Etree - Matt Vernon - 1399 shows
Last Update: Sunday Jan 21, 2018

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Avalon Allstars  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 04/20/04 Avalon Ballroom - San Francisco, CA A AKGC61's XY@ the lip center > + vocals direct (thanks Howard) Mix > Mackie 1202 > DA-P1 > Mac > Flac. Live recording & post Art Granoff. Great sound on this one, no flaws. Fun show with Phil sitting in on a few songs. Varied mix of styles with some good funky jams. I'd suggest listening to this at least once. [5/4/2004]   2 FLAC notes

Bonnaroo Superjam  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 06/17/06 Bonnaroo Music Festival (That Tent) - Manchester, TN   Bonnaroo Superjam (Lesh sits in on a few tunes)   2 FLAC  

Broken Angels  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 12/07/97 Hilton Hotel Continental Ballroom - San Francisco, CA       1 SHN  

Bruce Hornsby http://brucehornsby.com
  Date Venue - City, State My Sound Rating Notes   Media  
1. 04/12/96 Fillmore Auditorium - San Francisco, CA   Bob Weir and Phil Lesh sit in for a few tunes this night   3 SHN  
2. 11/06/98 Yoshi's - Oakland, CA   w/ Lesh & Kimock for a few songs   2 SHN  

CPR  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 01/21/97 Maritime Hall - San Francisco, CA B An ok aud but below what we have come to expect from "big rigs". I got this because Phil Lesh is a guest for a few tunes. Its the last 1/2 of the show.   1 SHN notes

David Crosby, Graham Nash, Jeff Pevar & Phil Lesh  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 02/13/94 Masonic Auditorium - San Francisco, CA   lesh plays base for a SEVA benefit   1 SHN  

David Gans & The Broken Angels  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 11/06/97 Maritime Hall - San Francisco, CA A SBD Feed + Microtech Gefell M300's (lower balcony)> Mackie1202>VL2 mixer> DA-P1> DAT> DAT> Sonic Solutions> CDR These are the songs that Phil Lesh played on   2 SHN notes
2. 12/27/97 Maritime Hall - San Francisco, Ca   Phil Lesh participates on some tunes   3 SHN  

David Murray  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 03/06/97 The Fillmore - San Francisco, CA A/B octet - unknown aud. Overall sound quality good, but there is some audience chatter at times. This is the complete show (the sbd fragment that is available only has the tunes that Phil/Bob play on). This is basically the Dead tunes played with a Big Band sound. Gotta be one of the longest versions of OMSN ever (and a bit repetitive). Show will not appeal to most hardcore Dead fans but it is unique in style for sure.   3 SHN notes
2. 03/06/97 The Fillmore - San Francisco, CA A- sbd - Michael Zelner seed - only tunes with Bob Weir and Phil Lesh. a bit dry (no reverb compared to the aud), no significant flaws. unique show in how Murray and his band interprets Dead hits. Not clear if Bobby and Phil actually bring anything to the table, but it is a fun attempt for them to follow along.   2 SHN notes

David Nelson Band http://www.nelsonband.com
  Date Venue - City, State My Sound Rating Notes   Media  
1. 11/30/99 Fillmore Auditorium - San Francisco, CA   SEVA sbd w/Phil Lesh among others on some tunes - this seed is reviewed under "Phil Lesh"   0 SHN  

The Dead http://www.dead.net
  Date Venue - City, State My Sound Rating Notes   Media  
1. 02/14/03 Warfield Theatre - San Francisco, CA   akg   3 SHN  
2. 02/14/03 Warfield Theatre - San Francisco, CA   dsbs wiley   3 SHN  
3. 06/15/03 Bonnaroo Music Festival - Manchester, TN   wiley remaster of Jason@rift source   3 SHN  
4. 06/17/03 Verizon Wireless Amphitheatre - Virginia Beach, VA   OCRS - SBD not tradeable   3 SHN  
5. 06/17/03 Verizon Wireless Amphitheatre - Virginia Beach, VA   schoeps   3 FLAC  
6. 06/18/03 Merriweather Post Pavilion - Columbia, MD   neumann km184   3 SHN  
7. 06/18/03 Merriweather Post Pavilion - Columbia, MD   OCRS sbd not tradeable   3 SHN  
8. 06/20/03 Saratoga Performing Arts Center - Saratoga Springs, NY   akg   3 SHN  
9. 06/20/03 Saratoga Performing Arts Center - Saratoga Springs, NY   ocrs soundboard - not tradeable   3 SHN  
10. 06/21/03 Meadows Music Theatre - Hartford, CT   akg   3 SHN  
11. 06/21/03 Meadows Music Theatre - Hartford, CT   official sbd - not 4 trade   3 SHN  
12. 06/22/03 Tweeter Center - Mansfield, MA   OCRS sbd not for trade   3 SHN  
13. 06/22/03 Tweeter Center - Mansfield, MA   sbd - ocrs not tradeable   3 SHN  
14. 06/24/03 PNC Bank Arts Center - Holmdel, NJ   Official sbd - not 4 trade   3 SHN  
15. 06/25/03 PNC Bank Arts Center - Holmdel, NJ   unknown aud   1 SHN  
16. 06/25/03 PNC Bank Arts Center - Holmdel, NJ   Official sbd - not 4 trade   3 SHN  
17. 06/27/03 Tweeter Center at the Waterfront - Camden, NJ   neumann carlson   3 SHN  
18. 06/27/03 Tweeter Center at the Waterfront - Camden, NJ   official sbd - not 4 trade   3 SHN  
19. 06/28/03 Tweeter Waterfront - Camden, NJ   akg doughty   3 SHN  
20. 06/28/03 Tweeter Waterfront - Camden, NJ   AMS - Nic Georges   3 SHN  
21. 06/28/03 Tweeter Waterfront - Camden, NJ   sbd - ocrs not tradeable   3 SHN  
22. 06/29/03 Vernon Downs - Vernon, NY   Official sbd - not 4 trade   3 SHN  
23. 07/01/03 Marcus Amphitheatre - Milwaukee, WI   Official sbd - not 4 trade   3 SHN  
24. 07/02/03 UMB Bank Pavillion - Maryland Heights, MO   Official sbd - not 4 trade   3 SHN  
25. 07/02/03 UMB Bank Pavillion - Maryland Heights, MO   adk   3 SHN  
26. 07/04/03 Two River Canyon Amphitheatre - Spicewood, TX   wiley remaster stephens fm seed   3 SHN  
27. 07/04/03 Two River Canyon Amphitheatre - Spicewood, TX   Official sbd - not 4 trade   3 SHN  
28. 07/06/03 Red Rocks Ampitheatre - Morrison, CO   naks brokenleg   3 SHN  
29. 07/06/03 Red Rocks Ampitheatre - Morrison, CO   schoeps - evans/sacks   3 FLAC  
30. 07/06/03 Red Rocks Ampitheatre - Morrison, CO   schoeps sacks   3 SHN  
31. 07/06/03 Red Rocks Ampitheatre - Morrison, CO   official sbd - not 4 trade   3 SHN  
32. 07/07/03 Red Rocks Ampitheatre - Morrison, CO   dpa - burns   3 FLAC  
33. 07/07/03 Red Rocks Ampitheatre - Morrison, CO   official sbd - not 4 trade   3 SHN  
34. 07/08/03 Red Rocks Ampitheatre - Morrison, CO   naks brokenleg   3 SHN  
35. 07/08/03 Red Rocks Ampitheatre - Morrison, CO   official sbd - not 4 trade   3 SHN  
36. 07/10/03 Red Rocks Ampitheatre - Morrison, CO   neumann   3 FLAC  
37. 07/10/03 Red Rocks Ampitheatre - Morrison, CO   nak cm100 - brokenleg   3 SHN  
38. 07/10/03 Red Rocks Ampitheatre - Morrison, CO   official sbd - not 4 trade   3 SHN  
39. 07/11/03 Red Rocks Ampitheatre - Morrison, CO   naks brokenleg   3 SHN  
40. 07/11/03 Red Rocks Ampitheatre - Morrison, CO   schoeps sacks   3 FLAC  
41. 07/11/03 Red Rocks Ampitheatre - Morrison, CO   Official sbd - not 4 trade   3 SHN  
42. 07/29/03 Office Depot Center - Sunrise, FL   ocrs soundboard - not tradeable   3 SHN  
43. 07/29/03 Office Depot Center - Sunrise, FL   bk4023   3 SHN  
44. 07/30/03 St. Pete Times Forum - Tampa, FL   bk4023   3 FLAC  
45. 07/31/03 Hi-Fi Buys Amphitheater - Atlanta, GA   bk4023   3 FLAC  
46. 07/31/03 Hi-Fi Buys Amphitheater - Atlanta, GA   sbd ocrs not tradeable   3 SHN  
47. 08/02/03 Route 66 Raceway - Joliet, IL   akg   3 SHN  
48. 08/02/03 Route 66 Raceway - Joliet, IL   naks   3 SHN  
49. 08/02/03 Route 66 Raceway - Joliet, IL   ocrs soundboard - not tradeable   3 SHN  
50. 08/05/03 Verizon Wireless Music Center - Noblesville, IN   akg wiley   3 SHN  
51. 08/06/03 Germain Amphitheatre - Columbus, OH   naks cm100 - mattman   3 SHN  
52. 08/09/03 Jones Beach Music Theater - Wantagh, NY   naks   4 SHN  
53. 08/09/03 Jones Beach Music Theater - Wantagh, NY   ocrs soundboard - not tradeable   4 SHN  
54. 08/10/03 Jones Beach Music Theater - Wantagh, NY   ocrs soundboard - not tradeable   4 SHN  
55. 09/18/03 Verizon Wireless Amphitheatre - Irvine, CA   Official sbd - not 4 trade   3 SHN  
56. 12/13/03 Berkeley Community Theater - Berkeley, CA   3 Nak's Rob R   2 SHN  
57. 12/30/03 Oakland-Alameda County Coliseum - Oakland, CA   Official sbd - not 4 trade   3 SHN  
58. 12/31/03 Oakland Arena - Oakland, CA   Official sbd - not 4 trade   3 SHN  
59. 02/09/04 Warfield Theatre - San Francisco, CA   official sbd - not 4 trade   3 SHN  

Derek Trucks Band http://www.derektrucks.com
  Date Venue - City, State My Sound Rating Notes   Media  
1. 02/27/03 Fillmore - San Francisco, CA B+ Coresound Binaurals > Sharp minidisk. Good recording, some audience chatter. Notable for Phil Lesh appearance on a few tunes   2 SHN notes

Furthur Festival  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 07/30/96 Shoreline Amphitheatre - Mountain View, CA   Naks - Further Festival complete   6 SHN  

Garcia  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 06/25/81 Civic Auditorium - Santa Cruz, CA A/ jgb w/ Phil on bass ; standard JGB, nothing extra special or unique from Phil's presence this night   2 SHN notes
2. 06/26/81 Warfield Theater - San Francisco, CA B+ ok sounding sbd of most of a show wherein Phil Lesh plays bass instead of John Kahn. There are probably better shows than this one, but its still enjoyable to hear once. Phil's presence doesn't add anything particularly noteworthy.   1 SHN notes
3. 08/22/81 Fairfax Pavilion - Fairfax, CA   MAC w/ Phil Lesh on bass   1 SHN  

The Other Ones www.otherones.net
  Date Venue - City, State My Sound Rating Notes   Media  
1. 06/02/98 Club Front - San Rafael, CA   Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller   2 FLAC  
2. 06/03/98 Club Front - San Rafael, CA   Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller   2 FLAC  
3. 06/04/98 The Warfield - San Francisco, CA   Source: nakamichi's>dat>cd (see notes); Conversion: CD>EAC>WAV>Sound Forge 4.5>MKW>SHN by Dan Carr 10/01/02, posted to db.etree.org by Ben Wirth 10/04/04   3 SHN  
4. 06/08/98 Club Front - San Rafael, CA   Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller   3 FLAC  
5. 06/15/98 Club Front - San Rafael, CA   Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller   3 FLAC  
6. 06/25/98 Lakewood Amphitheater - Atlanta, GA B Source: DAUD(Nak 300's w/ CP4 > D7) - Lineage: DAT > CDR via David Minor; Encoding: EAC > CDWAV > mkwact by Matt Vernon w/ some clipping on waves (but no audio consequence). Ok sound and no major flaws, but hard to rate it above a B compared to today's aud standards. These shows are lacking lead guitar on most tunes, so its an ensemble sound. Good background music but largely of interest to people that went to the show.   2 SHN notes
7. 06/26/98 Blockbuster Pavilion - Charlotte, NC B+ Source: AUD(Nak 300's w/ CP4 > D7) - Lineage: DAT > CDR via David Minor; Encoding: EAC > CDWAV > mkwact by Matt Vernon - ok sound but a grade lower than recordings routinely traded these days. Smooth, ez listening Dead cover band, with occasional flashes of interest, mostly when Kimock plays lead (near end of set). Of interest to collectors and attendees.   2 SHN notes
8. 06/26/98 Blockbuster Pavilion - Charlotte, NC   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   2 FLAC  
9. 06/26/98 Blockbuster Pavilion - Charlotte, NC   Unknown mics > unknown deck > Marantz PMD430. Tapers Section - Lawn Recorded on 2 Maxell XL-IIS 110 cassettes(MAC); MAC > SBaudigy > Adobe audition @24bits/44.1Khz. Adobe Audition: noise removal, click/pop eliminator, pitch correction, 16bit. CD wave: tracking.Trader's little helper: ffp, md5, flac.   2 FLAC  
10. 06/27/98 Nissan Pavillion - Bristow, VA   Source: Neumann KM184s > Shure FP33 w/bass roll off > SBM-1 > DA-P1 @44.1k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net)   2 FLAC  
11. 06/27/98 Nissan Pavillion - Bristow, VA   Source: DAUD(unknown mics) > ? > CDR via Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon   2 FLAC  
12. 06/27/98 Nissan Pavillion - Bristow, VA   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   2 FLAC  
13. 06/27/98 Nissan Pavillion - Bristow, VA   Tapers Section, Lawn.Nak 300's(cp4) > unknown deck > Marantz PMD430. recorded on 2 Maxell XL-IIS 110 cassettes(MAC); MAC > SBaudigy > Adobe Audition @24bits/44.1Khz. Adobe Audition: noise removal, click/pop eliminator,pitch correction, 16bit.CD wave: tracking.Trader's little helper: ffp, md5, flac. recorded and transferred by Chris LaPorte   2 FLAC  
14. 06/29/98 Continental Airlines Arena - East Rutherford, NJ B Source: AUD(Nak 300 w/ CP4's) > Nak 550) > CDR Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon - This was recorded on cassette so there are tape flips and hiss typical for this medium. tape flips or gaps after Walkin' Blues during crowd noise , during Jam after PITB, during The Eleven. Hopefully a DAUD source that doesn't have tape flips will surface to replace this. Average show for this 98 tour.   3 SHN notes
15. 06/29/98 Continental Airlines Arena - East Rutherford, NJ   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   3 FLAC  
16. 06/29/98 Continental Airlines Arena - East Rutherford, NJ   AUD: Nakamichi CM700's (cardioid) > Casio DA7 > Maxell DM-Dat tape. Mics on 7-foot stand, set up just to stage right of the lighting board. Transfer: MAD > Sony D10P > SPDIF Coax In > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC. Taped and transferred by Andrew F.   2 FLAC  
17. 06/29/98 Continental Airlines Arena - East Rutherford, NJ   Tapers Section-floor section 5, row S, seat 2; Nak 300's > unknown deck > Marantz PMD430.recorded on 1 Maxell XL-IIS 110 cassette and 1 Maxell XL-IIS 90 cassette.(MAC); MAC > SBaudigy > Adobe Audition @24bits/44.1Khz. Adobe Audition: noise removal, click/pop eliminator, 16bit.CD wave: tracking.Trader's little helper: md5, ffp, flac.   2 FLAC  
18. 06/29/98 Continental Airlines Arena - East Rutherford, NJ   Master/Conversion: Nakamichi CM300's/cp4's>D8, D8>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick   3 FLAC  
19. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   digital soundboard, digitally remastered, edited & SHN'ed by BRUNO bruno@kabsi.at using a Mac G4 w/ Bias Peak 3.0 and various plugins   2 SHN  
20. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   2 FLAC  
21. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   AUD: Nakamichi CM700's (cardioid) > Casio DA7 > Maxell DM-Dat tape. Mics on 7-foot stand, set up just to stage left of the soundboard. Transfer: MAD > Sony D10P > SPDIF Coax In > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC. Taped and transferred by Andrew F.   2 FLAC  
22. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   Recording Info:SBD -> Dat -> CD; Transfer Info: CD -> EAC -> FLAC; Converted to FLAC By Charlie Miller   2 FLAC  
23. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   Master: FOB Nakamichi CM300's/CP4's>Casio DA-7, DAT>Tascam CDRW2000>CD by Jon Pasternak & Andrew F. Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick   2 FLAC  
24. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   Schoeps MK41's>Schoeps KC-5 active cables>Schoeps CMC5's>Aerco MP2>Casio DA-R100 Recorded FOB in Section B1 Row 22 By Lee Randall Dat Clone from Lee>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC Transferred By Keith Litzenberger   3 FLAC  
25. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   SBD > Dat > CD > EAC > Digital Audio Workstation (Bertha) > Shn. Remastered by Jay Ashley   2 FLAC  
26. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY   Sennheiser 421s > unknown deck > Marantz PMD430.OTS-floor section; MAC > SBaudigy > Adobe Audition @24bits/44.1Khz. Adobe Audition: noise removal, click/pop eliminator, 16bit. CD wave: tracking.Trader's little helper: ffp, md5, flac. recorded and transferred by Chris LaPorte   2 FLAC  
27. 07/01/98 Great Woods Center for the Performing Arts - Mansfield, MA   FM-SBD > DAT > CD > .WAV (with EAC) > .SHN (alternate md5 version)   2 FLAC  
28. 07/01/98 Great Woods Center for the Performing Arts - Mansfield, MA   (FOB) Schoeps mk41 > kc5 > cmc6 > Sonosax SX-M2 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel   2 FLAC  
29. 07/03/98 Sony E-Center - Camden, NJ B Source: DAUD(unknown mics) > ? > CDR Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon - sound nearly mono so there isn't much "presence". drop out @ start of Saint standard 98 too sound - lacking guitar leads so playing has a laid back flow, kind of easy listening dead.   2 SHN notes
30. 07/03/98 Sony E-Center - Camden, NJ   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   2 FLAC  
31. 07/03/98 Sony E-Center - Camden, NJ   fixup of shnid = 85267 by Doug Nawrocki   2 FLAC  
32. 07/03/98 Sony E-Center - Camden, NJ   *flac16* DAUD unknown mics   2 FLAC  
33. 07/04/98 Saratoga Performing Arts Center - Saratoga Springs, NY   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   2 FLAC  
34. 07/04/98 Saratoga Performing Arts Center - Saratoga Springs, NY   Source: Schoeps cmc6/mk4; Transfer: Fostex D5 -> optical cable -> Hosa ODL-276 -> S/PDIF coax cable ->EgoSys Waveterminal 2496 -> CoolEdit 2000 (48->44.1kHz, fades) -> CD Wave v1.71 -> mkwACT 0.97b1; transferred by: Jason Sobel (jasonsobel@hotmail.com)   2 FLAC  
35. 07/04/98 Saratoga Performing Arts Center - Saratoga Springs, NY   Source: Cassette Master Nak100's > D7 via David Minor - Lineage: MAC > CDR > EAC > CEPro > CDWAV > mkwact > shnv3 by Matt Vernon   2 FLAC  
36. 07/05/98 Darien Lake Performing Arts Center - Darien, NY   Source: DAUD(unknown mics) > ? > CDR via Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon   0 SHN  
37. 07/05/98 Darien Lake Performing Arts Center - Darien, NY   Source: DAUD(Neumann) Lineage: Unknown Encoding: EAC > CEPro > CDWAV > Flac (lev 8) by Matt Vernon and Ian Vermiglio   2 FLAC  
38. 07/05/98 Darien Lake Performing Arts Center - Darien, NY   Tapers Section, Lawn Unknown Mics > unknown deck > Marantz PMD430. Recorded on 1 Maxell XL-IIS 110 cassette, and 1 Maxell XL-IIS 100 cassette(MAC). MAC > Marantz PMD661 (line in) @ 24bit/48Khz. Adobe Audition: noise removal, click/pop eliminator, 16bit. CD wave: tracking. Trader's little helper: ffp, md5, flac.   2 FLAC  
39. 07/07/98 Hartford Civic Center - Hartford, CT B+ Source: DAUD(unknown mics) > ? > CDR Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon - nearby crowd is boisterous at times - some minor clipping - d1t01 discontinous jump ~ 11:00 - d2t05 discontinuos jump at end of drums - disk 2->3 fade out non-overlapping standard 98 too sound - lacking guitar leads so playing has a laid back flow, kind of easy listening dead, except for Kinocks work on China > Rider   3 SHN notes
40. 07/07/98 Hartford Civic Center - Hartford, CT   source: (OTS) Schoeps cmc6/mk41 -> Sonosax -> SBM-1 -> DA-P1 by Dave Flaschner; transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6) by Chris Davis (11/6/08)   3 FLAC  
41. 07/07/98 Hartford Civic Center - Hartford, CT   Source: Master AT822 > D7; Transfer/Encoding: Master > CDR > EAC > Cool Edit > CDWAV > mkwact by Dave Minor and Matt Vernon, posted to db.etree.org on 10/04/04 by Ben Wirth   3 FLAC  
42. 07/07/98 Hartford Civic Center - Hartford, CT   Tapers Section Floor section 8, row C, seat 2 Sony Shotguns > unknown deck > Marantz PMD430. recorded on 1 Maxell XL-IIS 110 cassette and 1 Maxell XL-IIS 100 cassette (MAC). MAC > SBaudigy > Adobe Audition @24bits/44.1Khz. Adobe Audition: noise removal, click/pop eliminator, pitch correction, 16bit. CD wave: tracking. Trader's little helper: ffp, md5, flac.   2 FLAC  
43. 07/07/98 Hartford Civic Center - Hartford, CT   source: (OTS) Schoeps cmc6/mk41 -> Sonosax -> SBM-1 -> DA-P1 by Dave Flaschner; transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6) by Chris Davis (11/6/08)   3 FLAC  
44. 07/08/98 Montage Mountain - Scranton, PA   Schoeps MK8 + MK21H > Schoeps KCY 250/05I active cable > Schoeps VMS02IB > Sony SBM-1 > HHB PDR1000; Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CD Wave > FLAC; Taped By Keith Litzenberger & Jeff Travitz   2 FLAC  
45. 07/08/98 Montage Mountain - Scranton, PA   Schoeps CCM4 > beyerdynamic MV-100 > Sony SBM-1 > Sony TCD-D8 > DAT Master > DAT   2 FLAC  
46. 07/08/98 Montage Mountain - Scranton, PA   Source: AKG483 > Oade Pre > DAP1 via David Minor - Lineage : DAT > CDR > EAC > CEPro > CDWAV > mkwact > shnv3 by Matt Vernon   2 FLAC  
47. 07/09/98 Star Lake Amphitheatre - Burgettstown, PA   Source: Unknown Mics > DAT > CDR > EAC > Cool Edit Pro > CDWave > mkwACT Source discs kindly provided by Rhett Lieberman EAC'd/CEP'd/SHN'd by Doug Nawrocki   3 SHN  
48. 07/09/98 Star Lake Amphitheatre - Burgettstown, PA   AKG CK61 > JK Labs ECMS > Sony SBM-1 > Sony TCD-D8 > DAT Master > DAT(x)-Recorded Format : 16 bit, 48 kHz; DAT(x) > Tascam DA-45HR (digital coaxial output) > Oade ACM Marantz PMD671 (digital coaxial input) > CF card > IBM ThinkPad T41>Steinberg WaveLab v5.01b, resample with ReSampler 192 at High Quality> 16 bit, 44.1 kHz; DAT transfer and DSP performed by Tim Burke   2 FLAC  
49. 07/11/98 Alpine Valley Music Theatre - East Troy, WI   Neumann SKM-184 Mics.->Audio Magic Sceptor II Cables->Graham Patten DMIC-20 Pre-Amp.->Tascam DA-P1 > DAT > CDR > EAC > CDWave > mkwACT; Taped by Kelly Casey; Source discs kindly provided by Dave Jackson, seeded by Doug Nawrocki   3 SHN  
50. 07/12/98 Polaris Amphitheatre - Columbus, OH   Source: Nak 300's/CP4's > HHB - Transfer: DA-P1 > Audiophile 2496 > Samplitude 2496 > CDWave > mkwACT; Transferred and seeded by Doug Nawrocki   0 SHN  
51. 07/13/98 Pine Knob Music Theater - Clarkston, MI   Source: Unknown Mics > DAT > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > mkwACT; EAC'd/CEP'd/SHN'd by Doug Nawrocki   2 SHN  
52. 07/15/98 Deer Creek Music Center - Noblesville, IN   Source: Nak 300's/cp4's and Neumann Km184's > D8 - Transfer: D8 > TB Montego II > CDWave > mkwACT; Source kindly provided by Garcia, seeded by Doug Nawrocki   3 SHN  
53. 07/15/98 Deer Creek Music Center - Noblesville, IN   Source: Naks Cm 300's CP-4 caps-> D3 @ 48kHz, Taper: Greg Holtz, Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> R8brain, 44.1kHz-> Wave Lab 5.0 Pluggins, L2-> Traders Little Helper flac8   2 FLAC  
54. 07/16/98 World Music Theater - Tinley Park, IL   Source: DAuD>CD tapers section->?; Conversion: CDr>EAC(secure)(V-0.95B3)->SHN'ed(mkw0.97B1)   0 SHN  
55. 07/17/98 Riverport Amphitheatre - Maryland Heights, MO   Source: DAUD (unknown mics) > ? > CDR > EAC (secure) > CDWAV > shntool > SHN; Source discs provided by Dan Wright. Extraction, retracking, and SHN encoding performed by Ben Wirth.   3 FLAC  
56. 07/19/98 Fiddler's Green Amphitheatre - Englewood, CO   Lineage: SBD > D (unk. sample rate) > ? > CD-R > SSSB   3 SHN  
57. 07/21/98 Thomas & Mack Center - Las Vegas, NV B+ SOurce: DAUD(unknown mics) > ? > CDR Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon - original show came on 3 audio disks with fades at the end of each disk. There was no allowance made to overlap the fades so they were left in place. Presumably, the timings are uneffected but some music is lost. - there was evidence after the start of each track of up to 3 cdr generations which have introduced some pops or contant intervals in the waveforms. This effect is sometimes seen from standalone copy systems. These were smoothed over with Cool Edit. standard 98 too sound - lacking guitar leads so playing has a laid back flow, kind of easy listening dead   3 SHN notes
58. 07/22/98 Irvine Meadows - Irvine, CA B+ SOurce: DAUD(unknown mics) > ? > CDR Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon daud - drop out or gap in drums Dennis McNeill appearance seems inapproriate for the music being played - total flow buzzkill. standard 98 too sound - lacking guitar leads so playing has a laid back flow, kind of easy listening dead, somewhat redeemed by Kimocks work on China>Rider   2 SHN notes
59. 07/22/98 Irvine Meadows - Irvine, CA   Source:SBD >> DAT >> CDR >> WAV(EAC) >> FLAC >> DAW(Bertha )>> CDA/FLAC; CDR > FLAC by Ben Wirth, remastered by Jay Ashley.   2 FLAC  
60. 07/24/98 Shoreline Amphitheatre - Mountain View, CA   Source: SBD>DAT>CD; Conversion: CD>EAC>WAV>MKW>SHNv3 By Dan Carr   3 SHN  
61. 07/24/98 Shoreline Amphitheatre - Mountain View, CA   Source: FOB, Section 102, center row K Neumann KM140s > EAA PSP/2 preamp > Audio Magic Presto II cables >Sony SBM-1 A/D converter >Sony TCD-100 - Transfer: TASCAM DA-P1 > S/PDIF connection >Sek'd Prodif Plus > Sek'd Red Roaster 5.58 > Untracked WAVs > MKWact >Untracked SHNs > MKWact > WAV > CD WAV > SHNtool > MKWact >SHN; Taped and Transferred by: Henry Heikkinen(henryh@livefunk.com); Tracking, sector boundary check, and final SHN conversion by Hans Voight (salmonjock@hotmail.com)   3 FLAC  
62. 07/24/98 Shoreline Amphitheatre - Mountain View, CA   DAUD: DAT>CDR>EAC>SHN - (Mics, taper and equipment unknown) From TOO.net tree; Extraction, Editing and CD Mastering By Michael Owen. This is an upgrade to this previous source which included a DAE step   3 FLAC  
63. 07/25/98 Shoreline Amphitheatre - Mountain View, CA   Source: Digital Soundboard - digitally remastered, edited & SHN(v3)'ed by BRUNO using a Mac G4 w/ Bias Peak 3.0 and various plugins; bruno@kabsi.at   3 SHN  
64. 07/25/98 Shoreline Amphitheatre - Mountain View, CA   Source: Neumann KM140s > EAA PSP/2 Preamplifier > Audio Magic Presto II cables > Sony SBM-1 > Sony TCD-100 @ 48 kHz - Transfer: TASCAM DA-P1 > Sek'd Prodif Plus > Sek'd Red Roaster v5.58 > CD Wave v1.71 > Shn;Mastered & Transferred by Henry Heikkinen   3 FLAC  
65. 08/25/00 Shoreline Amphitheatre - Mountain View, CA   VCD quality not very good - blocky w/ sound not syncd with visuals (at least on disk 1)   3 VCD  
66. 12/31/00 Oakland Coliseum Arena - Oakland, CA       3 SHN  
67. 06/??/02 Club Front Studios - San Rafael, CA   sbd - rehersals   1 SHN  
68. 08/03/02 Alpine Valley Music Theatre - East Troy, WI A- fob schoeps - brief diginoise d1t1 00:44 before music starts, tapers move during estimated so theres a minor altercation but not too bad. otherwise this is a pretty good tape (maybe a few too many cases of fan enthusiasm). TOO sound is "Phil-esque" with Herring on lead and the setlist is similar to recent PLQ shows - start off with some noodling then have some heavy hitters in set 1 (TOO, Crytical). The only weak points to me (and these were minor) were the style of singing the 2nd verse of Dark Star and repeating the last verse of OMSN. Stong encore of H>S>F.   3 SHN notes
69. 08/03/02 Alpine Valley Music Theatre - East Troy, WI A- fmsbd - no flaws, with a significant audience mix so the listener is not situated on stage.   3 SHN notes
70. 08/03/02 Alpine Valley Music Theatre - East Troy, WI   shntool fix of ssbd seed - music only   3 SHN  
71. 08/04/02 Alpine Valley Music Theatre - East Troy, WI   fob schoeps   3 SHN  
72. 10/27/02 Shoreline Amphitheatre - Mountain View, CA   mbho   1 SHN  
73. 11/12/02 NBC's Studio 6A - Rockefeller Center - New York, NY   Time Warner Cable Feed > EyeTV Digital Video Recorder on High Quality Setting > Apple G4 Powerbook > PC > TMPGEnc (edit   1 MPEG  
74. 11/14/02 Roanoke Civic Center Coliseum - Roanoke, VA   neumann   3 SHN  
75. 11/15/02 MCI Center - Washington, DC A/B Neumann - no flaws, overall sound good, maybe a bit below average for current auds (no audience noise, just not FOB so there is some room echo). Show solid - set lists strongly reflect recent Phil Lesh Quintet shows.   3 SHN notes
76. 11/15/02 MCI Center - Washington, DC   Neumann km140's   3 SHN  
77. 11/16/02 Pepsi Arena - Albany, NY   akg   3 SHN  
78. 11/18/02 FleetCenter - Boston, MA   akg   3 SHN  
79. 11/19/02 FleetCenter - Boston, MA   schoeps   3 SHN  
80. 11/20/02 Continental Airlines Arena - East Rutherford, NJ   mbho   3 SHN  
81. 11/22/02 Hartford Civic Center - Hartford, CT   dpa - zapp   3 SHN  
82. 11/23/02 First Union Spectrum - Philadelphia, PA   neumann tlm 170   3 SHN  
83. 11/24/02 First Union Spectrum - Philadelphia, PA   schoeps   3 SHN  
84. 11/26/02 Madison Square Garden - New York, NY   schoeps   3 SHN  
85. 11/27/02 Gund Arena - Cleveland, OH   naks - fixed version   3 SHN  
86. 11/29/02 Mellon Arena - Pittsburgh, PA   fob schoeps   3 SHN  
87. 11/30/02 The Palace of Auburn Hills - Auburn Hills, MI   neumann   3 SHN  
88. 12/01/02 Conseco Fieldhouse - Indianapolis, IN   neuman   3 SHN  
89. 12/02/02 Allstate Arena - Rosemont, IL   akg colovos   3 SHN  
90. 12/05/02 Henry J. Kaiser Auditorium - Oakland, CA   senn+akg   2 SHN  
91. 12/06/02 Henry J. Kaiser Auditorium - Oakland, CA   senn+akg   3 SHN  
92. 12/31/02 Oakland-Alameda County Coliseum - Oakland, CA   naks - nonseekable   4 SHN  

