLA - Los Angeles, CA A/B Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench [2008-01-22] Strong setlist on paper, with an unusual Estimated > S> Fire in the pre-drums slot. The band is very tight in their playing by now, with Brent integrated. Not much to mark it up or down by compared to other shows in this year. The aud tape had some volume fluctuations in Fire IIRC.   2 FLAC notes
165. 06/29/80 Pauley Pavilion, UCLA - Los Angeles, CA B- flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2) [2008-04-10]Suffers from drop outs that are borderline long - haven't compared to see if the other auds that circ are in fact better transcriptions of this making this obsolete.   2 FLAC notes
166. 06/29/80 Pauley Pavilion, UCLA - Los Angeles, CA X flac24; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits   2 FLAC notes
167. 07/01/80 San Diego Sports Arena - San Diego, CA B+ sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole [2008-03-26]This seems a step down from the May shows - standard setlist, just nothing that interesting to me - reveiws on the LMA seem to agree - noting a rather good China Cat Jam. The board mix starts out weird but improves - maybe a good aud would leave a different taste in my mouth?   3 SHN notes
168. 07/01/80 San Diego Sports Arena - San Diego, CA B+ flac16; Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason [2013-11-02]Appears to be same "source" but lower gen. Reasonable performance without any special mentions   0 notes
169. 08/16/80 Southern Illinois University - Edwardsville, IL B aud - levels are hot and some tape decay result in this aud receiving a B rating. Lots of energy in this show despite teh rain, but my guess is this aud will appeal mostly to people that attended the show or are fond of this time period. There are better sounding tapes for equivalent energy shows so you don't have to seek this one out.   3 SHN notes
170. 08/16/80 Southern Illinois University - Edwardsville, IL X Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation   3 SHN notes
171. 08/16/80 Southern Illinois University - Edwardsville, IL B/A flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-04-10]This is a very true comment "Various PA noises throughout the show" - annoying like fingernails on blackboard, otherwise a fine recording   3 FLAC notes
172. 08/17/80 Kansas City Municipal Auditorium - Kansas City, MO B AUD>?>CD; via Paul B; Seeded to etree by Willy [2008-03-27]We've become spoiled by generally very good auds - this one has a distinctly distant feel to it on the vocals, combine that with a mailed in set of standard stuff and this is one that you can skip.   2 SHN notes
173. 08/17/80 Kansas City Municipal Auditorium - Kansas City, MO B+ flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller [2009-01-14]Sound quality and mix are good but perhaps a bit less than the better boards. Listenable but not special.   2 FLAC notes
174. 08/19/80 Uptown Theater - Chicago, IL B+ Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy [2008-03-27]Reasonable aud but a rather bland performance - set 2 starts off with Rooster (never got into this song), and the post drums has PITB and CAT, but can't say that these instances are worth noting beyond their unusual placement in the song order.   3 SHN notes
175. 08/19/80 Uptown Theater - Chicago, IL A- flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller [2008-04-02]This was teh 2nd time I listened to this show and my opinion has improved, again the aft end of the show is strong, especially the morphing from the drums into PITB followed by CAT is nice - so this section - China Cat -> IKYR-> Estimated -> Eyes -> Drums-> Space->Playin' -> CAT -> Playin' - is very good. The drums portion also has a point where it sounds like the Happiness Is Drumming Theme. Nice sound. SO give it a spin.   3 FLAC notes
176. 08/20/80 Uptown Theater - Chicago, IL B+ Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy [2008-03-27]Another rather ho-hum show to me. Good aud.   3 SHN notes
177. 08/21/80 Uptown Theater - Chicago, IL B+ SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy [2008-03-26]Adequate sbd recording of a generally mailed in show though the set list has potential. This LMA quote hints at the lacklusterness of this night -"This is a great performance of the Wheel, the highlight of the show for me. Worth listing to. The show is uneven and a bit sloppy in places, and Bob's vocals are rough (not in a good way, as in All Over Now). The show also gets points off for having two Drums in one show. Not a "bad" show, though, like those of the mid '80's and mid '90's. The sound isn't that bad. The mix gets better about a third of the way into the show. This soundboard is better than many or most audience recordings."   2 SHN notes
178. 08/21/80 Uptown Theater - Chicago, IL A/B flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2009-06-01]This is a remaster by Charlie of the prior sbd shnid. Set 1 starts with a promising CR&S but suffers from a song selection by both Jerry and Bobby that don't overlap with my preferred tunes. It is unusual in that sense of avoiding songs that are my favorites. Set 2 starts with drums (they did this a few times in 1980) and unlike set 1 doesn't have any tunes that I would characterize as other than strong. Sound quality is good but not stellar.   2 FLAC notes
179. 08/23/80 Alpine Valley Music Theatre - East Troy, WI A- Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis [2008-03-26]After a string of rather uninteresting shows, the energy level on this one returns to the May 80 level - TMNSP to end set 1 and the Sailor>Saint at the start of the set 2 jam are good examples of the energetic 1980 gd. This is a very good aud as well.   2 SHN notes
180. 08/23/80 Alpine Valley Music Theatre - East Troy, WI A- Recording Info: Unknown Mics -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-01-16]A solid 1980 performance - though no epic highlights - strength instead comes from maintaining a good energy flow throughout the sets. Call it a typical well played 1980 show.   3 FLAC notes
181. 08/24/80 Grand Center - Grand Rapids, MI A- Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek [2008-04-26]Excellent aud; typical delivery and style for the period - Brian Dyke gives the show a rather poor review but to me it was typical of what the band delivered at this time.   3 SHN notes
182. 08/26/80 Cleveland Public Hall - Cleveland, OH A/B SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy [2008-04-26]Any show where CAT is played is usually worth a listen - this one no exception - nice sound.   2 SHN notes
183. 08/26/80 Cleveland Public Hall - Cleveland, OH A/B flac16; Recorded by Joel Barnhama Master Audience Cassette; 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC [2008-04-01]Pretty good audience recording - quality seems to improve over the performance - this show has a strong aft end of set 2 - UJB-> PITB-> Drums-> CAT-> Sailor-> Saint -> Casey Jones, sort of unusual song choice and some excellent 1980 style playing.   2 FLAC notes
184. 08/26/80 Cleveland Public Hall - Cleveland, OH x sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source   2 FLAC notes
185. 08/26/80 Cleveland Public Hall - Cleveland, OH A- flac16:source: master cassette recorded by Nick Millner Nak 300 mics -> Sony D5 patched out of "Gus from Arkansas" 1st gen cassette: Sony D5 -> unknown cassette recorder this recording: 1st gen cassette p/b in Sony D-5 -> sound card -> CDWav editor -> Wav -> FLAC. Seeded at Dime-A-Dozen ~ 2/26/2010 [2010-03-01]This does sound mor upfront and brighter than the other aud for this date.   3 FLAC notes
186. 08/27/80 Pine Knob Music Theater - Clarkston, MI B+ AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy [2008-03-28]This is another well played but mostly undistinguished show - this LMA comment is apt though rates the show higher than I would "While nothing here will be mistaken for a best ever version, everything is played tight, competently, and with mucho energy. The china-rider is almost a southern rock version of the song- highly enjoyable. As is the rest of the show."   3 SHN notes
187. 08/27/80 Pine Knob Music Theater - Clarkston, MI B+ flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-07-22]Sound quality a bit lower than usual - show didn't grab me on this revisit.   3 FLAC notes
188. 08/27/80 Pine Knob Music Theater - Clarkston, MI A- flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2013-03-16] A few places with some diginoise but its benign. Fairly standard 1980 show. No special mentions   3 FLAC notes
189. 08/29/80 The Spectrum - Philadelphia, PA A/B 1st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy [2008-03-28]Although nothing is super exceptional, Jery's intonation on the vocals suggests he's enjoying this show and the performance overall is very good.   3 SHN notes
190. 08/29/80 The Spectrum - Philadelphia, PA A- flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-05-07]Strong show and a very listenable tape - wortha spin if you like the gd in this era.   3 FLAC notes
191. 08/29/80 The Spectrum - Philadelphia, PA B+ flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-08-15]SOmewhat distant sound, jerry not that high in the mix, Brent comes through clearly. Somewhat "short" but to the point show - best part is the LIG through intro to drums with the jam out of He's Gone into TOO showcasing some good Brent initiative.   2 FLAC notes
192. 08/29/80 The Spectrum - Philadelphia, PA B flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris [2009-10-10]This recording suffers from an intrusive clapper near by - sound I would rank as good but not as good as many auds from this year, maybe a bit further back and/or mics set lower?   3 FLAC notes
193. 08/29/80 The Spectrum - Philadelphia, PA   flac16; Set 2 only, AUD, unknown equipment & lineage. Pitch adjusted. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > TLH > FLAC 1644, January 2013.   1 FLAC  
194. 08/30/80 The Spectrum - Philadelphia, PA A- 2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info) [2008-03-31]ok - this is a nice mix and sound - this is a good show that folks who like 1980 gd will enjoy.   2 SHN notes
195. 08/30/80 The Spectrum - Philadelphia, PA A- 1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy [2008-04-26]Good sound and mix -   1 SHN notes
196. 08/30/80 The Spectrum - Philadelphia, PA B Recording by Jim Wise: complete; AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5> CM > Nak Dragon > Sony PCM R-700 > D > HD > SndFge > CDR via Mike McCarthy, encoded by Matt Vernon - typical 80 show, sound a bit distant and crowd somewhat loud, but listenable for sure. No particular highlights, just a solid show. [2008-03-28]Opinion more or less unchanged - after hearing more shows around this time this is an average performance - this recording is alo very much more distant than most from this era   3 SHN notes
197. 08/30/80 The Spectrum - Philadelphia, PA A- flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-08-22]Another excellent spectrum show - love the CR&S and set 1 setlist for teh most part; set 2 also has many of my fav tunes. Very good ambiance capture on the recording.   3 FLAC notes
198. 08/30/80 The Spectrum - Philadelphia, PA B+ flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris [2009-10-16]This is a very good recording, marred somewhat by annoying nearby audience vocalizations - the Fire is quite good, especially Garcia's ending rev-up.   3 FLAC notes
199. 08/30/80 The Spectrum - Philadelphia, PA X flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
200. 08/30/80 The Spectrum - Philadelphia, PA A- flac16; Set 1 SBD>?>CD Set 2 SBD>MR>DAT>DAT Clone>CDR>FLAC>WAV>Cool Edit Repitch>FLAC (see text file for caveats) (note: This fixed source was originally seeded with a flawed d2t01.) [2010-06-20]Spectrum shows always seem to be better than average performances from the tour.   3 FLAC notes
201. 08/30/80 The Spectrum - Philadelphia, PA A- flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-01-16]Well played but typical show for this era so can't say there is anything special.   3 FLAC notes
202. 08/31/80 Capital Centre - Landover, MD A- Audience (unknown equipment -- may be Jim Wise's master); Seeded to etree by Peter Braverman [2008-03-31]Set 2 has a nice song selection esp pre-drums : Greatest Story Ever Told-> UJB-> Sailor-> Saint -> CAT-> Truckin'-> Drums-> The Other One-> Stella Blue-> I Need A Miracle-> Good Lovin'-> Brokedown Palace, though I am tired on INAM->GL - it is always the same by this time and Bob's screeching on INAM is a buzzkill for me. Overall nice aud.   3 SHN notes
203. 08/31/80 Capital Centre - Landover, MD A- Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi [2008-03-28]Very nice aud - set 1 is standard high energy 1980 songs - set 2 has a nice Sailor > Saint > CAT pre-drums. Above average 1980 show   3 SHN notes
204. 08/31/80 Capital Centre - Landover, MD A/B AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller [2008-03-13]Another show characterized by tight playing and varied song selection with a CAT pre-drums in set 2. Robert Goetz elevates this show to one of his favorites, though to me it is fungible with many shows from 1980 excluding the lethargic Warfield and RCMH runs. The aud is good but the sbd suffers from vocal distortion but morphs into an enjoyable listen. This LMA reviewer says "THE ENTIRE 2ND SET SMOKES! I've listened to Set II of this recording many thousands of times from beginning to end over the past 20 years. Unfortunately the recording levels were over driven for the first 2 or 3 tracks, but then the sound gradually clears. Consistently accurate, magical, inspired, and most of all, INTENSE!"   3 FLAC notes
205. 08/31/80 Capital Centre - Landover, MD A- flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5 [2008-04-14]Tasty show with a very good set 2 song selection and a nice recording to boot. On the recommended list!   3 FLAC notes
206. 08/31/80 Capital Centre - Landover, MD A- flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris [2009-10-03]Nice tape - show has a pre-drums CAT - I'd rank the performance as average to slightly better for 1980 -a year of consistency and similar playing style   3 FLAC notes
207. 09/02/80 Community War Memorial Auditorium - Rochester, NY X Discs 1&3 :AUD(FOB)> MC> DAT> CDR> SHN; Disc 2:SBD> MR> ?> C> DAW> SHN; complete aud in circulation; ; soundboard upgrade in circulation [2008-04-29]This was an early seed which is now obsolete - the complete aud portion circulates separately and an upgrade to the sbd portion has also appeared   3 MISSING notes
208. 09/02/80 Community War Memorial Auditorium - Rochester, NY B+ flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller [2008-03-17]Not the best sbd or mix and the show isn't that strong to me, the Iko in set 2 especially slow like the whole band was on qualudes. This LMA comment jives with my feelings "An average show, though the vocals (particularly Bob) aren't up to other shows in this year. There isn't much inspiring in the first set. The highlight of the show is the jam (called Space here) before the slow Iko. The jam is top Dead. After Iko we get a surprise Morning Dew, which they hadn't played much in recent years. This was only the 5th time they had played it since the end of 1977. Jerry's vocals on this tune don't match the quality of his guitar emotional playing here, of which there is amble quantity. The mix is subpar for a soundboard, and may be masking some of the quality of this show (I haven't heard the audience recording.) There's also a slight hiss."   3 FLAC notes
209. 09/02/80 Community War Memorial Auditorium - Rochester, NY A- AUD (FOB, unknown mics)> MC> DAT> CDR> EAC> SHN; complete version of SHN ID 4954, ; reEAC> SHN from the original source audio CDs; CD Mastering, EAC> SHN> seeding to abgd by Skankweed [2008-04-28]Very listenable aud - set 1 has a strong ending with China Cat > IKYR > Sailor > Saint > DEMI. Set 2 also has a good Estimated > Terrapin > PITB. Many folks think highly of this run of early Sept shows.   3 FLAC notes
210. 09/02/80 Community War Memorial Auditorium - Rochester, NY A- Audience Recording: MC? > Reel/Cass > DAT; Transfer: Sony PCM-R500 DAT > HHB CDR-850> SoundStream WAV> mkACT SHN [2010-01-01]Listenable aud - a bit more general crowd noise than the subsequent AndrewF-Friend sources   3 SHN notes
211. 09/02/80 Community War Memorial Auditorium - Rochester, NY X flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
212. 09/02/80 Community War Memorial Auditorium - Rochester, NY A- flac16; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 11/2009 [2009-12-18]Clean, clear full bodied recording - good show too.   3 FLAC notes
213. 09/02/80 Community War Memorial Auditorium - Rochester, NY A- flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. [2011-01-22]Show was typical to my ears. Matrix is tastefully done.   3 FLAC notes
214. 09/03/80 Springfield Civic Center - Springfield, MA A- Fixed reseed; FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5) > Master Audience Cassette > CD-R; Seeded to etree by Sean Cribbs Note- Apparently the first shn set to circulate was corrupt. See the public comments for the original seed for more info [2008-03-28]This is a good performance and a nice tape - the Saint > Jam is well done in set 2 and set 1 starts off with a 4 song segue that is very energetic. LIG in set 1 is also a good version.   3 SHN notes
215. 09/03/80 Springfield Civic Center - Springfield, MA A- MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass [2008-04-28] Enjoyable show and a good aud tape. Set 1 unusual for the number of segues, starting with Half Step-> Franklin's -> Mama Tried-> Mexicali then Althea-> Rooster, and wrapping up with a LIG -> Deal. The LMA folks seem to like the LIG "Let it Grow is indisputably the best of the year and one of the best of the 80's OR 90's and this comes on the back of an incomparable first set....The first set is distinguished by particularly high energy,song selection, and great playing" so give it a whirl.   3 SHN notes
216. 09/03/80 Springfield Civic Center - Springfield, MA B/A flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris [2009-10-17]Good sound quality - no special mentions for this performance on this listen   3 FLAC notes
217. 09/03/80 Springfield Civic Center - Springfield, MA A- flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 [2010-01-02]Excellent source and string performance for this era and style   3 FLAC notes
218. 09/03/80 Springfield Civic Center - Springfield, MA X flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.   0 FLAC24 notes
219. 09/04/80 Providence Civic Center - Providence, RI B+ AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy [2008-05-03] Strong possibility this is the same as the Jim Wise aud - if so, go for the Sean Cribbs version since that has a clearer lineage - very listenable.   2 SHN notes
220. 09/04/80 Providence Civic Center - Providence, RI B+ Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable)[2008-05-03]Only sbd version that circs as of this date - listenable.   1 SHN notes
221. 09/04/80 Providence Civic Center - Providence, RI A Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon [2008-04-28] -> strong set, w/ cold start Supplication jam, nice TOO... nicely mixed sbd   2 SHN notes
222. 09/04/80 Providence Civic Center - Providence, RI B+ Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. [2008-04-24]Nice aud but the crowd is prominent so I'd given it a strong B+. This is a very good show with this bit being very tasty - Supplication Jam > Estimated > Eyes > Drums > Space > The Other One, especially the stand alone Supplication Jam to start the jam section off.   3 FLAC notes
223. 09/04/80 Providence Civic Center - Providence, RI A- flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2008-09-16]I like the performance on this date better than 9/6/80. Nice tape by Steve   3 FLAC notes
224. 09/04/80 Providence Civic Center - Providence, RI A- flac16; Recording Info:Set 1: SBD -> Master Cassette -> ? -> Dat -> CD; Set 2: SBD -> Master Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2009-05-03]Excellent show and source, though I think I prefer the matrix with a touch of spatial reverb and audience enthusiasm.   2 FLAC notes
225. 09/04/80 Providence Civic Center - Providence, RI A- flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) [2009-05-02]This is a very good 1980 show, with a nifty Supplication Jam to start the set 2 jam and a C>R to end set 1. Shows in Maine always seemed to be good ones! Nice matrix too.   3 FLAC notes
226. 09/04/80 Providence Civic Center - Providence, RI B/A flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from floor Section 8, Row V, Seat 12 by Bob Morris [2009-10-5]Recorded a bit further back sounding that Bob's previous date - still a very nice tape - solid show though nothing stands out for specific mention   3 FLAC notes
227. 09/04/80 Providence Civic Center - Providence, RI X flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009   3 FLAC24 notes
228. 09/04/80 Providence Civic Center - Providence, RI X flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009   3 FLAC24 notes
229. 09/04/80 Providence Civic Center - Providence, RI A- flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 [2010-01-03]Another excellent aud recording from andrew/friend - good show from a strong run   3 FLAC notes
230. 09/04/80 Providence Civic Center - Providence, RI X flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris.   0 FLAC24 notes
231. 09/06/80 State Fairgrounds - Lewiston, ME B+ good aud with some wind in set 1. solid playing throughout. FOTD set 1 struck me as best of that set. Shakedown seemd a bit repetitive. Brokedown Palace encore 2 was also well performed.   3 SHN notes
232. 09/06/80 State Fairgrounds - Lewiston, ME B MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores [2008-04-14]Bass is a bit boomy and being an outdoor show there is no reverb - fairly good show but the tape quality gets in the way - there are lots of comparably good performances this year to this show, so w/o a better aud tape its hard to give this one a must listen rating.   3 FLAC notes
233. 09/06/80 State Fairgrounds - Lewiston, ME B+ Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. [2008-04-28]Bass is a bit boomy on this one   3 FLAC notes
234. 09/06/80 State Fairgrounds - Lewiston, ME A- Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller [2008-06-04]Most of the show is Jim Wise's aud which is quite nice - lots of great tasty 1980 playing here - probaly should be on your list to hear once.   3 SHN notes
235. 09/06/80 State Fairgrounds - Lewiston, ME A- flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2008-09-16]Nice tape by Steve Rolfe and a strong performance than many folks like!   3 FLAC notes
236. 09/06/80 State Fairgrounds - Lewiston, ME X flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller   3 FLAC notes
237. 09/06/80 State Fairgrounds - Lewiston, ME A- flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/2009 [2009-10-02]Many good shows in Lewiston. Very good tape with thick bass.   3 FLAC notes
238. 09/06/80 State Fairgrounds - Lewiston, ME X flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009   6 FLAC notes
239. 09/06/80 State Fairgrounds - Lewiston, ME A/B flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB by Bob Morris (note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.) [2009-10-17]Outdoor show - good sound quality considering that - no intrusive audience - many folks rate this show much higher than I do and put it in the top 10 of the year - I can't hear what puts this in the top 10 - seems just as consistent and well played as many other shows this year.   3 FLAC notes
240. 09/06/80 State Fairgrounds - Lewiston, ME X *Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano   2 SHN notes
241. 09/06/80 State Fairgrounds - Lewiston, ME X flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris   0 f notes
242. 09/25/80 Warfield Theater - San Francisco, CA A- First show of run. Acoustic set nice but low key. Set 2 Alabama > GSET is warms the audience up, nice pairing. During Ship of Fools, PA goes out so Jerry plays without singing. Fun to hear the crowd respond. Rest of the set 2 is good and US Blues gives the PA a good work over.   3 SHN notes
243. 09/25/80 Warfield Theater - San Francisco, CA A- Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko [2008-04-26]Nice sound mix / typical acoustic set.   1 SHN notes
244. 09/26/80 Warfield Theater - San Francisco, CA A- All acoustic sets are similar (end in ripple, crowd goes nuts). Set 2 opens with Stranger which comes off nice (post acoustic laid back mellowness). Candyman always pleases. Set 2 electric solid. Good sound for the aud tape   3 SHN notes
245. 09/26/80 Warfield Theater - San Francisco, CA A- Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko [2008-04-26]Nice sound / typical acoustic set - Bob mentions Otis (Bob's dog) presumably when he walks on stage.   1 SHN notes
246. 09/26/80 Warfield Theater - San Francisco, CA A/B Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. [2008-02-24]Another respectable aud recording from teh Warfield - standard set list for the time, set 3 has a S>F, Estimated > Eyes etc. so though it is a common song choice, its performed well enough.   3 FLAC notes
247. 09/26/80 Warfield Theater - San Francisco, CA A- flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2012-02-12]Respectable performance and recording, though nothing to single it out   3 FLAC notes
248. 09/27/80 Warfield Theater - San Francisco, CA A- Set 1 is standard acoustic set for the runs. Set 2 Row Jimmy and Deal I enjoyed and stand out. Set 3 He's Gone > TOO are good. Solid show.   4 SHN notes
249. 09/27/80 Warfield Theater - San Francisco, CA A/B Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) [2008-05-19]A respectable performance but nothing specifically to single it out. Sound quality is very good, allowing for the patches required.   3 SHN notes
250. 09/27/80 Warfield Theater - San Francisco, CA A- flac16; Joani Walker recording. Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2007-12-16]Overall rating is ok because of the rather lackluster electric sets, though the Half Step > Franklin's that starts off is nice. Its not bad or anything, just not compelling competition for mostof the rest from this year. SOund quality is nice and clear.   4 FLAC notes
251. 09/27/80 Warfield Theater - San Francisco, CA A- flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out > Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. [2009-04-16]The Bird Song has odd percussion IMO. Otherwise, typical of these acoustic sets.   1 FLAC notes
252. 09/27/80 Warfield Theater - San Francisco, CA X acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M. [2010-01-01]This is the same source as the Menke 7305 source - track 1 sample by sample difference indicates no common digital ancestor, but essentially identical   4 SHN notes