Phil Lesh & Friends http://www.phillesh.net
  Date Venue - City, State My Sound Rating Notes   Media  
1. 04/05/59 San Mateo College - San Mateo, CA B- Audince (presumed) recording of Phil Lesh playing trumpet with the San Mateo Jazz Band and performing some compositions he wrote - think Big Band - Swing jazz style. Earliest recorded music from any member of the Grateful Dead.   1 SHN notes
2. 04/05/59 San Mateo College - San Mateo, CA   2 tracks are pitch-shifted (and otherwise cleaned up) versions of two tracks 2 and 3 on the original etree distribution. (Note: This source only contains the two pitch shifted tracks or teh original 5).   1 FLAC  
3. 05/17/76 Fairfax - Fairfax, CA B Too Loose to Truck - of interest for Phil completists. I've heard many bar bands much better than this. Sound is ok but vocals are low. Amusing but looks better on paper than comes across on tape.   2 SHN notes
4. 06/01/76 Mickey Hart’s Barn - Novato, CA       1 FLAC  
5. 10/01/76 Keystone Berkeley - Berkeley, CA   soundboard of unspecified lineage via Joe D'amico   1 FLAC  
6. 12/19/76 Keystone Berkeley - Berkeley, CA B Too Loose to Truck - not much better this night. Again, for completists only. If you didn't know who was in the band you'd be thinking this was pretty amateurish.   1 SHN notes
7. 05/11/94 Zellerbach Hall - Berkeley, CA A Lesh conducts Berkeley Symphony Orchestra in Stravinky's Infernal Dance from Firebird Suite   1 SHN notes
8. 09/24/94 Berkeley Community Theater - Berkeley, CA   Recording information: Scheops CMC4>DAT>ZA2>WAV>SHN DAT>SHN transfer by Pat Volkerding uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner   2 SHN  
9. 09/24/94 Berkeley Community Theater - Berkeley, CA A sbd - unique acoustic performance by Weir, Lesh, Garcia and Welnick   1 SHN notes
10. 09/24/94 Berkeley Community Theater - Berkeley, CA   Fob row 30 nak 300's > sony D3, conversion details unknown   1 SHN  
11. 09/24/94 Berkeley Community Theater - Berkeley, CA   Matrix: sbd > dat(s) > cdr + scheops cmc4 > dat > za2 > wav > shn   1 FLAC  
12. 09/24/94 Berkeley Community Theater - Berkeley, CA   Schoeps mk4 > Reutelhuber > Sony TCD-D10 pro II (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel   1 FLAC  
13. 06/16/96 Davies Symphony Hall - San Francisco, CA A San Francisco Symphony Michael Tilson Thomas conducts An American Festival Bob Weir, Phil Lesh, Mickey Hart, Vince Welnick, (Bob Bralove,) and Michael Tilson Thomas (on MIDI piano): "Space" for Henry Cowell   1 SHN notes
14. 09/21/97 Ashkenaz - Berkeley, Ca   This is a benefit shows where Phil performs on 2 songs - first time he ever played in a Dead cover band.   2 SHN  
15. 01/31/98 Fillmore Auditorium - San Francisco, CA   Broken Angle's (w/ Phil)   3 SHN  
16. 02/27/98 Fillmore Auditorium - San Francisco, CA B+ naks - good sound except some of bob's vocals sound distant. Best part of this show is Dave Ellis on sax etc. especially Bird Song. If you like Dead tunes with some "real" horns this would appeal to you. Some miffs because this lineup hasn't played much together (Phil doesn't know how to pronounce "Chimenti" during the band intros).   3 SHN notes
17. 03/26/98 Fillmore Auditorium - San Francisco, CA A- good sound, no flaws. show reflects short time this lineup probably practiced (see ripple encore for clear example). guitar basically don't lead, highlight is the sax and other wind instrument work by Strickland. Show starts out funcy with a pretty good Alligator w/ crunchy bass, Phil tries to play some nice lead bass on Dark Star and there are moments where things sound nice, but this ranks in the bottom quartile of Phil shows   3 SHN notes
18. 04/20/98 Warfield Theater - San Francisco, CA A (FOB) Neumann. VERY cool show - Branford, Weir, Molo, Hornsby, Franks. Branford is all over this one. Sound is very good with full bass. Very nice snapshot of a different Phil&Friends sound   3 SHN notes
19. 08/07/98 Fillmore Auditorium - San Francisco, CA A- Neumann's - very good sound and a MUST have show. Features the Kimock, Weir, Prairie Prince, Rob Chiametti, Dave Ellis lineup which I quite enjoy - jazzy interpretation of the songs and Ellis on sax meshes quite well with Kimock on guitar. This is a core holding for Phil shows. No notable flaws except can't fit on 80 minute disks without overburns, so go for the 3 disk layout.   2 SHN notes
20. 08/08/98 Fillmore Auditorium - San Francisco, CA A/B Another must have show from this very brief lineup - Weir, Kimock, Prairie Prince, Rob Chiametti, dave Ellis. The interpretations are in a jazzy, open, Kimock fueled style which I like. This is a core holding, must have show. The sound is quite good on this unknown source aud. There might be a few places with very brief, fraction of a secon gaps but other than that its clean.   3 SHN notes
21. 08/08/98 Fillmore Auditorium - San Francisco, CA A partial sbd set 2, very nice mix on this one. pop/glitch at d1t3 8:09. see other source for show review   1 SHN notes
22. 08/08/98 Fillmore Auditorium - San Francisco, CA   No source info was given to me for this show, appears to be audience recording. Etree seed>?>CDR>EAC>FLAC frontend (v.1.7.1) level 8 encoding>FLAC16 via bt.etree.org circa 1/14/2005   3 FLAC  
23. 04/15/99 Warfield Theatre - San Francisco, CA   Soundboard!   4 SHN  
24. 04/15/99 Warfield Theatre - San Francisco, CA A GiPhiltiPhish   4 SHN notes
25. 04/15/99 Warfield Theatre - San Francisco, CA A- "Tom Thumb" version - combines soundboard with audience patches to make complete show. UJB vocals sound a bit "off". d2t2 distortion on starting Alabama vocals. brief skips at d2t2 3:03, d2t3 1:30, d3t2 10:14, d3t5 ~2:00 garbled d3t5 9:10 skip. Transition into Shakedown sounds to slow down as though the sbd speed was off from the aud splice. I listened to this about 1 year after my first exposure to this night. It did not age as well as I thought. Singing is not very good (lack of practice) and sounds sloppier than what I remember, but still a landmark show and a whos-who of talent on stage.   4 SHN notes
26. 04/15/99 Warfield Theatre - San Francisco, CA A "e-jade mix"   4 SHN notes
27. 04/15/99 Warfield Theatre - San Francisco, CA A SBD 24 track Miller - best sbd version as of 8/15/2004. Totally off the hook VLB to open up the 3 day run. Very jammed Like A Rolling Stone. Should be a core holing.   3 SHN notes
28. 04/15/99 Warfield Theatre - San Francisco, CA   DTS-Audio-CD 5.1 Mix via Dan Source Info: SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT@44.1 > My DAT > M-Audio 24/96 > Wave   3 SHN  
29. 04/15/99 Warfield Theatre - San Francisco, CA   SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan Source info: SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave   3 SHN  
30. 04/15/99 Warfield Theatre - San Francisco, CA   DVD-Audio SBD+AUD Matrix Mix Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT@44.1 > My DAT > M-Audio 24/96 > Wave   3 FLAC  
31. 04/15/99 Warfield Theatre - San Francisco, CA   Source: FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz DAT > PC (S/PDIF) > CD-R by Adam Shiffman   3 FLAC  
32. 04/16/99 Warfield Theater - San Francisco, CA A SBD - Digital hiccup @start of MOTM and skip@2:44 in Fire. This is an incredible concert. Best version ever of Help>Slip>Franklins. My favorite P&F concert ever. Trey and Kimock play with a nice fluid, clear style. If you don't have this you are missing one great show.   3 SHN notes
33. 04/16/99 Warfield Theater - San Francisco, CA   Soundboard - different md5's than other soundboard   3 SHN  
34. 04/16/99 Warfield Theater - San Francisco, CA A "Tom Thumb" version - combines soundboard with audience patches to make complete show. Flaws i heard d1t4 2:21 gap/repeat, d1t5 6:15 garbled, d2t2 2:10 skip, d2t4 3:39 glitch. This is a killer show chock full of good tunes played expertly by Kimock.   3 SHN notes
35. 04/16/99 Warfield Theater - San Francisco, CA   "E-jade" version - combines soundboard with audience patches to make complete show   3 SHN  
36. 04/16/99 Warfield Theater - San Francisco, CA A- schoeps aud shiffman - no flaws, good sound, guitars are more prominenet than on the sbd's of this date and Kimock comes across as more important. I've heard some better auds from the Warfield but the hall resonance vs. the sbd is nice as well as the audience reaction. Always fun to listen to this show. Kimock on Slipknot and Scarlet > Fire good.   3 SHN notes
37. 04/16/99 Warfield Theater - San Francisco, CA A+ Miller 24 track sbd - best sbd available as of 8/9/2004. This is one of the sickest shows I have ever heard and it's holding up well over time. Must be in everyone's collection. [8/9/2004]   3 SHN notes
38. 04/16/99 Warfield Theater - San Francisco, CA   SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave   3 SHN  
39. 04/16/99 Warfield Theater - San Francisco, CA   DTS-Audio-CD 5.1 Mix via Dan Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave   3 SHN  
40. 04/16/99 Warfield Theater - San Francisco, CA   SBD > DAT > CD > EAC > SHN   3 FLAC  
41. 04/16/99 Warfield Theater - San Francisco, CA   Source Info: Schoeps CMC6/MK21 (subcardiod) -> Apogee AD1000 @ 44.1khz Transfer: DAT -> PC (S/PDIF) -> CD-R (Adam Shiffman)   3 FLAC  
42. 04/17/99 Warfield Theatre - San Francisco, CA   Soundboard - md5 not in etree   3 SHN  
43. 04/17/99 Warfield Theatre - San Francisco, CA   Sounboard different md5's than other version   3 SHN  
44. 04/17/99 Warfield Theatre - San Francisco, CA A "e-jade" mix soundboard completed with Schoeps aud - all time great run of shows   3 SHN notes
45. 04/17/99 Warfield Theatre - San Francisco, CA A- "Tomthumb" version of the soundboard patched with schoeps aud. d2t2 ~0:34 brief drop out, d3t3 20:32 warbly, some other brief skips on d3. Phil's vocals on FOTD are ragged. Good show, but night 2 of the run was the strongest. Dark Star had good Kimock noodling. Did not hold up as well a year after I first heard this night compared to some other PL&F dates. Still, an important run of shows that should be heard at least once, if not be a part of your core collection.   3 SHN notes
46. 04/17/99 Warfield Theatre - San Francisco, CA A 24 Track sbd - best sbd version as of 8/15/2004. Dark Star > My Favorite things interesting juxtaposition, did one ever expect Down With Disease > Dark Star would be played? Core holding for any collection. [8/15/2004]   3 SHN notes
47. 04/17/99 Warfield Theatre - San Francisco, CA   DTS-Audio-CD 5.1 Mix via Dan (sans filler) Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Neumann U89 (cardiod setting) > Apogee AD-1000 @ 44.1 > P1 > My DAT > M-Audio 24/96 > Wave   3 SHN  
48. 04/17/99 Warfield Theatre - San Francisco, CA   SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan (sans Phish filler) Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Neumann U89 (cardiod setting) > Apogee AD-1000 @ 44.1 > P1 > My DAT > M-Audio 24/96 > Wave   3 SHN  
49. 04/17/99 Warfield Theatre - San Francisco, CA   SBD > DAT > CD   2 FLAC  
50. 04/17/99 Warfield Theatre - San Francisco, CA   source:Schoeps CMC64->Apogee AD-1000->DA-P1->HHB Professional CD Recorder->Harddrive->wav->shn   3 FLAC  
51. 04/27/99 Luther Burbank Center - Santa Rosa, CA B this has an additional eac gen. md5 don't match, some pops throughout, big one d1t3 6:04, gaps at d1t6>t7, d2t1>t2. recording sounds stealthy with some crowd, mic bumps etc. Phil's bass solo amusing - but overall this is a completists show only, a group of guys get together for a benefit. think bar band.   2 SHN notes
52. 05/29/99 Mountain Aire Music Festival, Calavaras County Fai - Angels Camp, CA B Even though it is a "Soundboard" the first few songs have volume/balance shifts and mix has instruments in left or right channels so listening with headphones is disorienting. As far as the show goes: IMO this show is a step down from all quintet shows(Fall 00 - present) and the 4/99 Phil/Phish shows are several notches better. Kimock has some interesting moments in Alligator. Merl's songs don't appeal to my taste. This show marks Warren Hayne's first appearance with the Friends.   3 CDR notes
53. 05/29/99 Mountain Aire Music Festival, Calavaras County Fai - Angels Camp, CA B soundboard - i listened to this shn set and my opinion hasn't changed. this is in the bottom quartile of phil shows, nad the highpoints are all Kimock. probably lack of practice as a group. sbd mix is poor.   3 SHN notes
54. 05/29/99 Mountain Aire Music Festival, Calavaras County Fai - Angels Camp, CA A- akg - no flaws, though outdoor sound lacks some bass, still a nice listen. Kimock is the highlight of this show; Merle's tunes disrupt the flow IMO. [6/7/04]   3 SHN notes
55. 05/29/99 Mountain Aire Music Festival, Calavaras County Fai - Angels Camp, CA   DTS-Audio-CD 5.1 Mix via Dan at amdig (with Phish filler removed). Source Info: SBD Source: SBD > DAT > HHb 800 > EAC AUD - Taper: Art Granoff & Jim Stiefel Source: FOB AKGC61's XY > DA-P1 Location: Sweetspot center   3 SHN  
56. 05/29/99 Mountain Aire Music Festival, Calavaras County Fai - Angels Camp, CA   SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan (sans Phish Filler)   3 SHN  
57. 05/29/99 Mountain Aire Music Festival, Calavaras County Fai - Angels Camp, CA   flac16; SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k) Transfered and Edited By Charlie Miller   3 FLAC  
58. 06/04/99 Warfield Theater - San Francisco, CA B+ FOB DAT master>DAT>CD>EAC>SHN Interesting show - set 1 has Mr. Ellis on sax and the female vocals with Kimock all add up to a nice sound. Worth getting for the set with ellis   3 SHN notes
59. 06/04/99 Warfield Theater - San Francisco, CA B+ sbd - though the sound is typical of a straight PA mix and not significantly better than the aud I have for this date. I still think the set with Ellis is the most interesting. You can also tell that there are several mistakes from insufficient rehersal or familiarity with each-other. I still like the show because Jorma and Kimock produce a unique, velvety sound of the different Phil & Friends incarnations.   3 SHN notes
60. 06/04/99 Warfield Theater - San Francisco, CA   flac16; SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k) Transfered and Edited By Charlie Miller   3 FLAC  
61. 06/05/99 Warfield Theater - San Francisco, CA A- neumann source - some very good Jorma contributions on this night. The trifecta Big Boss Man, Friend of the Devil, Mr. Charlie and Good Shepherd in set 2 in particular stand out. Kimock and the Ellis/Cornwell duo provide a very warm, "JGB'ish" tone to the show. Good quality recording with no notable flaws (maybe a brief skip ~ d1t57:57)   3 SHN notes
62. 06/28/99 Club Front - San Rafael, CA A- this is "for real compulsive collectors only". Its a rehersal so Phil explains what he wants the songs to sound like and they plough through them with a good number of stops along the way. Skip this unless you want every recorded Phil moment.   2 SHN notes
63. 06/28/99 Club Front - San Rafael, CA A Miller "Room Mic" seed - there are some asuming moments here, but itis a rehersal. On listening to this version, I would say my comments on the previous seed regarding the overall show were a bit too harsh. [8/19/2004]   2 FLAC notes
64. 07/02/99 Warfield Theater - San Francisco, CA A- sbd - there are lots of pops and probably wasn't cut on sector boundaries with big pops at some track transitions. Overall typical dry soundboard sound. Some cool music with the lineup Kimock/Kreutzman/Nelson/Sless/Siegel. Interesting setlist, some K-waves, nice, textured flow. One of the interesting 99 shows. NOTE THE MIXED UP TRACK ORDER ON D3 - CONFIRM YOUR SHNS MATCH d3fixed.   3 SHN notes
65. 07/02/99 Warfield Theater - San Francisco, CA   sbd - shntool fixed etc   3 SHN  
66. 07/02/99 Warfield Theater - San Francisco, CA A- excellent sounding aud, a minor spot of diginoise on d3t2 ~6:42. This is a great show and worth seeking out. The sbd that circ's is too sterile so I would suggest you get this aud recording. Again, very exceptional lineup and performance - just get it. [6/3/2004]   3 FLAC notes
67. 07/02/99 Warfield Theater - San Francisco, CA   flac16; SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k) Transfered and Edited By Charlie Miller   3 FLAC  
68. 07/03/99 Warfield Theater - San Francisco, CA   md5's don't match etree   3 SHN  
69. 07/03/99 Warfield Theater - San Francisco, CA A- Although lineage says sbd, mix is very aud like - think aud tape with no audience noise. Show starts with the "Bass solo joke" - you'll have to hear it so I won't spoil it fo you. If you're acclimated to the Haynes/Herring sound this show is more laid back with the DNB members and Kimock's guitar tone. UJB sounds like "Cripes" era dead in its twangyness and style of playing. "Wish You Were Here" and MOTM are good vehicles for Kimock. Overall, a nice show but no exceptionally songs that would catapult this to my top ten favorite list.   3 SHN notes
70. 07/03/99 Warfield Theater - San Francisco, CA   sbd   3 SHN  
71. 08/12/99 The Fillmore Auditorum - Denver, CO A- fob schoeps - Kimock/Haynes/Hollingsworth good show. Kimock sounds good on Cryptical. brief skip d1t2 1:07 otherwise clean source. Show dedicated to Dick Latvala.   2 SHN notes
72. 08/13/99 Red Rocks Ampitheatre - Morrison, CO   EAC of this source via Brian Walker - there seems to be some odd sounding crackle at end of disk 2 but it could be on the PA. Despite his using an offset calibrated drive, his md5's don't match some wind noise and some static on FT > FOTM ?   2 SHN  
73. 08/13/99 Red Rocks Ampitheatre - Morrison, CO   this aud sounds similar in quality to the akg but has fewer blemishes on it (esp distortion at end of set on the re-EAC akg)   2 SHN  
74. 08/13/99 Red Rocks Ampitheatre - Morrison, CO A/B akg via Charles Wier. Gotta love the silky Kimock treatment on VLB. Could be a flaw at d2t5 2:35 (skip/gap) and 4:55. d2t6 seems to have some crackle from 4:30 on that may have come from the PA. Set flow kind of choppy because I guess they were messing with lyric sheets etc. but this lineup is atypical of Phil's Southern rock sound so you should seek it out for a change of pace. [5/5/2004]   2 SHN notes
75. 08/13/99 Red Rocks Ampitheatre - Morrison, CO   See notes - this is is a re-EAC of what is believed to be this source: AUD from the Taper's Section AKG 451s->Lunatec->DA-P1->Digi Patched D-8 DA-P1->Computer->SHN   2 FLAC  
76. 08/14/99 Red Rocks Amphitheatre - Morrison, CO A FOB B&K 4021s (XY, stealth, sweetest spot imaginable & not in a hat^) md5's don't match. The bluegrass tunes like Cumberland and Ripple are carried off well with this lineup (SCI) & Kimock shines throughout. The NPC > Tangled Hangers is very good. I can strongly recommend that you seek out this show.   2 SHN notes
77. 08/14/99 Red Rocks Amphitheatre - Morrison, CO   bk4021 vandercar bt'd by Wier   2 SHN  
78. 08/17/99 Cuthbert Ampitheater - Eugene, OR B+ Mics unknown and lineage is suspect. There are many glitches that are consistent with many CDR generations with poor copy quality (standalone) and some glitches at track boundaries. See tech notes. Show itself is good, but not a must hear. Kimock/Kang/Snier/Hollingsworth/Molo lineup.   2 SHN notes
79. 08/18/99 Cuthbert Ampitheater - Eugene, OR A- this is an aud source, and a "core holding" from 1999. The show has great Kimock all over the place - just listen to the first song. This show has the BEST version of TNK by Phil&Friends to my ears. Really captures the feel of the song - kudos to Hollingsworth for the keyboard work. Kimock/Molo/Haynes/Hollingsworth/Kang. Nice sound, lots of bass. Usual pops etc.   2 SHN notes
80. 08/18/99 Cuthbert Ampitheater - Eugene, OR   Source: Af: Schoeps MK4's>DAT>CD-r > EAC > Flac via Chris Larson   3 FLAC  
81. 08/18/99 Cuthbert Ampitheater - Eugene, OR   sennheiser K/30- hh6 master digital aud > dat > dat SonyD8>oade active>Goldmund digital cable> VxPocket>AppleTiG4>Peak2.53>shn   2 SHN  
82. 08/18/99 Cuthbert Ampitheater - Eugene, OR   sennheiser K/30- hh6 master digital aud > dat > dat SonyD8>oade active>Goldmund digital cable> VxPocket>AppleTiG4>Peak2.53>shn   2 FLAC  
83. 08/18/99 Cuthbert Ampitheater - Eugene, OR   Source: FOB Neumann u89's(Card)>AD1000>Dat/clone Transfer: Sony PCM-r500> Audiophile 2496> CD Wave Editor> FLAC on 6/25/04 by EEE   2 FLAC  
84. 08/20/99 Greek Theatre - Berkeley, CA A Friends = Molo, Kyle Hollingsworth , Warren Haynes, Michael Kang, House Man - Vocals (encore). One word - KIMOCK!   2 SHN/EAC notes
85. 08/21/99 Greek Theatre - Berkeley, CA A no flaws but different tracking and md5's don't match. I added these to db.etree.org because they were circ'd on philzone and ones that matched db.etree.org I have not been able to loctae. Steve Kimock, John Molo, Michael Kang, Al Snier. One word - KIMOCK!   2 SHN/EAC notes
86. 08/22/99 County Bowl - Santa Barbara, CA       2 SHN  
87. 08/22/99 County Bowl - Santa Barbara, CA   Believed to be: Schoeps mk41-cmcg->Sonosax SX2->DAP1->D8 R300->ZA-2->CDR->EAC->WAV->SHN via unknown seeder   2 FLAC  
88. 10/07/99 The Warfield - San Francisco, CA A- Good sound, no big flaws (d2t2 ~3:17 mics shift?). Strickland on horns adds a lot and Kimock / Mattson provide some good lead guitar. If you like Dead tunes w/ sax get this show. Novelty - Jump (Van Halen) sandwich in set 1.   3 SHN notes
89. 10/08/99 The Warfield - San Francisco, CA B+ This is a very interesting show which I would place on my "must have" list. Unfortunately, this seed has glitches at the track boundaries which might be from tracks not sector aligned or other errors introduced prior to EAC. The tone of the show is jazz oriented with lots of sax and clarinet up front. Kimock excels. The show starts w/o the intro jam. I noted that UJB had a very good jam with guitar and sax. There is not a lapse in the exceptional playing anywhere in this show.   3 SHN notes
90. 10/08/99 The Warfield - San Francisco, CA   Source: (FOB, DFC at the drink rail) Schoeps MK4's > KC5 > CMC 6's > Sonosax > AD1000 (44.1) > M1 Transfer : M1 > Audiowerk2 digi I/O > WAV2CDR > CDR > EAC > mkwACT Taped and transferred by Jay Reitz & Andrew Gustin EAC'd/SHN'd by Doug Nawrocki   3 FLAC  
91. 10/09/99 Warfield Theatre - San Francisco, CA A/B schoeps source - a few glitches (see tech notes) and some audience chit chat at start of each set and some obnoxious hekler on d3t2. Lots of tasty Kimock on this show, but the song choice is not as consistently good as the prior night (kind of runs hot/cold). Someday My Prince Will Come sounds like a high class jazz club performance. Star > Terrapin > Star > Franklin's is good.   4 SHN notes
92. 10/21/99 The Fillmore Auditorum - Denver, CO A/B These shns have the same info file as etree for this date but the md5's don't match (either with or without seek tables). I could notlocate anyone with md5s that did match the original etree md5s soI submitted the md5s here. No flaws that I detected worth noting & overall sound quality good but not super stellar. I was anticipating a killer show based on some reviews of others but I rate this as a solid but not a must have core show. It starts with an energetic St. Stephen and the setlist looks very strong, but I wasn't pulled into the flow as other dates in 1999. Show features Kimock/Payne/Barrere/Molo.   3 SHN notes
93. 10/22/99 The Fillmore Auditorum - Denver, CO B+ same info file same as priot B&K but md5s don't match so this may be some other source - Caveat emptor. I submitted these md5s because I could never locate anyone with the originals. Overall sound quality was a notch below what I have found for many indoor shows so I grade it a B+. There are also some minor flaws (skips, drop out) noted in the tech notes. The show itself was slightly disappointing to me. With Kimock on lead I was hoping for a killer show, but the performance was solid at best. Didn't seem to me that they developed any jams that sucked me in until alligator which was good. Lineup was Kimock/Payne/Molo/ Barrere   3 SHN notes
94. 10/23/99 The Fillmore Auditorum - Denver, CO A/b Sound good - nice show with some smooth kimock playing. Kind of bad timing when they say how much fun it is playing together and Kimock leaves after the next show. I listened to this show after the april '02 tour and the Kimock/Feat sound is a different sound vs Haynes/Herring southern rock. Slower developing jams but they still get out there   3 SHN notes
95. 10/23/99 The Fillmore Auditorum - Denver, CO A- B&K 4011 - nice aud, no flaws, Kimock adds some tasty playing. [2005-08-11]   3 FLAC notes
96. 10/27/99 University Of Illinois - Champaign, IL A- Kimock's last show with Phil - disk between Crytical/Wheel. Kimock's playing is very good. Phil starts the show off with a bomb. Lots of energy - too bad Kimock couldn't stay with the band for a while because he's the closest at capturing that etherial style of playing that Jerry mastered. Some loud crowd talking during Cucamonga and a pop at d1t8 ~8:00   2 SHN notes
97. 10/29/99 Miami University - Oxford, OH B+ Sound rating based on distance from stage and amount of nearby audience chatter. Ok show.   2 SHN notes
98. 10/30/99 Milwaukee Arena - Milwaukee, WI A- aud - no source infornation. Good sound. Pretty good show (better than some of the summer 2000 shows) with the Payne/Barrere lineup. This was right after Kimock left so they didn't have much time to practice, but they seem to make up for it with some spontaneity. There are some nice jam style changes in the Playin sandwich.   2 SHN notes
99. 10/31/99 UIC Pavilion - Chicago, IL B unknown source audience tape. The Viola Lee sandwich is the best part of the show. This show has mostly individual solos with minimal ensemble jamming. Encore has minor, though frequent static after 0:33.   2 SHN notes
100. 11/02/99 Breslin Center (Michigan State University) - East Lansing, MI A/B This is an interesting show because they play Footprints (a Wayne Shorter tune) after Terrapin to begin the show. This allowed Barraco to do some atypical extended jazzy piano work. The segue from Low Spark into Cumberland also was a highlight to me. Some static at the start of both disks slightly mar what would have been a very good recording.   0 SHN notes
101. 11/02/99 Breslin Center (Michigan State University) - East Lansing, MI A- dfob schoeps - nice sound, some minor clipping and a little distortion on the phil bombs - this is 1st show post kimock and it is very good! Cumberland stands out for Derek Trucks' contribution. Jazzy tone to many of the jams, and it features the Wayne SHorter tune "Footprints"   2 SHN notes
102. 11/03/99 Schottenstein Center, OSU - Columbus, OH B unknown stealth audience source. Occasionally lots of loud, nearby crowd noise and conversation, panning. Some glitches at d1t1 ~1:31, d2t2 ~8:10. so-so show. Unless you went to the show and are looking for a copy, skip this one.   2 SHN notes
103. 11/05/99 Pittsburgh Civic Arena - Pittsburgh, PA   FOB, Sony ECM-DS70P > Sony MD > CD > SHN Some mike distortion during Franklin's Uploaded by Brad H.   2 SHN  
104. 11/05/99 Pittsburgh Civic Arena - Pittsburgh, PA B+ dfob neumann stealth - some mic bumping and panning/volume changes from being stealthy. ok, if somewhat average show otherwise. next night seems to have more interesting playing.   2 SHN notes
105. 11/06/99 Bryce Jordan Center - State College, PA B+ Sound is a little distant but otherwise good (starts low for first minute but then has standard sound), crowd noise not distracting. Show has better playing than previous night, esp. Lady w/ a Fan and Brokedown Palace have tasteful guitar. The song mix this night features songs not played very often. Derek Trucks has a clean sound and does a good job of rhythm support.   2 SHN notes
106. 11/06/99 Bryce Jordan Center - State College, PA A- Coresound Cardioid - nice soundfield ambiance on headphones. some audience noise as expected for fob. I liked the the song selection and playing. Good transitions between songs and a real mixture of song pacings make this a good listen that stands up over time. Derek Trucks has a clean sound that works well with this repetoire. [6/3/2004]   2 SHN notes
107. 11/06/99 Bryce Jordan Center - State College, PA   source: aud > Sony ECM-MS 957 > Sony WMD-6 > mac taped by John Bleich - Section 106, Row B, Seat 116 transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav > flac via SirMick   2 FLAC  
108. 11/08/99 Baltimore Arena - Baltimore, MD B+ ok aud tape of unknown source, probably stealth. Phil's voice a little shouty, Wheel had some nice jams. ok show, but not a must have   2 SHN notes
109. 11/09/99 Temple University - Philadelphia, PA   md5's don't match   2 SHN  