253. 09/29/80 Warfield Theater - San Francisco, CA A/B partial (2+ songs)acoustic set. Highlight to me was the Lost Sailor thru Terrapin. Date notable for capturing the moans of the infamous Bay Area woman that had a Jerry fixation, best heard in the acoustic sets.   3 SHN notes
254. 09/29/80 Warfield Theater - San Francisco, CA A- Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007 [2008-01-22]This is another excellent aud especially for the Warfield. Highlight was this little section, though the rest is very competently executed. Sailor > Saint > Terrapin > Tiny Jerry Jam >...   3 FLAC notes
255. 09/29/80 Warfield Theater - San Francisco, CA A- SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko [2008-05-21]respectable show and nice sound - nothing epic   4 FLAC notes
256. 09/29/80 Warfield Theater - San Francisco, CA A- flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2010-04-30]Very clean and clear sound with nice hall ambiance for the Warfield. My opinion of this show was improved by listening to this tape.   3 FLAC notes
257. 09/30/80 Warfield Theater - San Francisco, CA A/B Overall good sound, but there might be some distortion on Garcias guitar. The electric set is above average for the shows of this run I've heard. Acoustic sets come across more or less the same on all dates IMO.   3 SHN notes
258. 09/30/80 Warfield Theater - San Francisco, CA B flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. [2008-04-01]Sort of muddy bass on this tape which makes it a bit difficult to listen to. Show starts out routinely played but ends with a nice song selection which is more jammy than rocky for 1980 - Stranger-> Franklin's , Samson , He's Gone-> Estimated -> Drums-> The Other One-> Peter-> Good Lovin', E: Brokedown Palace. So give it a B for sound and a split B/A for the performance   3 FLAC notes
259. 09/30/80 Warfield Theater - San Francisco, CA A- flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2009-04-16]Typical acoustic set - very good recording quality   1 FLAC notes
260. 10/02/80 Warfield Theater - San Francisco, CA B+ set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller [2008-05-16]Gets my vote as one of the more mellower song choices for an electric set - noteworthy for the drums > CAT to start off, but otherwise can't find much else to say   2 SHN notes
261. 10/02/80 Warfield Theater - San Francisco, CA A/B nak 300 acoustic & electric - get this show for set 3, unusual song ordering (starts with drums) and song selection performed very well   3 SHN notes
262. 10/02/80 Warfield Theater - San Francisco, CA B- Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley [2008-05-14]The bass on this is boomy and oversaturated IIRC.   1 SHN notes
263. 10/02/80 Warfield Theater - San Francisco, CA A- flac16; Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007 [2007-12-18]I originated most of the Warfield shows when TMNSP project was in gear - it is generally thought that these overall were less than stellar - the acoustic sets are nice but repetitive and the electric sets lacking umph. This show on this recent seed bucks that trend. It is a very nice audience tape, some minor chatter but not persistent. Looks to be a bit more complete. I like the acoustic version of Iko, Iko and the electric version of C>R., The 3rd set has an introspective feel starting with an unusual Drums > CAT > Sailor > Saint with the Drums > CAT a must hear. The aft end of Terrapin > PITB > Drums > Stella > Sugar Mag is typical.   3 FLAC notes
264. 10/02/80 Warfield Theater - San Francisco, CA A- flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008 [2008-06-13]After listening to many 1980 acoustic sets, I was surprised that this matrix breathed some freshness into a familiar format. Check it out.   1 FLAC notes
265. 10/02/80 Warfield Theater - San Francisco, CA A- flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2009-04-16]Typical acoustic set - very good recording quality   1 FLAC notes
266. 10/02/80 Warfield Theater - San Francisco, CA B/A flac16; Recording Info: Set 1: SBD -> Reel Master -> Cassette -> Dat -> CD (shnid=8039); Set 2: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=89111); Set 3: SBD -> Cassette Master -> Dat -> CD (shnid=2204); Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-08-11]This appears to be a composite of 3 prior circulating sources, i.e. no new material, just a reworking of prior material into a coherent source.   3 FLAC notes
267. 10/03/80 Warfield Theater - San Francisco, CA A- acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller [2008-05-14]Typical set and performance - nice sound.   1 SHN notes
268. 10/03/80 Warfield Theater - San Francisco, CA A/B nak 300 complete acoustic and electric sets - solid show, better than average for this run, nice clean sound considering they were discouraging taping.   3 SHN notes
269. 10/03/80 Warfield Theater - San Francisco, CA A- Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007. [2008-01-16]Nice sound, but show did not engage me so call it average, this Warfield run does have the rep of not the most inspired playing in 1980 and this is probably an example of that - another excellent tape by Ellner btw.   3 FLAC notes
270. 10/03/80 Warfield Theater - San Francisco, CA A- flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) [2009-04-20]These acoustic sets are performed consistently - this matrix adds a bit of hall ambiance but I wouldn't rank this specific set as something I would actively relisten to.   1 FLAC notes
271. 10/04/80 Warfield Theater - San Francisco, CA X Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy [2008-05-04]Preferred version circulates   1 SHN notes
272. 10/04/80 Warfield Theater - San Francisco, CA A/B complete sbd though a bit dry. show typical of the run, after I have listened to almost all of these I didn't hear anything this night that made it stand out from the rest of the run   3 SHN notes
273. 10/04/80 Warfield Theater - San Francisco, CA   Bertha Remaster of the partial Master Reel source.   1 FLAC  
274. 10/06/80 Warfield Theater - San Francisco, CA A- Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy [2008-05-14]Typical performance and sound.   1 SHN notes
275. 10/06/80 Warfield Theater - San Francisco, CA B - overall a clear picture of the show except there are bass rumbles throughout (but waveforms aren't clipped) and occasional nearby audience discussion, usually about the setlist, that does compete for ones attention. i'd rate this a solid B (A- if there was no bass rumbles and chatter). Very good transition jam between Truckin and TOO   3 SHN notes
276. 10/06/80 Warfield Theater - San Francisco, CA A- Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007.[2008-01-16]Another excellent sounding aud from Ellner. Acoustic set is standard. Set1 electric is above average for this run - energetic C>R, L>S, set 2 has some good moments with a S>S>T (some vocal flubs by Jerry in Terrapin)   3 FLAC notes
277. 10/07/80 Warfield Theater - San Francisco, CA B acoustic set has good sound and is more or less complete. set 1 has significant sound issues & missing some songs. show is characterized by solid playing, but on this night there was nothing special - basic run through of the songs.   3 SHN notes
278. 10/07/80 Warfield Theater - San Francisco, CA A- Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007. [2008-01-16]Very good sound on this recording - set1 acoustic starts with a very bouncy Iko and is throughout a good listen. Set 1 electric fills the time but no highlights worth noting. Set 2 electric is better than set 1 but I'd put it in the middle of what I've heard for 1980. Hard to suggest a highlight. Acoustic set is worth a listen though.   3 FLAC notes
279. 10/07/80 Warfield Theater - San Francisco, CA A- Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd [2008-06-01]Clear sbd quality, but nothing exceptional here.   2 FLAC notes
280. 10/07/80 Warfield Theater - San Francisco, CA A- SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell [2010-08-22]Did not compare top other sources - good sound   1 FLAC notes
281. 10/09/80 Warfield Theater - San Francisco, CA X labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ [2008-05-03]Upgraded/better lineage copy circulates   3 SHN notes
282. 10/09/80 Warfield Theater - San Francisco, CA B+ Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) [2008-03-31]I would say the mix here is anything special or the performance - but if you want everything this would have to be included.   1 FLAC notes
283. 10/10/80 Warfield Theater - San Francisco, CA   sbd acoustic   1 SHN  
284. 10/10/80 Warfield Theater - San Francisco, CA B+ complete aud including acoustic. set 1 electric Candyman, BIDTL, Althea & Jack Straw are good. Set 2 is marred by the oscillating left channel but the Estimated > Eyese > DRums > Truckin > Peter > Rnd & Rnd combo is fairly common and this rendition didn't stand out for me   3 SHN notes
285. 10/10/80 Warfield Theater - San Francisco, CA A- Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed. [2008-05-14]Typical performance and sound.   1 SHN notes
286. 10/10/80 Warfield Theater - San Francisco, CA A- Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. [2008-02-04]Fairly standard setlist and delivery so nothing to single out. Very nice quality sound on this audience recording.   3 FLAC notes
287. 10/10/80 Warfield Theater - San Francisco, CA B+ MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 [2008-04-29]Lots of folks think this one is a strong show with some BOAT versions - from the LMA "Have a listen to the Althea and Jack Straw back to back a couple times. Then try to find a better version of each. I'm not talking sound quality....I'm talkin the boys having things dialed....we all have our favorite versions of songs and this scarlet-fire is mine...this is a fantastic 1980 show, front to back...a true hidden gem...also check out Althea and Jack Straw, Black Peter and Estimated>Eyes...This show is a gem among many here at the archive . Do yourself a major favor and download this show. Scarlet intro is just wat you look for in a kind Scarlet. RR, Est>eyes=sickness to the nth power...." This source leaves a tad to be desired but is very listenable and the show is a good one in the 1980 style, though you might prefer the Sick Bits matrix   3 FLAC notes
288. 10/10/80 Warfield Theater - San Francisco, CA A/B flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell [2008-06-01]Since no sbd exists for most of Truckin' thru end of show, this is really a partial show matrix. After listening to many shows, as a whole performance this one didn't stand out as much as it used to - but within the Warfield and RCMH shows its solid.   3 FLAC notes
289. 10/10/80 Warfield Theater - San Francisco, CA X Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy   1 SHN notes
290. 10/10/80 Warfield Theater - San Francisco, CA X flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac   1 FLAC notes
291. 10/13/80 Warfield Theater - San Francisco, CA X Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy [2011-07-01]Upgraded by CM source   1 SHN notes
292. 10/13/80 Warfield Theater - San Francisco, CA B Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller [2008-05-31]Set 1 sounds good - set 3 is very marginal for sound (but its a non-standard source so that isn't so surprising perhaps - nevertheless, its a chore to listen to compared to others hows of this tour so its for a completist.   2 FLAC notes
293. 10/14/80 Warfield Theater - San Francisco, CA A- Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments [2008-05-21]This show gets some points for being the last of the run and an above average setlist - but the Dew is not a contender and the last bit of set 3 is a standard run thru - nice sound thou -   2 SHN notes
294. 10/14/80 Warfield Theater - San Francisco, CA A- Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and edits by Bill Koucky. Green Mountain Bros. January 2008. [2008-02-10]Another excellent aud recording of a rare show. Very good performance for this run. Check it out.   3 FLAC notes
295. 10/14/80 Warfield Theater - San Francisco, CA X SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation   3 SHN notes
296. 10/14/80 Warfield Theater - San Francisco, CA A- SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell [2010-08-22]2 songs   1 FLAC notes
297. 10/14/80 Warfield Theater - San Francisco, CA A/B flac16; Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M [2012-04-09]There might be a bit phase error here and there between the sources, bass mix a bit high (artificially) at the start? Set 2 has a strong set list and flows nicely.   3 FLAC notes
298. 10/18/80 Saenger Performing Arts Center - New Orleans, LA B+ Fairly good FOB (though next night sounds better to me). Some flaws noted in the info file. Acoustic set nice (Heaven Help the Fool highlight). Electric sets good. Can't go wrong with China/Rider, Samson. Drums and following tunes standard fare. Now that I think about it, many of the electric set 1's from this time are more interesting than the set 2's.   3 SHN notes
299. 10/18/80 Saenger Performing Arts Center - New Orleans, LA   flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller   3 FLAC  
300. 10/19/80 Saenger Performing Arts Center - New Orleans, LA A- unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon [2008-04-28] very good aud for this time - sets 2-3. Much better than the Brian Dyke compendium review would lead you to believe. Worth a listen for sure   3 SHN notes
301. 10/19/80 Saenger Performing Arts Center - New Orleans, LA A- AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon [2008-05-14]SOund quality is very good considering its an aud and acoustic set.   1 SHN notes
302. 10/19/80 Saenger Performing Arts Center - New Orleans, LA A- flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. [2013-10-20]Excellent recording, interesting show "in between" the Warfield and RCMH runs.   3 FLAC notes
303. 10/19/80 Saenger Performing Arts Center - New Orleans, LA X flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013 {2013-01-19]Upgrade in circulation   1 FLAC notes
304. 10/19/80 Saenger Performing Arts Center - New Orleans, LA X flac24; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.   0 notes
305. 10/22/80 Radio City Music Hall - New York, NY B+ AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley [2008-05-21]I found this performance to be typical for these acousyic shows - but the sound is a bit distant - these factors - absence of anything distinguishing this show and sound quality not as good as some other dates in the run for an aud explains my lower ranking.   3 SHN notes
306. 10/22/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-09-09]Very nice recording! I very much like the 3rd set and the space out of drums.   3 FLAC notes
307. 10/22/80 Radio City Music Hall - New York, NY A- flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris [2009-10-08]This is a very good audience tape. I like the electric sets song selection - energy level though for the acoustic/electric tour not as high as other dates in 1980   3 FLAC notes
308. 10/22/80 Radio City Music Hall - New York, NY   flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne   3 FLAC  
309. 10/23/80 Radio City Music Hall - New York, NY A- Mark Cohen aud - very good sound. performance is excellent with special mention to TMNSP at the end of set2.   3 SHN notes
310. 10/23/80 Radio City Music Hall - New York, NY B AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley [2008-06-06]This is a somewhat distant sounding aud w/ nearby crowd in comparison to the other auds that circ from this tour. This is an above average show from this tour, with a nice version of The Wheel.   3 SHN notes
311. 10/23/80 Radio City Music Hall - New York, NY A- flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-09-17]This is a very good recording - set 1 acoustic is standard, set 3 electric has a nice flow and song selection   3 FLAC notes
312. 10/23/80 Radio City Music Hall - New York, NY A/B flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris [2009-10-21]Except for the noted flaw at the start of the set, this is a very good aud recording for RCMH   3 FLAC notes
313. 10/23/80 Radio City Music Hall - New York, NY X flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris   0 FLAC24 notes
314. 10/23/80 Radio City Music Hall - New York, NY X flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256   0 FLAC24 notes
315. 10/23/80 Radio City Music Hall - New York, NY   flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne   3 FLAC  
316. 10/25/80 Radio City Music Hall - New York, NY B AUD>MC>DAT>CDR; Seeded to etree by Tim W [2008-05-26]This recording suffers from fairly consistent overload distortion on the electric sets - still listenable - competent show but nothing epic to note.   3 SHN notes
317. 10/25/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2009-01-12]Nice transfer and tape esp for this run of shows. Average 1980 show IMO   3 FLAC notes
318. 10/25/80 Radio City Music Hall - New York, NY A- flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-11-15]Excellent aud tape and a solid Oct 1980 show.   3 FLAC notes
319. 10/25/80 Radio City Music Hall - New York, NY X flac24; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011   0 FLAC24 notes
320. 10/25/80 Radio City Music Hall - New York, NY A- flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 [2012-02-05]This recording sounded better than I expected coming from the 2nd mezzanine location - very good. Show is typical - nothing to single out for special attention.   3 FLAC notes
321. 10/25/80 Radio City Music Hall - New York, NY   flac16; Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald   3 FLAC  
322. 10/26/80 Radio City Music Hall - New York, NY A- Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman [2008-05-23]The sound quality on this aud is very good - with full bass etc. The performance was professionally delivered and typical for these runs with acoustic sets. Garcia's song choice favored less energetic tunes. SO overall a pleasant listen but nothing to warrant repeat listenings.   3 SHN notes
323. 10/26/80 Radio City Music Hall - New York, NY X SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko [2008-05-04]Upgraded version of this source circulates   3 SHN notes
324. 10/26/80 Radio City Music Hall - New York, NY A- Recording by Jim Wise: AUD(Sony ECM 280?s)>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W [2008-04-24]Nice sound but Brokedown is amplitude distorted. Ok show typical of the period but with nothing to distinguish it from many others.   3 SHN notes
325. 10/26/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2009-01-14]NIce aud tape for this run of shows - typical show   3 FLAC notes
326. 10/26/80 Radio City Music Hall - New York, NY A- flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) [2009-10-22]No phasing or other issues from creating the matrix - sounds very good - this show didn't provide much buzz - maybe i've listened to too many of these 1980 acoustic shows/sources and they all start to sound similar unless you are paying really close attention :)   3 FLAC notes
327. 10/26/80 Radio City Music Hall - New York, NY x PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003.   3 SHN notes
328. 10/26/80 Radio City Music Hall - New York, NY A- flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 [2012-02-12]Another excellent aud - some amusing stage chat at the Estimated aborted start.   3 FLAC notes
329. 10/26/80 Radio City Music Hall - New York, NY   flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-17-2012   3 FLAC  
330. 10/27/80 Radio City Music Hall - New York, NY A- Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd [2008-05-23]Sound quality is very good - this show is a bit better than the previous night, though it suffers from the rote song selection in the aft end of set 3 with INAM etc. Reflects accurately what the band was executing at this time w/o any flaws. Nothing epic.   3 SHN notes
331. 10/27/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-09-19]Another excellent sound quality aud - no intrusive audience - show is well delivered and typical of this era   3 FLAC notes
332. 10/27/80 Radio City Music Hall - New York, NY A- flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011 [2012-03-02]Another very clear audience recording - above avg set 2.   3 FLAC notes
333. 10/29/80 Radio City Music Hall - New York, NY A- Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd [2008-05-27]Very listenable aud and an above average performance - specifically the electric sets mix up the songs in rotation (set 2 starts with a Stranger -> Franklin's combo) and the last set overlaps with songs that I enjoy for the most part from this era - China -> Rider-> Estimated -> Terrapin -> Drums-> The Wheel-> Saint -> Peter-> Sugar Magnolia. The review in the TC is too negative IMO.   4 SHN notes
334. 10/29/80 Radio City Music Hall - New York, NY A/B **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller -- Thanks to Paul Scotton and Joani walker for the cassette. [2008-03-28]Good sbd, seems typical of an average performance of this period.   2 FLAC notes
335. 10/29/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-09-18]Very good audience recording - performance average for this era   3 FLAC notes
336. 10/29/80 Radio City Music Hall - New York, NY x flac16; Seamless fix/combination of shn id 1953 and shn id 32538 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   4 FLAC notes
337. 10/29/80 Radio City Music Hall - New York, NY   flac16; Partial Soundboard, Set 1: SBD>?>?cassette in Dolby B>Harmon Kadon TD 302, Dolb B on>Zoom H2>PC>edited and tracked with wavepad>flac and checksums with traderslittlehelper, sept.14, 2012 by John Wenzel   1 FLAC  
338. 10/29/80 Radio City Music Hall - New York, NY   flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-22-2012   3 FLAC  
339. 10/30/80 Radio City Music Hall - New York, NY A- Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd [2008-06-01]Nice sound quality, show has Billy Cobham on the drums segment;its a consistent show but otherwise not distinguished from the other shows of the run.   4 SHN notes
340. 10/30/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller [2009-09-22]Excellent aud recording - Billy Cobham participates during drums   3 FLAC notes
341. 10/30/80 Radio City Music Hall - New York, NY   flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-06-2012   3 FLAC  
342. 10/31/80 Radio City Music Hall - New York, NY B Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd [2008-05-27]SOund quality is good, but there are some tracks with some transcription errors that come across as "skipping" - i.e. drums especially. Perhaps a flawed transfer - the FOTM out of space was a nice change of its usual pairing - but this performance didn't have much else to distinguish it from others of the 1980 set of acoustic runs.   3 SHN notes
343. 10/31/80 Radio City Music Hall - New York, NY A- Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 [2008-06-13]Last show of the RCMH run. Highlight was this rather unusual song mix in the set 3 jam segment Sailor> Saint > Franklin's > Drums> Space> FOTM > NFA... nix mix ect on this one as it was a national broadcast.   3 FLAC notes
344. 10/31/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2009-04-28]Excellent sound - Phil's bass nicely picked up. This is an above average show with an interesting 3rd set - uncommon songs and segues and a nice spacey space jam as well. Recommended   3 FLAC notes
345. 10/31/80 Radio City Music Hall - New York, NY A- flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli [2009-03-28]Bill tweaks the cousinit source a tad - this is not a bad show, especially considering that it was broadcast and usually the band doesn't play well when that happens - show has an overall good flow, though I would put it in the lower end of the top quartile at best.   3 FLAC notes
346. 10/31/80 Radio City Music Hall - New York, NY A- flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller [2009-09-22]Phil seems late in arriving/ready for the acoustic set. Set 2 has a good start w/ JStraw & CR&S but the middle portion song choice were not my favorities. Set 3 has an unusual Franklin's > D/S > FOTM... Excellent sound for the Wise/Miller recordings.   3 FLAC notes
347. 10/31/80 Radio City Music Hall - New York, NY   flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012   3 FLAC  
348. 11/26/80 The Sportatorium - Pembroke Pines, FL B+ Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom [2008-04-30]Fairly typical sbd recording - mix takes a while to get dialed in - show is standard to above average 1980 fare - 1st show after the acoustic/electric 3 set runs in SF and NYC.   3 SHN notes
349. 11/26/80 The Sportatorium - Pembroke Pines, FL A- Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy [2008-04-26]Nice aud and an above average 1980 show. Worth a listen as are many shows on this short tour.   3 SHN notes
350. 11/26/80 The Sportatorium - Pembroke Pines, FL A- Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli [2009-04-29]This show has much to recommend - it starts off with a peppy Alabama Getaway-> GSET and ends the set with a nice Althea-> Sailor-> Saint -> Deal. In between there is a typical sampling of standalone tunes that fill the time. set2 begins with the not often enough performed CRS with a good Samson and then a C>R. The jam segment is Estimated -> Eyes -> Drums-> Wharf Rat-> A&A -> Good Lovin', so until the rather standard A&A > GLovin' the song selection is aligned to my favorites.   3 SHN notes
351. 11/26/80 The Sportatorium - Pembroke Pines, FL A- flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2009-10-02]Very good tape here - love set 2 song choice and delivery - CR&S and C>R!   3 FLAC notes
352. 11/28/80 Lakeland Civic Center - Lakeland, FL X Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston [2008-04-01]Upgraded by GMB   3 SHN notes
353. 11/28/80 Lakeland Civic Center - Lakeland, FL A/B Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon [2008-04-30]- show is subdued in song choice, with Deep Elem Blues and an early set 2 placement of To Lay Me Down. NFA also stuck out but the remainder of the show was typical.   2 SHN notes
354. 11/28/80 Lakeland Civic Center - Lakeland, FL A- Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 [2008-02-24]Set 1 has the somewhat rare Deep Eelm Blues and set 2 has an unusual placement of To Lay Me Down to start the jam portion ! Nice recording and Jerry seems engaged, even on the rather routine US Blues encore.   2 FLAC notes
355. 11/28/80 Lakeland Civic Center - Lakeland, FL X DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin   2 FLAC notes
356. 11/28/80 Lakeland Civic Center - Lakeland, FL A- flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin [2008-04-14]Nice matrix and a strong 1980 show - Garcia seems present and engaged - check out his sustain on the US Blues encore!   2 FLAC notes
357. 11/28/80 Lakeland Civic Center - Lakeland, FL A/B flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin [2008-05-03]Preferred pure sbd source as of this date - see other reviews for the performance   2 FLAC notes