110. 11/09/99 Temple University - Philadelphia, PA A- FOB Schoeps - only sonic blemish is bass overload at the end of Lovelight. Good show with setlist that has interesting pace changes, strong Lovelight. Haynes/Trucks.   2 SHN notes
111. 11/09/99 Temple University - Philadelphia, PA   SRC: AUD>UnknownDAT>MontegoII Digi I/O>SoundForge>CD Wave>.WAV>.SHN   2 FLAC  
112. 11/10/99 New Haven Coliseum - New Haven, CT A/B unknown aud - some panning at the start, but good sound otherwise. glitch @d2t4 00:16 only flaw i noted. Haynes/Trucks combo. solid show with some interesting guitar but not a must hear. Long jammed version of UJB.   2 SHN notes
113. 11/10/99 New Haven Coliseum - New Haven, CT   DAT AUD>CDR>unknown extraction TAO>CDR>EAC>SHN - Stretch N. SHN>WAV>TAO gap removal>WAV>SHN - Alex Kallmann Microphone info not available [2007-11-29]Matches all tracks except last one (Donor rap/intros) which does not decompress (premature end). No music is missing.   2 FLAC  
114. 11/11/99 Augusta Civic Center - Augusta, ME A Verg good sound - fob akg - nice set.   2 SHN notes
115. 11/13/99 Continental Airlines Arena - East Rutherford, NJ A/B the md5s don't match the "FOB [floor] Oade Stealth mics-->Oade-modified D8--> DAT-->ZA2/resample*-->shn", even though the info file was the same. My copy had TAO gaps on disk 1 which I fixed. The total disk 1 time matches that of the "Oade stealth source" and the individual track times for d2 match. So it looks like my source is a re-eac of the FOB-Stealth Oade source, with TAO errors on disk 1. I went ahead and submitted this shn set since the original, if you want to call it that, I could not locate. There were no other flaws. This show has a surprising amount of energy and the Derek Trucks/Haynes duo perform well given the lack of much practice as a group.   2 SHN notes
116. 11/13/99 Continental Airlines Arena - East Rutherford, NJ   Source:AKG 393's->Aerco preamp->Dap1 Transfered:Tascam DA-20 mkII->HHB CDR850 (Dat->cd) CD->EAC->Flacfrontend Mastered and transfered by Frank D'Auria   2 FLAC  
117. 11/14/99 Worcester Centrum Centre - Worcester, MA A- (FOB) AKG 219's>Aerco Pre-Amp>Sony D-8>DAT>CDR >EAC > SHN. Good aud tape. Solid show but nothing special.   2 SHN notes
118. 11/14/99 Worcester Centrum Centre - Worcester, MA   (FOB) Schoeps mk21 > kc5 > cmc6 > EAA PSP-2 > Sony D8 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Felix Dequisimo; Transferred by Jason Sobel   2 FLAC  
119. 11/15/99 Barton Hall - Ithaca, NY B+ Sound good, some reverb so must have been taped somewhat back. Level adjustments during first song, major problem is some vocals are distorted from too hot levels. Show itself solid but not exceptional. Amusing to hear Jorma sing Mr. Charlie   2 SHN notes
120. 11/17/99 Wittemore Center - Durham, NH B+ Best part of the show is when Jorma sings "Good Shepherd"   2 SHN notes
121. 11/18/99 Mullins Center, University of Massachusetts - Amherst, MA B+ Schoeps MK4s Transfer and SHN by Alan Schwartz. Sound quality - many volume adjustments and occasional panning makes me think this was a schoeps in hat. Some nice playing, esp on St Stephen > 11 and Watchtower through the end. The main deficiency of this source is the volume adjustments and panning which are more numerous than other shows I've heard so that's why I give it a B rating.   2 SHN notes
122. 11/30/99 Fillmore Auditorium - San Francisco, CA B sbd SEVA - overall good mix but there are lots of small pops throughout that aren't very loud but noticeable. the playing is solid but nothing appealed to me enough to want to listen to this more than once. i'd say skip it unless you're a completist   2 SHN notes
123. 02/26/00 Phoenix Theatre - Petaluma, CA B unknown audience source Phil w/ Vinyl. This is a novelty recording where Phil shows up and plays some Dead tunes with Vinyl. Sound quality bassy and a bit "muffled" (maybe the mics were stealthed?). The horns and organ is up front, with guitars in the background. You won't miss much if your don't hear this one. It would have been more interesting if Phil had played some of Vinyl's tunes instead of average covers of Dead songs.   1 SHN notes
124. 02/26/00 Phoenix Theatre - Petaluma, CA   sbd   1 SHN  
125. 03/10/00 Henry J. Kaiser Auditorium - Oakland, CA   DPA 4061 > Crackhead Audio Power Supply > D8 (line in) > Opcode SONICPort > CDRWav > SoundForge 4.5 (resample and remaster) > CDRWin   3 SHN  
126. 03/10/00 Henry J. Kaiser Auditorium - Oakland, CA   soundboard - shntoll fixed   3 SHN  
127. 03/10/00 Henry J. Kaiser Auditorium - Oakland, CA A bertha sbd re-master - nice mix on this board, no flaws except there might be a few places where there are "clicks" from one of the drums. Ford/Barrere/Payne lineup. I would say this is a core Phil show because the sound is good and for this lineup this is solid playing. Being Phil's B-day show, people are also having some fun. Phil & Mike Gordon's bass duet is of novelty value only IMO. Some rare songs this date, In Your Eyes, He Don't Play Nothin' But the Blues also make this a special show.   2 SHN notes
128. 03/10/00 Henry J. Kaiser Auditorium - Oakland, CA   (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony D100 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel   3 FLAC  
129. 04/06/00 Oakdale Theater - Wallingford, CT A- info file same as the "Recorded by JohnM - Scheops transfered to cd and shn by PeterG" source but alternate md5's. There are no flaws, some volume adjustments at the start of sets and a little talking but overall very good sound. set 1 has some good wah-wah on Cosmic Charlie and a nice mix of song styles. set 2 is good as well and the encore wasn't a throwaway with a nice jam at the end. This lineup is very good and the guitar work never sounds repetitive or canned. Highly recommended.   3 SHN notes
130. 04/08/00 Orpheum Theatre - Boston, MA D MBHO source - the d1t2 track is hosed. although it decompresses after a few minutes there is major digital issues - unlistenable. I tried to contact the seeder to resolve this but received no reply.   3 SHN  
131. 04/08/00 Orpheum Theatre - Boston, MA A- McRoberts Schoeps - good sound quality. Solid phil show. Has Mike Gordon on bass for the Wolfman's Brother encore. "Someday My Prince will Come" is a surprise.   3 SHN notes
132. 04/09/00 Orpheum Theatre - Boston, MA A- Soure information not known but sounds like Neuman's and is a good recording with out significant audience interference. The show doesn't have any raging rock out jams. Instead, it has a few unusual segues. The Caution jam starts out nice but looses a bit of momentum as it matures. The organ/piano work is good in several places (check d1t2). Overall, a pleasant listen but not in the top quartile.   3 SHN notes
133. 04/09/00 Orpheum Theatre - Boston, MA B+ schoeps cmc6 via skankweed - ok sound, maybe a spot of diginoise on the first track, otherwise clean. Also, not clear if the set 2 is continuous across the disk 1->2 flip. This show has a caution jam which I always like to hear, so if you are partial to this somewhat rare tune you might want to check it our. [6/2/2004]   2 SHN notes
134. 04/10/00 Orpheum Theatre - Boston, MA A- Neumann source - very good sound, minor static glitches at d2t5 ~2:31, d3t4 ~5:15. Pevar/Herring/Barraco lineup well suited to the songs this night. Low Spark, Terrapin, Milestones, Dew. Very good show.   3 SHN notes
135. 04/10/00 Orpheum Theatre - Boston, MA A- Neumann ak40 > lc3 > km100 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1 (@ 44.1) transferred and seeded by Paul Hofferkamp. Solid recording. Set 2 features a many song segue of more melodic/less rock n' roll tunes. Suitable for listening when you are in a less energetic mood.   3 FLAC notes
136. 04/11/00 Orpheum Theater - Boston, MA A- The sound on this recording is clear with good freq response. The only drawback is audience chatter from nearby people that weren't listening to the show. This chatter is mildly distracting. The show was solid if somewhat uninspired. Phil's singing on China Doll is a bit weak. I liked Foolish Heart and the intro jams to each set were good. Not a core holding but if you went to this show this is a good tape. w/ Pevar and Herring on guitars.   3 SHN notes
137. 04/11/00 Orpheum Theater - Boston, MA A- Neumann ak40 > lc3 > km100 > Sonosax SX-M2 > Apogee AD500e > Tascam DA-P1 (@ 44.1) transferred and seeded by Paul Hofferkamp. Nice sounding recording no flaws. No special mentions, just a solid performance.   3 FLAC notes
138. 04/13/00 The Tower Theatre - Upper Darby, PA A- unknown source - but sound is good to very good with no intrusive audience noise - jazzy style. some sbe at d1t1>t2, d1t5>t6, d3t1>t2. looks like all of set 1 was put onto disk 1 from a previous master that had Get Back on disk 2 so there is a brief fade out from d1t5>t6 where the re-combination couldn't undo the disk fade. overall another strong show from this tour.   3 SHN notes
139. 04/13/00 The Tower Theatre - Upper Darby, PA A/B schoeps pujol seed - very good sound, no audience intrusions. couple of oddities at track boundaries (d2t1>t2, d2t3>t4, d3t1>t2). Strong set 1 this night with NPC being a favorite.   3 SHN notes
140. 04/14/00 The Tower Theatre - Upper Darby, PA A/B unknown source w/ Greg Osby. This was a hard to find show which is surprising because Osby's participation makes this a special date. I later found a source with better documented lineage on DAT which I compared to this one. The speed on this source seems variable and had a noticeable "hiss" in the spectral signature which makes me think this source had a cassette gen or very weird DAT transfer step somewhere in its history. I therefore rated the sound quality down for these issues. This source is complete, but other than that I'd point you to the B&K source.   3 SHN notes
141. 04/14/00 The Tower Theatre - Upper Darby, PA A- btk 4011 w/ Greg Osby. Good sounding tape but the encore is cut. Osby also adds a nice jazzy feel when he plays with phil which adapts well to the dead jam format. This is a very good show and a highlight of the spring 00 tour and one that I would suggest seeking out.   3 SHN notes
142. 04/15/00 The Tower Theatre - Upper Darby, PA A- (fob/dfc) Schoeps mk4v - Pevar in place of Haynes and you have a night of fast pickin' bluegrass style vs the southern slide guitar sound of the Herring/Haynes lineup. 1/2 step in set one and the jam after Broken Arrow before Dark Star surprised me. Very nice sounding recording with only a few instances where the volume of channel balance changed.   3 SHN notes
143. 04/17/00 Beacon Theater - New York, NY A- Unknown aud source - but very nice sound for the Beacon and no distracting crowd. Also Ilook to have some filler from 4/21/00 (Playin coda > FOTM). Set 1 is very solid, nice song mix well played. Set 2 continues with good piano work on VLB and good renditions of all songs. If you like PAF you'll enjoy this show and this source. Only flaw was a tick on d3t1 > d3t2 transition.   3 SHN notes
144. 04/18/00 Beacon Theatre - New York, NY A- unknown source - cuts in during initial jam. d3t1>t2 has glitch at track boundary, vocals a bit distant probably because taper was close to the stage and not picking up the PA. Intruments are very clear. Pevar/Herring/Haynes. Very solid show. Jack-a-roe and Lo Spark struck me as the most interesting songs.   3 SHN notes
145. 04/18/00 Beacon Theatre - New York, NY   Source:AKG ck93>mk90/3>B300se->Aerco->DA-P1... (AKG 393 With slealth Cables set up in "the hat" 10th row Dead Center) Transfer:Transfer:Tascam DA-20 mkII->HHB cdr-850->EAC->Flac Frontend Taped by Frank D'Auria and Steve Hark.I had the mics in the hat,Steve ran the decks and levels. Transfered and Seeded By Frank D'Auria   3 FLAC  
146. 04/19/00 Beacon Theater - New York, NY A- unknown aud source, but there are no big flaws, the sound is good, and audience noise not too bad for the Beacon, so jump right in and give this puppy a listen. I have enjoyed this lineup immensely and this show continues the trend. The sets have good flow with a "pearly smooth" guitar sound. Check out the spacey jam in Bird Song for some interesting guitar. There are a few muffed lyrics (St. Stephen) and a very brief skip in d1t2 ~ 14:20 and maybe one in d1t1 ~9:20. I can recommend this show without reservation.   3 SHN notes
147. 04/21/00 Beacon Theater - New York, NY D unknown source and lineage - this source is HOSED IMO. There is persistent distortion as though the bass notes were overloading or vibrating something. Also, there are many instances were there are drop outs that sound like a loose cable. Some mild constant audience chit-chat. Other than that, sounds like a good show so I'll need to find a better source. I would not trade this source.   3 SHN notes
148. 04/21/00 Beacon Theater - New York, NY B+ sound quality overall very good for the Beacon, but there is some distortion and audience noise and a few glitches that make it hard to rate this an A-. Show performance is good, with a PITB theme present throughout, but not a must have core holding (4/20/03). This is a much better than the prior seed which had very bad distortion throughout.   3 SHN notes
149. 04/22/00 Beacon Theatre - New York, NY A with Branford Marsalis   3 SHN notes
150. 04/23/00 Beacon Theater - New York, NY A nicest recording i've heard from the Beacon. Great jams in Wheel and TOO. Jazzy style of jams   3 SHN notes
151. 05/27/00 Calaveras County Fairgrounds - Angels Camp, CA   a complete sbd exists for this date, making this obsolete   1 SHN  
152. 05/27/00 Calaveras County Fairgrounds - Angels Camp, CA   Full show audience tape - source unknown   4 SHN  
153. 05/27/00 Calaveras County Fairgrounds - Angels Camp, CA A- dsdb - more complete source? - clean except glitch ~7:46NSB, though sound has little reverb/harmonics so it sounds a bit dry and 2 dimensional. Childhood's End vocals are tough to experience (glad this song was dropped from the repertoire). The jamming on the Dark Star sequence is very good. Overall a good show but only about 1/2 of it has strong playing so i'd rate this middle of the road. (12/20/02)   4 SHN notes
154. 06/12/00 Fantasy Studios - Berkeley, CA A sbd-ish. No flaws, good mix of a well played partial set, not many vocals and no spots where it drags. This is one of the better played sets by the Ford/ Barrere/Payne lineup.   1 SHN notes
155. 06/16/00 Portland Meadows - Portland, OR B- this recording has intermittent minor static burst throughout, and lots of swirliness from what could be wind.   2 SHN notes
156. 06/16/00 Portland Meadows - Portland, OR   Senn 421 > Dat Transfer Info Unknown (Untracked When Received) Cd Copies Supplied By Steve Johannsen Taped By C. Camus Eac,Tracking, And Flac Encoding By Jason Flair (Candleman)   2 FLAC  
157. 06/17/00 The Gorge Ampitheatre - George, WA B+ Note: Disk 1 has different md5's. According to an additional file " This is a re-rip of disc 1 of 06.17.00 to attempt to repair a flaw in track 4. This should be better." Beginning part of opening jam clipped (doesn't sound like much is missing) and donor rap is not included. Sound is clear, though a bit thin, with no audience interference, no other flaws noted. Show has a reflective, meditative tone in song choice. Vocals are the weakest part with harmonies not synchronized and Phil sounds like he's forcing the notes with some volume changes. Worth one listen at most to me.   2 SHN notes
158. 06/17/00 The Gorge Ampitheatre - George, WA   Source: Neumann (model unknown) > DAT > SP/DIF > SoundForge > WAV > CD (Alternate md5's)   2 SHN  
159. 06/17/00 The Gorge Ampitheatre - George, WA   Source: B&K 4021 > SX-M2 > SBM-1 > D-8 Transfer: DAT > S/Pdif > Protools > SHN > FLAC   2 FLAC  
160. 06/18/00 The Gorge Ampitheatre - George, WA A/B Source: Neumann (model unknown). Overall sound is good for this summer tour and there are no flaws with this seed. The show itself was not engaging for me. Vocals on Wharf Rat were poor. Endless Highway as an encore is a one time only? Basically, if you didn't go to the show or your not a big fan of the summer Phil & Feat shows, this one won't change your mind. Kind of Phil-lite compared to the PLQ, 4/00 or any 99 shows.   2 SHN notes
161. 06/20/00 Jackson County Fairgrounds Arena - Medford, OR B+ unknown source. No flaws, sound good though a bit thin as typical of other mini-disk recordings of this tour. One of the better shows of teh Ford/Payne/Barrere lineup with an unusual jam in Milestones.   2 shn notes
162. 06/21/00 Sacramento Valley Amphitheatre - Marysville, CA B Unknown audience - no significant flaws though sound is a bit thin. Candidate for the most boring version of TOO ever played. They just keep repeating over-and-over-and-over again without anyone taking the lead. Sounds like an average Dead cover band. skip it unless you went or are collecting. Ford/Payne/Barrere   2 SHN notes
163. 06/23/00 Concord Pavilion - Concord, CA B+ FOB schoeps - ok performance for the Ford/Payne/Barrere lineup but that is faint praise. Source has a few minor flaws and some panning during encore   2 SHN notes
164. 06/24/00 Shoreline Amphitheatre - Mountain View, CA B+ good show for the Ford/Payne/Barrere lineup. No flaws. Jamming weak - mostly chord permutations of the basic song theme   2 SHN notes
165. 06/24/00 Shoreline Amphitheatre - Mountain View, CA   Source: B&K4011's (10 ft high, 60 ft from PA?, aimed at 90 degrees and separated by 12 inches) > Lunatec V-2 > Tascam DA-P1 > Sony D7 (taped by Charlie Miller) Transfer: Sony D7 > Pro Tascam (unknown model #) (Charlie Miller) SHN Extraction/DAE: Ben Yerys (byerys@nova.psy.du.edu)   3 FLAC  
166. 06/24/00 Shoreline Amphitheatre - Mountain View, CA   Source: Neumann U89i's(wide angle cards.-behind SBD,center)>ApogeeA/D1000(uv16)>TascamDA-P1((48khz) Lineage: DAT>SoundblasterX-fi>Soundforge9.0(fades,tracked,normalized,resampled48>44.1khz)>flac frontend Recorded and mastered by Steve Schneider   2 FLAC  
167. 06/25/00 Reno Hilton Ampatheatre - Reno, NV B+ akg - overal sound good but some glitches (see tech notes). more or less straight renditions, not much energy or places that make you take notice. unexciting and lackluster. some vocal miscues. Payne/Barrere/ford   2 SHN notes
168. 06/29/00 Irvine Meadows - Irvine, CA B unknown aud - kind of thin sounding with minor wind throughout. d1t1 has some initial volumne and deck adjustments, d2t1 maybe a few pops at ~5:10. The set comes acoss as fun but again no over the top versions here, of interest to those that went. The transition from St. Stephen to Fatman was fun.   2 SHN notes
169. 06/30/00 Ventura County Fairgrounds - Ventura, CA B- this is a minidisk seed which sounds thin - in addition there is occassional distortion throughout which might from levels being a tad too hot because there is a "gain switch" with a sudden volume drop at d2t2 4:38. big pop going from d2t2>d2t3. The vocal harmonies are a bit rough at times, Broken Arrow in particular. Typical average show for this lineup which you can skip unless you are a collector or went to the show. In that case, you might also want to search for a better source free of the avoidable technical glitches present on this one.   2 SHN notes
170. 07/01/00 Del Mar Fairgrounds - Del Mar, CA B+ Coresound cardiods - no source flaws but sound a bit far back and not much bass. jamming uninteresting with lots of chords and run through of the themes but that's about it. Little Feat tunes sound better than the Dead covers. Vocals on Terrapin tentative and out of sync in several places. skip this unless you went or are collecting. Ford/Barrere/Payne   2 SHN notes
171. 07/03/00 Mesa Del Sol - Albuquerque, NM B unknown aud - d2t2 1:43 minor diginoise right channel. Vocals weak, not in harmony, etc.., but the setlist and playing is better than other shows with the Ford/Payne/Barrere lineup because Warren Haynes sits in for most of the show.   2 SHN notes
172. 07/06/00 Zoo Amphitheatre - Oklahoma City, OK C+ akg source - this is a FLAWED seed. Lots of pops, gltches on d2t2 with a repeating section of music, and some music lost on d2t2>d2t3. Nice jam Little Feat sytle d2t3 ~ 7:00. Some poor voacls on d1t7. So a standard show for this lineup but with lots of flaws so look elsewhere for a seed of this show if you want it.   2 SHN notes
173. 07/07/00 Sandstone Amphitheatre - Bonner Springs, KS B+ AKG 481 >Dmic-20 > D8. I found this show to be nondescript and dull. Vocals sounded poorly performed. Unless you went or are collecting, I'd pass on this one. Ford/Payne/Barrere lineup.   2 SHN notes
174. 07/08/00 Riverport Amphitheatre - Maryland Heights, MO B+ no source information - clean no flaws, though sound is kind of dry (typical for outdoor shows recorded on this tour). Vocals on Crazy Fingers made me cringe in a few places, though the Morning Dew made up for it a bit. Overall lackluster and not worth seeking out IMO, though this recording is more than adequate for those that attended and might want to relive it.   2 SHN notes
175. 07/09/00 Deer Creek Music Center - Noblesville, IN   unknown source - no md5 match to etree   2 SHN  
176. 07/09/00 Deer Creek Music Center - Noblesville, IN B nak source - first 3 tracks have "clicks" throughout. don't know if its audio or from a transfer error. I degraded the sound rating 1/2 grade because of these. Show itself not noteworthy, jams are simplistic and there doesn't seem to be any reason to the directions they follow. I'm coming to the conclusion that the Ford/Payne/Barrere lineup seems not to match well with the Dead style of playing and jamming. Skip this unless you were there or are collecting   2 SHN notes
177. 07/09/00 Deer Creek Music Center - Noblesville, IN   Unknown audience recording   2 FLAC  
178. 07/11/00 Riverbend Music Theater - Cincinnati, OH B+ Coresound caps - only flaw was a click and a gap at end of d2t1 but this effect no music, typical coresound coloring (a bit tinny) but this was the norm for the Phil/Dylan tour from what I can figure out. This may be the strongest show of the Phil/Feat lineup I've heard - really rocks out and the crowd sounds like they were into it too. Check it out - if you don't like this one then probably you can skip the whole summer tour. Opening jam has interleaved guitar piano that's nice, Cumberland, Atlanta, Shakedown, Dancin, Alabama is non-stop boogie time.   2 SHN notes
179. 07/12/00 Mark Of The Quad Cities - Moline, IL A- This is a fun, party show. Sounds is good, no distracting crowd. Fisrt set starts out jazzy and energetic, but Cucamonga lets some air out of the tires and there are some slower songs that drag a bit for the last half of the show.   2 SHN notes
180. 07/14/00 Target Center - Minneapolis, MN A- Another fun show with lots of good times music. Stong start out of the gate with a Dark Star jam which is a theme throughout the set. Some crowd chatter during the slow song (Days Between) but the ball gets rolling again with NFA. "Fat Man in the Bath Tub" encore sends everyone home smiling.   2 SHN notes
181. 07/15/00 Alpine Valley Music Theatre - East Troy, WI B unknown aud - repeating section d2t1 ~0:51 and encore has a 15 second section which skips, otherwise this would have been a nice source. crowd not intrusive. St. Stepehn has a bouncy jam with Little Feat style piano. My Favorite Things nice jazzy feel. Help had some flubs with the verses but the jam afterwards more than makes up for it with lots of energy. Too bad the encore has the skipping section :( which drops the sound rating down at least 1/2 grade. This is one of the better Phil/Feat shows I've heard   2 SHN notes
182. 07/16/00 Pine Knob Music Theatre - Clarkston, MI A- akg 480 source - overall sound good, a few places where the volume changes (d1t2 ~ 1:43, d2t2 ~3:20). w/ Jimmy Herring on guitar. Fun show. Seems like they started hitting their stride around this week compared to the start of the tour where there was minimal ensemble work.   2 SHN notes
183. 07/18/00 Molson Ampitheatre - Toronto, ON B+ sound is fuller than some other shows on this tour. No flaws. Show has 2 sections - first is ok but the second is more interesting in the insertion of MOTM inside Terrapin. Again, Phil's vocals are somewhat weak for this tour. Herring/Payne/Barrere lineup. Not a must listen-to show.   2 SHN notes
184. 07/19/00 Finger Lakes Performing Arts Center - Canadaigua, NY B+ Bill Goldberg AKG source- Phil and the Feat boys play a nice series of danceable songs. Sound quality good but some swirliness from wind. Foolish Heart was the surprise song for me. static ~ d1t1 6:11, d2t2 ~8:28 skip/volume change   2 SHN notes
185. 07/19/00 Finger Lakes Performing Arts Center - Canadaigua, NY A- sennheiser 421's - no flaws, nice sound, probably the preferred source for this show. This may be the best Payne/Barrere/Ford show I've heard. Nice intro jam, short but engaging PITB, killer NPC. Break before Foolish Heart which is a nice tune (didn't stand out as much when I heard this source as NPC). Dixie Chicken nice, great IKYR. Only weak point is the "Why Don't We Do It in the Road" encore.   2 SHN notes
186. 07/21/00 Meadows Music Theatre - Hartford, CT B+ Sony mics are trebly and sound levels change significantly during first song. Show struck me as uneven - some songs fun, others seem to be average played.   2 SHN notes
187. 07/22/00 Tweeter Center for the Performing Arts - Mansfield, MA B+ ok recording of an ok show   2 SHN notes
188. 07/23/00 Saratoga Performing Arts Center - Saratoga, NY B This seed was an eac rip of a disk with track boundaries not on sectors or similar issues. There are pops and what sound to be skips at the track boundaries. The sound itself is ok but a grade below what is common for Phil shows. The music played this date was average.   2 SHN notes
189. 07/25/00 Montage Mountain - Scranton, PA B+ sound quality ok - akg1000's - some very brief soundfield drop outs, mic bumps. Phil's singing is kind of barky. FOTD is best song this night.   2 SHN notes
190. 07/26/00 Jones Beach Music Theater - Wantagh, NY A/B Nak 300's - a bit tinny sounding with typical outdoor sound (some swirliness, only direct sound) but overall good. smooth flow to the set and all songs played well.   2 SHN notes
191. 07/28/00 E Centre - Camden, NJ B+ no flaws, good (but not great) sound for an outdoor aud. show is solid, but not a must hear. The Oh Atlanta encore leaves the crowd in a boogie mood. The placement of Pride of Cucamonga after a series of "serious" songs came across as a bit to dis-similar to me. A different song choice that didn't clash with the prior songs would have been better seeing as it is a one set show. NOTE- MY MD5's MAY NORT MATCH db.etree.org   2 SHN notes
192. 07/28/00 E Centre - Camden, NJ   NEUMANN KM140>DMIC 20>DAT>CDR>EAC>SHN (thanks to Charlie Miller for this recording!)   2 FLAC  
193. 07/29/00 Merriweather Post Pavilion - Columbia, MD B+ unknown source - only flaw is a 1 sec drop out d1t3 ~3:54. sound quality good (not great), no distractive audience noise. show is solid, they are playing well as a group, with no standout solos or lead work. Kind of interesting setlist (Sample in a Jar encore, Don't Let Me Be Misunderstood). Not a mandatory must hear.   2 SHN notes
194. 07/29/00 Merriweather Post Pavilion - Columbia, MD   Oktava MC012-FMSP(cards a/b )fob>Graham Patten dmic-20>Sony PCM-M1@48khz transfer: Tascam DA MK30I I> Maudio Audiophile 24/96 > SoundForge 7 >resample to 44.1> CDwav(track split)>flac taped by T Romero transfered by C DiPietro   2 FLAC  
195. 07/30/00 Waterloo Village - Stanhope, NJ B unknown aud - sound quality is a bit thin, as though it was some distance from the PA in an open air setting. one zap at d2t2 ~4:09. Show seemed bland - last of tour, nothing special. Not critical to hear this one.   2 SHN notes
196. 09/21/00 Roseland Ballroom - New York, NY B+ AKG481's Taped and mastered by Jake Sadowsky and Bob Dworetz CD-R > EAC > SHN by Dave Rapetti. First official appearance by the Haynes/Barracco/Herirng/Molo lineup. Allan Woody Benefit show. Competently played but nothing special. Sound is good, audience not intrusive.   1 SHN notes
197. 09/21/00 Roseland Ballroom - New York, NY   ASF Video format   1  
198. 09/30/00 Memorial Auditorium - Burlington, VT A/B First show of tour with Lesh,Molo,Haynes,Barraco,Herring lineup. Audience tape- set 1 excellent sound. Set 2 sounds like the taper was much further back from stage (more reflected sound) or is a different source. No noteable flaws otherwise. The show is a solid performance, but later shows in tour have both better playing and sound. Appropriately for Burlington, it does have Wolfman's Brother as an encore. I'd be interested in improving the set 2 sound if you have a good source.   3 CDR notes