358. 11/28/80 Lakeland Civic Center - Lakeland, FL A- flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-04-10]Nice tape and an above average 1980 show with a nice setlist and very engaged Jerry playing - check out how he sustains the feedback on even the routine US Blues encore.   2 FLAC notes
359. 11/28/80 Lakeland Civic Center - Lakeland, FL X flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation   2 FLAC notes
360. 11/29/80 Alligator Alley Gymnasium, University Of Florida - Gainesville, FL X Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set [2008-04-02]Upgrade in circulation   3 SHN notes
361. 11/29/80 Alligator Alley Gymnasium, University Of Florida - Gainesville, FL A- flac16; Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 [2008-02-15]Excellent aud - strong setlist for this period. Many people rank this highly.   3 FLAC notes
362. 11/29/80 Alligator Alley Gymnasium, University Of Florida - Gainesville, FL A- Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-02-24] Excellent aud - this part of set 2 works well Shakedown Street -> Franklin's Tower -> Estimated Prophet... set 2 is notable for not having any clunker Bob songs - give this a listen - one of the stronger 1980 performances.   3 FLAC notes
363. 11/29/80 Alligator Alley Gymnasium, University Of Florida - Gainesville, FL x no source info; via D. Barrick   3 SHN notes
364. 11/29/80 Alligator Alley Gymnasium, University Of Florida - Gainesville, FL A- flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller [2009-10-03]Excellent sound - strong show but the transition into Franklin's is a bit of a train wreck.   3 FLAC notes
365. 11/30/80 Fox Theater - Atlanta, GA A- complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments [2008-04-30]Fairly nice mix and a song selection that overlaps with some of my more favored tunes. PITB seems to get out there a bit. Above average 1980 show.   3 SHN notes
366. 11/30/80 Fox Theater - Atlanta, GA A- Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-03-06]Very good sound and a respectable performance though the setlist and style are characteristic of the time - so nothing epic.   2 FLAC notes
367. 11/30/80 Fox Theater - Atlanta, GA X flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller   3 FLAC notes
368. 11/30/80 Fox Theater - Atlanta, GA A- flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell [2011-01-16]Breakout of electric Bird Song in set 1. Set 2 standard though well performed   3 FLAC notes
369. 11/30/80 Fox Theater - Atlanta, GA B+ flac16; Set 1 Only, Recording Info: Taped by Dr. Bob Wagner Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16 All Transfers and Mastering By Chris Chappell [2011-01-22]Performance is what you'd expect except for the Bird Song break out.   1 FLAC notes
370. 11/30/80 Fox Theater - Atlanta, GA X flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger   0 FLAC24 notes
371. 12/06/80 Mill Valley Recreation Center - Mill Valley, CA A- Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston [2008-04-26]A typical acoustic set from fall 1980.   1 SHN notes
372. 12/12/80 Swing Auditorium - San Bernardino, CA A- 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy [2008-04-25]This is a very nice sounding aud (don't know if its from one of the other circulating known sources for this date) with an excellent setlist and slightly playing of this tour.   2 SHN notes
373. 12/12/80 Swing Auditorium - San Bernardino, CA B- set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon. [2008-05-01]This is noticeably fast - sufficiently so that I stopped listening after a few songs - get the Ellner tape and skip this.   1 SHN notes
374. 12/12/80 Swing Auditorium - San Bernardino, CA A- Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick [2008-01-16]Very good aud and an above average show with lots of energy - recommended listening! Check out the Mtn Jam them in the C>R transition! Jerry definitely is present on this date.   3 FLAC notes
375. 12/12/80 Swing Auditorium - San Bernardino, CA X Recorded by Ron Ellner: MOTB Release: 0059 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Nakamichi 550 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick   6 FLAC notes
376. 12/12/80 Swing Auditorium - San Bernardino, CA B+ flac16; SBD -> Cassette Master -> ? -> Cassette Transferred and Remastered Charlie Miller [2008-03-17]Mix at the start of this is a bit funky. The auds are better IMO (being outstanding). Here's an apt LMA comment "I was rather surprsed at the low rating below, made purely on the basis of the sound quality. Yes, the sound here is not quite what we have come to expect from GD SBDs. There are obviously a few generations between the original recording and this. Some bass-end distortion creeps in at times. Still, it's a relatively clear concert, easily listenable. And the music cooks! I'm not a huge 1st-set fan in general, but the first set here made me stand up and take notice. Especially Jerry's soloing all through "Greatest Story." Anther highlight is the "China Cat>Rider>Estimated Prophet" tun to start the second set. 1980 is a mixed bag, but this show stand out as one of the better sets, regardless of the somewhat sub-par sound. Recommended!"   3 FLAC notes
377. 12/12/80 Swing Auditorium - San Bernardino, CA A flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave [2013-09-29]Excellent clear sound. China-Rider is a very strong version.   3 FLAC notes
378. 12/13/80 Long Beach Arena - Long Beach, CA A- set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell [2008-04-25]Another excellent aud and an interesting show with some inventive late 1980 playing. Don't know if this is the same an known sources from this date. Not a bad way to get some 1980 gd if that's the flavor you like.   2 SHN notes
379. 12/13/80 Long Beach Arena - Long Beach, CA A- Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller [2008-04-30]Did not do a direct comparison against the Walker auds also mastered by Charlie but this is very listenable. Opinion of the show about the same - the ROR is still a buzzkill.   2 SHN notes
380. 12/13/80 Long Beach Arena - Long Beach, CA A- Nak300 Joani Walker aud [2007-12-08]Excellent sound on this one - show is strong with typical setlist (Sailor > Saint > Deal set 1 closer, kickoff w/ Stranger), I'm a fan of TLMD but ROR is marginal buzzkill. Set 2 has a very good S>F, and PITB starts string but the airto/Purim shenanigans on set 2 drums and the remainder doesn't really do much for me. Pleasant listen but not a repeat one for me. Overall split A/B rating   3 FLAC notes
381. 12/13/80 Long Beach Arena - Long Beach, CA A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-06-02]NIce sound/mix - lots of energy and a good setlist for the songs in rotation.   2 FLAC notes
382. 12/13/80 Long Beach Arena - Long Beach, CA X DVD-VA; (Video-Audio) Bertha Remaster of the Master Cassette source; SBD>>MC>>R>>D>>Flac>>Daw(Bertha)>>Audio DVD (Audio only; no video)   1 DVDA notes
383. 12/13/80 Long Beach Arena - Long Beach, CA A flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave [2013-10-05]Superb sound. Very clear. You can hear the friction on Jerry's strings. Show is good, though nothing uber special   3 FLAC notes
384. 12/14/80 Long Beach Arena - Long Beach, CA   naks - willy   3 SHN  
385. 12/14/80 Long Beach Arena - Long Beach, CA A- flac16; Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M) -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude Professional v6.0 -> SHN -> FLAC All Transfers And Mastering By Charlie Miller [2007-12-14]Excellent sound and hardly any audience. The Other One from this performance was highly enjoyable on listening. I like this show better than the previous night fwiw.   3 FLAC notes
386. 12/14/80 Long Beach Arena - Long Beach, CA A flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-12-30]Buttery rich sound on this excellent tape! And an excellent 1980 show - I would put this on the must hear list for sound quality and performance.   3 FLAC notes
387. 12/14/80 Long Beach Arena - Long Beach, CA A- flac16; MSC>C (originally listed as nnknown generation cassette from sound board master) Transfer and FLAC encoding by David Minches: Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. Missing sections were patched with SHNID 89058. Patch Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Thanks to Michael Parrish for the sound board recording. [2011-01-23]Very full and rich sound from this MSC>C source. The space segment with Airto and Flora Purim is very good and SPACEY.   3 FLAC notes
388. 12/14/80 Long Beach Arena - Long Beach, CA A flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave [2013-10-06]Very faithful and clear aud recording. Show is well played but no special mentions   3 FLAC notes
389. 12/26/80 Oakland Auditorium Arena - Oakland, CA A nak 300 Joani Walker - I gave this an A sound rating because it is on par with the best aud's i've heard from this era. Nice show to boot! Thanks to Paul Scotton for getting me this rare show. [2008-04-12]This source has been upgraded - the best show in the NYE run for consistent playing and great sound etc..   3 SHN notes
390. 12/26/80 Oakland Auditorium Arena - Oakland, CA B+ MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit [2008-04-15]ok quality but the mastering job is inconsistent - some filler on disk 2 breaks the flow of the show and there is a big cut on the jam into drums which is not patched while other parts of the show are patched - basically, this sbd needs to be brought up to date with better patches and hopefully a more complete/less hissy source. I would go for the Walker aud on this night.   3 SHN notes
391. 12/26/80 Oakland Auditorium Arena - Oakland, CA A- Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-01-22]This is now the 3rd rev of this source. Standard setlist and playing for this period - which is to say professional tight polished - just not much jamming into very unordinary places. Excellent sound, well executed - if you like 1980 you'll enjoy listening to this and Joani's tape of the next night.   2 FLAC notes
392. 12/26/80 Oakland Auditorium Arena - Oakland, CA x flac16; Recording by Joan Walker: Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN; Fix: SHN > WAV > SoundForge > CDWave > SHNTOOOL > FLAC. Fix of shnid 15880 ; upgrade in circulation   3 FLAC notes
393. 12/26/80 Oakland Auditorium Arena - Oakland, CA X DTS-Audio-CD 5.1 Mix; SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin   0 DTS notes
394. 12/26/80 Oakland Auditorium Arena - Oakland, CA   flac16; Matrix 3 Source Mix - SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin   3 FLAC  
395. 12/26/80 Oakland Auditorium Arena - Oakland, CA   flac16; MSR>C>DAT>WAV>SHN w/mono audio patch from video and timing correction. Originally converted by Cousinit (Shnid=17279)   3 FLAC  
396. 12/27/80 Oakland Auditorium Arena - Oakland, CA B+ SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit)? to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic [2008-04-12]Pleasant enough sbd and a solid 1980 show but not as good as the prior night.   2 SHN notes
397. 12/27/80 Oakland Auditorium Arena - Oakland, CA A- Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-01-22]Another fine Walker tape - this show continues from where the prior night left off - except the songs are a bit different - nice C>R in set 2 with some inventive Garcia work on the transition. The PITB is a good effort. Basically the quality of this tape will make the time you spend with it enjoyable though you won't be itching to put it on endless repeat - not that there are many other shows at this time that have the quality.   3 FLAC notes
398. 12/27/80 Oakland Auditorium Arena - Oakland, CA B+ MSR>C>DAT>WAV>SHN; Conversion by Cousinit [2008-04-15]Another ok sbd of this run, some hiss (not too bad) - but the filler from filler from the primal era interrupts the flow on disk 2 - show comes across better on the aud recordings IMO   3 SHN notes
399. 12/27/80 Oakland Auditorium Arena - Oakland, CA A- flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller [2010-06-12]Excellent tape - show is very good, I like the song selection and the delivery - raising my opinion to a must hear   3 FLAC notes
400. 12/28/80 Oakland Auditorium Arena - Oakland, CA X SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy [2011-02-27]Upgrade in circulation   3 SHN notes
401. 12/28/80 Oakland Auditorium Arena - Oakland, CA A- AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy [2008-04-12]This is a Steve Rolfe aud and its very good - this is another solid show for 1980 but not as good as 12/26. Strong set 1 closing Jack Straw. There are some good moments in this show and it is close to 12/26/80 in terms of best of run.   3 SHN notes
402. 12/28/80 Oakland Auditorium Arena - Oakland, CA X MSR>C>DAT>WAV>SHN via Cousin-It [2011-02-27]Upgrade in circulation   2 SHN notes
403. 12/28/80 Oakland Auditorium Arena - Oakland, CA A- flac16; MSR>C>DAT>WAV>SHN; Patches from AUD (Nak 300's)>MC>DAT>CD; (Fix) SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC; Patched, re-tracked and encoded by aolong. [2008-05-14]This is a nice recording and a strong performance, though in the 1980 style.   3 FLAC notes
404. 12/28/80 Oakland Auditorium Arena - Oakland, CA x flac16; Seamless fix of shn id 17421 - Main SRC: MSR>C>DAT>WAV>SHN with patches Patch source: shn id 13299 AUD (Nak 300's)>MC>DAT>CD>SHN from LlaMA by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
405. 12/28/80 Oakland Auditorium Arena - Oakland, CA A- flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller [2010-06-13]Though I prefer the previous nights performance over this, it is an excellent audience FOB and a professionally dispatched show in the style typical for the period.   3 FLAC notes
406. 12/28/80 Oakland Auditorium Arena - Oakland, CA   flac16; Matrix: sbd 70%/aud 30%; sbd: Source: MSR>C>DAT>WAV>SHN; Edit: SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC & aud: Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; editing and matrix: SIRMick   3 FLAC  
407. 12/30/80 Oakland Auditorium Arena - Oakland, CA A- Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy [2008-04-16]This is a very good audience tape. Its another well performed 1980 show with some tasty bits - A 30 beat BIODTL is actually engaging - strong LIG and the Space out of drums is very good - I quote from R Goetz's review "an above average performance for teh GD from this era..songs are more than tight, the jams are better than most, the energy level high, and occasionally the band enetered the magic zone". Worth a listen   3 SHN notes
408. 12/30/80 Oakland Auditorium Arena - Oakland, CA B+ Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-03-05]Interesting listen - some flashbacks to the 1966 time frame.   1 FLAC notes
409. 12/30/80 Oakland Auditorium Arena - Oakland, CA   flac16; Source: Matrix (50/50) using mono sbd from video mixed with (shnid = 13300): AUD (nak 300's); Mixed by kevtobin@yahoo.com; FLAC conversion 17-JUL-2012   3 FLAC  
410. 12/31/80 Oakland Auditorium Arena - Oakland, CA X SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden [2008-04-02]Patched versions of this source circulate   4 SHN notes
411. 12/31/80 Oakland Auditorium Arena - Oakland, CA A- Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon [2008-04-16]Gave this another listen after I seeded it - very excellent aud tape - show is good too with an acoustic set - teh Sugar Mag > Scarlet transition keeps the energy flowing and Cipploina adds some of his nice grungy guitar on FOTM. Not epic but a pleasnt way to while away 3 hours.   4 SHN notes
412. 12/31/80 Oakland Auditorium Arena - Oakland, CA X MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit [2009-12-31]Tobin upgrade of this source circs   4 SHN notes
413. 12/31/80 Oakland Auditorium Arena - Oakland, CA x flac16; - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN - Seamless fix and patch of shn id 6391 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   4 FLAC notes
414. 12/31/80 Oakland Auditorium Arena - Oakland, CA A- flac16; Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 16/44.1 [2010-01-12]Exceptional aud considering the general mayhem on NYE. Great sound - the bands performance is in the bottom half of 1980 IMO.   4 FLAC notes
415. 12/31/80 Oakland Auditorium Arena - Oakland, CA   flac16; MSR>C>DAT>WAV>SHN - pitch correction and patches by Kevin Tobin (update of source ID 17693)   4 FLAC  
416. 12/31/80 Oakland Auditorium Arena - Oakland, CA X DTS-Audio-CD 5.1 Mix; SBD (shn id 17693) MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - dts mixing by Kevin Tobin   4 DTS-FLAC notes
417. 12/31/80 Oakland Auditorium Arena - Oakland, CA A- flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin [2010-01-21]Excellent job on this matrix - not my favorite show from the year but this version puts you right there.   4 FLAC notes
418. 12/31/80 Oakland Auditorium Arena - Oakland, CA A- flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller [2010-06-13]Excellent sound - performances earlier in the run were better but still a solid effort.   4 FLAC notes
419. 12/31/80 Oakland Auditorium Arena - Oakland, CA A- flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz [2010-08-22]Good sound - ok show   3 FLAC notes
420. 12/31/80 Oakland Auditorium Arena - Oakland, CA   flac16; set 3 only: aud cassette master, sennheiser 421's>d5m maxell mx-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; unknown taper, transfer Rob Berger   2 FLAC  
421. 02/26/81 Uptown Theater - Chicago, IL B+ SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes [2010-03-23]Chappelle's matrix preferred over the straight board   3 SHN notes
422. 02/26/81 Uptown Theater - Chicago, IL A- Glassberg - very nice aud, show also strong, typical of this time period.   3 SHN notes
423. 02/26/81 Uptown Theater - Chicago, IL A- flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell [2010-03-23]One of chris' 1st matrices - excellent job, with the aud mix providing just a little ambiance - i prefer this over the sbd. These 3 shows are a nice snapshot of the band's style at this time.   2 FLAC notes
424. 02/27/81 Uptown Theater - Chicago, IL B+ SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing. [2010-03-23]Chappelle's matrix preferred over the straight board   3 SHN notes
425. 02/27/81 Uptown Theater - Chicago, IL A- Glassberg - very nice aud, lots of Phil, I agree with the consensus that the pre-drums set 2 4 songs very good   3 SHN notes
426. 02/27/81 Uptown Theater - Chicago, IL A- flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell [2010-03-23]Excellent job - i prefer this over the sbd - check out the rhino sounds during space - interesting sonic landscape. This is on the must hear list for 1981 - Jerry seems very engaged throughout all of set 2, playing very inventively imo. Combined with Chris's excellent matrix and you have a classic listening experience.   2 FLAC notes
427. 02/28/81 Uptown Theater - Chicago, IL B+ SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min. [2010-03-23]Chappelle's matrix preferred over the straight board   3 SHN notes
428. 02/28/81 Uptown Theater - Chicago, IL A- Glassberg aud - very nice recording, Phil nice in mix. Solid show though overshawdowed by previous nights performance by many people's ranking.   3 SHN notes
429. 02/28/81 Uptown Theater - Chicago, IL A- flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell [2010-03-23]Final show in the matrix trifecta - outstanding sound - like Jerry's guitar between Terrapin and TOO.   3 FLAC notes
430. 03/02/81 Cleveland Music Hall - Cleveland, OH X Bob Wagner Nak's [2008-01-09]Upgraded by MOTB release.   2 SHN notes
431. 03/02/81 Cleveland Music Hall - Cleveland, OH A- Nak700 Shotgun "Radish" [2007-05-04]Nice full sound, no audience distractions - show is dispatched without any flubs, but as it borders on auto-pilot I didn't pick up any reason to suggest this is a must hear. I did not compare it to the Glassberg tape. Comments from the Archive "Hadn't heard the Shakedown in twenty years. Pretty enemic is right. Lazy > Supp is very nicely worked out though. And the rest of the show is decent. Three star average for it. But my five stars is for the PITB. I'm with the Pro. I love the Playing > running in and out, here and there. The Playing > Jamming is so fabulous, I spliced out the China Doll so I could hear all of it uninterrupted (I can hear the complete-ists all gasping now). And never been all that thrilled about R&R > J.B.Goode endings. I dumped the first set and have had the second set for ages....The Shakedown is anemic at first but turns into a nice groove. I also thought the Cassidy was pretty strong but the Lazy Light/Supplication was sloppy. The Playin' that threads its way throught the second set is good, as is the transition into China Doll. However, everything after the Playin' Reprise is ho-hum. Nothing groundbreaking here.   2 FLAC notes
432. 03/02/81 Cleveland Music Hall - Cleveland, OH A- Recording by Bob Wagner: MOTB Release: 0058 16/44.1 [2008-01-09]Nice clean and clear sound - this is a solid tightly played show, maybe too expertly dispatched - no exceptional versions.   2 FLAC notes
433. 03/02/81 Cleveland Music Hall - Cleveland, OH A- flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-02-26]Excellent sound but the show doesn't do much for me. Standard delivery and setlist for the time - I'm not a China Doll fan so having it in set 2 is a buzz kill. Set 2 jam segment also is degraded because the song choice, though somewhat novel, lacks a flow that I can distinguish from random song selection.   2 FLAC notes
434. 03/02/81 Cleveland Music Hall - Cleveland, OH X flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe   0 FLAC24 notes
435. 03/02/81 Cleveland Music Hall - Cleveland, OH X flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
436. 03/02/81 Cleveland Music Hall - Cleveland, OH B/A flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller [2011-04-25]Ok show - nothing to single out - ok sbd for this era   3 FLAC notes
437. 03/03/81 Cleveland Music Hall - Cleveland, OH X Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details [2010-03-23]Wagner/Miller is the preferred source compared to the Lai and Horvath tapes. horvath and miller have sharper attacks than lai tape, Horvath has more crowd (mikes lower) and less frequency response than Miller/Wagner.   3 SHN notes
438. 03/03/81 Cleveland Music Hall - Cleveland, OH X Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches [2010-03-20]Upgrade in circulation   3 SHN notes
439. 03/03/81 Cleveland Music Hall - Cleveland, OH A- Recording Info: NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) [2007-05-05]Very nice full sound, little audience chatter. Excellent show. Bird Song in the improv section reminds me of TOO jam). Hot C>R,Samson to start set 2. Seems stronger than prior night.   3 FLAC notes
440. 03/03/81 Cleveland Music Hall - Cleveland, OH A- flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2010-03-23]Excellent sound, really superb. Bird Song and and a very slinky C->R are noteworthy. This is the preferred source compared to the Lai and Horvath tapes. horvath and miller have sharper attacks than lai tape, Horvatch has more crowd (mikes lower) and less frequency response than this source.   3 FLAC notes
441. 03/03/81 Cleveland Music Hall - Cleveland, OH X aud> mics?> cassette master> dat> cdr; via Mike Lai [2010-03-23]Wagner/Miller is the preferred source compared to the Lai and Horvath tapes. horvath and miller have sharper attacks than lai tape, Horvath has more crowd (mikes lower) and less frequency response than Miller/Wagner.   2 SHN notes
442. 03/03/81 Cleveland Music Hall - Cleveland, OH A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller [2011-04-29]Very good sbd for this era, show is typical, no special mentions   2 FLAC notes
443. 03/03/81 Cleveland Music Hall - Cleveland, OH A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Dats Supplied By Rob Eaton; Transferred By Digitalrbb; Mastered By Charlie Miller [2013-03-15]See previous review of performance - upheld on this listen - no special mention   3 FLAC notes
444. 03/05/81 Stanley Theater - Pittsburgh, PA A- Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds [2010-04-28]Very good recording and show - I like the segment from the Jam that starts set 2 through Fire - the rest of set 2 has energy but the set starting jam is unusual and tasty.   2 SHN notes
445. 03/05/81 Stanley Theater - Pittsburgh, PA B Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. [2010-04-20]Sound quality listenable but a step down from the best sbds - mix is not optimal and sound is a tad dry. This set has some moments of engaging playing and then some standard delivery mailed in tunes (mostly the post drum Bobby tunes).   2 SHN notes
446. 03/05/81 Stanley Theater - Pittsburgh, PA A/B flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.) [2010-05-16]Very listenable aud - the jam to start set 2 is a must hear - the rest of the show is very well played and typical of the era but not worth special noting.   3 FLAC notes
447. 03/06/81 Stanley Theater - Pittsburgh, PA X Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds [2010-10-16]The sound on this is very similar to the GEMS.Radish-Nak700.83827 source - you would have to pay close attention to tell if they were taped from different location.   3 SHN notes
448. 03/06/81 Stanley Theater - Pittsburgh, PA B+ Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. [2010-04-21]Sound lacks a little depth. Show seems a bit pro-forma w/o any audience energy.   2 SHN notes
449. 03/06/81 Stanley Theater - Pittsburgh, PA B/A flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither [2010-03-28]Clean recording, maybe a tad boomy. Show is good, with TOO having the most interesting playing. Standard show with not much to distinguish it.   3 FLAC notes
450. 03/07/81 Cole Field House, University Of Maryland - College Park, MD X FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80 [2010-03-20]Upgrade in circulation   2 SHN notes
451. 03/07/81 Cole Field House, University Of Maryland - College Park, MD A- flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner [2010-03-24]The Bird Song is notable but otherwise it is standard for the time - well played. Sound quality is FOB which means Jerry is high in the mix, crowd not too intrusive.   3 FLAC notes
452. 03/07/81 Cole Field House, University Of Maryland - College Park, MD X flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner   0 FLAC24 notes
453. 03/07/81 Cole Field House, University Of Maryland - College Park, MD A- Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN [2010-05-17]This is a very solid performance and a very good aud tape. Bird Songs from this era are always good and the set 2 pre-drums is solid with an Iko that struck me as better than para and the Jam into drums was a nice transition from sailor -> saint.   3 SHN notes
454. 03/09/81 Madison Square Garden - New York, NY A- "New and Improved" Jim Wise Transcription. All around nice show, and the sound is very good, so throw (or trade) away that soundboard and give this aud tape a listen.   3 SHN notes
455. 03/09/81 Madison Square Garden - New York, NY X Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation   3 SHN notes
456. 03/09/81 Madison Square Garden - New York, NY A- flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16) [2009-09-12]Very nice job on this - nice performance as well - Brent seems good tonight - always like shows with Bird Song - wish it had been played as many times as TJ :)   3 FLAC notes
457. 03/09/81 Madison Square Garden - New York, NY A/B flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller [2010-05-17]Respectable sound quality on this sbd tape. Set 1 is nicely sequenced with a sweet Bird Song. The C>R to start set 2 is a good one with Jerry sounding very perky and doing nice transitions from smooth picking to grungy chords, followed by a Samson with more of the excellent fast picking and grungy sustained chords to slow down.Lots of energy in this triad. The rest of set 2 is respectable.   3 FLAC notes
458. 03/09/81 Madison Square Garden - New York, NY A- flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2010-03-28]Excellent sound - I prefer the song selection and improv this night over the next. Show lacks special highlights   3 FLAC notes
459. 03/09/81 Madison Square Garden - New York, NY X flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
460. 03/09/81 Madison Square Garden - New York, NY A- flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner [2010-10-10]Soundfield more "stereo" than Rolfe source. This is a solid perky performance.   3 FLAC notes
461. 03/09/81 Madison Square Garden - New York, NY X flac24/96; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner   0 FLAC24 notes
462. 03/09/81 Madison Square Garden - New York, NY X flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)   0 FLAC24 notes
463. 03/09/81 Madison Square Garden - New York, NY X Recording by Barry Glassberg: FOB Nak700> SonyTCD5M> Sony TCD-D8> HHB800> "Sonic Super Charge" (Jim Wise)> CDRs (Mastered by Jim Wise)> EAC> SHN; via DNC Permatree, D. Sacks; upgrade in circulation   3 SHN notes
464. 03/10/81 Madison Square Garden - New York, NY X Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation   3 SHN notes
465. 03/10/81 Madison Square Garden - New York, NY A/B flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller [2008-05-07] Excellent sound IIRC, and a very solid show, which gets high marks in the TC, though for a confirmed pre-hiatius jam person, it lacks something special for multiple listens   2 FLAC notes
466. 03/10/81 Madison Square Garden - New York, NY A- flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2010-03]25]Excellent aud recording of a standard show without any notable highlights.   3 FLAC notes
467. 03/10/81 Madison Square Garden - New York, NY X flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
468. 03/10/81 Madison Square Garden - New York, NY A- flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner [2010-11-09]My preferred aud source for this date. Usual suspects are enjoyable (Deal, S>F) also the intro to Wheel jam has Jerry playing in a "classical" style.   3 FLAC notes
469. 03/10/81 Madison Square Garden - New York, NY X flac24/96; Recording by Barry Glassberg: MOTB-0010: Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner   0 FLAC24 notes
470. 03/10/81 Madison Square Garden - New York, NY A/B flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-09-09]Good mix, several places with some pops, distortion, fuzz. Performance is solid, but not epic.   3 FLAC notes
471. 03/12/81 Boston Garden - Boston, MA X taped in "upper left", Sony ECM 280 > Sony TC-D5 > CD > EAC (see info) > SHN v3; via Mike Murray, Chris L.[2010-10-16]Sounds noticeably more distant than nak700.rolfe.miller.95243   3 SHN notes
472. 03/12/81 Boston Garden - Boston, MA A- naks 700 Rolfe via Noah. Excellent Rolfe aud (as usual). Good show too boot. Set 2 has good sustained flow. [7/2005]   3 SHN notes
473. 03/12/81 Boston Garden - Boston, MA A/B flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA except d3t1-t6: Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Floor Section BB, Row 45, Seat 2 by Bob Morris [2009-11-04]1st song has some muffled mics (maybe moving into position?) but after the sound gets dialed in a very listenable tape and a nice show with a good flow.   3 FLAC notes
474. 03/12/81 Boston Garden - Boston, MA X flac24; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
475. 03/12/81 Boston Garden - Boston, MA A- flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2010-11-12]Clear, very good aud. Show had no highlights for me and seemed to drag abit.   3 FLAC notes
476. 03/12/81 Boston Garden - Boston, MA X flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up center balcony facing stage, section 102. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 [2010-10-16]This source is not as "bright" as the Rolfe-Miller source nor as "near" sounding.   3 FLAC notes
477. 03/13/81 Utica Memorial Auditorium - Utica, NY A- Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc [2010-11-14]Clean upfront sound. Show has some potential with Shakedown and CR&S set openers but for the most part is typical of any other show and hard to distinguish it for special mention.   3 SHN notes
478. 03/13/81 Utica Memorial Auditorium - Utica, NY A- flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2009-06-01]Nice tape and a well played show, though no spectacular moments worthy of special mention.   3 FLAC notes
479. 03/13/81 Utica Memorial Auditorium - Utica, NY B flac16; Second Set Only; Source: Mono Soundboard of unknown lineage Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression) [2010-04-22]Usually shows w/ CR&S have something special about them - this set has an interesting "Space" improv but the rest of the set is mostly standard fare and not distinguished. Sbd also is a bit dry besides being mono.   2 FLAC notes
480. 03/13/81 Utica Memorial Auditorium - Utica, NY X flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2010-10-16]I prefer the wise aud to this - the wise aud seems brighter and clearer and closer soundfield.   3 FLAC notes
481. 03/13/81 Utica Memorial Auditorium - Utica, NY X flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC [2010-10-16]This sound more distant than either the Rolfe or Wise aud, with less crowd noise. I prefer the wise aud to the rolfe or Zimmerman - it seems brighter and clearer.   3 FLAC notes
482. 03/13/81 Utica Memorial Auditorium - Utica, NY A- flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller [2011-04-08]Fairly crispy and I enjoyed listening to the interplay on Shakedown.   1 FLAC notes
483. 03/13/81 Utica Memorial Auditorium - Utica, NY A- flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade of Shn ID 112659 [2011-05-07]Very good sound quality but there is no special mentions in the songs perfomed on this seed   1 FLAC notes
484. 03/14/81 Hartford Civic Center - Hartford, CT X Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation.   3 SHN notes
485. 03/14/81 Hartford Civic Center - Hartford, CT X flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller [2010-10-16]The MOTB Glassberg version sounds much closer and an overall better recording.   3 FLAC notes
486. 03/14/81 Hartford Civic Center - Hartford, CT X flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
487. 03/14/81 Hartford Civic Center - Hartford, CT X flac16; Recorded by Bob Wagner Master Audience Cassette; 2 Nak 700s> Sony D5M (Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Sennheiser 421s [2010-10-17]The MOTB Glassberg is a clear winner on this date over this and other aud sources.   3 FLAC notes
488. 03/14/81 Hartford Civic Center - Hartford, CT A- flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner [2010-11-12]Crystal clear aud (at least as good as they get for this era). Jerry seems to playing well (even Bertha in the pro-forma portion of set 2 is not mailed in. Still, not a show I would reach for 1st when looking to hear something special from 81.   3 FLAC notes
489. 03/14/81 Hartford Civic Center - Hartford, CT X flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up in arena riser "all the way back" center, facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 [2010-10-16]The Glassberg MOTB sounds better and was recorded from a "closer" location making it the preferred aud source vs this, the rolfe, and wagner auds.   3 FLAC notes
490. 03/14/81 Hartford Civic Center - Hartford, CT A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:at (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller [2011-04-15]Good sound, average perfromance, not highlists.   2 FLAC notes
491. 03/20/81 Rainbow Theatre - London, England A- MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon [??-??-??]Nice sounding aud - SPace and the jam in Truckin were engaging. [2010-11-09]shnid 32142 (bernd tape) has noticeable higher freq response, though that and this tape were recorded in approximately same location   3 SHN notes
492. 03/20/81 Rainbow Theatre - London, England A- AUD > MC > C > SB!Live > CD > EAC > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T. C/1: TDK SA-C90, dolby B, Nakamishi DR1. Different mics position in set 2. Parts of the tape of the 2nd set cassette were damaged. This is sporadically listenable. Deal was normalised. [2010-11-30]This is a very good aud tape for this era, with more freq response than usual. It is a well played show though w/o something to distinguish it Minor denoising and equalising(WaveLab) in the left channel of the 1st set, more in right channel and in the whole 2nd set. Tape flip at the very end of He's Gone > Boby's jam missing U.S. Blues (encore)   3 SHN notes
493. 03/20/81 Rainbow Theatre - London, England X flac24; soundboard master cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station MetaData with Tag and Rename TLH for FLAC Level 8   0 FLAC24 notes
494. 03/20/81 Rainbow Theatre - London, England A- flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.) [2010-10-31]Not many boards cir for the March 81 London run. This performance is typical of this run in consistent delivery without any upside surprises. Sound quality and mix is good.   3 FLAC notes
495. 03/20/81 Rainbow Theatre - London, England B flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011. [2011-05-13]For completists   1 FLAC notes
496. 03/21/81 Rainbow Theatre - London, England X Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min [2010-11-09]This is very similar in recording location and freq response as the bernd tape 32143. This tape though is a bit more "tinny" sounding so I went with the bernd tape.   3 SHN notes
497. 03/21/81 Rainbow Theatre - London, England A sbd - great show - not a poorly performed song in the whole show. spunky playing, no significant between song momentum losing tuning breaks. The space > nfa is very good, with Garcia's guitar sounding very much Cippolinaesque to me. Strongly recommended   2 SHN notes
498. 03/21/81 Rainbow Theatre - London, England A- AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > SHN. MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T. C/1: TDK SA-C90, Maxell XL II, dolby B. Introduction and tape flip in Drums (4:54 to 5:01) are patched from AUD (Sennheiser 421's > Sony TCD 5) > MC > DAT > CD. Minor denoising and equalising using WaveLab. Little Red Rooster and Don't Ease Me In are maximised [2010-12-03]This is a very good audience recording. The show is typical for the period - no special mentions for me.   3 SHN notes
499. 03/21/81 Rainbow Theatre - London, England X Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd [2010-04-23]Upgrade in circulation   2 SHN notes
500. 03/21/81 Rainbow Theatre - London, England B+ flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2010-04-23]Somewhat lifeless sbd - might also have a glitch/gap at end of EOTW - I lik ethis show less on this listen than when I first heard it. More or less standard songs/playing so can't see a reason to single it out   2 FLAC notes
501. 03/21/81 Rainbow Theatre - London, England A- flac16; Set II Matrix Sources: 1) Master Soundboard Cassette > Cassette > CDR 2) AUD > MC > DAT > CDR > EAC > CDWAV > SHN Frank Streeter's Master Audience Cassette [2010-10-27]Good setlist but I wasn't swept up by the performance.   2 FLAC notes
502. 03/21/81 Rainbow Theatre - London, England A- flac16; SBD/AUD - Matrix SBD:MC > C > CD (speed corrected) & AUD:MC > C/1 > SB!Live > WaveLab > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B, Nakamishi DR1 minor denoising and equalising (WaveLab) Frank Streeter's Sennheiser 421 mic > Sony D5 Audience source supplies the Intro as well as a patch in Drums [2011-08-25]Did not detect any technical issues with this matrix recording. This is a standard performance for this time and does not have anything special to single it out   3 FLAC notes
503. 03/23/81 Rainbow Theatre - London, England B+ AUD> MC> DAT> CD [??-??-??] - All songs well played. Noteworthy jams - Bird SOng, Playin' and the Space > TOO > Stella sequence. A slight tinny quality on some of the vocals. on 2010-11-09 I compared this, the bernd and koucky sources. The bernd was preferred. It did not have the tinny quality of this and substantially more freq. response than the koucky source. All have similar recording locations.   3 SHN notes
504. 03/23/81 Rainbow Theatre - London, England A- AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn. MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T. C/1: TDK SA-C90, dolby B. tape flip in Drums (7:15 to 7:24) patched from AUD > MC > DAT > CD first few seconds of Bird Song are minimised. Minor denoising and equalising (WaveLab). [2010-12-04]This is a good performance that I would put on the should hear once list. Set 2 starts with a nice version of Bird Song, has a well performer To Lay Me Down and overall the band seems intent on giving a good performance. This also seems to be an overlooked show for 81 as there is no sbd that circs. This is also a very good aud with a nice frequency response.   0 SHN notes
505. 03/23/81 Rainbow Theatre - London, England X flac16; Recording by B.Koucky. Source: Condenser mics, portable JVC Boombox, 20 ft from stage left, hand held on a riser 6ft off floor > Maxell UDXL-Is Transfer: MAC playback on Nakamichi DR-2, no NR > Presonus Firebox > firewire > PC, XP-Pro > recorded as 24 bit/96 KHz PCM WAV, Wavelab 5 > Waves X-Noise and L3 Multimaximizer @ 24 bit > UVHR-22 (dither to 16/44.1) > CDWAV 1.9 > WAV > FLAC [2010-11-09]I compared this, the bernd and shndi 6685. The bernd is preferred for its higher freq response. All have similar sounding recording locations.   3 FLAC notes
506. 03/24/81 Rainbow Theatre - London, England A- AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher [2010-12-17]Very good quality recording for sound. Performance had no special mention moments for me.   3 SHN notes
507. 03/24/81 Rainbow Theatre - London, England X Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel [2010-11-09]This is a bit more tinny and has less high freq response than the bernd aud. It might be from a slightly "closer in" recording but not enough for me to go with the bernd aud tape for this date.   3 SHN notes
508. 03/28/81 Grugahalle - Essen, Germany X stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes [2010-10-16]Upgrade (minor sbd fix)   3 SHN notes
509. 03/28/81 Grugahalle - Essen, Germany X updated lineage: copy of bootleg CD "Trippin Around", not SBRD> Pre-FM> DAT> CD-R> EAC> SHN ("unconfirmed"); to abgd by Jeremy Duncan; 3/01 note- upgrade now in circulation   1 SHN notes
510. 03/28/81 Grugahalle - Essen, Germany A- partial set 2 Justin K.'s tape via Sean Cribbs [2010-11-09] Clear sounding end of show - Townsend integrates well on NFA   1 SHN notes
511. 03/28/81 Grugahalle - Essen, Germany X flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend [2010-11-09]I compared this to the Hanno pre-fm and could not hear any reason to prefer this to that source. They are similar enough and this has anomalies from the FM reception per the info file.   3 FLAC notes
512. 03/28/81 Grugahalle - Essen, Germany B+ flac16: SBE fixed and FLAC'd version of Stereo Soundboard Reel Master by deep_elem@despammed.com. [2011-01-07]Rather uninteresting show, though the NFA has some interest most likely from Townsend's presence. Sonic quality what you'd expect but there are some glitches early on   3 FLAC notes
513. 04/30/81 Greensboro Coliseum - Greensboro, NC B+ Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes [2011-01-3]Decent aud - show has no special mentions - typical performance   3 SHN notes
514. 04/30/81 Greensboro Coliseum - Greensboro, NC A/B flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-05-06]Nice sound quality more or less - "a solid and satisfying show, albeit one marked by no truly outstanding jams or songs"   3 FLAC notes
515. 05/01/81 Hampton Coliseum - Hampton, VA X Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation   3 SHN notes
516. 05/01/81 Hampton Coliseum - Hampton, VA A- flac16; CM-700 => Sony TCD5-M >> Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taper Bob Wagner, Transfer: aegert, Edit: dmccabe MOTB.0074 [2008-07-22]High quality performance throughout, though nothing to make it a unique - this was a strong month for consistent playing - nice aud recording   3 FLAC notes
517. 05/01/81 Hampton Coliseum - Hampton, VA X flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 29087 [2011-03-14]DNL vs matrix   3 FLAC notes
518. 05/01/81 Hampton Coliseum - Hampton, VA X flac24; 2 x Nakamichi CM-700 => Sony TCD5-M >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Derek McCabe MOTB 0074 24bit   0 FLAC24 notes
519. 05/01/81 Hampton Coliseum - Hampton, VA X flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko   3 FLAC notes
520. 05/01/81 Hampton Coliseum - Hampton, VA A- flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) [2011-04-01] On this listen I wasn't as impressed by this performance as I was the 1st time. Matrix has no phase issues but didn't seem to enhance the aud imo.   3 FLAC notes
521. 05/01/81 Hampton Coliseum - Hampton, VA A flac16; Recording Info: (FOB) Sennheiser 421 -> Sony TC D-5 Transfer Info: Cassette Master(Dolby B) Maxell XL Type 2 -> Playback On Nackamichi Dragon -> Sony PCM R700 DAT -> Hard Drive (via Zefiro ZA-2 & Sound Forge 4.0) -> CD (via HHB CDR-800 PRO) ->FLAC recorded by Jim Wise; upgrade to the previous Jim Wise source [2011-01-30]Very good source and the show is on the should listen to once for 81 list.   3 FLAC notes
522. 05/02/81 The Spectrum - Philadelphia, PA X Recording by Jim Wise. (FOB) Senn 421> Cm> Dat> CD; via Craig Reimer; Seeded to etree by Willy ; upgrade in circulation.   3 SHN notes
523. 05/02/81 The Spectrum - Philadelphia, PA A- AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds [2011-03-16]Preferred aud for this date fo rme. Set 1 solid - better than average and aligned with my setlist prefs more than normal for this era. Scarlet -> Fire has some interesting twists from the usual and worth hearing for its more different than usual playing.   3 SHN notes
524. 05/02/81 The Spectrum - Philadelphia, PA A/B flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller [2011-04-26]Ok board for sound quality and mix, performance above average but having listened to a lot of 81 can't put this on the must hear list - fungible with many dates.   3 FLAC notes
525. 05/02/81 The Spectrum - Philadelphia, PA X flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford [2011-02-01]I went with the fink version of the wise recording - it has a little less crowd and seems a little clearer but these distinctions appear only when making a direct comparison and both sound very good.   3 FLAC notes
526. 05/02/81 The Spectrum - Philadelphia, PA X Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano   3 SHN notes
527. 05/04/81 The Spectrum - Philadelphia, PA B+ Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes [2011-02-09]Standard delivery with an odd setlist for some of the sequences. Sound quality is good.   3 SHN notes
528. 05/04/81 The Spectrum - Philadelphia, PA A- flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008. [2011-02-12]This is a strong set 2 and a very good audience recording - Spectrum shows are above average in my experience and this is no different.   3 FLAC notes
529. 05/04/81 The Spectrum - Philadelphia, PA X Recording by Ohr Weinberg. Master Audience Cassette : 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell XLII-S 90 Cassettes), Dolby B. Transfer: Master Cassette > Nakamichi Dragon > HHB CDR-830 Plus (by Ohr)> EAC > Sound Forge 5.0 (spliced tape flip during drums, fades, and cleanup) > CD Wave 1.71 > WAV > SHN (by Anne Cohen) 5/2005. [2011-01-30]I compared this to the Milner FOB and preferred that source - this one sound sfurther back, more echo and a little less bright   3 SHN notes
530. 05/05/81 Glens Falls Civic Center - Glens Falls, NY A/B Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston - [7/5/2005] A bit boomy but one acclimates to it after a while (and of course you can always eq.) . This has a strong set 2 with a Scarlet > Fire > Estimated > Eyes with excellent sustained flow (and I like how tghe band collectively pauses for a second about 1 minute before th estart of Fire). The unusual Alabama in the ballad slot begins sloppily with I guess everyone trying to determine what is the song. Another strong May 81 show.   3 SHN notes
531. 05/05/81 Glens Falls Civic Center - Glens Falls, NY A- flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris [2009-11-05]This is a nice fob tape, not too much intrusive crowd - a few places soundfield changes but these are minor.   3 FLAC notes
532. 05/05/81 Glens Falls Civic Center - Glens Falls, NY X flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford [2011-02-01]The Jack Straw from this tape is identical to the Bob Morris tape - neither info file refers to a different source. So I can't explain this but there appear to be conflicting claims to one source   3 FLAC notes
533. 05/05/81 Glens Falls Civic Center - Glens Falls, NY A- flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013 [2013-10-23]Very nice sound (at beginning it appears left side heavy but then the sound field evens out). This is also a nice set featuring Jerry tunes and no lame Bob tunes, the Spanish jam interlude indicates Jerry is engaged and not on auto pilot. Recommended.   1 FLAC notes
534. 05/06/81 Nassau Veterans Memorial Coliseum - Uniondale, NY   Dick's Picks #13 - not tradeable   3 CDR  
535. 05/06/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A Recording by Barry Glassberg. Nak 700's > Sony TC-D5M > MC > DAT > CD; via Jay Jurina; Seeded to etree by Matt Vernon; Note- This show is available as Dick's Picks 13 ; upgrade in circulation - some say is a contender for best show of the 80's. This is a DP's date but the aud carries more excitement and maybe a better mix than the sbd. The He's Gone > Caution Jam and the TOO in set 2 are fantastic versions of these songs.   3 SHN notes
536. 05/06/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source - This is an A show with A sound! A classic, core holding IMO. Almost every tune is well played. And the set 2 jam is pure Dead ingenuity.   3 SHN notes
537. 05/06/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F [2011-01-30]Very good aud - did not compare directly with the Glassberg - set 2 has more than usual improv which is why it was selected for an early DP.   3 FLAC notes
538. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy [2011-02-01]This sounds closer and wider soundfield than the Glassberg and is the preferred aud on this date.   3 SHN notes
539. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon -Glassberg nak direct from the masters - this is a strong show with a great Shakedown. Not as over-the-top as 5/6/81 but well worth hearing.   3 SHN notes
540. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) by Hunter Seamons [2008-06-12]This is an excellent show and a great mix, except maybe a bit of distortion in a few places from the mixed levels being too high? Put this on your should hear list.   3 FLAC notes
541. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY X SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller   3 SHN notes
542. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY X flac16; Recording Info: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-03-14]DNL vs matrix   3 FLAC notes
543. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY X Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy [2011-01-3]Eaton aud has better location and frequency response   3 SHN notes
544. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon - Glassberg naks direct from the masters - this is the weakest show. Actually the Compendium reviews for this Nassau run wer spot on. Some obvious flubs this night. Oh well - they all can't be above average since thy aren't playing in Lake Wobegone   3 SHN notes
545. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008 [2011-02-01]Tasteful matrix - set 1 has a good song mix for my tastes, set 2 is standard for the times.   3 FLAC notes
546. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY B+ Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller [2011-04-03]Recording has a number of patches and soundfield changes that knowck it down a 1/2 grade. Performance also standard for this time with nothing worth highlighting.   3 FLAC notes
547. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY X flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller [2011-03-14]DNL - after matrix version show not that interesting   3 FLAC notes
548. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY A- flac16; Matrix of SBD (shnid=33930) and AUDs (shnid=17699 & 32883) by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a pitch corrected version of shnid=92246. [2012-04-08]Matrix is nice - show is delivered well   3 FLAC notes
549. 05/11/81 Veterans Memorial Coliseum - New Haven, CT A/B FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min [2011-04-07]Consistent, professional delivery - good for 1 listen, maybe no more.   3 SHN notes
550. 05/11/81 Veterans Memorial Coliseum - New Haven, CT A- flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09 [2009-11-14]Very good aud recording and well played show. Note added 2/1/2011 - the FOB Healy tape has much better frequency response and is preferred over this source which has some sort of processing   3 FLAC notes
551. 05/11/81 Veterans Memorial Coliseum - New Haven, CT A- flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) [2011-03-27]No matrix problems that I detected. On this listen, the performance didn't engage me - song selection not aligned to my taste and nothing to distinguish this a generic well executed show of this period.   3 FLAC notes
552. 05/11/81 Veterans Memorial Coliseum - New Haven, CT X flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side stage right) first-level riser, about half way back. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09   0 FLAC24 notes