199. 09/30/00 Memorial Auditorium - Burlington, VT A- Clear sounding audience tape but bass is low. A more recent (6/20/2004) bit accuracte transfer of this source has appeared so this is not the preferred one.   3 SHN notes
200. 09/30/00 Memorial Auditorium - Burlington, VT A- bk4011 - very nice sound on this FOB'ish seed. Most likely this is the best seed for this night, the first full night of the PLQ lineup. Only one minor glitch. This show doesn't have the killer setlists of the dates later on in the tour (features songs more than jams which doesn't play to Phil's strengths, i.e. singing). Has more open style, less cacaphony style playing than what they evolve to by 2002.   3 SHN notes
201. 09/30/00 Memorial Auditorium - Burlington, VT A- oktava (bit accurate retransfer),no flaws, nice clean sound. First public show with the Haynes/Herring lineup that will become known as the PLQ. No specific highlights - typical of what this lineup will sound like on any night. [6/23/2004]   3 FLAC notes
202. 09/30/00 Memorial Auditorium - Burlington, VT A- Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Sony D-8 Master DAT 48 khz. Transfer: SV-3700 > UA-5 > WaveLab 6.0. Mastering with iZotope Ozone 4.0 dithered to 44.1khz. Transfer and Mastering by Bill Koucky March 9, 2010 Green Mountain Bros. [2010-03-12]Clean recording, basically no keyboard given mic placement   3 FLAC notes
203. 09/??/00 Unknown - Unknown, Unknown   SBD->DAT (16/48)->DAT (PCM-R500 16/48)->VXPocket V2->WAV->FLAC   1 FLAC  
204. 10/01/00 Memorial Auditorium - Burlington, VT A Disclaimer: This is the earliest performed official soundboard release by Phil. All official soundboards have great sound quality (thanks J. Cutler) and all shows in the fall run are excellent. The main metric for ranking them is song/segue selection. For my tastes, I prefer set 1 of this show because the slower songs are blues (Smokestack) vs Days Between. The songs are played "jazzier" compared to most Dead interpretations. Phil's singing ain't too shabby either (Terrapin)!   3 SHN notes
205. 10/01/00 Memorial Auditorium - Burlington, VT A- aud - akg - wren. nice clean sound, no flaws, slight change in sound ~d1t4 3:57 (mic movement, volume change??). show starts out strong with Mr. Fantasy and intro jam to it, followed by St. Stephen and Cumberland. I listened to this aud ~ 11/21/02 and show is well performed though there is a vocal flub in IKYR. Set 2 has a less rock n roll tone from the song selection. Terrapin performed well. I rate this a solid, typical Phil show.   3 SHN notes
206. 10/01/00 Memorial Auditorium - Burlington, VT   Official Phil Release Digitally Remastered by jashley@deadacated.com SBD>> DAT>> CDA>> SHN>> DAW(Bertha)>> CDA - Sound A+ Show A   3 FLAC  
207. 10/01/00 Memorial Auditorium - Burlington, VT   Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Sony D-8 Master DAT 48 khz. Recorded by Casey Coniff. Transfer: SV-3700 > UA-5 > WaveLab 6.0. Mastering with iZotope Ozone 4.0 dithered to 44.1khz. Transfer and Mastering by Bill Koucky March 10, 2010 Green Mountain Bros.   3 FLAC  
208. 10/04/00 Orpheum Theatre - Boston, MA A FOB in hat tape very clear with minimal interference from audience talking. Sunshine 4 Your Love has cool guitar runs at ~12:00 which I haven't heard repeated in other shows. St. Stephen tease at end and Mtn. jam tease out of Crazy Fingers. Fire on the Mtn has interesting guitar midi(?) sound. Overall another solid PHil show.   3 SHN notes
209. 10/05/00 Orpheum Theater - Boston, MA A/B Songs well played but nothing inspired me to want to listen to this show multiple times. Sound quality would have been excellent except there's persistent audible conversations (with the taper??) Usually these die down after the 1st song but in this case its throughout the whole show. Yakity-yak. Oh well, what can I say ...   3 SHN notes
210. 10/05/00 Orpheum Theater - Boston, MA A neumann source very nice sound - doesn't get much better in my experience. I listened to this on 11/20/02 and i enjoyed it better than the first time. Milestones jam adds a jazzy touch. NPC in set 1 good and the Cryptical > etc was good, esp the transition from UChain > Cryptical. No flaws that I noted.   3 SHN notes
211. 10/06/00 Orpheum Theatre - Boston, MA A Official SBD release. Solid performance. Highlights for me - Low Spark, Too > Cryptical , NFA encore   3 SHN notes
212. 10/06/00 Orpheum Theatre - Boston, MA   Jay Ashley Remaster of Official Soundboard   3 SHN  
213. 10/06/00 Orpheum Theatre - Boston, MA A/B set 1 schoeps FOB, set 2 Neuman balcony. Some nearby audience talking in a few places, otherwise clean. Can tell that set 2 is a bit further back but overall this is a nice aud. set 1 didn't strike me as exceptional. Cucamonga & BTL are not personal favorites and Low Spark seemed cut short to end set 1. Set 2 was solid, Black Peter nice, some mixture of song types to provide some variety. This night didn't buzz me as much as 10/7/00 so I rate it say 1/2 grade lower.   3 SHN notes
214. 10/07/00 Orpheum Theater - Boston, MA A Excellent audience recording. A few balloon pops. Definitely worth hearing. Typical Phil quintet show.   3 SHN notes
215. 10/07/00 Orpheum Theater - Boston, MA A Neuman from balcony - very excellent aud recording. They don't get much better than this. No flaws (gap between set 2 and encore). I listened to this recording on 11/20/02 and this is a great show - nice song mix, good flow & transitions. Starting the show with a Jam > Terrapin > Cumberland is an indication of what's inside!   3 SHN notes
216. 10/09/00 Beacon Theater - New York, NY B- Sound quality below average (muffled)with noticeable crowd noise and THE WHISTLER. Despite the orchestra location, reflected sound dominates. Around D1T5 sound increases as the PA is adjusted. Start of 2nd set vocals weak and sound different than 1st set. Show rating: just short of hot. Set 2 great song mix - Watchtower, CRS, Little Light. Amusements: Imagine to mark Lennon's bday; and "The Whipping Post Crowd Request Award" goes to Tennesse Jed. I'm definitely looking for a better recording of this show.   3 SHN notes
217. 10/09/00 Beacon Theater - New York, NY A/B Microtech Gelfell source. Good sounding tape for the Beacon. Some audience chit-chat until set 1 gets up a head of steam. The whistler makes an appearance at this show. Imagine performed to remember John Lennon. Highlights - CRS has a good jam. Set 2 solid throughout   3 SHN notes
218. 10/10/00 Beacon Theatre - New York, NY A- Audience at Beacon does chat throughout show but unlike some Beacon shows I've heard, the music comes through clearly on this recording. One word describes the sets in this shows - cohesive. In set 1 Eyes through Golden Road is non-stop fun. Set 2 - Alabama Getaway is a great slide vehicle for Warren. Dark Star > MOTM always nice Aoxomoxoa Dead segue.   3 SHN notes
219. 10/10/00 Beacon Theatre - New York, NY A- Microtech Gelfell - Pujol seed. Very nice sound quality for the Beacon. Maybe a tad too much audience. Solid show well played but nothing stands out as really outstanding worthy of special comment.   3 SHN notes
220. 10/11/00 Beacon Theater - New York, NY A/B Microtek AM210's>Oade M248>SBM1>DA-P1>HDD>SHN NOTES:d1t1: opening jam clipped (about 5-10 seconds). Sound good with typical NYC audience talking - would have been solid A sound rating otherwise. Music: Scarlet excellent with serious China tease by Herring. You know its good when the crowd stops talking as they are mezmerized. Deal encore strong as well. Solid show   3 SHN notes
221. 10/11/00 Beacon Theater - New York, NY A- This is a good sounding tape (for the Beacon) but it has a few minor flaws (see txt file). The show is solid, with a strong set 2   3 SHN notes
222. 10/13/00 Beacon Theater - New York, NY B+ Moderate audience talking, a little bit of the whistler but otherwise nice, bright audience tape. Show highlights: Jack-A-Roe nice guitar picking, Hot Lovelight (Warren!!), NFA (in style of Allman Bros interleaved guitars). Worth a listen.   3 SHN/EAC notes
223. 10/13/00 Beacon Theater - New York, NY A- neumann pujol seed - very good sound for a Beacon show. Set 1 has a great Foolish Heart > Lovelight closer that has very high energy for this point in the show. Set 2 is very good throughout with an infectious NFA > Help into a surprise Terrapin. There are lots of pace changes in set 2 so your attention never wanders. Maybe the BTL encore was not quite up to the pace of everything else.   3 SHN notes
224. 10/14/00 Beacon Theater - New York, NY C Apparently the tapers were located under the balcony so the sound is muffled and reflective. THE INFAMOUS WHISTLER adds yet another sonic blemish to this recording! On D2T1 and D2T3 the mic's get moved around (apparently the Beacon staff object to the taper(s) location). Ignoring the poor sound quality, this strikes me as a below average Phil show - it never developes any significant momentum. LSD was fun and Cumberland Blues was excellently played as always. Beacon crowd likes to sing along on St. Stephen.   3 SHN notes
225. 10/14/00 Beacon Theater - New York, NY A- good sound esp for the Beacon. The FOTD > IKYR pair was well played and highlights Herring's style. Alligator!   3 SHN notes
226. 10/15/00 Beacon Theater - New York, NY A- Greg Osby (saxophone) makes this a special show. Jazzier tone - Dew, Eyes, Blue Train are way above average. I fixed the version I downloaded by removing track boundaries, smoothing over incomplete fades and one instance of digital stutter in Get Together that was on original shn's. No whistler at this show - good quality sound compared to other Beacon audience tapes (minimal crowd noise).   3 SHN notes
227. 10/15/00 Beacon Theater - New York, NY A- Seinheiser Pujol seed - good sound d3t4 6:10 drop out during crowd.Good show with Osby on sax that adds a jazzier feel to the show   3 SHN notes
228. 10/16/00 Beacon Theatre - New York, NY   official sbd   3 SHN  
229. 10/16/00 Beacon Theatre - New York, NY A akg414 - very good sound with minimal audience noise. drop out d1t5 13:56 during crowd. All set 1 songs well played esp NPC. Ditto for set 2 chin cat.   3 SHN notes
230. 10/18/00 Riviera Theatre - Chicago, IL A- Excellent audience tape, though levels a bit high: Overall great show: Set 1 CRS very hot. Set 2 sequence from Playin ... to end very nice. Includes Strawberry Fields.   3 CDR notes
231. 10/18/00 Riviera Theatre - Chicago, IL   offical shn   3 SHN  
232. 10/19/00 Riviera Theatre - Chicago, IL A Segue from China > U. Chain WOW! UChain is killer. End of Viola has some weird bizarro jamming   3 SHN notes
233. 10/20/00 Riviera Theatre - Chicago, IL A Excellent audience tape (audience not at all distractive and FOB clarity) and what a show! Highlights: TMK nicely paced with blistering Herring picking crescendo at end. Cumberland never disappoints. Scarlet hot. Milestones great vehicle for Herring to showcase his jazzy guitar God moves. Passenger is on fire and a great ending to a totally great show. You want this show!   3 SHN notes
234. 10/20/00 Riviera Theatre - Chicago, IL A- schoeps MK4V FOB - very nice aud, no issues except some glitches during crowd noise before sets start. On hearing this ~12/1/02 the Milestones pace change after a series of Dead hits was nice and again the show closing Passenger stands out as a rave up.   3 SHN notes
235. 10/21/00 Riviera Theatre - Chicago, IL A Official soundboard - occassional detectable static throughout show. Definite must hear very solid show. Highlights: Dew and ensuing Big Blister jam, Rider and Terrapin (lead into is Crazy Fingers theme).   3 SHN notes
236. 10/21/00 Riviera Theatre - Chicago, IL A- Taper: Scott McPherrin hippies@frontiernet.net Neumann KM 184s-> SDs MP-2-> SBM-1-> M1 (Star Quad cables) Mid-Right TS/ 10' stand DAT-> CDR/ SHN: Scott McPherrin hippies@frontiernet.net M1-> SEK'D Prodif Plus-> Samplitude-> CDWAV-> MKWact [2010-05-16]Excellent tape, no distracting audience, representive of this configuration   4 SHN notes
237. 10/24/00 The Fillmore Auditorum - Denver, CO A Official Soundboard. Classic early Dead played by P&F. My favorite overall show to date for song selection and energy. There is not a dull moment in the whole show. Fasten your seatbelt from Dark Star onwards, thrusters on max! I bet you can't sit quietly while listening to this one. If I had to pick one show from the fall run this would be it.   3 SHN notes
238. 10/24/00 The Fillmore Auditorum - Denver, CO A- MBHO aud - very nice sounding aud - only flaws i heard was a brief skip/gap around d3t2 1:27 and a chunk of Phil's rap was blank. Listened on 12/2/02 and this show still comes across nicely with a wailing Lovelight. Both sets strong. I'd rank this as a core holding.   3 SHN notes
239. 10/25/00 The Fillmore Auditorum - Denver, CO A- D1T4-D2T1 some balloon poping. Another great show in Denver. CRS hot. Set 2 is relentless   3 SHN notes
240. 10/27/00 House of Blues - Las Vegas, NV   official sbd release   3 SHN  
241. 10/27/00 House of Blues - Las Vegas, NV A mbho - Very good sound in a small venue, minimal audience noise makes this a nice tape to add to your collection. Show starts with Dr. Mr Fantasy in a slower paced, sparser sound. Contrasts to the "Southern Rock" sound typical of the Haynes/Herring duo. Soulshine comes across as heartfelt. Audience banter - "NIce, nice... I got my tickets 2 hours ago as soon as I heard about it..." Foolish Herat has a "Blue Sky" feel.   3 SHN notes
242. 10/28/00 The Wiltern Theatre - Los Angeles, CA A Soundboard - What can I say? Great show - second set flows.   3 SHN notes
243. 10/29/00 Wiltern Theatre - Los Angeles, CA A Set 2 is pretty darn near perfect   3 SHN notes
244. 12/15/00 7th Note Showclub - San Francisco, CA A- Note: Phil sits in with "Long at Last" ethno trance band for Terrance McKenna benefit. For the compulsive collector. Coulda been a cool rave Dead dance grove but wasn't. Sound is sbd with lots of bass.   2 SHN notes
245. 12/30/00 Henry J. Kaiser Auditorium - Oakland, CA B Sound check - for compulsive Phil collectors, nothing of note. Many pops throughout recording as well   2 SHN notes
246. 12/30/00 Henry J. Kaiser Auditorium - Oakland, CA   DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Casio DA-7 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky, Green Mountain Bros. 2007   2 FLAC  
247. 12/31/00 Henry J. Kaiser Auditorium - Oakland, CA B+ I did not attend this show. There is LOTS of music here, but this is not in the top shows of the year. Basically nothing really stood out as super excellent. But you can't say they didn't try to deliver a memorable evening.   4 SHN notes
248. 12/31/00 Henry J. Kaiser Auditorium - Oakland, CA A- akg source - no flaws worth noting. Overall sound quality good but not killer. This show comes across as a sleeper to me because of the song choice. Too much emphasis on singing and not enough killer intrumental playing. Set pacing also plods along. (2/14/03)   5 SHN notes
249. 12/31/00 Henry J. Kaiser Auditorium - Oakland, CA   Source: DAUD Master ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by Casey Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 XLR analog outputs > M-Audio Audiophile 24/96 > recorded to 24 bit/44.1 KHz WAV with WaveLab 5.0 > mastered with Waves L3 Multimaximizer (threshold of -4.5 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering > tracked with CDWAV 1.9 > FLAC. Transfers, Remastering and Seeded to shnflac.net February 2007 by Bill Koucky   5 FLAC  
250. 02/09/01 The Fillmore Auditorum - Denver, CO A FOB MBHO - There must be something in the air but every Denver show the P&F Quintet has played are exceptional. This audience tape is very high quality - great FOB like sound. In CRS (~2:19 D2T1) the mic gets lowered but otherwise I detect no flaws. The set 1 closer CRS melts my mind. Set 2 is pure bliss. If you thought Phil can't sing listen to Dew ... If you still don't think he can sing then I think your taste in music sucks :)   3 SHN notes
251. 02/09/01 The Fillmore Auditorum - Denver, CO A- neumann kn140's - very clear sound, nice "color", audience not intrusive, skip or brief drop out on D4T2 ~1:10 only flaw. Set 1 has mostly standalone songs, all performed well so it boils down to which songs you prefer. Excellent jam out of Crazy Fingers through NFA (really good in my book). The encore is also good in the little TOO segment sandwiched in Wheel. Short but sweet and energetic. High marks to this show so get it if you don't have it.   4 SHN notes
252. 02/09/01 The Fillmore Auditorum - Denver, CO   Soundcheck   1 SHN  
253. 02/09/01 The Fillmore Auditorum - Denver, CO   Taper: Jeff Travitz Source: Schoeps mk4v > kcy active cables > Schoeps VMS 5 U preamp > SBM-1 @ 48 khz (FOB) DAT > CD Conversion: Don Becker Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 (48>44.1) > CDWAV   3 FLAC  
254. 02/10/01 The Fillmore Auditorum - Denver, CO A- fob mbho - some FOB audience noise but clear sound and no flaws. This show has some well played songs but the sets are broken up by some pauses so the overall show isn't as good as the prior night. Highlights - Set 1 Jam through Keep On Growin is primo stuff but Built to Last puts the brakes on real fast. Set 2 Lovelight > MOTM is very good with a nice slow transition from the get up and move Lovelight into the slow, open and spacey MOTM. Again, this momentum is stopped with Just A Little Light. Milestones is good and a nice jazzy contrast but Patchwork Quilt doesn't go well after it to my ears so again you have a good tune followed by an out of place slower tune.   3 SHN notes
255. 02/10/01 The Fillmore Auditorum - Denver, CO A/B Neumann KM140 - YAHS (Yet Another Hot Show) Set 1 has a blistering Eleven > Keep on Growin'. Set 2 MOTM sucked me into it completely. Milestones enjoyable for its pace change. See tech notes for minor flaws.   3 SHN notes
256. 02/12/01 Roseland Theatre - Portland, OR A- Shepherd KM180 - This is a hot show. Sound is good although there is some audience talking. I thought the first set was better than the 2nd. This happens occasionally for Phil (another example is 7/1/01) which I take it to mean he isn't using the 1st set as a disposable warm-up. I've also noted that both this show and 7/1/01 have a Viola club sandwich in set 2. Whatever - this is a keeper.   4 SHN notes
257. 02/12/01 Roseland Theatre - Portland, OR   Source: A:D Schoeps MK-4's>Apogee Pre>DAP1 Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r or shn Taped by Frank, conversion by Chris Larson   3 SHN  
258. 02/13/01 Roseland Theatre - Portland, OR A From Tapecat tree - Another great show where they play the second set first. First set is more or less flawless. Jimmy and Warren compliment each other extremely well on Cumberland Blues. 2nd set is weaker than 1st - New Speedway sounds kind of flat and Tastes Like Wine, although well played, is not one of my favorites. They do a good job on Cosmic Charlie to close out. Get this show for the 1st set.   3 SHN notes
259. 02/13/01 Roseland Theatre - Portland, OR A- Neumann KM-184's Shepherd recoding. A contender for the best 1st set from the PLQ. Not a single poor song, all played with great jamming, no dicking around! Check it out. This source is very good sound, though audience is a bit chatty at first, dies down afetr 15 minutes or so. No flaws. Can't say enough about the first set. Set 2 is good, but more relaxed than set 1 with slower tempo songs and not as jammed out.   3 SHN notes
260. 02/15/01 Maritime Hall - San Francisco, CA A 3Nak 300 - Excellent audience recording - Set 1 FOTD>UJB good (but aren't they always). Set 2 - Soulshine (jazzy jam) Golden Road (jam after first verse) and, of course, Lovelight.   3 CDR notes
261. 02/15/01 Maritime Hall - San Francisco, CA   Mic info: 3 nak 300/CP1's>boss BX4>SBM1>Dat>CD recorded 2 rows behind the soundboard   3 FLAC  
262. 02/15/01 Maritime Hall - San Francisco, CA   (3) Nakamichi 300/CP1 -> Boss BX4 Mixer -> Sony SBM-1 -> Dat (Sony D8/48k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (New transfer by Charlie Miller)   3 FLAC  
263. 02/16/01 Maritime Hall - San Francisco, CA A Nak 300 + AKG - Excellent audience tape - captures the crowd emotions without distractive talking. My favorite of the "Roam the West" tour. The 2nd set is really superb. Great segues, nice song mix all played well. The Help>Slip>Walrus>Slip>Franklins is a masterfull ending. And a Cosmic Charlie to send everyone home! d3t3 15:05 small static or clap;d3t6 1:23-1:24 stutter   3 SHN notes
264. 02/16/01 Maritime Hall - San Francisco, CA A From Tapecat Tree - I believe this is the same DAT source as etree but with a different tracking and fading. Both have about 1 sec of stutter about 1:24 minutes into Frankilin's Tower.   3 SHN/EAC notes
265. 02/16/01 Maritime Hall - San Francisco, CA   (2) Nakamichi 300/CP1 + (2) AKG C1000S (Hypercardioid) -> Boss BX4 Mixer -> Sony SBM-1 -> Dat (Sony D8/48k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (New transfer by Charlie Miller)   3 FLAC  
266. 02/16/01 Maritime Hall - San Francisco, CA   Taped 2 rows behind SBD. Nakamichi 300/CP1 + AKG C1000S (Hypercards) -> Boss BX4 -> Sony SBM-1 -> Dat -> CD -> Cool Edit Pro (Super High-End Boost Enabled) -> CD (4 Discs)   4 FLAC  
267. 02/17/01 Maritime Hall - San Francisco, CA A Set 1 highlights are "11" & "growin'". Set 2 - Jam after "She Said" very good as is "Wheel". "Rider" finale is best of show IMO. I would rate this an average P&F show. Great audience tape.   3 SHN notes
268. 02/18/01 Maritime Hall - San Francisco, CA A- This is the official sbd release - I degraded the sound rating because there are many cases of minor diginoise in left channel, though not too audible. Also, the bass is too low so the mix isn't as good as it could be if one was trying to do a sbd recording meant to be listened to. Very long show. Must listen for the Caution jam that starts the 2nd set. Vocals in Wharf Rat are out of sync with each other so it stumbles in a few places. Long encore - sounds like the band must have been enjoying themselves.   4 SHN notes
269. 02/18/01 Maritime Hall - San Francisco, CA   Most likely the Nak source   4 CDR  
270. 02/18/01 Maritime Hall - San Francisco, CA A- Nak/AKG blend - very nice sound, though some near by audience clapping occassionally distracts. Other than that this is more enjoyable than the sbd which has no reverb or sense of "space" compared to this aud. The show is mixed. The Caution jam to start set 2 is a must hear, but some of the other tunes aren't as captivating even though the setlist looks killer on paper. Long encore with a nice version of CAT. Phil must have been enjoying himself this night because the show is long.   4 SHN notes
271. 02/18/01 Maritime Hall - San Francisco, CA   Jay Ashley remaster of soundboard release Official Phil Release SBD>>DAT>>CDA>> DAW(Bertha)>>CDA   4 FLAC  
272. 02/18/01 Maritime Hall - San Francisco, CA   Original Source: DSBD>?>SHN>WAV>CDA (shnid3735); Remaster: CDA>EAC>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan.   3 FLAC  
273. 02/18/01 Maritime Hall - San Francisco, CA   (2) Nakamichi 300/CP4 + (2) AKG C1000S (Hypercardioid) -> Boss BX4 Mixer -> Sony SBM-1 -> Dat (Sony D8/48k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC   4 FLAC  
274. 04/13/01 Sunrise Musical Theater - Fort Lauderdale, FL B+ Audience talking louder than typical Phil quintet tapes. My md5's don't match etree but here is the info file that came with shn's. Source: FOB, 10th Row DFC, Schoeps MK21/MK8 > KC5 > CMC6 > Apogee AD1000. M/S Matrixed thru AEA's MK38M/SII > AD1000 > DAT. Transfer: DA-20mkII > RME DIGI96/8 PST > CDWAV > SHN. Crowd conversation noticeable but dies down by set 2. A slightly below average show. The spacey jam from 11 > Soulshine breaks up abruptly. NFA & Sugaree were rippin as they say. St. Stephen had some hot guitar. Show lacked consistency - never had that string of hot songs that marks a great show.   3 SHN notes
275. 04/13/01 Sunrise Musical Theater - Fort Lauderdale, FL   This shn has one EAC gen   3 SHN  
276. 04/13/01 Sunrise Musical Theater - Fort Lauderdale, FL   Source - 10th Row Center (FOB) Schoeps CMC6 MK21/MK8>KC5(actives)>Apogee AD1000. Matrixed thru AEA's MK38M/SII>DAT Transfer: DA-20mkII > RME DIGI96/8 PST > CDWAV > SHN   3 FLAC  
277. 04/14/01 Sunrise Musical Theater - Fort Lauderdale, FL B/A Lots of audience talking at start of show - seems less distracting as show goes on (after first few songs). Eyes has nice guitar noodling and nice segue. Overall very solid show.   3 SHN notes
278. 04/14/01 Sunrise Musical Theater - Fort Lauderdale, FL   This shn has one EAC generation   3 SHN  
279. 04/15/01 Hard Rock Live - Orlando, FL A Unofficial soundboard. I thought this show, at the start of the tour, was a little less polished. Some of the songs are not my personal favorites, but this show does have Keep on Growin and Lady with a Fan which I quite. So I'm hot and cold on this night.   3 SHN notes
280. 04/15/01 Hard Rock Live - Orlando, FL   AKG 461'S + SBM1(XY PATTERN)-> JVC XU301-> TASCAM CDRW 700 via Henry Gross - some crowd noise and blips at every track boundary on disk 1. Since this circs on sbd and this isn't a really stellar recording its there for aud completists!   0  
281. 04/15/01 Hard Rock Live - Orlando, FL   Jay Ashley Soundboard Re-master (bertha)   3 SHN  
282. 04/16/01 Boutwell Auditorium - Birmingham, AL A- Unkown DAUD via Frank Ventrusca. Alabama Getaway - gotta love it. Strange Cumberland blues (not played like others). PA distorted on CRS in 2 places. Passenger jam intricate interleaved guitar jamming. Lots of Other One teases and rock transitioning to jazzy type jamming. Generally interesing guitar work to listen to. Set 2 ends on a high note with IKYR and Cosmic Charlie. No flaws to speak of though I made these comments. d1t6 2:20-2:40, 4:25-4:50 (PA problems in CRS). d2t1 3:46 sound becomes a bit more muffled (mics lowered? or treble reduced?)   3 SHN/EAC notes
283. 04/16/01 Boutwell Auditorium - Birmingham, AL A- Neuman AK420's > L37 > KM100 > Ad1000 > DAP1 Transfer: DAT(44.1khz)>ZA2 (S/PDIF) > Wavelab 3.03 > CDR > JVCxV301 > Tascam CDR W700   3 CDR notes
284. 04/16/01 Boutwell Auditorium - Birmingham, AL A/B Nak 300>D10>CD>SHN. This has good clear up front sound, especially on the cymbols. Some minor flaws - d1t1 opening notes clipped, d3t2 ~6:20 a loud digiglitch, big pop at end of d3 (didn't fade out). This is a tightly played show with mostly fast songs. Of course, there is the Alabama Getawy opener, set 2 is split into 2 musical segues, with a nice jam in Scarlet and a good version of IKYR.   3 SHN notes
285. 04/16/01 Boutwell Auditorium - Birmingham, AL   Source: Neuman AK420's > L37 > KM100 > Ad1000 > DAP1 Transfer: DAT(44.1khz)>ZA2 (S/PDIF) > Wavelab 3.03 > CDR > JVCxV301 > Tascam CDR W700 via Henry Gross EAC/Flac encoding Matt Vernon   3 FLAC  
286. 04/16/01 Boutwell Auditorium - Birmingham, AL   Unkown DAUD via Frank Ventrusca. EAC by Matt Vernon   3 FLAC  
287. 04/18/01 Atlanta Civic Center - Atlanta, GA A- Show itself is tightly played and jazzy. FOTD and 11 are highlights. Lovelight encore is brief with an odd spacey jam (a below average version of this song). Above average quality audience recording.   4 CDR notes
288. 04/18/01 Atlanta Civic Center - Atlanta, GA A This source has no flaws that I detected.   3 SHN notes
289. 04/18/01 Atlanta Civic Center - Atlanta, GA A- Source: Schoeps CMC6/MK4 > M148 > SBM-1 (modified) (13th Row fob dfc) Transfer: Panasonic 3700 > ZA2 > CDWAV > SHN no flaws, good sound. This show is competently performed but lacking that something special to differentiate it from a solidly well played show so I can't say to make a special effort to get this show. If you want this show, this is a good recording. The encore w/ Bruce Hampton isn't a very good rendition of Lovelight compared to say Susan Tedechi(sp.) versions with the PLQ.   3 SHN notes
290. 04/19/01 Asheville Civic Center - Asheville, NC A Schoeps MK4V>kcy>vms021b>oade ADC241p-1>sony d8 - Tied for my favorite Sunshine Tour show. Set 1 Keep on Growin superb. Set 2 from Cumberland Jam thru Mountain Jam as good as it gets. Sugaree will make you sit up and take notice. Minor flaws noted: d1t5>t6, d2t1>t2, d2t3>t4, d2t5>t6 small ticks on track change. d2t1 7:05 brief pause/gap, d3t1 ~10:00 "Take your equip back" (taper nearby busted?)   3 SHN/EAC notes
291. 04/19/01 Asheville Civic Center - Asheville, NC A/B Wang Neumann source - this source has good sound, though vocals are low in the mix. some minor flaws d2t3 10:45,10:52 crackle: d2t6 3:34 minor rc fuzz. I originally thought this was a very good show but hearing this after many other shows I would now rank it as solid and average. Starts off with a nice intro jam and a great version of NFA but then loses some momentum as we get some Warren tunes (Celebration/Soulshine, BTL) not unexpected since its his hometown. Very good, maybe the best, PLQ Version of KOG!! Check this tune out for sure. Set 2 through TOO is good but then we get JALL and the set flow stalls a bit. (3/12/03)   3 SHN notes