553. 05/11/81 Veterans Memorial Coliseum - New Haven, CT X flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford [2011-02-01]The fob healy is preferred over this source whicvh also has some sort of filtering/processing that gives a less rich and complete sound   3 FLAC notes
554. 05/11/81 Veterans Memorial Coliseum - New Haven, CT X flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller [2011-03-14]DNL vs matrix   3 FLAC notes
555. 05/11/81 Veterans Memorial Coliseum - New Haven, CT X flac16; source: (2) nakamichi 300> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit 44.1kHz> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit 44.1kHz [2012-04-9]Apparently matches an already circulating source (aka not new)   3 FLAC notes
556. 05/12/81 Veterans Memorial Coliseum - New Haven, CT X SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.[2011-04-10]Did not listen in favor of matrix   3 SHN notes
557. 05/12/81 Veterans Memorial Coliseum - New Haven, CT X essentially same as previous shn set, but with redundant, split China-Rider tacked onto d1; 9/01: noted at gdlive with incorrect info file and- d1.md5; see pub comments. ; upgrade in circulation   3 SHN notes
558. 05/12/81 Veterans Memorial Coliseum - New Haven, CT A- flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 10/2009 [2009-11-05]Very clear aud - just what you want to hear - and another string show from May 81.   3 FLAC notes
559. 05/12/81 Veterans Memorial Coliseum - New Haven, CT X flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 10/2009   0 FLAC24 notes
560. 05/12/81 Veterans Memorial Coliseum - New Haven, CT A- flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) [2011-03-27]Another respectable show w/o anything that I classify as must hear. No matrix issues.   3 FLAC notes
561. 05/12/81 Veterans Memorial Coliseum - New Haven, CT X flac16; Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master Lineage: AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity. [2011-02-01]Friend recording has brighter and wider soundfield than this recording   3 FLAC notes
562. 05/13/81 Providence Civic Center - Providence, RI X Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy p[2011-02-01]Tim Friend recording seems clearer and preferred over this one.   2 SHN notes
563. 05/13/81 Providence Civic Center - Providence, RI A- sbd via Miller [2007-08-18]Nice sound quality - show is consistently well played, but the song selection doesn't overalp with my favorites so I rate it a A/B. Overall impression is smooth transitions and high level of muscianship throughout.   3 FLAC notes
564. 05/13/81 Providence Civic Center - Providence, RI B+ Matrix 3 Source Mix - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - matrix mixing by Kevin Tobin [2007-09-04]At some points there sounds to be some "phasing" between the sources that imparts a compressionish high frequency artifact. Came across especially between songs. Might be on the aud itself. The matrix mix didn't raise my rating of this show.   3 FLAC notes
565. 05/13/81 Providence Civic Center - Providence, RI X DTS Audio 5.1 - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - dts mixing by Kevin Tobin   0 DTS notes
566. 05/13/81 Providence Civic Center - Providence, RI X flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09   0 FLAC24 notes
567. 05/13/81 Providence Civic Center - Providence, RI A- flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09 [2011-04-27]Excellent audience recording - show is well played but nothing to put it on my must hear again list   2 FLAC notes
568. 05/13/81 Providence Civic Center - Providence, RI X DVD-VA; (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 3 Source Mix (shn id 86917) & 2) DTS Audio 5.1; Mix of SBD: SBD -> Master Cassette -> Reel -> Dat (48k) and AUD1: Nak 300's>MC>DAT>CDR and AUD2: Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder (shn id 86974); audio only - no video   0 DVDA notes
569. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ X (FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy [2011-02-01]This is the Kenny Mance source, so this is deprecated in favor of the Cohen version   3 SHN notes
570. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ A- flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller [2007-08-18]The playing at this show is similar to 5/13 but I like the song selection better. Same very good sound quality. May 81 fans will like to give this a spin.   3 FLAC notes
571. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ A/B flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-04-10]This is a redo of the previous seed - sounded fine, no problems i detected solid show   3 FLAC notes
572. 05/15/81 Athletic Center, Rutgers University - Piscataway, NJ A- MAC>DAT>CD. Recording by Kenny Mance. AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes. audience cassette master recorded by Kenny Mance. Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd. *1/2 step patch source: (downloaded 4/2005 from tol- gd1981-05-15.senn.munder.9008) fob Senn 421>Cm>Dat>CD (0 to 6:48). a-d transfer 2/05, editing, tracking and shn conversion by Anne Cohen 4/05. [2011-04-02]Tasty aud here with great ambiance and depth. Show has a good bit of energy as well - I thought Franklin's and NFA had nice pacing with the way that the chords are held just a bit longer than expected before starting the next in a very engaging style that sucks you into the moment. This show typlifies the best of what I'd call the 81 style   3 SHN notes
573. 05/16/81 Barton Hall, Cornell University - Ithaca, NY X Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR; via Mike "Dank Star" Parrillo; upgrade in circulation   3 SHN notes
574. 05/16/81 Barton Hall, Cornell University - Ithaca, NY X Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley [2011-01-30]The Doug Mow tape has a better freq. response and better location - this tape tapers off in freq too much in comparison.   3 SHN notes
575. 05/16/81 Barton Hall, Cornell University - Ithaca, NY X Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; [2009-02-20] upgrade in circulation   3 SHN notes
576. 05/16/81 Barton Hall, Cornell University - Ithaca, NY A- flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) [2011-04-09]This show is better than others of this tour, consistent with consensus. This is also a good matrix.   3 FLAC notes
577. 05/16/81 Barton Hall, Cornell University - Ithaca, NY X flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller [2011-04-09]Did not listen in favor of matrix.   3 FLAC notes
578. 05/16/81 Barton Hall, Cornell University - Ithaca, NY A- flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford [2011-02-11]Excellent aud tape - set 2 very good, on the should hear list, esp. the nice "Spanish Jam" into the Drums segment.   3 FLAC notes
579. 05/17/81 Onondaga County War Memorial - Syracuse, NY A- Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy [2011-04-08]This is a very crisp recording - listen to the tone and clarity of Garcia's playing on TLEO - nothing betwenn your ears and garcia's pick! Folks that came on board at this time really like set 1.   3 SHN  
580. 05/17/81 Onondaga County War Memorial - Syracuse, NY X flac16; Recording by Doug Mow. 2 Nak CM300 (DIN, TS) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC16; Minor editing and EAC> FLAC16 by Alex Ford [2011-02-01]This is equivalent to the Munder recording in my spot check on Scarlet. I went with the Munder because it seems to have a little less processing used   3 FLAC notes
581. 05/17/81 Onondaga County War Memorial - Syracuse, NY A- flac16;set2: Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller [2011-05-01]Very good sound and somewhat different interpretations of the repertoire of this era   0 notes
582. 07/02/81 The Summit - Houston, TX A- Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy [2011-03-13]Very good aud - solid show. No particular highlights   3 SHN notes
583. 07/04/81 Manor Downs - Austin, TX A- Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston [2011-04-10]This is a good performance and nice aud for an outdoor show - I'd put this on the "should listen to list" - set 2 has a noteworthy Bird Song in the pre-drums position where we might have had a Terrapin.   3 SHN notes
584. 07/04/81 Manor Downs - Austin, TX A/B flac16; Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris [2009-11-12]The patched source has a noticeable different sound so that makes for some loss of listening momentum - interesting show - main source sounds upfront and good for an outdoor 4th of July show.   2 FLAC notes
585. 07/04/81 Manor Downs - Austin, TX X flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller   2 FLAC notes
586. 07/04/81 Manor Downs - Austin, TX B+ flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat -> Samplitude Professional 11.1 -> Adobe Audition v3.0 -> FLAC; Transferred By Joe Samaritano; Mastered By Charlie Miller [2011-04-20]Performance wasn't as noteworthy on this listen. SOund typical for a board from this era   3 FLAC notes
587. 07/04/81 Manor Downs - Austin, TX X Recording Info:SBD -> Cassette Master -> Dat -> ZA2 -> SHN (Transfered By Joe Samaritano). Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (Transfered By Charlie Miller). Patched and Edited By Charlie Miller ; upgrade in circulation   3 SHN notes
588. 07/05/81 Zoo Amphitheater - Oklahoma City, OK B+ Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy [2011-06-03]Though a listenable aud, in outdoor venues I prefer the sbd in this case - see other review for performance notes   3 SHN notes
589. 07/05/81 Zoo Amphitheater - Oklahoma City, OK X flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller   3 FLAC notes
590. 07/05/81 Zoo Amphitheater - Oklahoma City, OK A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of shnid=30648 [2011-03-04]Shakedown has an atypical jam by Garcia, smooth and laid back and melodic. Also, set 2 has DEMI->TMNSP appearing in the pre-jam section with TMNSP having a more developed jam segment. All in all, for 1981, this show has the gd deviating from the normal about as far as they go and worth a listen for this novelty.   3 FLAC notes
591. 07/05/81 Zoo Amphitheater - Oklahoma City, OK B+ flac16; Set 2 only, audience tape trade cdrs -> flac [2011-04-10]FOB-ish with some nearby crowd (you're in the pit so to speak) some other cuts etc but overall an energetic experience   2 FLAC notes
592. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO X 1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation   1 SHN notes
593. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO A- Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy [2011-06-03]Listenable aud - set 1 has Garcia sounding very engaged - esp the Dancin and Bird Song. Dancin' appears as 3rd song of show, which is unusual. I like the energy of this date   3 SHN notes
594. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO X flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller   3 FLAC notes
595. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (sony R500) -> Samplitude Professional V11.1 -> Adobe Audition V3.0 -> Flac; All Transfers And Mastering By Charlie Miller; This Is A Remaster Of Shnid=30649 [2011-01-22]I like the Jery tune selection in set 1 (TLMD and Bird Song). Set 2 has an interesting Brent/Jerry interplay out of drums. Sound is very good for sbd tapes from this era. Most of teh Bobby tunes suffer from being played as they always are with bad slide and screamy vocals. I would suggest a listen with the option to skip most of the Bobby tunes   3 FLAC notes
596. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO   flac16; Matrix 60% sbd/40% aud SBD -> Cassette Master -> Reel -> Dat (shnid 109850) and Aud (Neumann KMi84's)>MC>DAT>CD (shnid 13962)   3 FLAC  
597. 07/08/81 Kiel Auditorium - St. Louis, MO B (FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy [2011-03-14] Concur with LMA comments that this has too much room ambiance to be called an FOB. Sounds like a balcony recording. Still easy to discern the playing quality. Not too boomy. Give it a B to B+ for sound. very typical performance of the july tour.   3 SHN notes
598. 07/10/81 St. Paul Civic Center - St. Paul, MN X Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation shind 32880 is this same source   3 SHN notes
599. 07/10/81 St. Paul Civic Center - St. Paul, MN A- flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller [2011-04-01]Very good aud recording - set 1 standard, set 2 has an interesting post set 2 where we have a UJB-PITB-UJB etc., so this is worth one listen.   3 FLAC notes
600. 07/10/81 St. Paul Civic Center - St. Paul, MN X Recording by Ohr Weinberg. MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN [2011-01-30]This is a godd source but teh fob senn via Miller is brighter and clearer   3 SHN notes
601. 07/11/81 Alpine Valley Music Theatre - East Troy, WI A/B Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy [2011-03-15]Sound quality very good, though missing some material so not "complete". Show is typical, without mistakes, but nothing engaging for a repeat listen.   3 SHN notes
602. 07/11/81 Alpine Valley Music Theatre - East Troy, WI A/B Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. [2011-04-20] Typical sbd sound/mix, show has no noteworthy highlights   2 SHN notes
603. 07/13/81 McNichols Sports Arena - Denver, CO A- SBD; via Mike Lai [2011-03-13]Very good sound for an 81 sbd. Strong show - Garcia's playing on Althea I enjoyed - good pacing and phrasing in his strumming. Set 2 Terrapin a bit rough but set 2 comes off as above average as well.   3 SHN notes
604. 07/14/81 McNichols Sports Arena - Denver, CO A- AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy [2011-03-13]Set 1 has a very nice song mix, lots of continuity with the segues, and holds together very nicely. Set 2 is free of Bob tunes that I find tedious in this era. Very nice aud tape. Give its a spin.   3 SHN notes
605. 08/12/81 Salt Palace - Salt Lake City, UT B/+ SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy [2011-04-10]Sort of chopped up - the spanish jam -> dew segment is special   3 SHN notes
606. 08/12/81 Salt Palace - Salt Lake City, UT B flac16; Source: aud > ??? > cass (unknown gens) Transfer: cass > Nakamichi BE-125E > EMU 0202 > Wavelab > wav (24/96) > flac [2011-02-03]This show has a good set list on paper - the recording overall is my B+ grade - listenable but not one that would change sbd snobs. Sirmick did significant reconstructive surgery to get what we have in the condition we have it for this only aud to date for this show   3 FLAC notes
607. 08/14/81 Seattle Center Coliseum - Seattle, WA X NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner [2011-02-12]This might be the Severson tape, it doesn't have the same freq response and is a bit brighter so maybe some dolby mojo is at play. It doesn't have quite the same frequency response in any case as the Minches version so go with that one.   3 SHN notes
608. 08/14/81 Seattle Center Coliseum - Seattle, WA A- flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2011-02-17]This is a very good audience recording for sound w/o intrusive downside. The show is consistent but w/o special mentions   3 FLAC notes
609. 08/15/81 Portland Memorial Coliseum - Portland, OR X Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy   3 SHN notes
610. 08/15/81 Portland Memorial Coliseum - Portland, OR A- flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 35' from stage, left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding [2011-020=-17]Very good recording, standard show w/o any special mention ups or downs.   3 FLAC notes
611. 08/16/81 McArthur Court, University Of Oregon - Eugene, OR X Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR) [2011-02-11]There is a Miller remaster of this which is the preferred source.   2 SHN notes
612. 08/16/81 McArthur Court, University Of Oregon - Eugene, OR B/+ flac16; SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC Frontend [2011-04-09]ok sbd - performance again par for 81 w/o any special mentions   2 FLAC notes
613. 08/16/81 McArthur Court, University Of Oregon - Eugene, OR A- flac16; Recording Info:Nakamichi 300 -> Master Cassette -> Dat -> CD -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-02-18]Very good "fob-ish" recording. Consistent performance w/ appearance by some pranksters during drums but otherwise nothing that came across as noteworthy for special mention   3 FLAC notes
614. 08/27/81 Long Beach Arena - Long Beach, CA A- FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M.[2011-02-27]Cumberland breakout since 74 - set 1 has many seques - set 2 very respectable, very good aud. Above average for 81.   3 SHN notes
615. 08/28/81 Long Beach Arena - Long Beach, CA X SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation   3 SHN notes
616. 08/28/81 Long Beach Arena - Long Beach, CA X SBD>?>CD; w/ patches from AUD>MC>DAT>CD; upgrade to previous Paino seed; via Willy; Chris Cantergiani; Seeded to etree by PainoMan [2011-03-22]I did not listen to this source after listening the matrix made from it.   2 SHN notes
617. 08/28/81 Long Beach Arena - Long Beach, CA A- flac16; Matrix Mix - SBD Source: SBD>?>CD>WAV (100%) and AUD Source: MAC>DAT>CD>WAV (50%) 2008 Update: Encore Source: Barry Glassberg's master audience recording. Matrix by PainoMan [2011-03-22]Very good sound and no issues with the matrix phasing that I could detect. I rate the performance as a B+ - nothing special to distinguish it to my ears.   3 FLAC notes
618. 08/28/81 Long Beach Arena - Long Beach, CA A- flac16 MOTB Release: 0065 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking) [2011-02-18]Pre-and post drum jams are interesting. Very good recording - typical performance for August which seem uniformly good but without special mention highlights.   3 FLAC notes
619. 08/28/81 Long Beach Arena - Long Beach, CA A- flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-06-04]Pre and post set 2 jam has many worthy highlights, Jerry and Brent interplay, both who seem very engaged and listening to each other. On the 81 should hear list. Nice sbd mix as well   3 FLAC notes
620. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ X FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy [2011-02-11]This was recorded from essentially the same location as the Wagner source, but that source has significantly more frequency response and hence is preferred.   3 SHN notes
621. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ A- flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 30118 [2010-03-19]SOme of the patches are not speed matched to the sbd so it can be a bit distracting. The sbd has good sound qualities. Show is competently performed and a bit peppy. No outstanding moments however.   3 FLAC notes
622. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ X flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
623. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ X flac16; SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller   3 FLAC notes
624. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ X flac16; Pitch and tempo adjusted version of shn id 30118 by JR Fishman to 96.92% using audience recording   3 FLAC notes
625. 08/30/81 Compton Terrace Amphitheatre - Tempe, AZ A- flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller [2011-02-18]Nice recording - really nice. Perky Cumberland. August was very consistent so I can't single this one out. Except for the CB, the remaining song selection and delivery are fungible for 1981   3 FLAC notes
626. 08/31/81 Aladdin Theater - Las Vegas, NV X AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy [2011-02-11]Sounde is further back and boomier than 91813 which is brighter and less echo - though both are a step down from "fob" grade tapes.   3 SHN notes
627. 08/31/81 Aladdin Theater - Las Vegas, NV A- flac16; Audience from 1st gen cassette unknown mics unknown recorder unknown taper unknown transfer [2009-05-05]Very good sound and a fun show   3 FLAC notes
628. 08/31/81 Aladdin Theater - Las Vegas, NV X flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Patch Info: The beginning of Stranger and the middle Of Dew through the end of the show are patched with AUD>Cm>DAT>CD (shnid=9619).   3 FLAC notes
629. 08/31/81 Aladdin Theater - Las Vegas, NV B flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-04-26]This sbd sounds poor compared to the aud imo. SHow has no special mentions   3 FLAC notes
630. 09/11/81 Greek Theatre, University Of California - Berkeley, CA X Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy [2011-01-30]Frequency response not as full as the Hoey source.   3 SHN notes
631. 09/11/81 Greek Theatre, University Of California - Berkeley, CA X flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey [2011-01-30]I preferred the Walker source over this but this one is good.   3 FLAC notes
632. 09/11/81 Greek Theatre, University Of California - Berkeley, CA X flac16; Source: Audience Recording Lineage: 3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) [2011-01-30]The Joani Walker tape has a fuller sound than this one which has a narrower sound field despite it being physically closer.   3 FLAC notes
633. 09/11/81 Greek Theatre, University Of California - Berkeley, CA A- flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller [2011-02-27]Clean recording - solid above average show - best portion is Space -> TOO -> Dew   3 FLAC notes
634. 09/11/81 Greek Theatre, University Of California - Berkeley, CA X flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)   0 FLAC24 notes
635. 09/11/81 Greek Theatre, University Of California - Berkeley, CA A/B flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging) [2013-10-22]Respectable 2nd set performance. Set 1 starts a bit distant (maybe PA was also low).   3 FLAC notes
636. 09/12/81 Greek Theatre, University Of California - Berkeley, CA X Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy [2011-01-30] An upgrade exists that adds the missing Good Lovin'   3 SHN notes
637. 09/12/81 Greek Theatre, University Of California - Berkeley, CA A- flac16; Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK SA-X 90, Maxell UDXL-II 90 'Estimated thru Baby Bloe') Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact [2009-09-23]Excellent recording of a great 81 show   3 FLAC notes
638. 09/12/81 Greek Theatre, University Of California - Berkeley, CA A- flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller [2010-01-25]Clean up front recording, with some crwod noise at times (but not tto bad). This show is well played and a good setlist.   3 FLAC notes
639. 09/12/81 Greek Theatre, University Of California - Berkeley, CA A- flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) [2011-03-04]This performance has many fans that rate it very high - the setlist is good for this era and the recording about as good as they can be for the Greek but hey, its still 1981 so I didn't find any epic, transcendent moments that would convince a fan of pre-hiatus to claim this a must listen.   3 FLAC notes
640. 09/12/81 Greek Theatre, University Of California - Berkeley, CA X flac16; Recording Info:(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recoded by Joani Walker; All Transfers and Mastering By Charlie Miller [2011-02-11]This has more audience and not as wide a soundfield compared to Porris (95351)   3 FLAC notes
641. 09/12/81 Greek Theatre, University Of California - Berkeley, CA X flac16; Recording by Steven Martin. Master audience cassette (modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding [2011-01-30] The sound quality and location is not as good as either the Walker or the Porris tape   3 FLAC notes
642. 09/12/81 Greek Theatre, University Of California - Berkeley, CA X Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs [2011-01-30] Sound quality and location not as good as either the Porris or Walker   2 SHN notes
643. 09/12/81 Greek Theatre, University Of California - Berkeley, CA X This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com) [2011-01-30]Not as good as either the walker or Porris recordings for location and sound quality   3 SHN notes
644. 09/12/81 Greek Theatre, University Of California - Berkeley, CA A- flac16;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging) [2013-10-22]Performance not as strong as prior night. Recording clear.   3 FLAC notes
645. 09/13/81 Greek Theatre, University Of California - Berkeley, CA X Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy   3 SHN notes
646. 09/13/81 Greek Theatre, University Of California - Berkeley, CA X flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller [2011-01-22]I preferred the wise aud - this source might be a tad too close so the vocals aren't picked up as well as the wise - or at least that is how it sounds to me.   3 FLAC notes
647. 09/13/81 Greek Theatre, University Of California - Berkeley, CA X Set 1 Soundboard of unknown lineage. Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > bt.etree 01/06. ; upgrade in circulation   1 SHN notes
648. 09/13/81 Greek Theatre, University Of California - Berkeley, CA X flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 80 Deg angle, center-omni straight at stage) 45 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) [2011-01-22]This is similar to both the wise and wagner sources, but sounds more processed and boomy   3 FLAC notes
649. 09/13/81 Greek Theatre, University Of California - Berkeley, CA B+ flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller [2011-04-02]A bit thin on the frequency response an dthe show didn't grab me much on this listen. Definitely not on the 81 must hear list.   2 FLAC notes
650. 09/13/81 Greek Theatre, University Of California - Berkeley, CA A- flac16; Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2011-01-29]Clean recording. Good show without any special mentions.   3 FLAC notes
651. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA X Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation   3 SHN notes
652. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA   MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail   3 SHN  
653. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA B flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller [2011-01-30}Not very good recording quality, from a 1st listen standard show. Will have to listen to an aud to make a better assessment of the performance.   3 FLAC notes
654. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA X Recording by Steve Rolfe. AUDMC > DAT > WAV > SHN from 1st row off the floor, center stage with two Nak 700 mics into a Sony D-5 deck. Added to etree by Noah Weiner [2011-02-11]Slightly boomier but with better freq response than 13725 which is closer and brighter. I prefer 13725.   3 SHN notes
655. 09/25/81 Stabler Arena, Lehigh University - Bethlehem, PA X Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail [2011-01-22]suffers from overload distortion - rolfe is preferred aud   3 SHN notes
656. 09/26/81 Community War Memorial Auditorium - Buffalo, NY X AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy [2011-02-11]Same recording and transfer most likely as 12554.   2 SHN notes
657. 09/26/81 Community War Memorial Auditorium - Buffalo, NY X SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller [2011-03-14]DNL vs matrix   2 SHN notes
658. 09/26/81 Community War Memorial Auditorium - Buffalo, NY A- flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell [2011-02-11]Chris selects great shows and produces "just like you were there" matrixes. I'd rank this on the "should hear for 81" list.   2 FLAC notes
659. 09/26/81 Community War Memorial Auditorium - Buffalo, NY A- Recording by Dan Healy. Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd); Thanks to John Tallmadge for the discs; eac>shn popi n. feeldz [2011-03-04]Another 81 show that many rate quite strongly - very good show and Jerry is playing well but it is nevertheless an 81 show show it hard to distinguish itself from the style of that era which I don't find compelling.   2 SHN notes
660. 09/26/81 Community War Memorial Auditorium - Buffalo, NY A- flac16: AUD: 2x Sennheiser mics > Sony TC-D5. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. [2011-06-11]This is the preferred aud iirc. This is a good show and played well, though other than song choices, nothing specific to highlight   3 FLAC notes
661. 09/27/81 Capital Centre - Landover, MD B+ SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy [2011-04-09]Typical sbd and performance from this era - no highlights   3 SHN notes
662. 09/27/81 Capital Centre - Landover, MD B/A flac16; Set 2 Source: Unknown AUD (cassette circa 1982) Transfer: Maxell UD90 > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC Tagged. [2010-12-17]Very listenable. Performance good w/o any special highlights.   1 FLAC notes
663. 09/27/81 Capital Centre - Landover, MD B+ flac16; Set 1 Source: AUD (unknown equipment) MAC > 2nd Gen cassette. Transfer: Maxell UDXLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. [2011-06-07]SOund quality a bit lower than the better tapes from this period. Performance is typically well performed.   1 FLAC notes
664. 09/30/81 Playhouse Theatre - Edinburgh, Scotland B+ SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation [2011-03-20]Sound quality good. set 1 nothing to single out, very standard. Set 2 also seemed straightforward - one of the less exciting shows of 81   3 SHN notes
665. 10/02/81 Rainbow Theatre - London, England B sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali [2011-06-03] There seem to be lots of cuts and drop outs, a bit of hiss.   3 SHN notes
666. 10/02/81 Rainbow Theatre - London, England B/A flac16; source: aud > low gen cass > Wavelab > wav > flac transfer: Sony TC-FX2 > Creative Extigy > wav via Simon Phillips and SirMick [2011-03-14]Agree with comment that the pitch for Shakedown is WAY OFF - extremely slow. Otherwise good aud and another consistent show in the style of this era - no special mentions   3 FLAC notes
667. 10/03/81 Rainbow Theatre - London, England X complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M.   3 SHN notes
668. 10/03/81 Rainbow Theatre - London, England A- flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller [2011-03-14]Standard show and sound quality for boards and era. No special mentions   3 FLAC notes
669. 10/04/81 Rainbow Theatre - London, England B+ Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek [2011-01-25]Decent performance , sound is a little dry with Brent high in the mix in a few places where he isn't taking a lead. Can't say I'll revisit this one.   3 SHN notes
670. 10/06/81 Rainbow Theatre - London, England X Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped   3 SHN notes
671. 10/06/81 Rainbow Theatre - London, England B+ flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-03-20]Uninteresing show except for the definite BAF jam post drums. sound quality is good but a notch down from teh better boards.   3 FLAC notes
672. 10/08/81 Forum Theater - Copenhagen, Denmark B SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon [??-??-??]Many sound issues - first songs have guitars way low in mix, much futzing around with tracking some loose cables. Set 2 better but there are other brief drop outs not noted in info file besides cuts. Show is solid but nothing stands out.   3 SHN notes
673. 10/10/81 Stadthalle - Bremen, Germany A- Recording by Bernd Weiskircher. Sennheiser MD441 > Sony TCD 5M > Maxell MX C90 tape (Dolby B) 15-20 m in front of stage; MC via Nakamichi DR-1 > HD > remaster (see notes) > CD by Bernd Weiskircher; Eurodead 10/81 Tree disks supplied by Nigel Mouncey; Seeded to etree by Matt Vernon [??-??-??] Very good aud - the "TCC" review of this show suggests you should pass on this date. I disagree. The show was expertly played, had a great setlist and I've listened to it a few times and look forward to doing so in the future. One thing I liked was the end of Deal had some nice TOO teases which someone with more musical knowledge than me explained as follows: "IMO, the Deal jam sounds like O1 sometimes, because O1 is in a 12/8 rhythm. Deal is in 4/4, but with a triplet feel thrown over each beat to make it almost sound like 12/8(4x3=12)...this is especially evident when the band stretches out and freaks out in the outro jam. "   3 SHN notes
674. 10/10/81 Stadthalle - Bremen, Germany B+ SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek [2011-04-06]Thin sounding recording, Garcia low in mix (PA feed?) average perfromance   3 SHN notes
675. 10/12/81 Olympia Halle - Munich, Germany B+ SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon [2011-04-25]Ok sbd sound quality, I like this show - maybe my favorite o fthis tour - the set 1 has a nice mix of Jerry tunes and set 2 with the pre-drums GDTRFB thru NFA is well played IMO. Remainder is more pro-forma   3 SHN notes
676. 10/12/81 Olympia Halle - Munich, Germany A/B AUD > MC > CD > EAC > SHN taper: Uwe Dehnel Sony TC D5, one point stereo mic, handhold Mastering: MC > CD by Uwe Dehnel by Bernd Weiskircher [2011-04-13]Excellent sounding audience recording except first half of set 2 sounds further back. I liked the GDTRFB in the pre-drums slot and the C>R is also very good   3 SHN notes
677. 10/12/81 Olympia Halle - Munich, Germany X sbd > mc > dat > cd > eac > wav > shn; missing encore; via anon benefactor to vine, now etreed. ; upgrade in circulation   3 SHN notes
678. 10/13/81 Walter Koebel Halle - Russelsheim, Germany B+ AUD > MR > DAT > CD no mic info; via Bernd Weiskircher; Matt Vernon [??-??-??]Good aud recording - only sonic blemishes are some partial brief drop outs left channel from Black Peter to end of Set 2, and some slight clipping every so often. Show highlights are the Brent jam into Drumz which has a nice "Weather Report" feel to it and the Satisfaction encore, where Bobby tries to get the German audience to sing along even though they don't know what he's saying. First set good version of Bird Song.   3 SHN notes
679. 10/13/81 Walter Koebel Halle - Russelsheim, Germany B+ SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments [2011-03-24]Show is rather bland. Best part is the jam into Drums and the Spanish jam portion. Sound quality and mix a notch below most other boards so I give it a B+   3 SHN notes
680. 10/15/81 Club Melk Weg - Amsterdam, Netherlands X AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd [2011-02-09]Upgrade in circulation   2 SHN notes
681. 10/15/81 Club Melk Weg - Amsterdam, Netherlands A- flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. [2011-04-15]Novelty show - sound good for small room. Show unexciting. No highlights.   2 FLAC notes
682. 10/15/81 Club Melk Weg - Amsterdam, Netherlands X Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn; upgrade in circulation   2 SHN notes
683. 10/16/81 Club Melk Weg - Amsterdam, Netherlands X SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes   2 SHN notes
684. 10/16/81 Club Melk Weg - Amsterdam, Netherlands A- flac16; Sick Bits Vol. 27 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=1217) + AUD (shnid=80060). Matrixed by Chris Chappell. [2011-03-24]Novelty show. Set 1 flashback to 1980 acoustic sets. Set 2 has oddball songs similar to 11/8/70! Nice matrix as always from Chris. One listen most likely enough other than teh novelty factor.   2 FLAC notes
685. 10/16/81 Club Melk Weg - Amsterdam, Netherlands B+ flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. [2011-04-18]Clear, some bass distortion and nearby audience talking. SHow is uneventful - band is not out to set new ground but enjoy themselves in a small venue.   2 FLAC notes
686. 10/16/81 Club Melk Weg - Amsterdam, Netherlands X Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation   2 SHN notes
687. 10/16/81 Club Melk Weg - Amsterdam, Netherlands X flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2011-03-24]DNL in favor of Chappell matrix   2 FLAC notes
688. 10/16/81 Club Melk Weg - Amsterdam, Netherlands X flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) [2011-03-24] DNL - see Chappell matrix for comments   2 FLAC notes
689. 10/16/81 Club Melk Weg - Amsterdam, Netherlands X flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013   0 FLAC24 notes
690. 10/16/81 Club Melk Weg - Amsterdam, Netherlands A- flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. [2013-10-22]Performance more a novelty gig. Garcia's playing in Lovelight stands out a bit.   2 FLAC notes
691. 10/17/81 The Hippodrome - Paris, France X SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon   3 SHN notes
692. 10/17/81 The Hippodrome - Paris, France A/B AUD > MC > CD > EAC > SHN Sony TCD 5M, Sennheiser MK 2002, Dolby B Mastering: MC via Nakamichi DR-1 > HD > CD by Bernd Weiskircher [2011-04-15]Sound quality very good for location. Show standard and no highlights.   3 SHN notes
693. 10/17/81 The Hippodrome - Paris, France B+ flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details [2011-05-26]Promising set list but this sbd didn't increase my enthusiasm for this show.   3 FLAC notes
694. 10/17/81 The Hippodrome - Paris, France A/B flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2012-02-04]Show is typical with no special mentions. Sound quality a bit hissy.   3 FLAC notes
695. 10/19/81 Sports Palace - Barcelona, Spain X SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon   3 SHN notes
696. 10/19/81 Sports Palace - Barcelona, Spain B+ flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2011-03-27]1st few songs are indeed tiny, somewhat swirlyish w/ no phil. Overall, there are some moments in set 2 where Garcia's playing is suggestive of something special, but it never really goes any where.   3 FLAC notes
697. 11/29/81 Civic Arena - Pittsburgh, PA B+ Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy [2011-06-02]This is a good audience recording - show is typical but nothing stood out worthy of special mention   3 SHN notes
698. 11/29/81 Civic Arena - Pittsburgh, PA A- flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller [2010-07-20]Very consistently played show - standard sbd mix.   3 FLAC notes
699. 11/30/81 Hara Arena - Dayton, OH A- Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy [2011-04-03]Very good sound for auds of this era - representative performance for this period of 81   2 SHN notes
700. 11/30/81 Hara Arena - Dayton, OH B+ flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller [2011-02-09]song selection odd and not weighted to my favorites - sound quality good   3 FLAC notes
701. 11/30/81 Hara Arena - Dayton, OH A/B flac16; Source: AUD 2nd-Gen (MAC > C > C), unknown equipment. Transfer: XLII > Nakamichi CR5A > Edirol FA66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 & tagged. May 2013 [2013-10-22] Performance standard, recording good.   1 FLAC notes
702. 12/02/81 Assembly Hall, University Of Illinois - Champaign, IL A- (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy [2011-06-02]This is a listenable audience recording of a solid show with Jerry's playing very engaged.   3 SHN notes
703. 12/02/81 Assembly Hall, University Of Illinois - Champaign, IL A- flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller [2010-07-20] Respectable delivery but no special mentions - standard sbd mix.   3 FLAC notes
704. 12/03/81 Dane County Coliseum - Madison, WI X Nak 300's > Sony D5; via Peter Gallagher, Willy [2011-06-04]This has more of a mon soundfield and less full sounding than the Doug Mow source   0 SHN notes
705. 12/03/81 Dane County Coliseum - Madison, WI A- flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller [2010-07-20]Standard delivery, setlist, and sbd mix and sound quality. No special mention.   3 FLAC notes
706. 12/03/81 Dane County Coliseum - Madison, WI A- flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. [2011-06-06]This is a very nice audience recording and teh show is very played played - maybe even worth a few listens. A candidate for the must hear list.   3 FLAC notes
707. 12/03/81 Dane County Coliseum - Madison, WI A- flac16; Set 2 Only, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M>1st gen backup copy from Justin Lee No Dolby on master cassettes. first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 [2012-04-09]Nice audience tape and this early dec 81 show is a good performance   2 FLAC notes
708. 12/05/81 Market Square Arena - Indianapolis, IN X Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston [2011-04-10]Miller upgrade in circulation   3 SHN notes
709. 12/05/81 Market Square Arena - Indianapolis, IN A- flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller [2010-03-02]Unique CC Rider, followed by a Cumberland > El Paso which mixes up the Bobby usual couplings of the mandatory set 1 cowboy pairing. PITB at the start has a few glitches. Very good aud recording. Except for the novelties, typical show for the time   3 FLAC notes
710. 12/05/81 Market Square Arena - Indianapolis, IN X flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Transferred By Doug Mow EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05 [2011-01-30]The unknown aud from Wise to Miller is closer and fulle rthan this recording with a wider soundfield.   3 FLAC notes
711. 12/05/81 Market Square Arena - Indianapolis, IN X flac16; Updated Info: NAK 300>CM>DAT (Up Front Audience)>DAT @ 44.1k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (44.1> >CD WAV (Track Split)>FLAC [2011-01-30]The unknown wise aud to miller version is fuller and better frequency response than this which rolls off ~10k and has a more tinny sound.   3 FLAC notes
712. 12/05/81 Market Square Arena - Indianapolis, IN B+ flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2011-04-10]The sound quality on this sounds thinish and w/o any 3d soundfield, typical show with nothing tat really grabbed me.   3 FLAC notes
713. 12/06/81 Rosemont Horizon - Rosemont, IL X Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman [2011-01-30]Pitch is very fast go with shinid 78646   3 SHN notes
714. 12/06/81 Rosemont Horizon - Rosemont, IL A- flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller [2010-07-20]Standard except for the To Lay Me Down to start the set 2 jam section.   3 FLAC notes
715. 12/06/81 Rosemont Horizon - Rosemont, IL X flac16;Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90 transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford [2011-01-30]Rolls off at ~ 8khz and has a narrow soundfield. Go with shnid 78646   3 FLAC notes
716. 12/06/81 Rosemont Horizon - Rosemont, IL A/B flac16; AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac [2011-02-27]Respectable aud but show is standard fare   3 FLAC notes
717. 12/06/81 Rosemont Horizon - Rosemont, IL B/A flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 [2012-04-12]Some issues with sound in the beginning as taper moves around. If I ignore thse bits I'd give the remaining bits an A- sound rating. Performance is above average for the year but not on the must hear list.   3 FLAC notes
718. 12/07/81 Des Moines Civic Center - Des Moines, IA X Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation   3 SHN notes
719. 12/07/81 Des Moines Civic Center - Des Moines, IA B+ 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller [2011-06-02]Typical sbd sound/mix. This set has nothing of special mention for me   2 SHN notes
720. 12/07/81 Des Moines Civic Center - Des Moines, IA B+ flac16; pitch corrected version of shn id 8448: Unknown Audience Source via SirMick. [2011-02-27]Might still be some pitch problems - a bit fast? Otehrwise, standard performance for this era w/o something to make it standout   3 FLAC notes
721. 12/09/81 Events Center, University Of Colorado - Boulder, CO B+ sbd via Charlie Miller [2007-10-27]Thought this was an ok performance at best despite having a setlist that has a number of my preferred tunes. Weir totally flubs Jack Straw lyrics, the C>R is nice as is the S>F , but the highlight is the transition from Drums into TOO, though the song itself doesn't build from this excellent foundation. Good sbd.   3 FLAC notes
722. 12/09/81 Events Center, University Of Colorado - Boulder, CO A- flac16; Recording by Jim Wise. AUD Source: Sennheiser 421's > Sony TC-D5, set up near the sbd. transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD likely Nakamichi Dragon > HHB CDR burner. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC [2011-01-25]This is a good aud recording and the show seemed more interesting than my prior comments I made when I listened to the sbd.   3 FLAC notes
723. 12/09/81 Events Center, University Of Colorado - Boulder, CO X SBD>Rm>Dat>CD, with 'unknown aud' patches; See info file for details; via Zephyr; Seeded to etree by MOTU ; upgrade in circulation   3 SHN notes
724. 12/09/81 Events Center, University Of Colorado - Boulder, CO X SBD Unknown Analog Master> Cassette> Cassette> DAT> via 20bit SBM> DATPort> Cool Edit (NR@ 5% to reduce tape hiss)> CDWAV (split tracks)> CDR; Missing Satisfaction (2nd encore); via John Spaventa; Seeded to etree by Willy; upgrade in circulation   3 SHN notes
725. 12/09/81 Events Center, University Of Colorado - Boulder, CO X Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation   3 SHN notes
726. 12/12/81 Fiesta Hall, San Mateo County Fairgrounds - San Mateo, CA A- MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon [??-??-??]naks - good clean sound, better than the partial board for this date. Joan Baez set (acoustic) better than the perfunctory dead's single electric set.   2 SHN notes
727. 12/12/81 Fiesta Hall, San Mateo County Fairgrounds - San Mateo, CA B- Recording Details: Soundboard -> Master Reel -> DAT(4); Transfer Details: DAT(4) > Panasonic sv-3700 (spdif out)->Lynx L22 AES/EBU (spdif in)-> Soundforge 8.0 16bit/48kHz wav [2011-01-23]This has many flaws in the mix etc so it is a tough listen compared to the aud. Performance is of historic interest only   1 FLAC notes
728. 12/26/81 Oakland Auditorium Arena - Oakland, CA A- Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde [2011-02-11]Set 2 is very good, especially the bit labeled the "11" jam. Jerry seems present and engaged. Tape is very good too. Only low point was the circus intro to Truckin' that disrupts the psychedelic mental state I was in up to that point   3 SHN notes
729. 12/26/81 Oakland Auditorium Arena - Oakland, CA X flac16 Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD; Set 2: SBD -> Cassette Master (Maxell UDXLII-90) All Transfers and Mastering By Charlie Miller; upgrade in circulation   3 FLAC notes
730. 12/26/81 Oakland Auditorium Arena - Oakland, CA X flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding [2011-01-22]Very similar recording location as the "Menke" aud. This source is flawed though, the waveform on right channel is clipped on the + side - maybe the mxier wasn't working on the 1st song. Anycase, I decide to go with the Menke for my 1st listen.   3 FLAC notes
731. 12/26/81 Oakland Auditorium Arena - Oakland, CA B+ flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed [2011-01-28]Typical sbd for this era - kinda dry, maybe with vocals and keyboards too high in the mix, i.e. this is the PA feed and not what we would like to hear now. SHow is also typical with some interesting stuff around TOO but not enough to rank this high - i'd put it in the 2nd quartile for 81.   3 FLAC notes
732. 12/27/81 Oakland Auditorium Arena - Oakland, CA X SBD>MC>DAT>CD; Missing Baby Blue encore; via Mark Perini; Seeded to etree by Willy; upgrade in circulation   3 SHN notes
733. 12/27/81 Oakland Auditorium Arena - Oakland, CA X Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation   2 SHN notes
734. 12/27/81 Oakland Auditorium Arena - Oakland, CA A/B flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes [2011-04-09]Mix improves (at start garcia low/ vocals high) - some "movelties aer the last passnegr and Bobby improvising words in Palyin - and a nice "space" inerlude, the rest is your standard well played 81 show but not one that makes my repeat listen list   2 FLAC notes
735. 12/27/81 Oakland Auditorium Arena - Oakland, CA A/B flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16 [2010-02-27]Very good aud recording - show is another consistent one, PITB somewhat unique but overall not enough to put this into a must hear performance.   3 FLAC notes
736. 12/28/81 Oakland Auditorium Arena - Oakland, CA B+ AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde [2011-03-20]Respectable, consitent performance but not worthy of special mention. Recording good but a notch down from the best auds of this era.   3 SHN notes
737. 12/28/81 Oakland Auditorium Arena - Oakland, CA A/B flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2011-04-25]Standard board for this era and standard show w/ no special mentions   3 FLAC notes
738. 12/28/81 Oakland Auditorium Arena - Oakland, CA X flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford. [2011-01-30] I went with 10534 which was more upfront, though maybe also a bit tinnier. Both are fairly close in frequency response.   3 FLAC notes
739. 12/28/81 Oakland Auditorium Arena - Oakland, CA X SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko   3 SHN notes
740. 12/30/81 Oakland Auditorium Arena - Oakland, CA X 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy   2 SHN notes
741. 12/30/81 Oakland Auditorium Arena - Oakland, CA A- flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16. [2011-02-19]Very good aud, no intrusive audience. Can't single out anything special regarding the performance - just another one of fungible 81 shows where the playing is consistent and the songs typical for this era.   3 FLAC notes
742. 12/30/81 Oakland Auditorium Arena - Oakland, CA B flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC [2011-05-26]Odd sounding board with some artificial reverb or delayed hall feed mixed in.   3 FLAC notes
743. 12/30/81 Oakland Auditorium Arena - Oakland, CA A- flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat -> CD; Set 2 Pre Drums: SBD -> Cassette Master -> PCM -> Dat -> CD; Set 2 Post Drums: SBD -> Cassette Master -> Reel -> Cassette -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2012-02-10]Competent show, reasonable sounding board. Not a show that I crave to listen to.   3 FLAC notes
744. 12/31/81 Oakland Auditorium Arena - Oakland, CA X Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation   4 SHN notes
745. 12/31/81 Oakland Auditorium Arena - Oakland, CA X electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files   4 SHN notes
746. 12/31/81 Oakland Auditorium Arena - Oakland, CA X Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation   1 SHN notes
747. 12/31/81 Oakland Auditorium Arena - Oakland, CA X Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing   3 SHN notes
748. 12/31/81 Oakland Auditorium Arena - Oakland, CA X flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   0 FLAC24 notes
749. 12/31/81 Oakland Auditorium Arena - Oakland, CA X flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)   0 FLAC24 notes
750. 12/31/81 Oakland Auditorium Arena - Oakland, CA X flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller   4 FLAC notes
751. 12/31/81 Oakland Auditorium Arena - Oakland, CA B+ flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) [2011-06-04]Average 81 performance. Sound quality good. Other than a bit of novelty, nothing worth repeat hearing unless you were in attendance r other reasons   4 FLAC notes
752. 12/31/81 Oakland Auditorium Arena - Oakland, CA X flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   4 FLAC notes
753. 12/31/81 Oakland Auditorium Arena - Oakland, CA X flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. [2011-01-30]I thougt the Matt Field source had a bit wider soundfield and so I chose that source, but they are similar.   4 FLAC notes
754. 12/31/81 Oakland Auditorium Arena - Oakland, CA X Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation   4 SHN notes
755. 12/31/81 Oakland Auditorium Arena - Oakland, CA B/A flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L. [2011-03-20]CR&S I enjoyed the pacing. The songs where JB sings she is too "warbly". Overall solid delivery - Dark Star in the encore spot isn't a special version. Typical of most NYE shows - a few special moments but not ranked on my "want to hear again or often" list.   3 FLAC notes
756. ??/??/81 Unknown - Various, CA B+ flac16; Source: FM > Cassette > Cassette/1 Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop with firewire cable. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression. [2011-06-04] About 1/2 music and 1/2 actual conversation - what I found interesting is hearing Jerry and Bob discuss fans that took their lyrics "literally" as a plan for how the fan should act in real life!   2 FLAC notes
757. 02/16/82 Warfield Theater - San Francisco, CA B- Set 1 and Encore Audience (unknown mics) via Barry Bryson. C > WAV conversion by Peter Braverman, encoded by Matt Vernon [2015-06-23]Spot listening says this version well below the other 2 as well as being a partial   1 SHN notes
758. 02/16/82 Warfield Theater - San Francisco, CA B/A MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape, about 20 feet in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)[2015-06-23] Good aud of a previously hard to find show. This performance is average without any stunning peaks that would make it worth special attention.   3 SHN notes
759. 02/16/82 Warfield Theater - San Francisco, CA A/B flac16: Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (lower loge) Nakamichi Dragon (Dolby B decoded) > RME PAD 96(A/D conversion) > Apple G4 (Peak editing) > Xact (SBE Fixed version seeded 01/08/2011.) [2015-06-22] This is a close contender to the Martin aud - being in the Loge maybe a bit far back - also maybe a bit tinnier. The performance is good but without noteworthy elements   3 FLAC notes
760. 02/17/82 Warfield Theater - San Francisco, CA X Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman [2015-06-23] Upgrade in circulation   3 SHN notes