292. 04/19/01 Asheville Civic Center - Asheville, NC   source unknown at this time. This source is much better IMO than the source seeded by James Tierney (TG) uploaded by Matthew Vernon 6-18-01   3 FLAC  
293. 04/20/01 Independence Hall - Cricket Arena - Charlotte, NC A My favorite show from spring run. Excellent audience recording. Very solid 1st set. Passenger> Cumberland great opening; Wharf Rat and Dire Wolf nice pace change. Set 2 has humorous "Rainy Day Women" play on "420" theme. Blues for Allah very interesting inside of Dark Star. I love the Help>Slip>walrus>Franklin's finish. Compare the setlist with 2/16/01 (my favorite of the Roam the West)   3 SHN notes
294. 04/20/01 Independence Hall - Cricket Arena - Charlotte, NC A Official soundboard release   3 SHN notes
295. 04/20/01 Independence Hall - Cricket Arena - Charlotte, NC   Remastered "bertha" version by Jay Ashley (equalization for soundboard bias)   3 SHN  
296. 04/21/01 West Virginia University - Morgantown, WV A- Free show. Sound quality good. Show quality average. Phil's vocals sound tired on D1T5, D2T1. Nice flowing guitar jam on Morning Dew.   3 CDR notes
297. 04/21/01 West Virginia University - Morgantown, WV A- Free show - tapecat source. Phil's vocals sound a bit ragged and tired on a few songs. Set 1 was stronger this night than set 2. Sounds like everyone was having a good time even if the music wasn't the best of the tour.   3 SHN notes
298. 04/23/01 Richmond Landmark Theater - Richmond, VA A Set 1 - Very solid. Set 2- The New Potato Cabbose> Watchtower> Terrapin> Passenger combination is worth hearing at least once. Good audience CD.   4 SHN notes
299. 04/23/01 Richmond Landmark Theater - Richmond, VA   Unknown audience EAC/FLAC encoding by Matt Vernon   3 FLAC  
300. 04/24/01 Constitution Hall - Washington, DC A Sound quality excellent - I detect no flaws. Show - set 1 has nice momentum and is cohesive. Whiskey River nice guitar picking. Sugaree is hot at end.   3 SHN/EAC notes
301. 04/24/01 Constitution Hall - Washington, DC A Neumann source   3 SHN notes
302. 04/24/01 Constitution Hall - Washington, DC   Unknown audience recording   3 FLAC  
303. 04/25/01 A.J. Palumbo Center - Pittsburgh, PA A Excellent audience tape (SHN from EAC)   3 SHN notes
304. 04/25/01 A.J. Palumbo Center - Pittsburgh, PA A neumann km184's   3 SHN notes
305. 04/27/01 Electric Factory - Philadelphia, PA A This is a wonderful show. Sound quality top notch without much audience distraction. Captures the live feeling. Set 1 a good warm-up. Lots of styles of music. Herring great on BEW. Set 2 is one masterpiece. I need to get my thesaurus 'caus I'm running out of superlatives. Simply put - once it starts, time melts away. It developes a nice peak and then releases with the Comes a Time / Cosmic Chalie ending. After listening to this you just want to sit down and be alone while you return to your normal state of consciousness. Its shows like this that want to make you go on tour.   3 SHN notes
306. 04/27/01 Electric Factory - Philadelphia, PA   Source: B&K 4011> Lunatec v2> Apogee ad500e> DAT (44.1k) Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,fades)> CDWav (splits)> .shn   3 FLAC  
307. 04/27/01 Electric Factory - Philadelphia, PA   Unknown audience recording   3 FLAC  
308. 04/27/01 Electric Factory - Philadelphia, PA   No source. EAC -> wav->Mkw -> SHN. Created and verified MD5 with seekables. By Patrick Hayes.   3 FLAC  
309. 04/28/01 Electric Factory - Philadelphia, PA A Very clear audience tape with minimal crowd talking. Set 1: Initial jam had very nice piano funk/jazz which carried over into a jazzy jam in HCS. Set 2: Jam after UC kind of went nowhere, but passenger picked it right back up. Lovelight was strong but following it with Sugaree forced too many pace changes (or maybe I'm brain washed into thinking Lovelight should end sets). It would have been totally cool if they had stopped after LLight and then done a 2 song encore of Sugaree > Celebration.   3 SHN/EAC notes
310. 04/28/01 Electric Factory - Philadelphia, PA A- akg300 via Mule - good sound, no intrusive audience, no flaws. solid show, mix of new and old tunes. TNK and FOTM > LL were highlights to me   3 SHN notes
311. 04/28/01 Electric Factory - Philadelphia, PA   B&K 4011>Lunatec V2>Graham Patten ACD-20>Tascam DAP1 Tascam DAP1>PC>SHN   3 FLAC  
312. 04/29/01 Asbury Park Convention Hall - Asbury Park, NJ B- I have lots of crackle when volume gets high - I need to upgrade this!   3 CDR  
313. 04/29/01 Asbury Park Convention Hall - Asbury Park, NJ   Official Soundboard   3 SHN  
314. 04/29/01 Asbury Park Convention Hall - Asbury Park, NJ   J. Ashley Remaster of the soundboard   3 SHN  
315. 04/29/01 Asbury Park Convention Hall - Asbury Park, NJ B+ schoeps - overall no flaws but sound quality not stellar owing to vocals and bass having significant room reverb. but this is the best aud tape i've found for this show (most others had distortion from clipping). this is a great show hearing it 1.5 years later. very long set 1.   3 SHN notes
316. 04/29/01 Asbury Park Convention Hall - Asbury Park, NJ   unknown audience   3 FLAC  
317. 04/30/01 Roseland Ballroom - New York, NY A- I rate this an average show with one highlight - Warren breaks into Good Times, Bad Times during St. Stephen which is very amusing. I wasn't there but you can tell that it just sort of happened, but no one knew the words so they retreated.   3 SHN notes
318. 04/30/01 Roseland Ballroom - New York, NY A Official Soundboard - slightly light on the bass but no flaws that I heard otherwise. I rate this show a little lower than many people - but the Good Times, Bad Times is worth the price of admission   3 SHN notes
319. 04/30/01 Roseland Ballroom - New York, NY   J Ahley Remaster of the soundboard   3 SHN  
320. 04/30/01 Roseland Ballroom - New York, NY   Source info: Schoeps MK41>KC5>CMC6>SX-M2>DAR100 (FOB)   3 FLAC  
321. 06/10/01 Sweetwater Saloon - Mill Valley, CA A Sound - Captures small room. Especially notable for how clear Phil's bass is. Songs are played well but none are standouts. This show attracts attention for the small venue, the "stealth" factor and the Bob Weir appearance. source: FOB B&K 4011s > Lunatec V2 > Sonic AD2K > Tascam DA-P1 digitally patched Sony D8 DAT(master) DAT > standalone CDR burner > CDRs > EAC V0.9prebeta seeded by ericv   3 SHN notes
322. 06/10/01 Sweetwater Saloon - Mill Valley, CA   Jay Ashley remaster of Charlie Miller tape using DAW   3 SHN  
323. 06/10/01 Sweetwater Saloon - Mill Valley, CA A- fixed version of Charlie Miller source. Very good sound, some audience chatter from "bar" setting. No "PA" as usual so mix is a bit different. Show is a novelty for Bobby's appearance, otherwise average with no noteworthy versions of songs or jams. [1/29/04] No flaws.   3 SHn notes
324. 06/12/01 Ex'pression Center For Media/ KFOG-Live Archives - Emeryville, CA B+ Not pre-fm and has cuts. Hard to Handle premiered and good version of 11   1 SHN notes
325. 06/27/01 The Greek Theatre - Los Angeles, CA A Bodenzord source. Very good sound, some audience converstion. Solid PLQ show. Funky overall tone with Shakedown and Alligator. Transition into Wharf Rat very good, Blues for Allah nice pace change.   3 SHN notes
326. 06/29/01 The Greek Theatre - Berkeley, CA B akg 481 - some flaws d1t2 6:48-6:49 3 brief drop outs. d2t1 9:51 brief drop out. d3t5 3:54 brief drop out. Good sound, some minor crowd noise. First set featured tunes I'm not fond of and these versions didn't change my opinion. Not a very exciting show. Given the flaws and average sound of this source, I'd try to locate a better one if you want this show. [1/29/04]   3 SHN notes
327. 06/29/01 The Greek Theatre - Berkeley, CA B meadows neumann source - this source has some technical sound problems so i'd go with one of the other sources for this show   3 SHN  
328. 06/29/01 The Greek Theatre - Berkeley, CA A+ Recorded by Neil Sturtevant: Sennheiser ME80's w/ K3U shotgun capsules > HHB Portadat (48kHz) Front of OTS Mastered & Tracked by Mike (Bodenzord) Boden I attended this show. At the time I thought the music didn't flow well, pacings between songs not as smooth as I expected to hear. But this recording (besides being one of the best auds I've heard) forced me to change my opinion of the show. Set 2 is the psychdelic side of Phil's jamming (vs. rock n' roll) and it makes for a good listen. This is the kind of show that the more you listen to it, the more you enjoy it, even though it may not grab you the first time.   3 SHN notes
329. 06/29/01 The Greek Theatre - Berkeley, CA   Source: DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky Green Mountain Bros. January 2008   3 FLAC  
330. 06/30/01 Greek Theater - Berkeley, CA A Bodenzord source - very good sound. Typically solid PLQ show. Passenger hot in set 1, NFA has weird dissolution at end. MOTM and the Intrada/Luna jams are introspective. Set 2 general tone is more cerebral (MOTM, Cryptical).   3 SHN notes
331. 06/30/01 Greek Theater - Berkeley, CA B Floyd Meadows FOB Source - some crackle and channel drop outs. i've also learned that FOB at the Greek is not the best place sonically. Besides much crowd noise vs the OTS section, there is little pickup from the PA so the vocal/instrument mix doesn't sound as good as in the OTS section.[d1t1 3:50 "zip";d1t3 10:42 diginosie, 15:39 crackle; d1t4 overloading; d2t3 different location?; d3t1 static ~12:00; d3t2 7:15 static; d3t4 4:00 lost channel, 7:30 lots of distortion]   3 SHN notes
332. 06/30/01 Greek Theater - Berkeley, CA A/B Schoeps CMC64 - minor skip d3t1 ~00:03, some nearby "clicking" d1t4 ~4:00, otherwise clear recording (taper section was opposite stage 1/2 up the seats in the bowl) but some audience chat occasionally. Listening to this show almost 2 years later (4/22/03) it doesn't sound engaging and thought the show at the time wasn't very good either - kind of introspective set list and, well, just not that engaging. The "Intrada" jam is ok. Overall - this is a good seed but it has a few small blemishes and the concert is in the bottom quartil of this tour IMHO.   3 SHN notes
333. 06/30/01 Greek Theater - Berkeley, CA   Source: DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky Green Mountain Bros. January 2008   3 FLAC  
334. 07/01/01 Greek Theater - Berkeley, CA A Another great sounding Bodenzord source. It was a hot day (for Berkeley) and set 1 provided music to match, culminating in the set 1 closer Lovelight. Set 2 had a Viola triple decker club sandwich. This was "Phil Lesh Day" in Berkeley and Phil thanked Hunter (who was in the audience) for writing songs for him (all played this day).   3 SHN notes
335. 07/01/01 Greek Theater - Berkeley, CA B Floyd Meadows FOB Source - see my comments on 6/30/01 for the sound issues with FOB's at the Berkeley Greek. [Celebration crackle from 7:30 onward. Lovelight distorted @ end. d2t1 2:26, 4:12, 7:15, 7:24-7:26, 7:33 crackle; d3t5 6:44 skip. Might be more flaws]   3 SHN  
336. 07/01/01 Greek Theater - Berkeley, CA   Jay Ashley Remaster Charlie Miller Source   3 SHN  
337. 07/01/01 Greek Theater - Berkeley, CA   Source: DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky Green Mountain Bros. January 2008   3 FLAC  
338. 07/03/01 Cuthbert Amphitheatre - Eugene, OR B sonic studio mics behind sbd - I prefer the sound of the Neuman source over this one, although the distinction is minor. Note that there were problems with the PA at this show. See Neuman source for additional comments   3 SHN notes
339. 07/03/01 Cuthbert Amphitheatre - Eugene, OR B+ Shepard Neuman source - there were some issues with the PA sound system on a few tunes. This show is the most "laid back" of the summer tour. Hard-to-Handle and Marbles are interesting and the set list is unusual in that there aren't any Dead war horse songs. I prefer the sound of this seed compared to the other one I have.   3 SHN notes
340. 07/03/01 Cuthbert Amphitheatre - Eugene, OR   Source: AKG 483>GP Dmic-20>Dat 6th row of tapers section. Transfer: Dat(48kHz)>ZA2(S/PIDF>Wavelab>cdwav>cdr via Chris Larson   3 SHN  
341. 07/04/01 Snoqualmie Amphitheater - Snoqualmie, WA B+ Neuman source from OTS - windy day but kudos to the shepherds for getting this tape out to the masses. this was the "hard to find show" from the summer tour. Compared to the prior night, lots of rockers with the appropriate US Blues and "Rockin in the Free world" for the 4th of July. Typical Phil but compared to other shows on the tour, this is a ways down the list.   3 SHN notes
342. 07/06/01 Red Rocks Ampitheatre - Morrison, CO A- This is a Charlie Miller MBHO which has a nice sound. Although the next night was released as an official sbd and attracts lost of attention, the set list on this night is more appealing to me. The set 2 has a more cerebral feel that flows nicely. This is one of the better shows of the year for my taste.   3 SHN notes
343. 07/06/01 Red Rocks Ampitheatre - Morrison, CO A/B akg source - sound good except there is some wind that induces swirliness and directly picked up on the mics when you listen on headphones. One brief glitch in an early set 2. Song selection in set 2 is interesting in that it doesn't have any strong rockers (see next night). The Lady w/ Fan > BFA > CAT is very good. Worth getting this show for the introspective playing.   3 SHN notes
344. 07/06/01 Red Rocks Ampitheatre - Morrison, CO B+ neumann carlson - swirliness from wind, forward soundfield not much sense of space. Set 1 above average. Set 2 has an unusual combination of tunes. Eyes/Lady/BFA/CAT that are worth hearing. The Lady > BFA transition I thought was especially well done. [1/27/04] No flaws   3 SHN notes
345. 07/06/01 Red Rocks Ampitheatre - Morrison, CO   Source: FOB Nakamichi 701?s> Custom P/S and Preamp> Sony SBM-1(48)> Sony M1 Transfer: Fostex D5> HHB 830> EAC> FLAC   3 FLAC  
346. 07/07/01 Red Rocks Ampitheatre - Morrison, CO A/B Sound nice but there was diginoise on this seed which has since been upgraded. If you like the Dead war horses, you'll like this show which is chock full of them. (I actually prefer the previous night 7/6 because it doesn't have so many classic tunes and is a little more unusual)   3 SHN notes
347. 07/07/01 Red Rocks Ampitheatre - Morrison, CO A- AKG Loomis source - clean, very good sound. Set 2 is chock-full-o' Dead classics. Can't go wrong on this night.   3 SHN notes
348. 07/07/01 Red Rocks Ampitheatre - Morrison, CO   unknown source   3 CDR  
349. 07/07/01 Red Rocks Ampitheatre - Morrison, CO   Official Soundboard   3 SHN  
350. 07/07/01 Red Rocks Ampitheatre - Morrison, CO A/B miller seed w/o digital transfer errors of first seed - no flaws, sound quality good but not great, some wind effects and a few mic bumps, rain at start of set 2. This show gets high ratings by many but set 1 sort of blah and set 2 didn't strike me as a knowckout when I listened to this version [1/30/04]   3 SHN notes
351. 07/07/01 Red Rocks Ampitheatre - Morrison, CO   Ashley Remaster of Official Soundboard   3 SHN  
352. 07/07/01 Red Rocks Ampitheatre - Morrison, CO   Bertha Remaster of the Official Soundboard Release by jashley@deadacated.com. SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA   3 FLAC  
353. 07/09/01 Zoo Amphitheatre - Oklahoma City, OK B unknown source - disk 2 stops suggesting some music lost at end of TOO ? sound quality has wind, some crowd, a few pops and a gap or two. Also, 2 dimensional soundfield so this is in the lower quartile for sound. The show has some moments, first official one with Bob stepping in for some songs I believe. Not a must hear. [7/21/04]   3 SHN notes
354. 07/09/01 Zoo Amphitheatre - Oklahoma City, OK B/A montell source - considering that this was the first offical show with Bobby sitting in I had a difficult time locating a more or less complete tape. The show itself is typicaly without notable highlights.   3 SHN notes
355. 07/09/01 Zoo Amphitheatre - Oklahoma City, OK   Unknown source fob audience recording   3 FLAC  
356. 07/10/01 Riverport Amphitheatre - Maryland Heights, MO B+ Loomis akg source. No flaws, though a tad bit distant and maybe a bit too heavy on the low end. Show is solid with Mr. Weir showing up for the PITB sandwich in set 1. This is nice with the "She Belongs To Me" transition wll pulled off. The rest of the show is typical PLQ. D3t4 Warrne does his Twangy boing thing during an attempt at atonal jamming which I don't like. The jam before Lovelight was nice and the Strawberry Fields was a good ensemble effort. Overall, not a must have show that I would rank in the second quartile. (12/13/02)   3 SHN notes
357. 07/10/01 Riverport Amphitheatre - Maryland Heights, MO A- Chase Smith source - Senn 441 OTS - no flaws, good sound. Bobby plays at start of 1st set, which chugs alongs nicely with a hot version of Passenger. Set 2 has a Viola quadruple decker sandwich, slowed down by "Tons of Steel", but otherwise typical PLQ. Average show. This might be the better of the 2 sources I have for this date. (4/23/03)   3 SHN notes
358. 07/10/01 Riverport Amphitheatre - Maryland Heights, MO   Source: MBHO 603a/ka-200n > Sound Devices MP-2 > ADC-20 > D8 @ 48k; DFC, 1st row T.S. Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac Taped By: Marty S. Patched & Transferred By: Ryan Burns (mstrpce420@aol.com)   3 FLAC  
359. 07/11/01 Sandstone Amphitheatre - Bonner Springs, KS B+ Grubbs akg source - good sound, except has a few drop outs (d1t5 5:43, 7:49, d2t1 00:13, d2t4 14:36), some screaming audients (d1t2 ~1:30), talking(d1t5 2:30-2:50) and a bit of wind (d1t1 12:36, 13:00). Show itself a solid though not exceptional set with China > Rider striking me as the highlight.   3 SHN notes
360. 07/11/01 Sandstone Amphitheatre - Bonner Springs, KS A/B AKG 481(xy@90,15th row) basnett source - nice sound with some enhanced bass. First song has notable static from what sounds like a loose cable, but rest of show is clean. If the static was missing, I'd rate this an A- for sound. Show is ok but not something you should seek out unless you went or are a collector. [2004-04-05]   3 SHN notes
361. 07/11/01 Sandstone Amphitheatre - Bonner Springs, KS   Bertha Remaster of Chad Basnett source by Jay Ashley AUD(AKG 481's)>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A   3 FLAC  
362. 07/12/01 River's Edge Amphitheater - Somerset, WI A- for schoeps Kempa Source - no flaws, nice sound. Show was competently played, and as on the 7/1/01 shows they end set 1 with a good version of Lovelight. Start of set 2 had a run of songs which aren't my favorites - UC > Just a Little Light; Beautifully Broken. Not any momentum of flow here. The afte end of set 2 also was a below average rendition of Help > Slip > Sugaree > Franklins. The transition into Sugaree seemed abrupt and again flow disrupting. Sugaree had some You Can't always getwhat you want teases. Phil's rap was brief so maybe theywere out of time. Executive summary - flawless recording of a below average energy show.   3 SHN notes
363. 07/12/01 River's Edge Amphitheater - Somerset, WI B/A Nick Brokenleg Nak700 Source - only flaw is some "cable static" on the start of the first song. Nice sound on this one and a pretty good one set show that flows well. [4/6/2004]   3 SHN notes
364. 07/14/01 Alpine Valley Music Theatre - East Troy, WI A- kempa schoeps fob source - no flaws and nice sound. no complaints about this seed. (2nd listen on 12/6/02) Show is a rocker. Starts off with Viola > Shakedown > Lovelight tease > devolves into noodling > Cumberland. The Lovelight tease comes across initially as though they are really going to kick some ass right off the bat, but then I guess they thought they were shooting their load too early so they noodle around until they settle on Cumberland. Add in a set closer Mason's and this is an energetic set. Set 2 is similar w/ St. Stephen, 11, Crytical, TOO and a double encore. Very good show.   3 SHN notes
365. 07/14/01 Alpine Valley Music Theatre - East Troy, WI A- AKG Loomis source - nice clean sound with good instrument definition, no errors. Hot Mason's to close set 1. Jam at start of set 2 also struck my fancy.   3 SHN notes
366. 07/14/01 Alpine Valley Music Theatre - East Troy, WI A- tapecat MBHO Row 16 source - nice clean sound, no flaws, equal to the best seeds I've heard from this show. Good show to boot (check out other sources for the review)   3 SHN notes
367. 07/15/01 Deer Creek Music Center - Noblesville, IN A- schoeps - Sound is very good (for outdoor show) and without flaws. The show is solid, with notable versions of Blue Sky and KS's Marbles. The sets are chopped up a bit so the flow isn't as seamless as other dates, and perhaps its a bit more laid back (at least compared to previous night), typlified by the Stella Blue encore.   3 SHN notes
368. 07/17/01 DTE Energy Music Theater - Clarkston, MI A- FOB AK - wow, this is a tasty recording with good tone, richness and no aud instrusions as well as a fun show. Set 1 has a good CRS and Bobby steps in for a few tunes with his scratchy sound. Set 2 opening jam loopy jazz feel and the St. Stephen > Revolution segue and a BFA tucked inside a HSF non-standard.   3 SHN notes
369. 07/18/01 Polaris Amphitheatre - Columbus, OH B+ Ehrsam mbho source - some overload distortion at set 1 closer and panning, but still a good listen. Weir plays on 2 songs. Good solid typical show from this tour.   3 SHN notes
370. 07/18/01 Polaris Amphitheatre - Columbus, OH A- FOB Schoeps source - clean, good sound, no flaws. Highlights to me were the prelude jam into Scarlet and the Scarlet > Fire combo. Solid show. Midnight Hour and set 2 being divided into 2 chunks I thought made the set too discontinuous to rank high at the top of this tour.   3 SHN notes
371. 07/20/01 Tweeter Center for the Performing Arts - Mansfield, MA A ehrsam source. My favorite show from this tour. 2nd set doesn't look strong but boy does it flow nicely. Lady with a Fan exceptional jam inside. The Lovelight encore better than the Berkeley 7/1/01 version.   3 SHN notes
372. 07/20/01 Tweeter Center for the Performing Arts - Mansfield, MA A Eric McRoberts FOB/DFC 17th row on 6'6" stand using schoeps cmc64. Great source except encore lovelight is cut   3 SHN notes
373. 07/21/01 The Meadows Music Centre - Hartford, CT A- mbho ehrsam - From what I can gather, this show is many people's favorite from the summer tour. Set 2 has a whole bunch o' Dead warhorses and everything is played very well. Bobby sits in on set 1 (which is also good) and Marbles is played! A keeper.   3 SHN notes
374. 07/21/01 The Meadows Music Centre - Hartford, CT   From Talmadge. Schoeps   3 CDR  
375. 07/21/01 The Meadows Music Centre - Hartford, CT   Unknown audience source via Patrick Hayes   3 FLAC  
376. 07/21/01 The Meadows Music Centre - Hartford, CT   FOB Schoeps CMC6/mk41 > Lunatic > DA-P1 @44.1kHz EAC); Taper: John Malagesi   3 SHN  
377. 07/22/01 Saratoga Performing Arts Center - Saratoga Springs, NY A- ehrsam source - good sound. Show typical well played Phil but the song selection this night I did not find special, though the Space Jam was interesting.   3 SHN notes
378. 07/24/01 Finger Lakes Performing Arts Center - Canandaigua, NY A- Schoeps - good sound. Show solid but again song selection did not overlap with my favorites. With Phil the playing is consistent and the way a song is played doesn't change very much so you can look at the setlist and get a good feel for the show.   3 SHN notes
379. 07/26/01 Jones Beach Theater - Wantagh, NY A- This was a hard show to find - you'd think with all the New Yorkers that would be the last problem - but the wait was worth it to get this good sounding recording. For those of you keeping score of the planetary jams this night had the "Jupiter Jam". The other notable event was the real break out of "Good Times -Bad Times" that they briefly toyed with at the Roseland on 4/30/01. Oh, did I forget to mention all the usual great tunes (St. Stephen, 11, Scarlet->Fire)? You get the idea - fun show, New York audience,..   3 SHN notes
380. 07/27/01 PNC Bank Arts Center - Holmdel, NJ A- Neumann inshnerator - no flaws, sound imporves during Revolution. Set 1 notable for a very strong Cumberland. Sugaree to start set 2 good as well. Rveolution > BFA > Eyes is an unusual song sequence. Revolution played very well, BFA imparts a darker, slow tone mid set which contrasts with the upbeat bouncey Eyes. This is a better than average show with some strong songs but the set flow is not a smooth as they can be on the best nights.   3 SHN notes
381. 07/27/01 PNC Bank Arts Center - Holmdel, NJ X this is the same neumann inshnerator source but with the original md5 naming set the renamed shn set is available here.   0 SHN  
382. 07/27/01 PNC Bank Arts Center - Holmdel, NJ   Unknown audience source via Patrick Hayes   3 FLAC  
383. 07/28/01 Tweeter Center - Camden, NJ A- Neumann tlm170 inshnerator - this is a very good source, with sick FOB sound in the sweet spot, and a great show that I would suggest you listen to if you haven't. The intro jam has tighte, interleaved jamming then a killer version of The Wheel with lots of fun teases in the interior jam. d1t4 ~4:20 the volume changes a tad (mics lowered?) The Saturn jam is meldoic and reserved. The outro jam from Fntasy is very syncopated and jazzy with good Barracco piano. The Star > Days Between slows things down nicely before the final high energy TOO > Shakedown and Passenger encore. Its not all perfect but this show should keep your attention if you like this lineup.   3 SHN notes
384. 07/28/01 Tweeter Center - Camden, NJ   B&K source   3 SHN  
385. 07/28/01 Tweeter Center - Camden, NJ   Video Source: Pro-shot Audio Source: Monitor SBD Video-CD NTSC MPEG-1 352x240 29.97fps CBR 1150kbps, Layer-2 44100Hz Stereo 224kbps (via TMPGEnc) Note: Audio not very good, aud tape sync'd version in the works   3 MPEG  
386. 07/28/01 Tweeter Center - Camden, NJ b/A Oktava shapiro - this was posted as a bittorrent with a "best source for this date" recommendation. The sound in many places is very good, full with a good aural soundfield BUT there are enough flaws that i would not get this source for this date. There are many small skips/gaps possible xfer errors that might not be on the source dats but they are in the shn files. d1t3 ~9:00, 9:13 skips;d1t5 3:30 skip, d1t6 gap ~7:40 (during crowd), d1t7 skip 1:30, d3t1 2:40 2 skips, d3t2 overload on bass so there is distortion, d3t3 again suffers from overload distortion, pretty bad, d3t4 ~0:45 skip. The overload on disk 3 suggests there might be other issues if one looks at the levels. The actual show is no sloucher - and most people who like this lineup of p&f would enjoy this show.   3 SHN notes
387. 07/28/01 Tweeter Center - Camden, NJ   shntool fix of Neumann tlm170 source(shn id = 4959) by MattMan.   3 FLAC  
388. 07/28/01 Tweeter Center - Camden, NJ   Source: Neumann tlm170(ortf, 10th row, 7'stand)> Lunatec v2> Apogee ad1000> DAP1 (44.1k) Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,fades)> CDWav (splits)> .shn   3 FLAC  
389. 07/29/01 Star Pavilion - Hershey, PA A- mbho ehrsam source - nice clean sound, no flaws. Show suffers from stops between songs so no flw develops. Willy Nelson's appearance is a nice gesture but doesn't contribute much and requires a pause to introduce him. Song choice didn't knock me over (Beautifully Broken > Unbroken Chain slow things way down in set 2). But they do play Keep on Growin. I rate this a B+ , not a must hear show, though this is a good source if you are lokking for one on this date.   3 SHN notes
390. 07/29/01 Star Pavilion - Hershey, PA A- akg souce - clean, no flaws worth noting. Set 1 was broken up either by no segues or appearance of Willie Nelson for last 2 songs. Nelson's cameo was uneventful and doesn't come across on tape so these are throw away songs. Set 1 playing is ok just not exceptional. Set 2 with BEW > Beautifully Broken > Unbroken Chain trifecta midset slowed things way down, with the outro jam of UC having one of the Warren twangy atonal jams which I don't enjoy, but this was partially compensated by a good version of KOG which fits the southern rock style of this lineup. The Derek Trucks appearance for Viola and Lovelight was good as well so the KOG, Viola Lovelight segment is the best part of the show.   3 SHN notes
391. 07/29/01 Star Pavilion - Hershey, PA   gamehenge unknown source   3 SHN  