761. 02/17/82 Warfield Theater - San Francisco, CA B/A MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) [2015-06-25]Thes sound is realistic for the hall, a mtrix to bring up the vocals would work well. The playing is good but without any special mentions. A well delivered show worth a listen if you like this era of the GD.   3 SHN notes
762. 02/17/82 Warfield Theater - San Francisco, CA X Main source: MSC>DAT>CD (http://db.etree.org/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (http://db.etree.org/shninfo_detail.php?shnid=21916) via Sean Cribbs [2015-06-23] Upgrade in circulation   3 SHN notes
763. 02/17/82 Warfield Theater - San Francisco, CA B+ flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (Lower Loge Section 3 Row AA Seats 3-7) Nakamichi Dragon (Dolby B decoded) > TC Electronics Konnekt8 (A/D conversion)(transferred @ 88.2/24-resampled to 44.1k/dithered to 16 bit) > Apple OS X 10.5.8 (Peak 6 editing-resampling-dithering) > Xact (SBE Fixed version seeded 01/10/2011.) [2015-06-25] I did a brief compare with the Martin and chose the Martin based on location - this recording is not that different even though it is in the loge. Both auds could do well to have a matrix to pump up the vocals.   3 FLAC notes
764. 02/17/82 Warfield Theater - San Francisco, CA B+ flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller [2015-06-25]Its a bit thin and key portions require aud patches - would be a good matrix candidate to improve both aud and sbd sources. The performance is good but without exceptional moments.   3 FLAC notes
765. 02/19/82 Golden Hall, Community Concourse - San Diego, CA X Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine [2015-06-25] There is an upgraded transfer of this recording in circulation   3 SHN notes
766. 02/19/82 Golden Hall, Community Concourse - San Diego, CA A- flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner [2015-06-25] Very good recording, vocals better than on Rango FOB. Show has Garcia engaged with a very nice intro and version of TOO   3 FLAC notes
767. 02/19/82 Golden Hall, Community Concourse - San Diego, CA X Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)   3 FLAC notes
768. 02/19/82 Golden Hall, Community Concourse - San Diego, CA A/B flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller [2015-06-25]This is a very good show - Jerry seems to be present an dthe songs are played well throughout with a must hear TOO. The only downside of this recording is the vocals are low because of closeness to the stage. However the upside is the instruments are clear and we don't expect much vocal l work anyway afterall.   3 FLAC notes
769. 02/20/82 Golden Hall, Community Concourse - San Diego, CA X AUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy [2015-06-25] This is Rango's recording and an upgraded transfer exists   3 SHN notes
770. 02/20/82 Golden Hall, Community Concourse - San Diego, CA X Recording by Rango Keshevan: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape). Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN Transfered By Bill Reutelhuber Tracked and Edited By Charlie Miller [2015-06-25] There is an upgraded transfer of this source in circulation   3 SHN notes
771. 02/20/82 Golden Hall, Community Concourse - San Diego, CA X Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)   3 SHN notes
772. 02/20/82 Golden Hall, Community Concourse - San Diego, CA A- flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller [2015-06-25]Nice sound; set 2 opens with an unusal franklin's > Samson pairing. Also has TLMD and BBR which are personal fav Jerry tunes. Brent does an unusual bit into Drums.   3 FLAC notes
773. 02/21/82 Pauley Pavilion, UCLA - Los Angeles, CA A- Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath [2015-07-05] SOund quality is good, mix good. Show has few memorable moments - Bird Song, nice Stella Blue, the remainder iwas not engaging to me.   2 SHN notes
774. 03/13/82 Reno Centennial Coliseum - Reno, NV A- Set 2 Neumann M-25?s via Raoul Duke encoded by Matt Vernon [2015-07-05] This is a nice sounding FOB ish aud recording. Set 2 starts with a fast paced unusual paring of Feel Like a Stranger -> Franklins. TOO is also interesting ending with a Strawberry Fields tease. This was an enjoyable listen. This seemed more upfront than the Martin aud on spot listening.   2 SHN notes
775. 03/13/82 Reno Centennial Coliseum - Reno, NV B+ MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) via Jack Warner [2015-07-09]SOund is more distant than the Neumann source but this is more complete and I'd rate it as a solid audience recording for the time. Start of set 2 is the main highlight which is worth a listen   3 SHN notes
776. 03/13/82 Reno Centennial Coliseum - Reno, NV A- flac16 set2; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC [2015-07-09]Keyboards high in the mix compared to audience tapes. sound is balanced and clear; end of TOO has a Lucy in Sky tease to my ears.   2 FLAC notes
777. 03/14/82 Recreation Hall, UC Davis - Davis, CA X Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min   3 SHN notes
778. 03/14/82 Recreation Hall, UC Davis - Davis, CA A- Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR; same as 7220 with sector boundary errors fixed. [2015-07-09]Setlist has strong Jerry tunes. OMSN starts off because they didn't play the night before is the rumor. Sugaree, BirdSong, LIG with a playin > S>F and NFA! Mix and sound are good. Unfortunately, the show never takes off , no mandatory listen here.   3 SHN notes
779. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC X Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation   3 SHN notes
780. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC   MSC>C>DAT>CD>EAC>SHN - Seamless fix of shn id 7221 via Bill Tetzeli   3 SHN  
781. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC   flac16; AUD Source: Nakamichi CM-700's > Sony TC-D5. Low Gen (1st or 2nd) copy, provided by Tim Friend. Transfer: Maxell XLIIs > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2010   3 FLAC  
782. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC   flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller   3 FLAC  
783. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC   flac16; AUD Source: Low-gen, unknown taper & gear, kindly provided by Tom P. aka "Laser Beam" and poordevil. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged; Tape transfer & editing by Andrew F. April 2015   3 FLAC  
784. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC X lac16; NAK deck > 2 90 minute UDXL II cassette masters, REC from centered seats behind the stage. Tascam 322 > Marantz CDR 510 > CDR > EAC > WAV > CD WAV Editor > Flac 8; Upgrade in circulation   3 FLAC notes
785. 04/02/82 Cameron Indoor Stadium, Duke University - Durham, NC   flac16; Recording Info: SBD > MC > C > ? > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > FLAC   3 FLAC  
786. 04/03/82 The Scope - Norfolk, VA   AUD?> Bootleg CD> EAC> SHN; "liberated" by Justin Snyder   3 SHN  
787. 04/03/82 The Scope - Norfolk, VA   Up Front Audience, Sennheiser 441 Microphones > Cassette Master > DAT (via Fostex D-10 Playback) > CD-R (hhb 800 Standalone) > EAC 0.9 > WAV > CDRWAV (for track recutting)>SHN (via MKWACT) via Fishman   3 SHN  
788. 04/03/82 The Scope - Norfolk, VA X flac16; Recording by Bob Wager, Nak 700s>Sony TC-D5M Transfer : A:C:D:CD. Seeded to etree by David Minches.   3 FLAC notes
789. 04/03/82 The Scope - Norfolk, VA   flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller   3 FLAC  
790. 04/03/82 The Scope - Norfolk, VA   flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner   3 FLAC  
791. 04/03/82 The Scope - Norfolk, VA   flac16; Source: SBD > ? > Lo-gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell MX90 > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2012   3 FLAC  
792. 04/05/82 The Spectrum - Philadelphia, PA   (FOB, 4th Row) Senn 441>Cm>Dat>CD; via Charlie Miller; Seeded to etree by Willy   3 SHN  
793. 04/05/82 The Spectrum - Philadelphia, PA A- flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-05-06]Bob Wagner master - nice recording, professionally dispatched show, though nothing special to make my must hear list ofr this year, though haven't heard to really make a fair comparision. Bynow, the formula guides their destiny   2 FLAC notes
794. 04/06/82 The Spectrum - Philadelphia, PA   AUD/fob cm>dat>cdr>eac>shn extraction and conversion by cdipietro   3 SHN  
795. 04/06/82 The Spectrum - Philadelphia, PA X Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03   3 SHN notes
796. 04/06/82 The Spectrum - Philadelphia, PA A- flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-05-07] Bob Wagner master - very nice sound - competently played, though don't expect any improv - TOO is short, Dew is a powerful song, almost always has an emotional impact, but nothing special beyond that for this version.   3 FLAC notes
797. 04/06/82 The Spectrum - Philadelphia, PA   flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller   3 FLAC  
798. 04/08/82 Onongada County War Memorial - Syracuse, NY X Jim Wise sennheiser 421 mics; via DNC Feb 2002 Vine; seeded to etree by Matt Vernon   3 SHN notes
799. 04/08/82 Onongada County War Memorial - Syracuse, NY   (FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller   2 SHN  
800. 04/08/82 Onongada County War Memorial - Syracuse, NY   flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky   3 FLAC  
801. 04/08/82 Onongada County War Memorial - Syracuse, NY X flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky   0 FLAC24 notes
802. 04/08/82 Onongada County War Memorial - Syracuse, NY   flac16; Nak 700's > Bass Box > TCD-5M Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16   3 FLAC  
803. 04/08/82 Onongada County War Memorial - Syracuse, NY   flac16; Set 2 Only Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller   2 FLAC  
804. 04/09/82 Community War Memorial Auditorium - Rochester, NY   Rob Eaton FOB Senn 441's>Nak 550>DAT>CDR; via Mike McCarthy; seeded to etree by Darrin Sacks   3 SHN  
805. 04/09/82 Community War Memorial Auditorium - Rochester, NY   FOB Rob Eaton Recording Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable). This is the same as shn id 10918 with undocumented changes to d3t05.   3 SHN  
806. 04/09/82 Community War Memorial Auditorium - Rochester, NY X flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   2 FLAC notes
807. 04/09/82 Community War Memorial Auditorium - Rochester, NY   flac16;Nak 700's > Bass Box> Digitized 24/48 > Sound Forge 7 > CD Wave > Flac 16 Recorded and seeded by David Dyche   3 FLAC  
808. 04/09/82 Community War Memorial Auditorium - Rochester, NY   flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky; MOTB Release: 0098 16/44.1   3 FLAC  
809. 04/09/82 Community War Memorial Auditorium - Rochester, NY   flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller   2 FLAC  
810. 04/11/82 Nassau Coliseum - Uniondale, NY   Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks   3 SHN  
811. 04/11/82 Nassau Coliseum - Uniondale, NY A- flac16;Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2010-08-22]Good sound   3 FLAC notes
812. 04/11/82 Nassau Coliseum - Uniondale, NY   flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris   3 FLAC  
813. 04/11/82 Nassau Coliseum - Uniondale, NY   flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 06/2011   3 FLAC  
814. 04/12/82 Nassau Coliseum - Uniondale, NY   AUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde   3 SHN  
815. 04/12/82 Nassau Coliseum - Uniondale, NY X flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC   3 FLAC notes
816. 04/12/82 Nassau Coliseum - Uniondale, NY X flac16; Fix of shn id 32014 - SBD -> Cassette Master -> Reel -> Dat (48k). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
817. 04/12/82 Nassau Coliseum - Uniondale, NY   flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014   3 FLAC  
818. 04/12/82 Nassau Coliseum - Uniondale, NY X flac24; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011   0 FLAC24 notes
819. 04/12/82 Nassau Coliseum - Uniondale, NY   flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011   3 FLAC  
820. 04/14/82 Glens Falls Civic Center - Glens Falls, NY   SBD MC>Cass>DAT>CDR; via Peter Braverman   2 SHN  
821. 04/14/82 Glens Falls Civic Center - Glens Falls, NY   Recording by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC   2 SHN  
822. 04/14/82 Glens Falls Civic Center - Glens Falls, NY   flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS.   2 FLAC  
823. 04/14/82 Glens Falls Civic Center - Glens Falls, NY X DTS Audio 5.1; dts version: SBD - MC > Cass > DAT > CDR and AUD - MAC > CD > WAV > SHN - dts mixed by pls   2 DTS notes
824. 04/15/82 Providence Civic Center - Providence, RI   AUD(NAK 700's)>MC>DAT>CD; via Paul; Seeded to etree by Glyde   3 SHN  
825. 04/15/82 Providence Civic Center - Providence, RI   flac16; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller   2 FLAC16  
826. 04/15/82 Providence Civic Center - Providence, RI X flac24; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
827. 04/15/82 Providence Civic Center - Providence, RI X flac24; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 03/2010   0 FLAC24 notes
828. 04/15/82 Providence Civic Center - Providence, RI   flac16; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010   3 FLAC  
829. 04/17/82 Hartford Civic Center - Hartford, CT   set II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield   2 SHN  
830. 04/17/82 Hartford Civic Center - Hartford, CT   Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN   3 SHN  
831. 04/17/82 Hartford Civic Center - Hartford, CT   flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F.   3 FLAC  
832. 04/17/82 Hartford Civic Center - Hartford, CT   flac16; Recording by Barry Glassberg:FOB-Nak 700's > Sony D5 Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level 8   3 FLAC  
833. 04/18/82 Hartford Civic Center - Hartford, CT   FOB Nak 700's taped by Mark Cohen, MAC to CDR transfer by Jim Wise using Nak Dragon > HHB cdr 800 > cdr, EAC > wav > shn by Don Chase   3 SHN  
834. 04/18/82 Hartford Civic Center - Hartford, CT   SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller   3 SHN  
835. 04/18/82 Hartford Civic Center - Hartford, CT   flac16; Recording by Barry Glassberg FOB-Nak 700's > Sony D5. Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level8   3 FLAC  
836. 04/18/82 Hartford Civic Center - Hartford, CT   flac16; AUD Source: Beyers M160's > Sony TC-D5, near the Sbd. Transfer: MAC > CDR from Jim Wise. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC   3 FLAC  
837. 04/18/82 Hartford Civic Center - Hartford, CT   flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris   3 FLAC  
838. 04/18/82 Hartford Civic Center - Hartford, CT   flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)   3 FLAC  
839. 04/19/82 Baltimore Civic Center - Baltimore, MD X Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd   3 SHN notes
840. 04/19/82 Baltimore Civic Center - Baltimore, MD   MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation   3 SHN  
841. 04/19/82 Baltimore Civic Center - Baltimore, MD X same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston   3 SHN notes
842. 04/19/82 Baltimore Civic Center - Baltimore, MD   flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV   3 FLAC  
843. 04/19/82 Baltimore Civic Center - Baltimore, MD   flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin   3 FLAC  
844. 04/19/82 Baltimore Civic Center - Baltimore, MD X flac16; DTS Audio 5.1; SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin   3 DTS notes
845. 04/19/82 Baltimore Civic Center - Baltimore, MD   flac16; MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - original shnid 19420 - audio patches by Kevin Tobin   3 FLAC  
846. 04/19/82 Baltimore Civic Center - Baltimore, MD X flac24; SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV   0 FLAC24 notes
847. 04/19/82 Baltimore Civic Center - Baltimore, MD X flac24; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin   0 FLAC24 notes
848. 05/21/82 Greek Theatre, University Of California - Berkeley, CA X sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes   3 SHN notes
849. 05/21/82 Greek Theatre, University Of California - Berkeley, CA X flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation.   2 FLAC notes
850. 05/21/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.   2 FLAC  
851. 05/21/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Bob Wagner ; All Transfers and Mastering By Charlie Miller   2 FLAC  
852. 05/22/82 Greek Theatre, University Of California - Berkeley, CA X soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini   3 SHN notes
853. 05/22/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Unknown FOB Audience source > ? > CD > EAC > FLAC   2 FLAC  
854. 05/22/82 Greek Theatre, University Of California - Berkeley, CA X flac16; Set 2 only - SBD -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH via M.Townshend/GEMS   2 FLAC notes
855. 05/22/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller   3 FLAC  
856. 05/22/82 Greek Theatre, University Of California - Berkeley, CA   flac16; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact. Recorded, transferred and mastering by N. Hoey   3 FLAC  
857. 05/22/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)   3 FLAC  
858. 05/22/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller   3 FLAC  
859. 05/22/82 Greek Theatre, University Of California - Berkeley, CA X flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
860. 05/23/82 Greek Theatre, University Of California - Berkeley, CA X sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini   3 SHN notes
861. 05/23/82 Greek Theatre, University Of California - Berkeley, CA X flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller   3 FLAC notes
862. 05/23/82 Greek Theatre, University Of California - Berkeley, CA   flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller   3 FLAC  
863. 05/23/82 Greek Theatre, University Of California - Berkeley, CA   flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)   3 FLAC  
864. 05/23/82 Greek Theatre, University Of California - Berkeley, CA B+ flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller [2015-08-30] Taper in set 2 in Scarlet Fire and Sampson apparently has to adjust / lower mics to avoid being busted which detracts from these high energy songs. Set 1 had no particular highlights for me. Bass is muffled for example. Set 2 seems pro forma for the time with no distinguishing jams or partuclarly inspired splaying for me.   3 FLAC notes
865. 05/28/82 Moscone Convention Center - San Francisco, CA B SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner [2015-06-23]This sounds very flat and lifeless compared to the matrix by Kevin Tobin so I would suggest listening to the matrix to gauge this performance   2 SHN notes
866. 05/28/82 Moscone Convention Center - San Francisco, CA B+ Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org [2015-06-23]Sound is good but also seems too fast - I would recommend the the matrix by Kevin Tobin so I would suggest listening to the matrix to gauge this performance   1 SHN notes
867. 05/28/82 Moscone Convention Center - San Francisco, CA X flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8). [2015-06-23] Upgrade by Kevin Tobin for pitch / patch in circulation   2 FLAC notes
868. 05/28/82 Moscone Convention Center - San Francisco, CA B flac16; (original shnid = 11362) SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner - pitch correction and patches by Kevin Tobin [2015-06-23]This sounds very flat and lifeless compared to the matrix by Kevin Tobin so I would suggest listening to the matrix to gauge this performance   2 FLAC notes
869. 05/28/82 Moscone Convention Center - San Francisco, CA B+ flac16; (original shnid = 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) - pitch correction and patches by Kevin Tobin [2015-06-23]Good sound but the matrix by Kevin Tobin fill sin nicely the deficiences of both the aud and sbd so I would suggest listening to the matrix to gauge this performance   2 FLAC notes
870. 05/28/82 Moscone Convention Center - San Francisco, CA A- flac16; Matrix 4 Source Mix - SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - matrix mixing by Kevin Tobin [2015-06-23]Preferred source for this show - notable set 2 with guests including bust out of Lovelight in US post Pigpen's death.   2 FLAC notes
871. 05/28/82 Moscone Convention Center - San Francisco, CA X DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - dts mixing by Kevin Tobin   2 DTS notes
872. 05/28/82 Moscone Convention Center - San Francisco, CA B flac16; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith [2015-0623] This sounds very flat and lifeless compared to the matrix by Kevin Tobin so I would suggest listening to the matrix to gauge this performance   2 FLAC notes
873. 05/28/82 Moscone Convention Center - San Francisco, CA X flac24; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith   0 FLAC24 notes
874. 07/17/82 Ventura County Fairgrounds - Ventura, CA X Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy   2 SHN notes
875. 07/17/82 Ventura County Fairgrounds - Ventura, CA   flac16; 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > Nak DR-1 > HD-P2 > 24/96 Wave > Wavelab 5 > UAD Plugs > r8brain Pro > izotope ozone mbit + > 16/44.1 Wave > Wavelab (tracking) > TLH (flac lvl8 )   2 FLAC  
876. 07/17/82 Ventura County Fairgrounds - Ventura, CA   flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho Transferred by: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09)   2 FLAC  
877. 07/17/82 Ventura County Fairgrounds - Ventura, CA A- flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2015-09-04] Good recording; show is well played but standard fare. Truckin to end set 1 unusual and PITB > China > Rider to start set 2 didn't come off as well as the song list portends.   2 FLAC notes
878. 07/18/82 Ventura County Fairgrounds - Ventura, CA X Senn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy   3 SHN notes
879. 07/18/82 Ventura County Fairgrounds - Ventura, CA A- Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN [2015-09-06]Good sound for outdoor venue. SHow had no special mentions for me. Based on Archive comments it was a fun weekend.   3 SHN notes
880. 07/18/82 Ventura County Fairgrounds - Ventura, CA A/B flac16; Source: aud > Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center Lineage: mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16 [2009-05-05]Distortion in a few places but a good tape for an outdoor venue. Comes across as a standard show for this period without specific distinction.   0 FLAC notes
881. 07/18/82 Ventura County Fairgrounds - Ventura, CA A- flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source Transferred and mastered by Tom Van Sant; this is a fixed version of source ID 100203 [2009-09-12]Nice recording and a professionally dispatched performance   3 FLAC notes
882. 07/18/82 Ventura County Fairgrounds - Ventura, CA X flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown - may have been Dan Healy Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source. Transferred and mastered by Tom Van Sant, July 2009; fixed version now in circulation   3 FLAC notes
883. 07/18/82 Ventura County Fairgrounds - Ventura, CA   flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho   3 FLAC  
884. 07/18/82 Ventura County Fairgrounds - Ventura, CA   flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller   3 FLAC  
885. 07/25/82 Compton Terrace Amphitheatre - Tempe, AZ   Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan.   3 SHN  
886. 07/25/82 Compton Terrace Amphitheatre - Tempe, AZ   flac16; Recording by Jim Vita: 2 Sennheiser 421s> Sony D-5 (TDK MA-R) Transfer: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Transfer and FLAC encoding by David Minches   3 FLAC  
887. 07/25/82 Compton Terrace Amphitheatre - Tempe, AZ A flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2015-08-29]Very nice sound; set list is string on Jerry tunes but the pacing seems to be a bit slow and the show doesn't live up to its potential   3 FLAC notes
888. 07/27/82 Red Rocks Amphitheatre - Morrison, CO X Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip   2 SHN notes
889. 07/27/82 Red Rocks Amphitheatre - Morrison, CO   flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens   2 FLAC  
890. 07/27/82 Red Rocks Amphitheatre - Morrison, CO   flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller   2 FLAC  
891. 07/27/82 Red Rocks Amphitheatre - Morrison, CO A- flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller [2015-09-12]Respectable matrix but the performance had nothing special for me. Some o fthe LMA reviews over-hyped this one.   2 FLAC notes
892. 07/28/82 Red Rocks Amphitheatre - Morrison, CO X FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s   3 SHN notes
893. 07/28/82 Red Rocks Amphitheatre - Morrison, CO   flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC   3 FLAC  
894. 07/28/82 Red Rocks Amphitheatre - Morrison, CO A- flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller [2015-09-27] Nice sound. Has a St STpehen tease but the rest is solid if not lacking epicness.   3 FLAC notes
895. 07/29/82 Red Rocks Amphitheatre - Morrison, CO X FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s   3 SHN notes
896. 07/29/82 Red Rocks Amphitheatre - Morrison, CO X nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation   3 SHN notes
897. 07/29/82 Red Rocks Amphitheatre - Morrison, CO A- flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris [2015-08-30]Good sound but show has no highpoints; standard delivery for this time   2 FLAC notes
898. 07/29/82 Red Rocks Amphitheatre - Morrison, CO   flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller   2 FLAC  
899. 07/31/82 Manor Downs - Austin, TX X Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation   3 SHN notes
900. 07/31/82 Manor Downs - Austin, TX   MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)   3 SHN  
901. 07/31/82 Manor Downs - Austin, TX X Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation   3 SHN notes
902. 07/31/82 Manor Downs - Austin, TX A- flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell [2015-09-04]Mix good on matrix, show is well played but no highlights for me. Song choice is good.   3 FLAC notes
903. 07/31/82 Manor Downs - Austin, TX   flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller   3 FLAC  
904. 07/31/82 Manor Downs - Austin, TX   fkac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz   3 FLAC  
905. 08/01/82 Zoo Amphitheater - Oklahoma City, OK   SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy   2 SHN  
906. 08/01/82 Zoo Amphitheater - Oklahoma City, OK   flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07.   3 FLAC  
907. 08/01/82 Zoo Amphitheater - Oklahoma City, OK   flac16; 2 Source Matrix by dusborne; Soundboard (shnid:10226) SBD>MC>DAT>CD EAC/SHN by Willy and Audience (shnid:82883) Source: (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Location: FOB, 12th Row, LOC Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR >Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Transfer, edits and conversion by Alex Ford   3 FLAC  