392. 07/29/01 Star Pavilion - Hershey, PA A- fob neumans taped by justin carlson - clean, no flaws, good sound. So-so show as explained in comments on another source for this date   3 SHN notes
393. 07/29/01 Star Pavilion - Hershey, PA   Unknown audience source via Patrick Hayes   3 FLAC  
394. 07/29/01 Star Pavilion - Hershey, PA B source: aud > Sony ECM-MS957's > Sony WM-D6 > mac transfer: mac > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac taped by John Bleich conversion by SirMick [2008-08-01]Levels seemed "hot" so this sounds a bit harsh.   3 FLAC notes
395. 07/31/01 Merriweather Post Pavilion - Columbia, MD A- oktava source, clean sound, no flaws. Standard show for the PLQ, features a nice mix of song types (Terrapin, CAT, MOTM vs St. Stephen, 7-11 jam ). Not a core holding, mainly because there wasn't any specific exceptional playing that made me want to immediately play this again, it sounds like any other PLQ show from this period. (4/22/03)   3 SHN notes
396. 07/31/01 Merriweather Post Pavilion - Columbia, MD   Source: DAUD -> CEP -> CDWAV -> FLAC(level 8) EAC etc by Matt Vernon   3 FLAC  
397. 07/??/01 Various - Various, Various A Soundboard tracks various dates- Just check out the setlist. Need I say more?   1 SHN notes
398. 08/02/01 Virginia Beach Amphitheatre - Virginia Beach, VA A Madry Neumann source - Clean, very good sound, no audience interference. The Strawberry shields > Cosmic Charlie section is very good. Some of the other jams are too atonal w/o any clear rationale why they are playing that way for my ears. Respectable version of TOO. SHow ends well.   2 SHN notes
399. 08/02/01 Virginia Beach Amphitheatre - Virginia Beach, VA A- collins source - very good sound. Some nearby aud. clapping on d2t3~4:00-4:45 sounds like a minor digital artifact. Very good single set show - would serve as a good introduction to people that want to know what the PLQ sounds like. Dew > Masons nice pace change, TOO got me bouncing along. Strawberry Fields and Watchtower also good versions   2 SHN notes
400. 08/02/01 Virginia Beach Amphitheatre - Virginia Beach, VA A- tapecat MBHO source - nice sound, no flaws cept a blip at start of d1t1 and some very, very minor audience chatter. Solid show, but not a must have, though the setlist has an interesting mix of covers (Watchtower, Strawberry Fields, Sunshine of Your Love).   2 SHN notes
401. 08/03/01 Alltel Pavillion - Raleigh, NC A madley Neumann source, clean great sound. Until Shakedown, shows came across as a bit sleepy. IKYR has some good guitar runs. SOldi 1 set show but not a must hear, but this source is very good.   2 SHN notes
402. 08/03/01 Alltel Pavillion - Raleigh, NC A- tapecat source mbho - clean sound. Solid one set show.   2 SHN/EAC notes
403. 08/03/01 Alltel Pavillion - Raleigh, NC C/A MTG SMS200 source - this is an excellent sounding FLAWED source. The sound quality w/o the flaws is superb, great clarity, tone, separation. would have been one of the best auds I ever heard but there are flaws. d1t5 -> clicking from 8:27-8:56, d2t1 diginoise ~2:43, sbe like clicks @ d2t1>t2, d2t3>t4. d1t5 starts abruptley, d2 fades in so maybe not continuous with end of d1. Show is solid one set during the PAF/ABB swing through the south.   2 SHN notes
404. 08/03/01 Alltel Pavillion - Raleigh, NC   MTG source   2 SHN  
405. 08/03/01 Alltel Pavillion - Raleigh, NC   lockhart source   2 SHN  
406. 08/03/01 Alltel Pavillion - Raleigh, NC       2 SHN  
407. 08/04/01 Verizon Wireless Amphitheater - Charlotte, NC B/A Neumann KM-140s>EEA-PP2>DAP-1 from Jamie Decker disks, shn'd by Tony Gardner. Solid 1 set show which ends on a high energy St Stephen > 11 > Terrapin > Golden Road. This seed has a few minor flaws (perhaps sbes from d1t6>t7, d2t4>t5 skip at d1t8 6:39 fixed with a re-seeded track?). Good overall sound no audience distractions.   2 SHN notes
408. 08/04/01 Verizon Wireless Amphitheater - Charlotte, NC   Collins source   2 SHN  
409. 08/04/01 Verizon Wireless Amphitheater - Charlotte, NC A- Madry source - good sound, typical show, couple instances of boisterous crowd. Jam after Unbroken Chain I noted was good.   2 SHN notes
410. 08/05/01 Lakewood Amphitheater - Atlanta, GA   MK4>KC5>CMC6>V2>HHb (FOB) taped by Robert Kwon EAC (secure with proper offsets)>shn (mkw) by Tony G (gdtrfb@bellsouth.net)   2 SHN  
411. 08/05/01 Lakewood Amphitheater - Atlanta, GA A- Madry Neumann source - great sound, no flaws. Intro jam, Help and Viola sandwich very good. Levlight w./ Tedeschi on vocals was a fun listen.   2 SHN notes
412. 11/08/01 Aragon Ballroom - Chicago, IL A AKG 393 taped by Frank Dawid. First set song titles kind of play out the 9/11/01 NYC events. First set is best of the 2. Interesting intro to Slipknot! (unusual guitar or keyboard sounds). Eyes in set 2 has some sound issues. Overall very good start of tour show.   3 SHN notes
413. 11/08/01 Aragon Ballroom - Chicago, IL A Schoeps MK4V Taped and Transfered by Jeff Kempka - I listened to this source on 6/29/03. It has no sonic issues, sounds very good, and the show has some excellent outstanding moments. Set 1 is one connected musical piece that start with a bass jam, then relates the 9/11/01 WTC event through the Dead's songs. The keyboard/synth work in Help/Slip very nice. Set 2 has a good Eyes but the jams around "The Wheel" worth special mention. The aft part of set 2 has "Fan > Stella > Terrapin" and was a good pace change and solidly played. Debut of Liberty I think was this night.   3 SHN notes
414. 11/08/01 Aragon Ballroom - Chicago, IL B+ Source: Sony D-7 & Nak 300's w/CP-1's Location: First row tapers L.O.B.(Closest to center) Taper: Tapecat Another source for this fun show. Show has some new synthesizer sounds from Robb that are interesting.   3 SHN notes
415. 11/08/01 Aragon Ballroom - Chicago, IL A/B akg Colovos - no flaws, some nearby crowd noise, overall good aud. Good show with a nice Stella > Terrapin if you want to hear some more laid-back tunes.   3 SHN notes
416. 11/08/01 Aragon Ballroom - Chicago, IL   Source: FOB Schoeps MK4V>KC5>CMC6>Apogee AD1000>Sony D8(shnid=6399). Remaster: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan.   3 FLAC  
417. 11/09/01 Fox Theatre - St. Louis, MO B+ Source:3 Nakamichi CM300 - 2 CP4 Shotguns, 1 CP3 Omni - XY pattern Recorded Rob R - ArtCube@hotmail.com. d3t4 4:23-4:24 statis unrepairable. My notes say this was a below average show - Barraco keyboard good on opening jam; maybe just not my favorite songs; set 2 mellow with Walrus and Charlie fun   3 SHN notes
418. 11/09/01 Fox Theatre - St. Louis, MO A Taper: Tapecat Location: 18th row L.O.C. about 10 seats in front of Cutler (Stealth) Source: MBHO603a 200n> MP-2> ADC-20>Sony D-8 Extra crispy fob with no digi-noise issues. Lovelight yes!   3 SHN notes
419. 11/09/01 Fox Theatre - St. Louis, MO A BK4021 mics - rich, full sound. I'd say get this source to hear what the best auds sound like. There is some nearby audience whoops etc but it is worth enduring them for the overall sound of this recording. Also, the crowd noise alwyas dies off as the show progresses. There are some interesting little jams here and there but no specific highlights this night per-se. [6/21/2004]   3 SHN notes
420. 11/09/01 Fox Theatre - St. Louis, MO   Source:fob(12throw lfc)->mbho603a200n(cards)->MP2->ADC-20->DA-P1 (16bit 48kHz) Transfer:DA-P1->Wavelab 4.0->Apogee UV22HR dithering algoritm 16bit 48kHz to 16bit 44.1kHz Taped by: Marty S Transfered by: Marty S   3 FLAC  
421. 11/10/01 Palace Theater - Louisville, KY A Great sound- lots of hot songs: Shakedown, Mason's, Passenger. Show dedicated to Ken Kesey. "Why don't we do it in the Road" surprisingly fun.   3 SHN notes
422. 11/10/01 Palace Theater - Louisville, KY   Neumann KM140 -> Sonosax SX-M2 -> Panasonic SV-255 recorded by Dirk Cota. Sony PCM-R300 -> Zefiro ZA2 -> Cool Edit Pro -> CDWav -> CDRWin transferred by David Ward   3 SHN  
423. 11/10/01 Palace Theater - Louisville, KY A- fob neuman - no flaws and excellent sound, very nice recording. This show is a fun listen with a good variety of tunes played in different styles. Show dedicated to Ken Kesey.   3 SHN notes
424. 11/12/01 PromoWest Pavilion - Columbus, OH A- MOTM and its exit jam are good. Dark Star typical (it never falls apart nor gets quiet as the dead played it) but it has a Phish tease at the end?? TNK is good (maybe a bit too much Warren twang)   3 SHN notes
425. 11/13/01 Shea's Performing Arts Center - Buffalo, NY A- Very nice aud recording. Highlights: CRS to close 1st set with Phil "thumping" away on the bass. The "spacey jam" between Scarlet and Cumberland is a very most excellent rolling and bouncing jam.   3 SHN notes
426. 11/13/01 Shea's Performing Arts Center - Buffalo, NY A- Habbel source OTS Schoeps - Good sound, some volume adjustments at the start of each set. The "Spacey Jam" after Scarlet is very good and ......spacey.....   3 SHN notes
427. 11/15/01 Palace Theatre - Albany, NY A- AKG ck61 FOB (Row BBB, Seat 1: second row, left center) by Tom Reizes. Very nice recording with no flaws. Solid show but seemed somewhat canned - for example in both parts of Cryptical they seem to go through the motions. WYWH encore has nice guitar work, though Phil's singing is ragged. May have ben better as an instrumental. Setlist also has songs that aren't my favorites. set 1 for example, but it ends on a highnote with Lovelight. To sum up - nice recording soundwise but not a core holding performance.   3 SHN notes
428. 11/16/01 Memorial Auditorium - Burlington, VT A- Earthworks SR78>MP2>D8 > DAT > CDR taped by Bill Graves. No significant sonic flaws, the Scarlet > PITB reprise good. Excellent version of KS Marbles in set 2, though set 2 is chopped up so momentum not as good as at some Phil show, though the playing is very solid throughout.   3 SHN notes
429. 11/16/01 Memorial Auditorium - Burlington, VT A/B Neumann Harvey source - no flaws, some audience but overall good recording. Show is average for this tour (which is good) with some personal favorites (KSM). Set two does have the noted breaks so the momentum cannot be developed as much as in some other shows. Good version of Strawberry Fields and following jam   3 SHN notes
430. 11/17/01 Stabler Arena - Bethlehem, PA A/B Taper: Ben Ehrsam Location: Left of the soundboard SOURCE: MBHO 603a/Ka200> MP-2>DA-P1 > DAT > DIGI > HHB 830 > CDR Transfer: CDR > EAC > SHN(seekable) by mvernon54@attbi.com shntool confirms tracks on sector boundaries   3 SHN notes
431. 11/17/01 Stabler Arena - Bethlehem, PA A- SOURCE: Schoeps MK4v > VMS5u > SBM-1 > DA-P1 (FOB/DFC on stand). Total kickdown on this one.   3 SHN notes
432. 11/17/01 Stabler Arena - Bethlehem, PA   Remasterd shnid=6405 by Patrick Hayes   3 FLAC  
433. 11/18/01 Central Maine Civic Center - Lewiston, ME B FOB in Hat patched with Schoeps OTS. Set 1 FOB had some issues getting set up so I would have used more from the OTS source. As it is, there are enough annoyances with volume changes that you probably want another source for set 1. Set 2 seems cleaner. Pretty good show, but not a strong one for this tour.   3 SHN notes
434. 11/18/01 Central Maine Civic Center - Lewiston, ME A/B Earthworks aud. Good sound, see info file for minor flaws. Some periodic banging from steam pipes?? Lady w/ Fan > 11 > Terrapin best of show   3 SHN notes
435. 11/20/01 Oakdale Theatre - Wallingford, CT A- Taper: Ben Ehrsam Location: Back of tapers section. Dead center Source: MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 > CDR Songs well played but many are not my favorites so I rate this a little below a typical Phil show. Conversion by mvernon54@attbi.com EAC > SHN (mwkact with seektables appended   3 SHN notes
436. 11/21/01 Orpheum Theater - Boston, MA A Very nice FOB sound on this "unknown" aud. Any show with both King Solomon's Marbles and Keep on Growin is way up on my desireable list! Set 1 is better than set 2 for me this night, but all the playing is of high quality   3 SHN notes
437. 11/21/01 Orpheum Theater - Boston, MA A/B Sound here not as good as the FOB source for this night   3 SHN notes
438. 11/23/01 Orpheum Theater - Boston, MA   Nak 300 taped by Dawid   3 SHN  
439. 11/23/01 Orpheum Theater - Boston, MA A fob schoeps - one of the best sounding tapes of the fall tour. Listen to this to hear why you want fob's for these indoor theaters. The starting "into the mystic" is kind of detached from the rest of the first set (like a sound check almost) but "The Wheel" sandwich is good. How can you not like a set with New Potato Caboose in it? Set 2 is a killer set list, although Unbroken Chain, with its variable pacings, disrupted the flow a tad (I like sets where the flow is smooth) but I'm probably being too critical.   3 SHN notes
440. 11/23/01 Orpheum Theater - Boston, MA A- FM Broadcast (missing Mirror of Thalassa) - no sonic issues. See "show" review on the audience seed. When I re-listened to this show on 6/29/03 I was less impressed with it- it is as good as most Phil shows but didn't have any exceptional moments that set it apart.   3 SHN notes
441. 11/23/01 Orpheum Theater - Boston, MA   Source: Scheops CMC6 MK41> SPS2> DAP1 Transfer: Sony R500> Za2> Sound Forge> Shorten for Windows (with shntool fix for sector boundary errors)   3 FLAC  
442. 11/24/01 Orpheum Theater - Boston, MA A- Very good sound, although some minor crowd noise and soundfield panning. The Cumberland > Banks > FOTD has really good pickin' (esp ~7-8:00 of FOTD). The Viola > Golden Road transition very nice. After they are really wailin away on Viola and you think that's the last song, they segue into Golden Road and you can just feel the crowd in the palm of their hands. The Midnight Hour encore also very good. So this night the show ends very hot.   3 SHN notes
443. 11/26/01 Beacon Theater - New York, NY X fob schoeps Peter G source (not cut on sector boundaries)there is a shntool fixed version of this show available here.   0 SHN  
444. 11/26/01 Beacon Theater - New York, NY A- fob schoeps with tracks cut on sector boundaries. Good sound, some minor distractive audience talking. The show hits its stride during the 11 and has very good jam during the Slipknot! following St. Stephen.   3 SHN notes
445. 11/26/01 Beacon Theater - New York, NY B+ schoeps -OTS - Mcmullan. This source is not as good as the PeterG schoeps source viz sound quality. A bit further back, rise and fall times not as abrupt, more crowd noise. I fixed a drop out in Shakedown. Use this an an example of why front of Loge or Balcony seems to give best sound in the Beacon. Show not as strong as others in the run - intro jam in set 2 seems long and fills time for example.   3 SHN notes
446. 11/26/01 Beacon Theater - New York, NY   fixed schoeps fades removed and retracked by damhippy   3 FLAC  
447. 11/26/01 Beacon Theater - New York, NY X FOB Scheops Transfer Sony R500> ZA2> Sound Forge PeterG. Note: An sbe-fixed version of this source is available.; upgrade in circulation   3 SHN notes
448. 11/27/01 Beacon Theater - New York, NY B Microtech-Gefell Miller source (sbe fixed) sound recorded on barraco side so he is more prominent in the mix than normal. Flaws: d1t6 7:24 lc glitch, 11:06 rc mic hit. d2t2 2:33 mic brushed;6:43 brief drop out,7:42-7:47 not all mics on?.   3 SHN notes
449. 11/27/01 Beacon Theater - New York, NY A- mbho clingan source - very nice clear sound - very good recording for Beacon. My highlights - set 1 Banks of the Deep End > Lovelight and almost all of set 2! Built to Last encore weak but I always thought this was a poor song.   3 SHN notes
450. 11/27/01 Beacon Theater - New York, NY X miller mbho shn set w/ sbe's -> these are fixed on another shn set available here.   0 SHN  
451. 11/27/01 Beacon Theater - New York, NY   mpeg of show - light levels low   3 MPEG  
452. 11/27/01 Beacon Theater - New York, NY   FOB Row G#106 AKG 414. Transfer Sony R500> ZA2> Sound Forge   3 FLAC  
453. 11/28/01 Beacon Theater - New York, NY X Schoeps unspecified taper with sector issues on tracks -there is a shntool fixed version of this show available here.   0 SHN  
454. 11/28/01 Beacon Theater - New York, NY A- Schoeps source with tracks placed on boundaries w/ shntool. One of those rare shows where they play "Keep on Growing". This is a great song, and a great match for Warren's style of slide - it was made for these guys. Why don't they play it more?? Good segue INTO Wharf Rat. Couple of spots of diginoise.   3 SHN notes
455. 11/28/01 Beacon Theater - New York, NY   Schoeps source (taper not specified). Transfer: Sony R500> Za2> Sound Forge> Shorten for Windows (Note this source not tracked on sector boundaries); upgrade in circulation   3 SHN  
456. 11/30/01 Beacon Theater - New York, NY   FOB Audience - clamped to front center of Loge B&K. Note these comments made by the taper for this seed: "This is my recording and I am not pleased with the results. A few copies have made it out before I realised that in my haste to share the music, I failed to first confirm its worthiness. I do not know why the recordings came out poorly and I would recommend folks find a better source. Apologies if you ended up with a copy." peace, further... e   3 SHN  
457. 11/30/01 Beacon Theater - New York, NY A- Good sound, minimal audience noise, good bass response. "George Harison" tribute show - While My Guitar Gently Weeps. Very solid show.   3 SHN notes
458. 11/30/01 Beacon Theater - New York, NY A- Jim Wise from center Loge w/ mic's on rail. AKG 414's - probably best source for this night (no flaws except one place with a little bit of overload distortion). This is a good show - highlights being the NFA > Tears of a Clown, Eyes, and the George Harrison tribute "While My Guitar Gently Weeps"   3 SHN notes
459. 11/30/01 Beacon Theater - New York, NY B+ Taper section, rear orchestra behind board under Loge AKG 393 - this source sounds more muffled and distant than the seeds from the front of the balcony and loge, with more crowd. When you tape the bBeacon, definitely don't want to be under the loge!   3 SHN notes
460. 12/01/01 Beacon Theater - New York, NY A- Ehrsam source: Very good sound, minimal audience. Dickey Betts encore show. MOTM has great spacey echo effects. Set 2 from Shakedown thru Violalee a sonic roller coaster ride   3 SHN notes
461. 12/01/01 Beacon Theater - New York, NY A/B Jeff Travitz taper Schoeps MK4v. No flaws but a bit boomy on the bass so low notes are not as well defined. Nice show. When I listned to this source (5/22/03) the Shakedown > Viola Lee sandwich still sounds great.   3 SHN notes
462. 12/01/01 Beacon Theater - New York, NY   Source: Schoeps MK4v > Schoeps VMS 5U > Sony SBM1 > Sony d10pro (shnid=8714). Remaster: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan.   3 FLAC  
463. 12/02/01 Beacon Theater - New York, NY A- Ehrsam source: Very good sound for Beacon. Another great show - this night the playing is more cerebral, check out the TNK jam for some incredible playing.   3 SHN notes
464. 12/02/01 Beacon Theater - New York, NY B+ FOB Audience - Orch center row J B&K. Sound is pretty good and there are no flaws but I docked this one 1/2 grade down because of nearby audience talking. This is a good show with an exceptional version of TNK in the middle of set 1 that is worth seeking out. Set 2 has a nice KSM and I was easily wrapped up in set 2.   3 SHN notes
465. 12/02/01 Beacon Theater - New York, NY A- Jim Wise 7th row center AKG source. See info file for flaw notes. Overall sound very good, AKG's tend to enhance the bass a bit. Some crowd noise but that comes with the FOB location. Check out the KSM in set 2. Any show with this tune is worth hearing just for it. Great version of TNK in set 1 (surprises you they play this heavy tune mid set 1). Intro Jam also has a bunch of teases (Foolish Heart etc) before morphing into Crazy Fingers. The HSF in set 2 not the best version I've heard. The 3 song encore makes up for it with a good mix of song styles.   3 SHN notes
466. 12/02/01 Beacon Theater - New York, NY B+ Taper section, rear orchestra behind board under Loge AKG 393 - this source sounds more muffled and distant than the seeds from the front of the balcony and loge, with more crowd as well. When you tape the Beacon, definitely don't want to be under the loge!   3 SHN notes
467. 12/03/01 Beacon Theatre - New York, NY A- FOB Audience - clamped to front center of Loge / B&K 4021s - tracks not on sectors. the taper didn't like the way these sounded but I thought it was fine (meaning I can't detect anything other than the sbe's that is the fault of the taper). Check out the jam at the end of d3t2! This really caught my attention. Bobby's first set is very good high energy (he should have left out the comment about the difficulty of a playing a slow song after a fast one which breaks the transition). I always like Osby playing sax so set 2 was a special treat. Even LA Fadeaway sounded good.   3 SHN notes
468. 12/03/01 Beacon Theatre - New York, NY B- Sound Pro AT6 by Jamphan - Sound is distant, vocals seem very low in mix, little bass?? In general a grade down from other shows in sound quality. Show highlights Bobby songs. Rumors say Warren feeling sick, so didn't play on a few songs. Show energy a grade lower than typical.   3 SHN notes
469. 12/03/01 Beacon Theatre - New York, NY B+ FOB orchestra center AKG - Best sounding version for this date IMO. Show shines when Osby is on stage - several "groovy" jams with Phil's bass complementing everyone else's playing very nicely.   3 SHN notes
470. 12/03/01 Beacon Theatre - New York, NY A- MBHO603a Loge Center - Ehrsam source - pretty good sound. Up there with the best tapes i've heard for this night   3 SHN notes
471. 12/03/01 Beacon Theatre - New York, NY   AVI video of set 2 and encore - because of the avi format, need the divx codec and the image size is small. this is too bad because the stability and video look good.   3 AVI  
472. 12/21/01 Asheville Civic Center - Asheville, NC B+ fob-dfc mk4(din) Kwon source. Basically a short, lets-have-some-fun set as part of the xmas jam. d1t1 from 8:30-11:00 some sporadic crackle. d2t1 some annoying yelling during GDTRFB. 1000 STars and Lovelight probably the highlights. Some momentum lost while they fix an equipment issue which breaks up an already short set. I would go with the Ehrsam source (same or better sound w/o the diginoise issues)   2 SHN notes
473. 12/21/01 Asheville Civic Center - Asheville, NC   source: schoeps mk21's>ortf>kc5's>cmc6's>ad1000>d8>@ 44.1khz. transfer: dat master in tascam da20mkII>rme96/8>cdwav.(in)+(tracking)>mkw>shn. taper: mikey.k/unidecker@mediaone.net   2 SHN  
474. 12/21/01 Asheville Civic Center - Asheville, NC A- MBHO ehrsam source - nice bass response d1t1 ~5:30 screaming audient, Loose Lucy fun song. Set sounds like everyone wanted to have some fun and not get too serious about making a musical statement. d1t4 ~ 2:22 Warren does this scale, atonal jam thing that I don't enjoy because it sounds reflexive and predictable.   2 SHN notes
475. 12/30/01 Henry J. Kaiser Auditorium - Oakland, CA A FOB Neummann's: I went to this show and this sounds much better than the left side balcony where I was. Considering the music that was being played I'm impressed by the near absence of audience noise! Very nice recoding. As Marc Pujol says, "Excellent sounding recording!! Most notable is a very clean and accurate low end that does not distort under heavy bombing by Mr. Lesh. "   3 SHN notes
476. 12/30/01 Henry J. Kaiser Auditorium - Oakland, CA   nak 300 source   3 SHN  
477. 12/30/01 Henry J. Kaiser Auditorium - Oakland, CA   Another NAK source   3 SHN  
478. 12/30/01 Henry J. Kaiser Auditorium - Oakland, CA   Unknown audience source via Patrick Hayes   3 FLAC  
479. 12/31/01 Henry J Kaiser Convention Center - Oakland, CA A- Bodenzord Neumann OTS - Sound quality better than I expected from what I heard the previous night in the left side balcony (where the sound was echoey). I rate this a solid but average show. Highlights are the obvious CRB set with Weir, Kreutzman, Hart and the NYE factor. I did NOT attend this show so I cannot comment on the spiritual factor of being there. The CRB playing was not noticeably enhanced over the PLQ sets, probably attributable to them not having played much together. I make these comments mostly because I have read so many reviews which rate this the #1 show of the year - musically, to my ears there are many others that I would rate higher.   4 SHN notes
480. 12/31/01 Henry J Kaiser Convention Center - Oakland, CA A Lazur fob neumann's - Pujol's comments very apt. Some ballons, occassional talking but very clean well defined sound and nice bass response. Another very solid, consistent performance which will appeal to all Phil fans. Susan "Trucks" supplies some earthy vocals to Midnight Hour and H2H, and hubby Derek joins for the 2nd Phil set. Crusader set has Bill, Bob and Mickey and an obvious heavy Bob song selection (PITB...).   4 SHN notes
481. 12/31/01 Henry J Kaiser Convention Center - Oakland, CA   fob schoeps - but the "Crusader Rabbit" set is NOT included   3 SHN  
482. 12/31/01 Henry J Kaiser Convention Center - Oakland, CA   3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. Art Cube   3 FLAC  
483. 03/29/02 Warfield Theater - San Francisco, CA A Nice clear FOB (some crowd noise not bad) after show gets going. Eyes/Favorite things played in a jazzy manner(+), but Phil's voice sounds strained(-). Some of the jams get a little too atonal when they disintegrate for my tastes (but I'm probably being picky). Nice bust out of Till the Morning Comes, Sititng on the Top of this World! New Potato Caboose and Cry > .. > Good Lovin great ensemble playing.   3 SHN notes
484. 03/29/02 Warfield Theater - San Francisco, CA A Boden master - excellent primo sound! Some audience chatter on celebration. ~7:00 of Til Monring Comes, spacey atonal jazzy breakup. Phil's vocals sound strained in Eyes. The Real Thing - introspective, Passenger lively as always. Set 2 opening Jam good synth by Rob, Blues for Allah tease before NPC, the latter has nice velvety guitar tone from Herring. Another Blues for Allah tease ~6:30 of Night 1000 Stars. SOTOW Rob's vocals and Herring guitar style good match for this song. ~7:00-7:30 of SOTM Dark Star tease and good Rob boggie piano solo. Crypt > Good Loving as I remember them. Cosmic Charlie was a nice way to close the show.   3 SHN notes
485. 03/29/02 Warfield Theater - San Francisco, CA A/B schoeps MK4V - no flaws, but some balloon pops and chatter. when i listened to this source (5/6/03) i wasn't as excited about this performance as my first review. Highlights were still the bust outs of Sittin and Till the morning Comes but other songs in the sets seemed to squash the flow - Midnight Train, Celebration, 1000 Stars just aren't holding up to repeated listens for me.   3 SHN notes
486. 03/29/02 Warfield Theater - San Francisco, CA   AUD(FOB)>>LunatecV2>>DAT>>Samplitude(Transfer)>>CEP(Normalize)>>WAV>>SHN>>DAW(Bertha)>>CDA (Jay Ahsley remaster of Miller/Boden source)   3 FLAC  
487. 03/30/02 Warfield Theater - San Francisco, CA A Neuman KM150 - another very nice seed. Set 1 technically well played, the songs just aren't my fav's. The intro jam was a nice mix of themes and the transition to LSD was good, but the only other exceptional playing that I found engaging was the Roadrunner bust. Note: There is about 2 minutes of music missing on the disk 2 > disk 3 flip (battery issues).   2 SHN notes
488. 03/30/02 Warfield Theater - San Francisco, CA A/B schoeps mk4v - no flaws but there is some audience chatter and the bass seems kind of muddy instead of thumpy. Other seeds might be better for overall sound clarity. Set 1 song selection creates a non-engaging set as evidenced from the audience chatter. Set 2 ends strongly with Terrapin > Caution (words) > Lovelight esp. the jam into Caution is good. I'd rank this in the lower quartile of Phil shows overall.   3 SHN notes
489. 04/01/02 Big Easy - Boise, ID A/B Overall sound quality very nice, esp. bass definition. audience not intrusive - some cuts in the between song audience talk and the intro/donor speech is missing. Typical Phil - the St Stephen teases almost sound interrupted as though there is a tape error when they end. My show rating of A/B comes from the absence of exceptional playing or set continuity that happens occasionally to my ears. All in all a good, if average, Phil show.   3 SHN notes
490. 04/01/02 Big Easy - Boise, ID A- This source is more complete than the akg source, but the bass is less pronounced. A nice recording of the "St Stephen teaser fest"   3 SHN notes