908. 08/01/82 Zoo Amphitheater - Oklahoma City, OK X flac24; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper   0 FLAC24 notes
909. 08/01/82 Zoo Amphitheater - Oklahoma City, OK   flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper   3 FLAC  
910. 08/03/82 Starlight Theater - Kansas City, MO A- Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference [2015-07-18] This is better than the Chappy matrix sound wise. As others have noted a bit low on the bass - Cumberland is a fast one! Again, solid show but nothing epic.   3 SHN notes
911. 08/03/82 Starlight Theater - Kansas City, MO X Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation   3 SHN notes
912. 08/03/82 Starlight Theater - Kansas City, MO A- flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. [2015-07-11]This show seems highly rated for this year and being from KS I was curious in the reviews were accurate. The sound improves after a few minutes. Lots on interesting Jerry tunes here - BRRB, TLMD, Very peppy Cumberland. But the rest of the show was a solid performance but overall not one I will seek out to re-listen for any highlights.   3 FLAC notes
913. 08/03/82 Starlight Theater - Kansas City, MO X flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
914. 08/03/82 Starlight Theater - Kansas City, MO A- flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller [2015-07-25] Note that from 1/2 way through Stella to end of show cut. Mix is good with Phil audible. Some hiss.   3 FLAC notes
915. 08/03/82 Starlight Theater - Kansas City, MO A- flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC [2015-07-25]This seems to be a contender for the best audience source, but it is only set 2. The sound has a good mix, Phil is clear and higher than the Hogan source, soundfield good too. There is another 24 bit source which could be from same source which has some fragments from set 1 as well.   2 FLAC notes
916. 08/03/82 Starlight Theater - Kansas City, MO A- flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only. [2015-07-25]This I think is the same source as the 16 bit version with some additional 1st set tunes. Sound quality is very good. Perfomance solid but not exceptional.   0 FLAC24 notes
917. 08/04/82 Kiel Auditorium - St. Louis, MO X SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy   2 SHN notes
918. 08/04/82 Kiel Auditorium - St. Louis, MO B/B flac16; Source: Soundboard Lineage: SBD > ? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC via morst [2015-07-05]Keyboard and vocals high in mix, where's Jerry? Sound is tinny. By set 2 it seems to have settled down. Not much happening at this show until Estimated and Terrapin; The jam out of Terrapin is very good but has a cut and I don't know how much is MIA. Its jazzy. The space portion is also interesting. It has some good reverb tricks and some thematic jamming. I've noticed that the NFA intros in 1982 have had some of the more interesting jamming in 1982. So Estimated thru NFA is the highlight here.   2 FLAC notes
919. 08/06/82 St. Paul Civic Center - St. Paul, MN A- Recording by Ohr Weinberg from behind the stage: Sony ECM 23-F's >Aud Master; A>D transfer by Jim Wise; via Todd Norman; Note- May circ with Goin Down the Road mislabeled as Good Lovin [2015-07-25]Clear sounding recording (improves after start of Bertha). 2nd set has no lame Bobby songs and pre drums has a nice flow. But nothing epic to trigger a relisten for me.   0 SHN notes
920. 08/06/82 St. Paul Civic Center - St. Paul, MN X S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation   3 SHN notes
921. 08/06/82 St. Paul Civic Center - St. Paul, MN X S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details; [2015-06-06]Miller SBD upgrade in circulation   3 SHN notes
922. 08/06/82 St. Paul Civic Center - St. Paul, MN X flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) [2015-06-06]There is an upgraded version of this matrix in circulation   3 FLAC notes
923. 08/06/82 St. Paul Civic Center - St. Paul, MN A- flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging and embedded cover art) [2015-06-06]Nice matrix, but this performance seemed typical so I rate it a B. I heard nothing that made me want to stop and play it again.   3 FLAC notes
924. 08/06/82 St. Paul Civic Center - St. Paul, MN   flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller   3 FLAC  
925. 08/07/82 Alpine Valley Music Theatre - East Troy, WI   SBD : MC > MR > DAT > CDR Transfer done by Jim Wise   3 SHN  
926. 08/07/82 Alpine Valley Music Theatre - East Troy, WI   SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes   3 SHN  
927. 08/07/82 Alpine Valley Music Theatre - East Troy, WI A- flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC [2008-06-13]Excellent sound and show.   2 FLAC notes
928. 08/07/82 Alpine Valley Music Theatre - East Troy, WI   sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT   3 SHN  
929. 08/07/82 Alpine Valley Music Theatre - East Troy, WI B flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci [2015-07-25] Good sound for this venue; Phil sounds boomy and not distinct but this must have been as it was. Set 1 has an interesting sandwich of TMNS with Sugaree inside. Band seems to be into the performance. Set 2 has a good song selection with Dew, avoids lame Bobby songs. Sound quality most deficient on the bass which is not clear   3 FLAC notes
930. 08/08/82 Alpine Valley Music Theatre - East Troy, WI X SBD : MC > MR > DAT > CDR Transfer done by Jim Wise [2015-08-10] Spot comparison shows all 3 circulating sbds are from the same source   3 SHN notes
931. 08/08/82 Alpine Valley Music Theatre - East Troy, WI X Soundboard - no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy [2015-08-10] Spot checks shows all 3 sbds are from same master source.   3 SHN notes
932. 08/08/82 Alpine Valley Music Theatre - East Troy, WI A- Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org [2015-08-10]Nice sound and mix on this one - this is a good show with Cippolina in post Space in set 2.   3 SHN notes
933. 08/28/82 Oregon Country Fair - Veneta, OR X sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully   3 SHN notes
934. 08/28/82 Oregon Country Fair - Veneta, OR X flac16; sbd>>cassette master>>cassette>>cdr>>WAV>>shn>>wav>>flac - fix of shn id 2333. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details   3 FLAC notes
935. 08/28/82 Oregon Country Fair - Veneta, OR B- flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006. [2015-08-01] Debut of TOG, West LA Fade away. Rather poor aud ; outdoor lack of soundfield, some swishyness. Songs delivered in a plodding fashion. The Wagner source is substantially better.   2 FLAC notes
936. 08/28/82 Oregon Country Fair - Veneta, OR X flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller   2 FLAC notes
937. 08/28/82 Oregon Country Fair - Veneta, OR X flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; fix of shnid 106166; Upgrade in circulation   3 FLAC notes
938. 08/28/82 Oregon Country Fair - Veneta, OR   flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749   3 FLAC  
939. 08/28/82 Oregon Country Fair - Veneta, OR B+ flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller [2015-08-02] This is much better than the other aud available. Its an outdoor show so no hall ambiance. Set 1 pedestrian up to China Rider. Set 2 nothing special, laid back outdoor gig.   3 FLAC  
940. 08/29/82 Seattle Center Coliseum - Seattle, WA A- (FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller [2015-08-08]Sound quality is good and faithful to the venue and well balanced mix. The show is delivered well with inspired playing. I give this a higher rating because despite the song selection not more favorites the playing makes it noteworthy. Cassidy is cut in the middle of a nice jam. He's Gone has good ensemble playing. TOG > Samson starts set 2 with some good energy.   2 SHN notes
941. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA X SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6   2 SHN notes
942. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA   flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.)   2 FLAC  
943. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA   flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller   2 FLAC  
944. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA X flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   2 FLAC notes
945. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA B flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller [2015-08-02] Some distortion on the keys so I lower the sound rating.Overall a mildly amusing set - nothing special.   2 FLAC notes
946. 09/09/82 Saenger Performing Arts Center - New Orleans, LA   SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)   2 SHN  
947. 09/09/82 Saenger Performing Arts Center - New Orleans, LA A- flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller [2015-08-10]Spritely show with good sound for equipment of this era.   3 FLAC notes
948. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL   Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree   3 SHN  
949. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL   flac16; Source: Two AUD cassette sources of unknown lineage. Transfer: Cassettes > Sony TC-D5M > Audiophile 2496 Analog RCA Input > Soundforge > CD-Wave > TLH > FLAC, June 2007.   3 FLAC  
950. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL   flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155)   2 FLAC  
951. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL X flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter   0 FLAC24 notes
952. 09/11/82 West Palm Beach Civic Center - West Palm Beach, FL A- flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter [2015-08-10]Good recording, nix mix and tone; show was played well but nothing sparked my interest   3 FLAC notes
953. 09/12/82 Lakeland Civic Center - Lakeland, FL X SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation   2 SHN notes
954. 09/12/82 Lakeland Civic Center - Lakeland, FL   flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller   3 FLAC  
955. 09/12/82 Lakeland Civic Center - Lakeland, FL A/B flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller [2015-08-28] Respectable aud recording; show was well played but with no highlights for me;   3 FLAC notes
956. 09/12/82 Lakeland Civic Center - Lakeland, FL X flac24; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
957. 09/14/82 University Hall, University Of Virginia - Charlottesville, VA   Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor   2 SHN  
958. 09/14/82 University Hall, University Of Virginia - Charlottesville, VA   Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller   2 SHN  
959. 09/14/82 University Hall, University Of Virginia - Charlottesville, VA X flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter   0 FLAC24 notes
960. 09/14/82 University Hall, University Of Virginia - Charlottesville, VA A/B flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter [2015-08-21] Supplication is good in set 1. Set 1 overall is better than average; nice song mix and played with some spark. Any set 1 with BRR Blues and Bird Song, Jack Straw to start and Deal to end is an excellent sample of Jerry goodness. Set 2 starts off with a nice C->R, Samson High Time. The Space intro to Iko is also inventive as far as 82 goes. Truckin through end is standard fare and not my favorite tunes. Altogether, I'd say a must listen for 82 for everything through Iko.   3 FLAC notes
961. 09/15/82 Capital Centre - Landover, MD X combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs   2 SHN notes
962. 09/15/82 Capital Centre - Landover, MD I Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor [2015-06-07] This source claims to have more material as the Miller sbd stops after Saint to end of show. Because of the fragmentary nature of this board and the excellent auds available this is given a low sound quality rating.   2 SHN notes
963. 09/15/82 Capital Centre - Landover, MD A flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC [2015-06-06] An excellent recording, great soundfield ambiance and presence. Also, the version of NFA is a must hear no matter what era of the gd you prefer.   2 FLAC16 notes
964. 09/15/82 Capital Centre - Landover, MD I flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550 [2015-06-06] Because of the incompleteness of this SBD (from Saint onwards it is the aud) and the excellent quality of the auds I rate this low in sound quality.   3 FLAC notes
965. 09/15/82 Capital Centre - Landover, MD A- flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller [2015-06-07] This is a very good audience recording but not quite as clear as the Tiger Rose FOB which is recommended over this version. The NFA on this date is worth hearing no matter what your preference era.   3 FLAC notes
966. 09/15/82 Capital Centre - Landover, MD X flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
967. 09/17/82 Cumberland County Civic Center - Portland, ME A- Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell [2015-06-20]This does sound more FOB than others - similar to the Minches / Cohen source   3 SHN notes
968. 09/17/82 Cumberland County Civic Center - Portland, ME X partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman; upgrade in circulation   1 SHN notes
969. 09/17/82 Cumberland County Civic Center - Portland, ME A- Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches [2015-6-20]Similar to the clugston / Munder source, maybe a bit further back.   3 SHN notes
970. 09/17/82 Cumberland County Civic Center - Portland, ME A- flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC [2008-05-14]Nice sound - debut of Throwing Stones. Set 2 has a smooth flow, consistent playing and no clunkers wrt song choice. The TC rates this performance highly for this year.   3 FLAC notes
971. 09/17/82 Cumberland County Civic Center - Portland, ME X complete; marked sbd (see user comments concerning audience or matrix) ; via Mike Lai from Bruce Fried seed; d1 md5s identical to previous shn set; tracked for 2x80   2 FLAC notes
972. 09/17/82 Cumberland County Civic Center - Portland, ME B+ flac16; Recording/Transfer Info: Set 1 - Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2 - Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison [2015-06]I listened to the matrix - the auds marked A- are actually preferable than the SBD on this date IMO.   3 FLAC notes
973. 09/17/82 Cumberland County Civic Center - Portland, ME X DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD   0 DTS notes
974. 09/17/82 Cumberland County Civic Center - Portland, ME B+ flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD [2015-06-20] This is a respectable show but no highlights for me. The recording has a tunnelish feel to it.   3 FLAC notes
975. 09/17/82 Cumberland County Civic Center - Portland, ME X flac24; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.   0 FLAC24 notes
976. 09/17/82 Cumberland County Civic Center - Portland, ME B+ flac16; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496. Transfer by Andrew F. 06/2009 [2015-06-20] This seems a bit further back than the Morris recording but that one is fast   3 FLAC notes
977. 09/17/82 Cumberland County Civic Center - Portland, ME B+ flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 [2015-06-20] This seems fast   3 FLAC notes
978. 09/17/82 Cumberland County Civic Center - Portland, ME X flac24; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris   0 FLAC24 notes
979. 09/17/82 Cumberland County Civic Center - Portland, ME A- flac16; lineage: nakamichi 300 fob> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate [2015-06] This is a contender for best audio presence.   3 FLAC notes
980. 09/20/82 Madison Square Garden - New York, NY X 1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation   1 SHN notes
981. 09/20/82 Madison Square Garden - New York, NY X Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation   2 SHN notes
982. 09/20/82 Madison Square Garden - New York, NY A- Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches[] very nice aud, good 82 show   3 SHN notes
983. 09/20/82 Madison Square Garden - New York, NY X flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation   3 FLAC notes
984. 09/20/82 Madison Square Garden - New York, NY   flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.)   3 FLAC  
985. 09/20/82 Madison Square Garden - New York, NY   flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)   3 FLAC  
986. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT   (FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller   3 SHN  
987. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT A- flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller [2010-08-22]Good sound   3 FLAC notes
988. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT   flac16; Source: Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except Disc Two: UDXLII-S); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded on floor behind soundboard by Bob Morris with thanks to Sam   3 FLAC  
989. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT X flac24; Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except s2t01-t05: UDXLII-S); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edit/patch); Recorded on the floor behind the soundboard by Bob Morris   0 FLAC24 notes
990. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT   flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. December 2011   0 FLAC24  
991. 09/23/82 New Haven Veterans Memorial Coliseum - New Haven, CT   flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011   3 FLAC  
992. 09/24/82 Carrier Dome, Syracuse University - Syracuse, NY   SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc   3 SHN  
993. 09/24/82 Carrier Dome, Syracuse University - Syracuse, NY A- AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon[2015-08-20] This show is well played thorough out and with a consistent flow. Set 1 is very good. There are no epic jams or epiphanies.   3 SHN notes
994. 09/24/82 Carrier Dome, Syracuse University - Syracuse, NY   flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson [2015-08-20]This was removed from the archive in 2015 because of some disagreement between Barfield and Watson. I'll have to get my disks to listen to it.   3 FLAC  
995. 10/09/82 Frost Amphitheatre - Palo Alto, CA X Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation   3 SHN notes
996. 10/09/82 Frost Amphitheatre - Palo Alto, CA X Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano   3 SHN notes
997. 10/09/82 Frost Amphitheatre - Palo Alto, CA X source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation   3 SHN notes
998. 10/09/82 Frost Amphitheatre - Palo Alto, CA   flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller   3 FLAC  
999. 10/09/82 Frost Amphitheatre - Palo Alto, CA X Rango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd   3 SHN notes
1000. 10/09/82 Frost Amphitheatre - Palo Alto, CA X flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller   3 FLAC notes
1001. 10/09/82 Frost Amphitheatre - Palo Alto, CA X flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
1002. 10/09/82 Frost Amphitheatre - Palo Alto, CA   flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact   3 FLAC  
1003. 10/09/82 Frost Amphitheatre - Palo Alto, CA   flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)   3 FLAC  
1004. 10/09/82 Frost Amphitheatre - Palo Alto, CA A flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) [2015-08-21] Reviews of this show are enthusiastic about the sound quality while not so favorable of the performance. Frost is a nice outdoor venue for an afternoon show so being laid back isn't surprising. Sound is good with Phil low in the mix and crowd noise not intrusive so give it a listen.   3 FLAC notes
1005. 10/09/82 Frost Amphitheatre - Palo Alto, CA X flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)   0 FLAC24 notes
1006. 10/09/82 Frost Amphitheatre - Palo Alto, CA   flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008   3 FLAC  
1007. 10/10/82 Frost Amphitheatre - Palo Alto, CA A- flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 [2008-06-12]Nice job by Hunter on the matrix, but this show doesn't excite me though many others regard it as one of the best of 82.   3 FLAC notes
1008. 10/10/82 Frost Amphitheatre - Palo Alto, CA X SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation   3 SHN notes
1009. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005   3 FLAC notes
1010. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315   3 FLAC notes
1011. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315)   3 FLAC notes
1012. 10/10/82 Frost Amphitheatre - Palo Alto, CA X Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN   3 FLAC notes
1013. 10/10/82 Frost Amphitheatre - Palo Alto, CA A- flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller [2015-08-20]Sound is very good, clear and upfront but the had no strong points for me. Frost is a laid back glen in the afternoon so I chalk this up to having a relaxing day in a nice venue.   3 FLAC notes
1014. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
1015. 10/10/82 Frost Amphitheatre - Palo Alto, CA   flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)   3 FLAC  
1016. 10/10/82 Frost Amphitheatre - Palo Alto, CA   flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller   3 FLAC  
1017. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
1018. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   3 FLAC notes
1019. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   0 FLAC24 notes
1020. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT)   0 FLAC24 notes
1021. 10/10/82 Frost Amphitheatre - Palo Alto, CA X flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed   0 FLAC24 notes
1022. 10/10/82 Frost Amphitheatre - Palo Alto, CA   flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)   3 FLAC  
1023. 10/10/82 Frost Amphitheatre - Palo Alto, CA   flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact   3 FLAC  
1024. 10/17/82 Santa Fe Downs - Santa Fe, NM B+ (FOB) AUD>Cm>Reel>Dat via Charlie Miller [2015-06-21]Respectable recording, though in the outdoor venue it has no hall presence and a bit tunnely sound. Minor PA issues in 1st few songs. This show has a long set 2 which suggests the band was happy to play here. I have driven by this a few times, south of town new interstate open air. So show is repectable for this era but nothing that made me want to revisit any time soon.   3 SHN notes
1025. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica X poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation   2 SHN notes
1026. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica X possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation   2 SHN notes
1027. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica X lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard   2 SHN notes
1028. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica X Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C   2 SHN notes
1029. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica A- flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller [2015-06-21]Reasonable mix - Phil is thumpy. Show has standard renditions and delivery for this time. Special event location and time of performance attracts attention but no special mentions.   2 FLAC notes
1030. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica X flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller   0 FLAC24 notes
1031. 11/25/82 Bob Marley Performing Arts Center - Montego Bay, Jamaica X flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger [2015-06-21]This is an obsolete source which has been pitch corrected.   0 notes
1032. 12/26/82 Oakland Auditorium - Oakland, CA X Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation   2 SHN notes
1033. 12/26/82 Oakland Auditorium - Oakland, CA X SDB> MR> PCM> DAT> CDR, with possible cass gen somewhere; via Mike Lai, from Bruce Fried DAT seed; upgrade in circulation   2 SHN notes
1034. 12/26/82 Oakland Auditorium - Oakland, CA   flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller   3 FLAC  
1035. 12/26/82 Oakland Auditorium - Oakland, CA   flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller   2 FLAC  
1036. 12/28/82 Oakland Auditorium - Oakland, CA X SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation   3 SHN notes
1037. 12/28/82 Oakland Auditorium - Oakland, CA   flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller   3 FLAC  
1038. 12/28/82 Oakland Auditorium - Oakland, CA   flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.   3 FLAC  
1039. 12/28/82 Oakland Auditorium - Oakland, CA   flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton   3 FLAC  
1040. 12/28/82 Oakland Auditorium - Oakland, CA A- flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 [2015-10-16]Good sound, not much crowd. Reasonable show but nothing special   0 FLAC notes
1041. 12/28/82 Oakland Auditorium - Oakland, CA X flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015   0 FLAC24 notes
1042. 12/30/82 Oakland Auditorium - Oakland, CA X SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation   3 SHN notes
1043. 12/30/82 Oakland Auditorium - Oakland, CA X SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation   3 FLAC notes
1044. 12/30/82 Oakland Auditorium - Oakland, CA A- flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller [2015-10-10] Good sound though lacking any audience buzz. This set had nothing special for me.   2 FLAC16 notes
1045. 12/30/82 Oakland Auditorium - Oakland, CA   flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller   3 FLAC  
1046. 12/30/82 Oakland Auditorium - Oakland, CA X flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015   0 FLAC24 notes
1047. 12/30/82 Oakland Auditorium - Oakland, CA X flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015   0 FLAC24 notes
1048. 12/30/82 Oakland Auditorium - Oakland, CA   flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015   3 FLAC  
1049. 12/30/82 Oakland Auditorium - Oakland, CA X flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015   0 FLAC24 notes
1050. 12/30/82 Oakland Auditorium - Oakland, CA   flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015   3 FLAC  
1051. 12/31/82 Oakland Auditorium - Oakland, CA X SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation   3 SHN notes
1052. 12/31/82 Oakland Auditorium - Oakland, CA X flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation   3 FLAC notes
1053. 12/31/82 Oakland Auditorium - Oakland, CA   flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller   3 FLAC  
1054. 12/31/82 Oakland Auditorium - Oakland, CA   flac16; FM Radio Broadcast > Cassete > Wave > Flac   3 FLAC  

[ USER INFO | ADD SHOW | EDIT SHOWS | WISHLIST | TRADES | FAMILY ]

[ MANAGE LISTS ] | [ ASSIGN SHOWS TO LISTS ]

[ NEWS | BROWSE SHOWS | BROWSE SHNS | MOST POPULAR | SEARCH ]