491. 04/01/02 Big Easy - Boise, ID B+ schoeps - kind of tiny and thin sounding, as though the room has no reverberation. Show I'd say is typical but they played an uninteresting spacey jam near the end of set 2 which left me wondering where they were going. Long version of Hard to Handle. I guess my main complaint is that there ws no flow developed during the sets that carried me along.   3 SHN notes
492. 04/02/02 Brick Breeden Field House, Montana State - Bozeman, MT A akg pujol seed - very nice crunchy, thumpy bass sound. This is my favorite show of the tour. From the opening jam they develop a nice flow. Very good playing throughout. Some interesting "midi?" stuff from Barraco and also some new drum sounds. I rate this high because of the set flow and the excellent playing.   3 SHN notes
493. 04/02/02 Brick Breeden Field House, Montana State - Bozeman, MT A- schoeps mk4v - no flaws, sound quality a bit resonant from the hall. This is a top show from the spring tour. The opening jam is hot. I like the Baracco song Leave Me Out of This. The setlist doesn't jump out at you but there is a lot of energy emanating from the band and the music has a good flow during the sets.   3 SHN notes
494. 04/03/02 KBCO FM Studio C - Boulder, CO   FM webcast -> compressed   1 SHN  
495. 04/03/02 KBCO FM Studio C - Boulder, CO A/B FM broadcast - standard song renditions and Phil interview - you can skip this one unless you're compulsive like me!   1 SHN notes
496. 04/04/02 The Fillmore Auditorum - Denver, CO A/B DFOB MBHO - sound a bit distant (from venue's acoustics) but crowd noise is low so this is a good tape. The show itself was a bit below average. Derek Trucks sits in for set 2. Phil shows are very consistent. Just nothing stood out for me this night. Mason's to start off was good, but typical of many shows this tour, there are "abstract" jams that seemed forced on many of the tunes IMO.   3 SHN notes
497. 04/04/02 The Fillmore Auditorum - Denver, CO A- akg pujol seed - sounds fuller, closer than the MBHO seed.   3 SHN notes
498. 04/04/02 The Fillmore Auditorum - Denver, CO A- fob schoeps - edlhuber. No flaws and bass is nice n' thumpy. Set 1 Jam, nice developed Bird Song and SOTOTW highlights to me. Some of the other songs (Midnight Train, taste Like Wine) slow stuff down and don't engage me. Set 2 standard Dead 69 tunes with Derek Trucks participating. well played and above average.   3 SHN notes
499. 04/05/02 The Fillmore Auditorum - Denver, CO A/B DFOB MBHO -see 4/4/02 comments about sound and abstract jams this venue/tour. Shakedown for example is a funky song but they stuck one of the "abstract" jams in the middle that didn't seem appropriate to me, while the jam into Low Spark was a good place for one of these spacey interludes because Low Spark starts out slowly with an open, sparse sound. The Low Spark segment was the strong part of the show for me. Foolish Heart also good. HSF average Phil performance. The Denver shows this tour were not as strong as past tours where they may have been the highpoints.   3 SHN notes
500. 04/05/02 The Fillmore Auditorum - Denver, CO A akg pujol seed - I prefer the more upfront, and thumpier bass response of this source over the MBHO   3 SHN notes
501. 04/05/02 The Fillmore Auditorum - Denver, CO A- fob - schoeps eblhuber. No flaws. I like set 1 better this night than set 2 for the song selection.   3 SHN notes
502. 04/06/02 Dobson Arena - Vail, CO A- Crowd noise minimal for FOB in hat, though the hall sound is a bit boomy! First set has a jazz undertone - opening jam and jam after Acadian Driftwood. Caution with words in set 2 excites some old neurons.   3 SHN notes
503. 04/06/02 Dobson Arena - Vail, CO A akg pujol seed - nice clear, upfront sound with good chunky bass response. I prefer this over the MBHO source   3 SHN notes
504. 04/07/02 Dobson Arena - Vail, CO A- FOB schoeps w/ clear sound and no significant audience distractions. This is my favorite show from this short tour. Kind of unusual mix of songs and the playing has more open, spacey type jamming that I like - with TNK as a good example of what I mean.   3 SHN notes
505. 04/07/02 Dobson Arena - Vail, CO A/B akg pujol seed - a little distant sounding but no major flaws.   3 SHN notes
506. 04/07/02 Dobson Arena - Vail, CO   Primary source: B&K mics taped by Mark F. Secondary Source:AKG Pujol source (via Internet Archive) Conversion, assembly etc via Patrick Hayes   3 FLAC  
507. 05/04/02 Morris FX Auditorium - New Orleans, LA A- Lynn b&k 4011s - clean sounding source. Best part is the jazzy piano work on Caution by barraco. Randalf on pedal steel for encore wasn't exceptional   2 SHN notes
508. 05/04/02 Morris FX Auditorium - New Orleans, LA   Source: OTS Nakamichi 701?s> Custom P/S and Preamp> Sony SBM1(48)> Sony M1 Transfer: Fostex D5> HHB 830(44.1)> EAC> FLAC via Nakguy   2 FLAC  
509. 05/05/02 Fair Grounds Race Course - New Orleans, LA A- schoeps fob - nice crunchy bass, but occasional rowdy crowd heckling a bit distracting. Good show, solid playing. Basically a one set show   2 SHN notes
510. 05/05/02 Fair Grounds Race Course - New Orleans, LA A- boca bob fob - sound very similar to the schoeps seed. there are no errors so take your pick   2 SHN notes
511. 05/05/02 Fair Grounds Race Course - New Orleans, LA   Source: FOB/DFC Nakamichi 701?s> Custom P/S and Preamp> Sony M1(48) Transfer: Fostex D5> HHB 830(44.1)> EAC> FLAC vias Nakguy   2 FLAC  
512. 05/21/02 Irving Plaza Early and Late Shows - New York, NY A- early and late shows - Frank D'auria source. Small indoor venue sound with not much bass. Average show when I listened on 1/25/04   3 SHN notes
513. 05/21/02 Irving Plaza Early and Late Shows - New York, NY   early & late B&K fob   3 SHN  
514. 05/21/02 Irving Plaza Early and Late Shows - New York, NY   late show only - oktava source   0 SHN  
515. 05/22/02 Late Late Show with Craig Kilborn - Los Angeles, CA   wmv video format from off air recording. VERY POOR AUDIO encoding on this one.   1 WMV  
516. 05/23/02 Dodge Theater - Phoenix, AZ A- Sound rating a tad low because of audience chit-chat, but after the show gets started its great quality as people stop talking. The jams in Dark Star are very rocky and good.   2 SHN notes
517. 05/23/02 Dodge Theater - Phoenix, AZ   Source: (as listed on the CD's I obtained) B/K 411-> AD1000 DAP1 Transfer: EAC-> Traders Little Helper,SBEOK, flac 8   3 FLAC  
518. 05/24/02 Open Air Theater - San Diego, CA A- Good sound - Karl Denson plays on some songs and I like the way sax's mix with the dead sound. King Solomon's Marbles is a personal favorite.   3 SHN notes
519. 05/24/02 Open Air Theater - San Diego, CA   bertha remaster of FOB   3 SHN  
520. 05/25/02 Greek Theater - Los Angeles, CA A/B Solid show though first listen nothing really knocked me out as special.   3 SHN notes
521. 05/26/02 The Joint @ The Hard Rock Hotel - Las Vegas, NV A- Good sound and show. First show where Jimmy intro's the band I believe for you trivia nuts. It felt to me that set 1 was stronger than set 2.   3 SHN notes
522. 05/26/02 The Joint @ The Hard Rock Hotel - Las Vegas, NV A- very nice sounding recording, more 'FOB' than the Boden OTS source.   3 SHN notes
523. 05/26/02 The Joint @ The Hard Rock Hotel - Las Vegas, NV   Boden source (Neumann KM150's) retracked by Willy so set 2 jam isn't broken by a disk flip   3 FLAC  
524. 05/28/02 Hult Center - Eugene, OR A neumann - nice sound. About 10 minutes in to St Stephen there is an engaging Barroco jam that lasts about two minutes that I really like. Rest is typical Phil   3 SHN notes
525. 05/28/02 Hult Center - Eugene, OR   Neumann TLM-103's > Lunatec V-2 > Tascam DAP-1 > M-1 shn encoding: M-1 > EGOSYS 2496 Soundcard > SF 4.5 > CDWAVE > Mkwact   3 SHN  
526. 05/29/02 Roseland Ballroom - Portland, OR A schoeps mk4 very nice sound and balcony drink rail clamp minimizes audience noise. Show - very good CRS to end set 1. Strawberry Fields and the Caution jam in set 2 also good. Phil's voice sounds poor on Unbroken Chain   3 SHN notes
527. 05/29/02 Roseland Ballroom - Portland, OR   Source: A: Schoeps MK4>KC5>CMC6>VMS5U>AD1K>HHB(dat@48kHz) ORTF, clamped to balcony rail Transfer D: sv3700>ZA2(s/pdif)>Wavelab 3.01>CDWAV 1.6>cd-r or .shn (mkw v.97) Taped by Frank, conversion by Chris Larson   2 SHN  
528. 05/31/02 Greek Theater - Berkeley, CA B+ 3 Naks - kind of 2 dimensional sounding w/o a sense of space. diginoise d2t1 ~20:00 during crowd after song, d1t2 ~0:54 brief mic brush or small diginoise. End of set 1 more typical of a second set with Dark Star Jam > Wharf Rat > Viola. Set 2 has a nice Fan/Stella/Terrapin ensemble that contrasts with the faster, rockier tunes from set 1.   3 SHN notes
529. 05/31/02 Greek Theater - Berkeley, CA X there is a shntool fixed version of this show available here.   0 SHN  
530. 05/31/02 Greek Theater - Berkeley, CA   shntool fix of spoogles fob schoeps   3 SHN  
531. 05/31/02 Greek Theater - Berkeley, CA X fob schoeps - this version NOT cut on sectors. a shntool fixed version of this show available here.   3 SHN  
532. 05/31/02 Greek Theater - Berkeley, CA A/B neumann km150's boden source - no flaws, soundfield monaural and somewhat tunnel sounding from distance. Show a tad above average at best. Outro jam from Terrapin was good. (1/25/04)   3 SHN notes
533. 05/31/02 Greek Theater - Berkeley, CA A- AKG source - Good sounding tape from an above average Phil show - notable for a very strong end of set 1 Box of Rain > Wharf Rat > Viola   3 SHN notes
534. 05/31/02 Greek Theater - Berkeley, CA   Promotional CD (Not For Sale) for Online Orders of There and Back Again Studio CD   1 FLAC  
535. 06/01/02 Greek Theater - Berkeley, CA X this Oktava source has sbe errors - there is a shntool fixed version of this show available here.   3 SHN  
536. 06/01/02 Greek Theater - Berkeley, CA A- shntool fix of oktava source - some crowd noise but overall good sound. Show itself is standard Phil, with some heavy hitters in set 2 that will appeal to those that prefer the Phil does Dead tunes instead of the recently penned songs.   3 SHN notes
537. 06/01/02 Greek Theater - Berkeley, CA   3 nak's   3 SHN  
538. 06/01/02 Greek Theater - Berkeley, CA A- neumann km150's - boden source. Better show than 5/31/02. Sound improved as well, more spacious and greater range. Dew > "Cautionish jam" performed well. Nive TNK, whole last disk flows well and the 1000 Stars to close set a strong version. I'd recommend listening to this show. No flaws. [1/26/04]   3 SHN notes
539. 06/01/02 Greek Theater - Berkeley, CA A- akg - very good sound and good show esp the TNK and set 2 jams. Set 1 highlights fun tunes with stright forward treatments.   3 SHN notes
540. 06/02/02 Frost Amphitheater - Palo Alto, CA X schoeps mk4 fob in hat - there is a shntool fixed version of this show available here. these shn's weren't cut on sector boundaries   0 SHN  
541. 06/02/02 Frost Amphitheater - Palo Alto, CA A- shntool fixed version of spoogeseed scheops mk4(fob in hat) - This tape sounded like the show - the occasional swirliness was from wind. The issues with the Warren side PA don't show up noticebly on this tape. Bottom line - this will fill your needs for this date. The show highlights the well-oiled machine that this lineup has become. I am more attracted to Barraco's jazzy piano playing and enjoy his new song "Leave Me Out of This" the most of the new tunes. This show has some jazzy playing and a good version of TOO in set 2. The HSF and encore in set 2 are well played but not outstanding versions of these songs.   3 SHN notes
542. 06/02/02 Frost Amphitheater - Palo Alto, CA B+ 3 naks - no flaws, but sound is 2 dimensional without a sense of space and somewhat tinny. Set 1 - i enjoy the Leave Me out of This song, which has a good beat and some intricate riffs, similar to Kings Solomons Marbles. Set 2 standard Phil with many Dead hits like Eyes, Wheel, HSF. Solid show overall.   3 SHN notes
543. 06/02/02 Frost Amphitheater - Palo Alto, CA B- AKG480 > Sonosax 5xm2 > DAT @ 48k via Dave Minor - this source is a grade below the schoeps recording available for this date - there is wind induced phasing and a tunnel sound (shotguns?) from an attenutaion of frequencies above 10kHz. There is also a drop out and a few instances of minor diginoise.   3 SHN notes
544. 06/03/02 Slim's - San Francisco, CA A- CS Cardiods (sbe fixed version) nice sound - show highlights the new album and most songs are played close to the album format. Most interesting jamming to me was Leave Me Out of This > No More Do I > Again and Again   2 SHN notes
545. 06/23/02 Great Stage Park - Manchester, TN A- nice schoeps recording except venue isn't really designed for outdoor acoustics. show itself has a slightly different lineup with Weir and Chimenti and favors Weir's tunes and tone. Phil's bass sounds particularly good on IKYR and Tennesse Jed   2 SHN notes
546. 06/23/02 Great Stage Park - Manchester, TN   Source: MBHO 603a/ka-500's > V2 > mod. SBM-1 > M1 @ 44.1k; from the tapers section by Eric Foelske. Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > mkwACT > SHN by Ryan Burns   3 FLAC  
547. 06/23/02 Great Stage Park - Manchester, TN   Sony ECM-MS908c's-> Sound Pro 1/8 stereo Pre Amp-> PCM-M1 Transfer: (By JAZ) PCM-M1-> POCDA-12p optical cable-> TEAC CDRW22-> CD-> EAC-> Wave Lab 5.0, Ozone3, L2 Dither 16/44.1kHz-> Traders Little Helper flac 8 taped and transferred by JAZ   3 FLAC  
548. 06/27/02 Target Center - Minneapolis, MN A- unknown aud with good sound. Most likely OTS. Good show with Jam>Fantasy>NPC>Walrus to start the show with an interesting medley.   2 SHN notes
549. 06/28/02 Summerfest - Milwaukee, WI A- schoeps kempa source - good sound. For these "one set" shows this is a very solid set and would be a good sampler for someone wanting to know what paf sounds like. Intro jam is upbeat and good, stong Lovelight encore and Stephen > Eyes > 11 provides the Dead classics to mix with the new tunes.   2 SHN notes
550. 06/29/02 Deer Creek Music Center - Noblesville, IN A- MBHO Nawrocki source very good sound, no crowd issues. The show started off as a sleeper on my first listen, but then the Terrapin was very well played with the MOTM inside. This was a step up from the band's playing at other nights around this date to my ears.   2 SHN notes
551. 06/29/02 Deer Creek Music Center - Noblesville, IN B/A fob schoeps - perhaps a bit dry in overall sound. Only falw were some gaps during the crowd noise at end of d1t7 (14:40,14:45,14:46). Nothing really tweaked my interest on this performance. (1/4/03)   2 SHN notes
552. 06/30/02 DTE Energy Music Theater - Clarkston, MI A- akg source - very nice sound. The warm up to the ABB this night so a single set. Can't get much going in this truncated time slot given the jam format. I like Barraco's song "Leave Me Out of This" the best of the new batch of tunes. Nice jazzy feel and breaks the sometimes overplayed slide guitar sound. Solid, just nothing exceptional tonight.   2 SHN notes
553. 07/02/02 Blossom Music Center - Cuyahoga Falls, OH B+ schoeps pollack - i did a spot test comparison in a few places and decided I liked the bass reponse a little better in the b+k source. they are very close in quality. i have not listened to this source all the way through so I can't comment on other issues   2 SHN  
554. 07/02/02 Blossom Music Center - Cuyahoga Falls, OH A/B B&K4023's Nawrocki - nice sound, though a tad further back than other recent sources I have heard. No distractive crowd. Show starts a bit slow and the set list doesn't look that good, but Cumberland is played well. Solid show, but the song choice didn't leave room for much upside   2 SHN notes
555. 07/03/02 Riverbend Amphitheater - Cincinnati, OH A- MBHO Nawrocki - very good sound, minimal crowd. Show itself didn't seem as strong as some other shows on this tour so I grade it down a notch. Solid show, just nothing stands out to distinguish it.   2 SHN notes
556. 07/05/02 GOTV - Mariaville, NY B+ Neumann - some wind swirliness. Crowd a bit inrusive at times, not much soundfield 3d presence, mostly monaural. Ok show, a bit above average at best. [1/24/04]   3 SHN notes
557. 07/05/02 GOTV - Mariaville, NY A/B oktava - overal good sound, though compared to some outdoor venues designed for sound there is an overall thinness, I'm guessing because it was just a big field. The show itself was solid, standard well played show. The set 1 opening jam into Crazy Fingers was good as was New Potato Caboose. Set 2 was your classic "Dead Greatest Acid Rock Hits" with Dark Star, St. Stephen, 11, TOO.   3 SHN notes
558. 07/05/02 GOTV - Mariaville, NY A- purported sound board - see my review of the 7/6/02 board why I think this is equivalent to an aud if it isn't an aud. Sounds like it was mic'd in front of the PA's. The so-called "Spacey Jam" before TOO is good, with Barracco doing all kinds of nice synth stuff and Phil plunking down some deep bass notes. They should have expanded on this and taken it further instead of playing a tighter set. Also the jam after Again and Again developed a nice rhythmic feel to it. I liked this date more than 7/6/02 overall - seemed they played more interesting riffs. (4/2/03)   3 SHN notes
559. 07/05/02 GOTV - Mariaville, NY   Oktava Mc012(Card)>Mp2>Sony D10 Pro Sony D10 Pro>Audiophile 2496>Soundforge 4.0xp> Soundforge 4.5(48K>44.1)>Cdwave>Shn(mkw). All Taping and Transfers by Pat Kelly   3 FLAC  
560. 07/05/02 GOTV - Mariaville, NY   Source: Oktava MC012's(omni ortf 7' stand fob dfc 35')>Graham Patten Dmic20>Sony PCM-M1 dat@48k Transfer: Tascam DA MK30II>coax>Zoltrix Nightengale 6.0>SoundForge 7>resample to 44.1k>CDwav(track split){hey look I learned about sector boundries}>flac recorded and transfered by cdipietro (cdipietro@starpower.net)   3 FLAC  
561. 07/06/02 GOTV - Mariaville, NY A/B oktava skankweed - sound quality similar to 7/5/02 from this source. Set 1 has good versions of Cumberland, China Cat. Set 2 solid throughout with the Jam > Leave Me .. > Terrapin portion containing the most intersting playing for me.   3 SHN notes
562. 07/06/02 GOTV - Mariaville, NY A- purported sbd - My vote says this is for "in effect" an aud, where the mics are very close to the PA or pointed at the PA so you get no crowd or spatial sense to the music. The vocals are the key here - they "come from" the same place as the music and sound a bit hazy, while in normal boards the vocals seem to originate from "all over" and are clearer than on this tape. If it is a board then the mix isn't that good (tap of the PA feed) and it might as well be an aud! The show itself has some strong points, with some hot jams, but suffers from placement of slow songs in key places. On 4/1/03 when I listened to this I still find the newer songs (set 1 Celebration and No More Do I) are too "mainstream rock-like" for them to displace my preference for the standard Dead tunes, with the exception of "Leave Me Out of This" which is the best of the new batch and rightfully belongs in the set 2 spot reserved for hot songs. The UC encore I thought dampened the show's energy too much, with Phil's vocals sounding weak and the "contrived" nature of the tune doesn't fit well as the last song of the show. It just drags too much if I tried to be blunt. No significant flaws worth noting. Summary - I would seek out an aud with more ambience perhaps, but don't feel you need to have this "sbd" because the performance and the sound-mix aren't that compelling.   3 SHN notes
563. 07/06/02 GOTV - Mariaville, NY   akg 451 MikeB source - shntool sbe fixed version   3 SHN  
564. 07/06/02 GOTV - Mariaville, NY   Source: Oktava Mc012(Card)>Mp2>Sony D10 Pro; Transfer: Sony D10 Pro>Audiophile 2496>Soundforge 4.0xp>Soundforge 4.5(48K>44.1)>CDWav>SHN>CDR. Available on further.net   3 FLAC  
565. 07/06/02 GOTV - Mariaville, NY   (*)AUD(FOB)>>Unknown Mics>>???>>DAW(Bertha)>>CDA via Jay Ashley and Tony Gardner   3 FLAC  
566. 07/06/02 GOTV - Mariaville, NY   Recording: Oktava MC012's(omni ortf 7' stand fob dfc 35')>Graham Patten Dmic20>Sony PCM-M1 dat@48k Transfer:Tascam DA MK30II>coax>Zoltrix Nightengale 6.0>SoundForge 7>resample to 44.1k>CDwav(track split)>flac record and transfer by cdipietro   3 FLAC  
567. 07/08/02 Ampitheater At Station Square - Pittsburgh, PA A- Neumann Fugh - no flaws, nice clean clear sound. Solid show - highlight to me was the Sittin on Top of the World encore where Herring really picks away. I'd place this show in the middle-of-the-pack, the main reason being the song selection this night didn't have many of my favorites.   3 SHN notes
568. 07/09/02 Molson Amphitheatre - Toronto, ON C- DPA4032 Lane source - overall sound quite good but there must have been something amiss when the dat was converted to shns. THERE ARE MAYBE 100 SKIPS/CLICKS. see tech notes for possible locations. I wouldn't trade this unless you had no other source. Also, the tracking is weird. For example, Patchwork quilt starts about 10 minutes into the track. You could also fit this onto 2 disks if you wanted. Otherwise, sounds like a good show, though it is a bit shorter than most. I really like the new "Leave Me Out of This" song.   3 SHN notes
569. 07/09/02 Molson Amphitheatre - Toronto, ON A/B akg Letonja seed - location somewhat far back so you pick up a fair amount of the room acoustics along with the directed sound. There were no flaws that I detected. The show is a bit short, with a pause in th emiddle of set 2 while they address some equipment issues. I wasn't especially jazzed by the show when I listened to this source - in the bottom quartile (1/6/03).   2 SHN notes
570. 07/09/02 Molson Amphitheatre - Toronto, ON   Audio Technica   3 SHN  
571. 07/10/02 Darien Lake PAC - Darien Center, NY A- akg - good sound. typical show w/ a nice appearance of King Solomon's Marbles   3 SHN notes
572. 07/10/02 Darien Lake PAC - Darien Center, NY   Source: Beyer M201>MP2>SBM1>D7@48K Location: FOB/right of center, stand at 8 feet. Transfer: Sony PCM 2600>Sound Device 722(digital transfer) Editing: 722>Adobe Aud. 2.0>44.1>CDwav>flac Taper: Tony Suraci Transfer and ulpoad by: Tony Suraci aka nak700   3 FLAC  
573. 07/12/02 PNC Bank Arts Center - Holmdel, NJ A- akg - above average show for this tour - perhaps because Derek Trucks is present for set 2. Phil has a parody of the Dead's occasional "Technical difficulties...crack technical crew....just exactly perfect" banter. Set 1 closes strongly with IKYR (nice flow on this tune) and Sugaree (wailing Warren). Set 2 has good pace changes. Lovelight is strong then segues into "Why Don't We Do It in the Road!" Low Spark > Viola > TNK's has slower jamming and I hear several Caution riffs on Phil's bass. Sound is good for an outdoor venue, some wind but not noticable during the music.   3 SHN notes
574. 07/13/02 Tweeter Center - Mansfield, MA A- schoeps - this is the 2nd year running where the band played a very strong show at this venue. the sound on this seed is good, and the 2nd setlist has 4 all time heavy hitters - Dark Star, 11, Terrapin and Dew interlaced with some nice exploratory jams. very strong Phil show   3 SHN notes
575. 07/14/02 Jones Beach Amphitheater - Wantagh, NY B- schoeps - dinhofer. This recording has what I would describe as constant "background crackle". Something definitely sounds amiss. I would look for another source, and I give it a low B- sound grade. Except for the background crackle, the source would have been fine. I only listened to the first set and it was typical, consistent Phil w/ guest appearances by Mickey and Reid Genauer.   3 SHN notes
576. 07/14/02 Jones Beach Amphitheater - Wantagh, NY B+ coresound - no flaws, but 1st set sound a further back and some crowd chatter. Solid show but in the back half of the tour   3 SHN notes
577. 07/15/02 Scranton Cultural Center - Scranton, PA B+ unknown source - downloaded from further. Apparently the tapers were in the back. Show is the weakest of the tour. Set 2 was short and had a BTL > Tons of Steel pairing that I thought was uninteresting, but then I'm not a fan of these 2 songs. This recording has no flaws but unless you went or are collecting skip this one.   2 SHN notes
578. 07/15/02 Scranton Cultural Center - Scranton, PA   Source: Beyer M201>MP2>SBM1>D7@48K Location: Center balcony, stand at 6 feet. Transfer: Sony PCM 2600>Sound Device 722(digital transfer) Editing: 722>Adobe Aud. 2.0>44.1>CDwav>flac Taper: Tony Suraci Transfer and upload by: Tony Suraci aka nak700   3 FLAC  
579. 07/18/02 The Meadows Music Theater - Hartford, CT A- Very good sound and a great show. Instead of the opening jam they immediately launch into Marbles. Masons has a minor voacl flub when the backing vocals forget to come in. The set 1 ends with a great Eyes > Rat > Leave Me Out of This sequence. Set 2 is a Dead greatest hits feast with 11, Lovelight, St. Stephen etc. A really great show if you like phil&friends   0 SHN notes
580. 07/19/02 Star Pavillion - Hershey, PA B+ akg - some rain during the first set imparts some additional percussion. overall sound seems to favor some instruments with clear sound, while others are distant. if the PA was done in stereo, and this recording was on one side they would explain what I hear. the show itself not one of the better ones of this tour. nothing particularly notable on my first listen   3 SHN notes
581. 07/19/02 Star Pavillion - Hershey, PA A- Neumann - clear sound, I think its preferred over the akg. only glitch minor didginoise at d1t9 4:09. Rain imparts extra meaning to some lyrics (Sugaree "pouring rain") but Phil's speech left the door open for a "Blue sky" encore that was not meant to be. Solid show, not a must have (1/7/03)   3 SHN notes
582. 07/19/02 Star Pavillion - Hershey, PA   Beyer M201>MP2>SBM1>D7@48K Location: FOB/DFC ~35 feet from stage, stand at 5-6 feet. Transfer: Sony PCM 2600>Sound Device 722(digital transfer) Editing: 722>Adobe Aud. 2.0>44.1>CDwav>flac Taper: Tony Suraci Transfer and upload by: Tony Suraci aka nak700   3 FLAC  
583. 07/20/02 Tweeter Center - Camden, NJ A oktava - very nice sound - about as good as it gets without compression or post processing. Show has Kreutzmann for part of set 1 and Osby on sax for set 2. I like Osby when he's with Phil. Nice jazzy tone. Set 2 is very good. One of the better ones of this tour.   3 SHN notes
584. 07/21/02 Merriweather Post Pavillion - Columbia, MD A/B neumann tlm170 - clean source but a bit bass heavy compared to other seeds (don't know if equalization was applied). I liked the 1st set better than the second, esp the jam into Crazy Fingers and the Playing > Keep on Growin pairing. Solid show.   3 SHN notes
585. 07/21/02 Merriweather Post Pavillion - Columbia, MD A- schoeps - labuda - no flaw, nice sound. see comments on neumann seed about show - solid, well played, but no exceptional standouts that make this a must have core holding. typical of summer tour, except for the somewhat rarely played Keep on Growin.   3 SHN notes
586. 07/23/02 nTelos Pavillion @ Harbor Center - Portsmouth, VA A/B Neumann KM140's Ferguson - sound quality somewhat thin from this outdoor venue, but no flaws worth noting. Show is a bit below average. Set 1 has Bob and Billy joining in so you get a preference for Bob tunes and maybe a tad less typical tight jamming than otherwise might have happened. Truckin played with a slow loopy beat. Set 2 has a poor spacey jam before "She Said". This happens sometimes with this line-up where the Southern guitar style doesn't produce to my ears nice open abstract sounding jams when they attempt it. Also, I though Phil's vocal treatment of TOO didn't come off very well. The other songs are standard, well played versions.   3 SHN notes
587. 07/23/02 nTelos Pavillion @ Harbor Center - Portsmouth, VA B+ Oktava - This has some nice crunchy bass but there are many instances of wind noise so I have to drop the grade down a tad. A couple of sbe's (d3t1>t2 has a glitch/pop). Wind gets very noticeable around d3t3 1:16-1:23. I rate this a solid show but doesn't have any real standouts so I can't make an argument to search this one out unless you're a collector or attended the show.   3 SHN notes
588. 07/25/02 Alltel Pavilion @ Walnut Creek - Raleigh, NC A- Neumann - no flaws and nice clear sound. Show typically consistent Phil with guest appearance by Bobby and Clementi. Standard renditions of songs - nothing struck me as unusual or new twist on an old theme.   3 SHN notes
589. 07/26/02 Verizon Wireless Amp - Charlotte, NC B+ Shure - good recording but there are some large wind gusts during last 2 songs of set 1 and Lady with a Fan that might make it worth while listening to other sources. Dickey Betts plays for GDTRFB > Mntn Jam > GDTRFB. Highlights are Marbles, Fantasy, Fan and Sugaree. Solid, typically good concert, but not exceptional.   3 SHN notes
590. 07/26/02 Verizon Wireless Amp - Charlotte, NC A man these are super cruncy tapes from these josephson mics. nice thumpy base, crispy guitar! two thumbs up! very solid show, among the best of the summer tour. DIckey Betts shows up for a few tunes and teases some Allman classic licks, and there's that tight King Solomons Marbles in set 1 too. set 2 has a nice flow, though Into the Mystic was a bit of a speed bump in the Terrapin/Lady with a Fan sandwich. Night of 1000 Stars left the crowd going home on a high energy note. Get this show and source if your wanting something from this tour. (1/10/03)   3 SHN notes
591. 07/27/02 HiFi Buys Amp - Atlanta, GA A Josephson C-603/KA-500 - the sound of these mics kick some ass! Live, unprocessed recordings don't get much cleaner than this from my experience. Very solid show with some great Herring picking on Cumberland. Dickey Betts shows up for some songs in set 2. Can't say much more other than its a solid phil show so if you lik ephil, you'll like this.   3 SHN notes
592. 07/27/02 HiFi Buys Amp - Atlanta, GA A- Schoeps - labuda. Good clear sound, only flaw is a bit off distortion from hot levels at the start of set 2. This is an above average show for this tour - sounds like the band was having a good time w/ double encore. Set 2 has a nice flow with Dickey Betts showing up for Blue Sky and a hot Midnight Hour to close the set. Set 1 gets off to a good start with the newly re-introduced Till the Morning Comes. (1/10/03)   3 SHN notes
593. 07/28/02 Mars Amphitheatre - West Palm Beach, FL B+ No flaws but not great sound quality. No distractive audience noise. Short show with Dickey Betts and Bobby for a few songs each. Wacky start to Truckin. Typical renditions to the songs   2 SHN notes
594. 07/28/02 Mars Amphitheatre - West Palm Beach, FL B akg c1000 - has a tunnel quality to the sound (shotgun mics from a ways back??). I rate this a below average show for this tour - has Bobby and Dickey but no versions of the songs stand out. The Voila sandwich was predictable.   2 SHN notes
595. 07/30/02 The Backyard - Austin, TX A- Good sound, no flaws for this source. The show is well performed. Set 1 highlight is the "Leave Me .. > Jam > Eyes > 1000 Stars" segment. The segues, individual riffs and song variety are good. Set 2 is a bit shorter than usual but the encore is long. It too is well performed, and showcases Dead songs. One of the better nights for the last part of the tour.   3 SHN notes
596. 08/01/02 The Fabulous Fox Theatre - St. Louis, MO B+ AKG's OTS - sound rating lowered a bit because of the persistent audible chit-chat throughout the whole show. Sound somewhat back as well. A few locations where there was a brief stutter several seconds before track changes. My guess is these were from a standalone CDR generation. The show itself seemed bland, with a larger number of songs that aren't high on my list. I thought Low Spark was going to be the first song where something got going, but then they went into a spacey, boingy interlude that broke whatever momentum was going for me. I'd rank this at the low end of the shows from this tour. They did sing HBD to Jerry, wherever he is.   3 SHN notes
597. 08/01/02 The Fabulous Fox Theatre - St. Louis, MO B+ schoeps - a bit more upfront sound than the OTS seed and maybe less audience talking. ok show but not in the best of tour category. Didn't leave me with the desire to want to jump up and hear it again or was I floored by any particular song or jam that I remember.   3 SHN notes
598. 08/01/02 The Fabulous Fox Theatre - St. Louis, MO   unknown aud - found this trolling on the internet :)   3 SHN  
599. 08/01/02 The Fabulous Fox Theatre - St. Louis, MO   dpa 4022   3 FLAC  
600. 08/03/02 Alpine Valley Music Theatre - East Troy, WI A- fob schoeps - good sound and a very solid show. Nice starting jam into Doin that Rag. Guitar work on all the songs is engaging. Even though this is a short set, worth a listen.   2 SHN notes
601. 08/03/02 Alpine Valley Music Theatre - East Troy, WI A/B Geffel 210's - nice clear sound, only issues are an improvement in sound ~d1t17:57 and a slight more muffled sound quality in d1t4 (mics moved perhaps??). The Lovelight is pretty funky but I get the feeling with the TOO set coming later in theday that the PLQ didn't want to upstage anyone so they played a standard set.   2 SHN notes
602. 08/03/02 Alpine Valley Music Theatre - East Troy, WI   Source: FOB/DFC Nakamichi 701?s> Custom P/S and Preamp> Sony M1(48) Transfer: Fostex D5> HHB 830(44.1)> EAC> FLAC via Nakguy   2 FLAC  
603. 08/03/02 Alpine Valley Music Theatre - East Troy, WI   source: AT4051's>lunatech v2>tascam dap1>HD (digital transfer)>cdwave(tracking)>SHN   3 FLAC  
604. 08/03/02 Alpine Valley Music Theatre - East Troy, WI   Source:Earthworks SR 77's > Lunatec V2 > AD2K > D8 Transfer: DA-P1 > Audiophile 2496 > Wavelab 3.0 (48 > 44.1) > CDWave > mkwACT Source DATS kindly provided by Dave Jackson Transferred by Doug Nawrocki   2 SHN  
605. 08/30/02 Jazz - Aspen, CO A/B akg 522 "The Pickel" - no flaws although the sound didn't have as much depth as some Phil auds can have. The show also seemed below average. The song choice didn't showcase any jamming expertise. Unless you went you might want to skip this and get 9/1/02 instead.   2 SHN notes
606. 08/30/02 Jazz - Aspen, CO A- AKG 480 Minor/pujol seed - I like the sound of this akg compared to the other "pickel" seed. This one sounds more 3-dimensional while the other seed lacked a sense of space.   2 SHN notes
607. 08/31/02 Red Rocks Ampitheatre - Morrison, CO A- schoeps flac - d1t5 ~ 17:40 sound changes briefly (patch?); d2t3 8:16 and 9:02 pops. This is a strong show - with a great version of TNK where I particularly liked the piano work. This is a very good sounding seed too! (My first FLAC)   3 SHN notes
608. 08/31/02 Red Rocks Ampitheatre - Morrison, CO B/A fob akg pickel - I prefer the sound of the flac seed to this source because it seems fuller. there might also be a few sub-second glitches in a few places. This is a fun show and worth hearing. this RR run might be best 2 day run of the Molo/Herring/Barracco/haynes lineup.   3 SHN notes
609. 08/31/02 Red Rocks Ampitheatre - Morrison, CO A/B Very good set 2. SOund good for an outdoor venue, some wind.   3 SHN notes
610. 08/31/02 Red Rocks Ampitheatre - Morrison, CO   Source: (fob, dfc, ortf) Schoeps CCM4> Sound Devices MP-2> Sony D10ProII(48) Transfer: DAT> CDR(44.1)> EAC> FLAC via Nakguy   3 FLAC  
611. 08/31/02 Red Rocks Ampitheatre - Morrison, CO   FOB Schoeps mk4 via Patrick Hayes   3 FLAC  
612. 08/31/02 Red Rocks Ampitheatre - Morrison, CO   Source: Audio Technica AT835ST > Aeta PSP-2 > Sony PCM-M1 Transfer: Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CDWAV > FLAC   3 FLAC  
613. 09/01/02 Red Rocks Ampitheatre - Morrison, CO B/A Nak CM-1000 Brokenleg source. No flaws, some wind in d2t3. Sound rating degraded a bit because the Nak mics sound more 2 dimensional than the scheops source. This is a cracker-jack show - nice setlist, set flow and energy. Is it the swan song of the Herring/Haynes/Barracco/Molo lineup?   3 SHN notes
614. 09/01/02 Red Rocks Ampitheatre - Morrison, CO A schoesp - evans/sacks. Very good aud recording, about as good as they ever get! No distracting crowd noise, nice clear full sound. Plus the show is very good. Set 1 starts off with a nice upbeat set of songs played with spunk, then some interesting twists that came off well. Set 2 continues the trend from set 1. Nice versions of Fan, Rat. Encore is also high energy and played with fun teases. This is about as good as Phil gets with this lineup.   3 SHN notes
615. 09/01/02 Red Rocks Ampitheatre - Morrison, CO A- akg seed - nice sound a bit more "bassy" compared to the schoeps. Great show, maybe the best from 2002 to this date - good song mix, flow and playing. Some wind noise in Unbroken Chain near the end. Shakedown opener kind of sets the tone   3 SHN notes
616. 09/01/02 Red Rocks Ampitheatre - Morrison, CO   Source: (fob, dfc, ortf) Schoeps CCM4> Sound Devices MP-2> Sony D10ProoII(48) Transfer: DAT> CDR(44.1)> EAC> FLAC via nakguy   3 FLAC  
617. 09/01/02 Red Rocks Ampitheatre - Morrison, CO   FOB Schoeps mk4 via Patrick Hayes   3 FLAC  
618. 09/01/02 Red Rocks Ampitheatre - Morrison, CO   FOB/DFC source: "The Pickel"AKG 522MS sterio mic>V2(MSMode)>SBM2> D100>CDR>EAC>CD Wave(tracked)>SHN(mkw). transfer: D100>HHB850 taped and transfered by Jason Loomis EAC/CD Wave/SHN by jimmy cronk   3 FLAC  
619. 09/25/03 Warfield Theater - San Francisco, CA A- AKG C1oooS - nice sounding tape. The surprise for me was the "set 2" style jamming they performed for Scarlet at the start of set 1. Cumberland was good. Set 2 was more typical played.   3 SHN notes
620. 09/25/03 Warfield Theater - San Francisco, CA A- Nak 700's - a few minor flaws noted in tech notes. I liked the sound of this source a bit over the AKG source (sounds closer). Good show, though the HSF on second hearing seemed average rendition. Check out Set 1 intro jam, Crazy Fingers and Cumberland   3 SHN notes
621. 09/25/03 Warfield Theater - San Francisco, CA A Bertha remaster - not immediately obvious how much better this is than the offical release - sounds like the bass is enhanced at least.   3 SHN notes
622. 09/25/03 Warfield Theater - San Francisco, CA A Official sbd - the mix on this is better than the Cutler versions - Phil is easily heard, defintely mixed for listening, not just a tap off teh PA feed   3 SHN notes
623. 09/26/03 Warfield Theater - San Francisco, CA A- Neumann Narachi source - nice sound and very good bass. One spot of bass overload at end of Golden Road. Interesting outro jam from Low Spark > Viola where its sounds for a while like a slow and deliberate pacing into China Cat.   3 SHN notes
624. 09/26/03 Warfield Theater - San Francisco, CA A Official Free Soundboard via www.phillesh.net - The mix and sound on this official dsbd is very good, much better than the Cutler "PA feeds" that had Phil way low in the mix.   3 SHN notes
625. 09/26/03 Warfield Theater - San Francisco, CA   Bertha Remaster of the official soundboard release. SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A   3 FLAC  
626. 09/27/03 Warfield Theatre - San Francisco, CA A- Senn source - excellent quality sound and wins my vote for best show of the 3 day run. KS Marbles kicks some booty, Bobby and Mickey show up and play a few tunes, and teh Cryptical > Low Saprk Reprise > Terrapin > TOO sequence is very nice. A flub in NFA adds a humorous touch.   3 SHN notes
627. 09/27/03 Warfield Theatre - San Francisco, CA A Official SBD mastered by The Wizard - very nice sound and a good show to boot - gotta love that King Solomon's Marbles   3 SHN notes
628. 09/27/03 Warfield Theatre - San Francisco, CA   Bertha remaster of Official sbd release   3 SHN  
629. 09/27/03 Warfield Theatre - San Francisco, CA   Sennheiser 441's> DAT @48.1> tascam DA-30 MKII> zoltrix Nightengale 6 >soundforge6.0 > resample to 44 @ highest setting > cdwav > shn   3 FLAC  
630. 09/27/03 Warfield Theatre - San Francisco, CA   source: schoeps mk4/cmc6 (x/y 90deg- 8' ts - left/ctr) > zoalla sil > minime (16/44) > m1 transfer: pcmr500 > audacity (fades) > cdwav (tracks) >flacfontend recorded/transfer: david barfield   3 FLAC  
631. 09/28/03 Private Location - Ross, CA A- Unknown aud of a private benefit show in Ross, Ca. Some minor wind noise and audience chatter are the only annoyances, sound is very good since the show was in the backyard of someone's house. Basically a relaxed, fun benefit where people get to play with PAF to support a local charitable cause.   3 SHN notes
632. 10/29/03 Great American Music Hall - San Francisco, CA B+ Phil Lesh and the Hep Cats - an interesting departure from the slide guitar "ABB" style Phil shows - more country/ bluegrass feel. Check out the "I Gatta Woman > Sittin on Top of the World" segue. Sound is good but not stellar, expected for this show.   1 SHN notes
633. 11/14/03 The Fillmore Auditorum - Denver, CO A- Brokenleg Nak CM1000 aud - nice sound, no flaws but this show seemed standard fare even with the Marbles which I think matches the fast picking guitar style of Herring perfectly. I'd grab the Warfield run from 9/03 over this unless you were an attendee or collector.   3 SHN notes
634. 11/14/03 The Fillmore Auditorum - Denver, CO A- Freddie G - Gefell. Nice clean full sound, minimal crowd, no flaws. There are fades across disk 2 -> disk 3 so can't seamlessly reconstruct set 2. d3t1 has some PA crackle ~ 11:45.   3 SHN notes
635. 11/14/03 The Fillmore Auditorum - Denver, CO   AKG480's 63'xy@90>mp2>p1>3700>wavelab>cdwv>sf>ezcdr recorded by Mike B encoded by Patrick Hayes   3 FLAC  
636. 11/15/03 The Fillmore Auditorum - Denver, CO A- DPA 4011 mics - no flaws, good sound. Usually the shows in Denver are a step above the mean but this show didn't have much set flow nor any highlights worth singling out compared to the Warfield run a month earlier.   3 SHN notes
637. 11/15/03 The Fillmore Auditorum - Denver, CO A- Nak cm1000's via Brokenleg - nice clean sound, no flaws. This is the 4th source I've heard and its on par with the better ones - you'll have to decide what mics you prefer. This show has a smooth flow but no big highlights worth noting.   3 SHN notes
638. 11/15/03 The Fillmore Auditorum - Denver, CO A- schoeps Markham - although i didn't do a super careful comparison, this might be the best sounding seed i've heard for this date. No flaws to my ears.   3 FLAC notes
639. 11/15/03 The Fillmore Auditorum - Denver, CO A- MK-21 FOB - these guys came through, nice clear sound, negligible crowd noise, no flaws. This is definitely in the running for the best tape for this show.   3 SHN notes
640. 11/15/03 The Fillmore Auditorum - Denver, CO A- Source : Audience Recording by Freddie G. Microtech Gefel M20 (cardiod). Nice clear sound, no distracting audience or flaws. Overall a show with good funky tunes - H2H, Shakedown, Loose Lucy, the ever popular (with me at least) "Keep On Growing". Overall smooth flow and an easy listen. [8/27/2004]   3 SHN notes
641. 11/16/03 The Fillmore Auditorum - Denver, CO A- Adk source - nice sound, diginoise @ d1t4 8:04, d2t4 2:32. This night the songs are more leisurely paced - check out Bird Song and Chin Cat in set 1 for good example. China Cat especially has a gait like a walking elephant. Set 2 seemed standard without special renditions.   3 SHN notes
642. 11/16/03 The Fillmore Auditorum - Denver, CO A- Microtech Gefel M20 (cardiod) by Freddie G. - Nice clear full bodied sound, no intrusive audience noise or any falws that I detected. Some truncation of end of set 2 -> encore present I believe.   3 SHN notes
643. 11/16/03 The Fillmore Auditorum - Denver, CO   AKG480's 63'xy@90>mp2>p1>3700>wavelab>cdwv>sf>ezcdr recorded by Mike B encoded by Patrick Hayes   3 FLAC  
644. 11/19/03 Riviera Theater - Chicago, IL A- Neumann source - nice sound, no flaws. Show has ups and down. BEW was nice but then Low Spark has a spacey feedback jam that wasn't interesting. Set 2 ok but song selection hit many tunes that never pump me up. The Crazy Fingers > 11 > Cumberland was good.   3 SHN notes
645. 11/19/03 Riviera Theater - Chicago, IL A- AT3035 By Scott & Cathie Sterchele. Nice sound. Solid but not extra special show. Once again the Crazy Fingers > 11 > Cumberland caught my attention.   3 SHN notes
646. 11/19/03 Riviera Theater - Chicago, IL A- fob schoeps - nice recording, no flaws, typical show but song selection hits many that aren't my favorites, ending of set 2 strong   3 SHN notes
647. 11/19/03 Riviera Theater - Chicago, IL   Source: MBHO 603a KA500N(Hypers) > V3 > Nuendo Audiolink 96 Multiset > Sony Viao > Wavelab 4.0 @ 24bit 96kHz Dithering: wavelab 4.0 > Apogee UV22HR algorithm 24bit 96kHz to 16bit 44.1kHz taped and transferred by Marty Schumacher   3 FLAC  
648. 11/20/03 Riviera Theater - Chicago, IL B+ FOB Schoeps - a fair bit of nearby crowd chat and noticeable room ambiance and echo drop this down to a B+ sound grade in my book. No flaws. Show is solid typical Phil, but no standout songs to me.   3 SHN notes
649. 11/20/03 Riviera Theater - Chicago, IL   Source: clamped on balcony DFC---schoeps MK4v > v3 > d8   3 SHN  
650. 11/20/03 Riviera Theater - Chicago, IL   Source: MBHO 603a KA500N(Hypers) > V3 > Nuendo Audiolink 96 Multiset > Sony Viao > Wavelab 4.0 @ 24bit 96kHz Dithering: wavelab 4.0 > Apogee UV22HR algorithm 24bit 96kHz to 16bit 44.1kHz taped and transferred by Marty Schumacher   3 FLAC  
651. 11/21/03 Riviera Theater - Chicago, IL B Microtech Gefell - sound is a bit off with the piano sounding far away, as though taper was located on the opposite side. Some audible audience chit-chat in a few places. Interesting set list but actual songs didn't grab me as must hear versions. Probably of interest for attendees and collectors.   3 SHN notes
652. 11/21/03 Riviera Theater - Chicago, IL A- akg522 cronk. I like this source better than the Gefell source. The show came across much better as well. Set 1 was strong and set 2 had a good mix-up of songs whose flow was never interrupted. [2/28/04]   3 SHN notes
653. 11/23/03 Orpheum Theater - Boston, MA A/B Neumanns - nice sound but there is some nearby audience tapping that occasionally might be mistaken for digital errors. Solid show with a good Mr. Fantasy.   3 SHN notes
654. 11/23/03 Orpheum Theater - Boston, MA   Source: (FOB, ORTF) Nakamichi 701?s> Rudelheuber Custom Pre> Sony M1(16/48) Transfer: Fostex D5> HHB 830> EAC> FLAC   3 FLAC  
655. 11/24/03 Orpheum Theater - Boston, MA B+ nakcm100 source - solid but not exceptional sound quality - a bit direct without much room resonance and light in the bass end. this show struck me as so-so performance, and there is a trainwreck into Golden Road. This is the first time that I've heard what I'd call a "flat", somewhat "sloppy" show from this lineup. Song selection/ordering is slightly unusual.   3 SHN notes
656. 11/24/03 Orpheum Theater - Boston, MA A/B neumann - nickspicks. This has better sound than the Nak source, but there are some flaws. d1t1 0:45 glitch, d2t2 6:50 drop out, d2t2->d2t3 transition has glitch, d3t1 15:36 and 16:42 are pop and drop out respectively. See Nak source for my review of the show - basically not a must seek out and hear show. [3/9/04]   3 SHN notes
657. 11/24/03 Orpheum Theater - Boston, MA   Source: (FOB, DFC, ORTF) Nakamichi 701?s> Apogee MiniMe (16/44.1)> Sony M1 Transfer: Fostex D5> HHB-830> EAC> FLAC16   3 FLAC  
658. 11/25/03 Orpheum Theater - Boston, MA A/B nak 100's Minor - No flaws, fairly nice sound from the OTS. The 1st set is really good, maybe best of the tour. The Intro jam > Cryptical is airy and not in the typical p&F everyone playing style. Both Fingers and Alligator are explored extensively in the jam section. TOO is an unexpected high energy set 2 song that appears as the next to last set 1 song. Even Midnight Train, a song I don't like very much had an engaging jam. In fact everything through the TNK at the start of set 2 is good. After that I didn't enjoy the song selection that much and some of Phil's singing was destracting to me.   3 SHN notes
659. 11/25/03 Orpheum Theater - Boston, MA A- schoeps - no flaws, but one guitar is picked up mostly in reflected sound which is hard to understand if the mics were placed as stated. The TOO in set 1 has some unusual percussion from Barraco(?) playing a marimba sounding keyboard. show abruptly cuts at end.   3 SHN notes
660. 11/25/03 Orpheum Theater - Boston, MA   Source: (FOB) Nakamichi 701?s> Apogee MiniMe(16/44.1)> Sony M1 Transfer: Fostex D5> HHB 830> EAC> FLAC   3 FLAC  
661. 11/26/03 Oakdale Theatre - Wallingford, CT A/B neuman's taped by clark - nice sound but very chatty audience (generalized background noise high) so I'm guessing the taper section wasn't that far from the bar OR this audience had a lot of talkers that didn't come to listen to the music. A typical show which dragged a bit in set 2 until the Lovelight injected some spunk. I heard one pop at d3t05 ~6:22 which on inspection with Cool Edit was a discontinuous jump in the waveform - don't know where it happened in the digital chain.   3 SHN notes
662. 11/26/03 Oakdale Theatre - Wallingford, CT   Source: FOB Nakamichi 701?s> Apogee MiniMe (16/44.1)> Sony M1 Transfer: Fostex D5> HHB 830> EAC> FLAC   3 FLAC  
663. 11/28/03 Tower Theater - Upper Darby, PA A/b Oktava's - some flaws d1t4 ~2:31 drop out, d1t6 ~1:14 drop out/diginoise, d1t8 2:42-2:44 some diginoise. Intersting show with good flow. Alligator w/ kazoo's > Caution Jam is unusual these days. Fairly lengthy Mtn. Jam with some xmas tune teases, and the Terrapin thru IKYR is good. Grahame Lesh plays on encore in his Bobby surrogate role.   3 SHN notes
664. 11/28/03 Tower Theater - Upper Darby, PA   AkG's 480's w/C63 hypercard caps, the mic's were pointed rectly at the speakers > Edirol UA-5 (w/Oade bros warm mod) > D7 > PM-1. Recorded from the official taper's section (under the balcony, orchestra)   3 FLAC  
665. 11/28/03 Tower Theater - Upper Darby, PA   AkG's 480's w/C63 hypercard caps, the mic's were pointed rectly at the speakers > Edirol UA-5 (w/Oade bros warm mod) > D7 > PM-1. Recorded from the official taper's section (under the balcony, orchestra)   3 FLAC  
666. 11/29/03 Tower Theater - Upper Darby, PA A/B ak43 Dr. FOB. Some interesting bits - the CAT > TNK > Jam is good. Somewhere in set 2 there is a nice BFA tease. Pretty good show overall, sound might be a bit boomy from the venue.   3 SHN notes
667. 11/29/03 Tower Theater - Upper Darby, PA B AKG 481 - no point flaws but the overal sound is odd to my ears. Seems to be missing bass (like there was a roll off filter used so you get some of the harmonics but miss others). Also, when I looked at the phase window in CEP while playing it seems to be quasi-monaural but panning slowly back and forth say 20 degrees?   3 SHN notes
668. 11/29/03 Tower Theater - Upper Darby, PA A- Barfield achoeps - nice soiund, only comment is that set 2 is not seamless.   0 SHN notes
669. 11/30/03 Tower Theater - Upper Darby, PA A- oktava - d2t1 4:17, 4:20 slight digi noise. otherwise nice recording. This is a very good phil show in terms of set flow. Song selection favors old favorites instead of the newer songs. Loevlight is a good set 1 closer leaving the crowd jazzed.   3 SHN notes
670. 11/30/03 Tower Theater - Upper Darby, PA A- AKG 480 - no flaw, gfood sound, some occassional nearby clapping that is mildly annoying. Set 1 good with a Lovelight rave up at the end. VLB has a jazzy jam in it that's nice. Set 2 has your greatest hits setlist and is well performed as well. [2/19/2004]   3 SHN notes
671. 11/30/03 Tower Theater - Upper Darby, PA A Offical SBD (converted to shn). Nice mix on this one thanks to the wizard. Lots of people were raving aout how this was the best show of the tour. I'd rate it as a typically well played, tight Phil show, but I still think the 12/5/03 schoeps is a better sound and a better show. [5/2/2004]   3 SHN notes
672. 11/30/03 Tower Theater - Upper Darby, PA   Bertha Remaster of the official soundboard release. SBD>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>CDA/SHN   3 FLAC  
673. 11/30/03 Tower Theater - Upper Darby, PA   Source: Neumann KMR81>V3>D7@48K Location: OTS, center, stand at 8 feet. Transfer: Sony PCM 2600>Sound Device 722(digital transfer) Editing: 722>Adobe Aud. 2.0>44.1>CDwav>flac Taper: Tony Suraci Transfer and ulpoad by: Tony Suraci aka nak700   3 FLAC  
674. 12/02/03 Beacon Theater - New York, NY A- Loge Front center b&K - nice sound, no significant flaws. Some volume adjustments at start of set 1, some PA pops at start of encore. solid show, noted for warren singing a nice version of Dew.   3 SHN notes
675. 12/02/03 Beacon Theater - New York, NY A- Barfiled schoeps - [2006-01-07] nice sound, missing some of the intro jam and disk 2-3 may not be continuous. Sounds jazzy listening to this from what I remember   3 FLAC notes
676. 12/03/03 Beacon Theater - New York, NY A/B AKG - kung. This is a very nice tape from the Beacon, really up front and clear. There might be some mild clipping. Unfortunately there is some minor diginoise at d1t2 ~5:13;d2t1 3:23,8:23, d2t2 0:57, d4t6 3:32, 4:25, 4:31, d3t7 10:16. There might be some more instances. Crowd is fairly subdued for the Beacon considering this sounds very fob. Killer show, best so far of this tour. TNK in set 2 drips low ph. There was a My Favorite Things tease in there somewhere. Stella Blue leaves crowd wanting more. Many more highlights. I'd say get this source and live through the blemishes to hear some above average Q.   3 SHN notes
677. 12/03/03 Beacon Theater - New York, NY A- AKGC1000's - clear sound, not much "room ambiance". One bit of diginoise d1t7 ~7:21 after song over. Typical show.   3 SHN notes
678. 12/03/03 Beacon Theater - New York, NY A- B&K4011 Loge center - no flaws, though some volume adjustments at start of sets because of Beacon taping policy. Nice sound for this one, captures the room ambiance. Solid show.   3 SHN notes
679. 12/03/03 Beacon Theater - New York, NY   Neumann KMR81>V3>D7@48K Location: OTS, Right Orch., stand at 8 feet. Transfer: Sony PCM 2600>Sound Device 722(digital transfer) Editing: 722>Adobe Aud. 2.0>44.1>CDwav>flac Taper: Tony Suraci Transfer and ulpoad by: Tony Suraci aka nak700   3 FLAC  
680. 12/04/03 Beacon Theater - New York, NY A- Neumann - good sound for the Beacon. d1t6 sounds like the PA was emitting some pop, d1t7 left channel sounds like someone clicking at the beginning. Show didn't engage me that much, has a long first set, sort of nifty jam near outro from Slipknot.   3 SHN notes
681. 12/04/03 Beacon Theater - New York, NY A- loge front center b&K source - nice sound, only "flaws" are some PA pops d1t3~9:00, maybe a click d1t3~1:13. Show is good but not worthy of special mention. I did notice a nice Born Cross-eyed or NPC tease in d1t2 before they segue into Wheel. Barraco flubs vocal cue in Cumberland. Otherwise typical show.   3 SHN notes
682. 12/05/03 Beacon Theater - New York, NY A FOB Schoeps - wow! seams clealry not only the best show of the tour but the best aud recording. Incredible spatial feel, nice separation of the lead guitars puts you right there. The transition from SOTM > VLB is really good and then the following guitar work drills your head! And the set 1 Lucy > Rat > Scarlet > Fire is superb. Get this show and this source. Maybe a pop d2t8 ~2:30. Some audience chatter but its amusing when they think Walrus is China Doll??   3 SHN notes
683. 12/05/03 Beacon Theater - New York, NY A- DPA front balcony - nice sound on this one, excellent show, ends with a strong Viola   3 SHN notes
684. 12/05/03 Beacon Theater - New York, NY   fob schoeps 24 bit version   3 FLAC24  
685. 12/05/03 Beacon Theater - New York, NY   Barfield schoeps 2nd row loge - good sound, unfortunately, disk 2 and 3 are not continuous. [2006-01-07] Set 2 has a good mix and flow.   3 FLAC  
686. 04/24/04 Rec Center - Corte Madera, CA   source:sbd>eac>shn via esmith   2 SHN  
687. 12/17/04 Warfield Theater - San Francisco, CA   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
688. 12/17/04 Warfield Theater - San Francisco, CA   SBD + AUD (Schoeps) Matrix Mix (50%-SBD/50%-AUD) via Dan   3 SHN  
689. 12/17/04 Warfield Theater - San Francisco, CA   DTS-Audio-CD 5.1 Mix SBD + AUD(Schoesp) via Dan   3 SHN  
690. 12/17/04 Warfield Theater - San Francisco, CA   Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern direct to dat using a Tascam Porta 1 mixing board / mic preamp Recorded and Seeded to abgd by Rob R (ArtCube)   3 SHN  
691. 12/17/04 Warfield Theater - San Francisco, CA   Source: Schoeps Mk4v > KC-Y > CMC6 > Lunatec V2 preamp > Benchmark Audio AD2K+ (24 bit / 48Hz) > Digigram VX Pocket > Toshiba 3440CT / Vegas > .wav by Larry Narachi   3 FLAC  
692. 12/17/04 Warfield Theater - San Francisco, CA   Oktava MC012 (hypercard) > Graham Patten Dmic20 with Todd mod> Sony PCM-m1 transfer: Tascam DA-30 mkII>MAudio Audiophile 24/96>soundforge 7>resample to 44.1>CDwav>flac rec @ transfer by C DiPietro   3 FLAC  
693. 12/17/04 Warfield Theater - San Francisco, CA   Source: Neumann U89i > Lunatec V3 (24 bit / 48Hz) > Illumanti digital cable > VX Pocket > Toshiba 3440CT / Vegas > .wav Lineage:.wav > flac frontend > .flac Recorded and mastered by James Welborn and Larry Narachi   3 FLAC  
694. 12/17/04 Warfield Theater - San Francisco, CA   Bertha Remaster of the DSBD SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN   3 FLAC  
695. 12/18/04 Warfield Theater - San Francisco, CA   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
696. 12/18/04 Warfield Theater - San Francisco, CA   Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern direct to dat using a Tascam Porta 1 mixing board / mic preamp Recorded and Seeded to abgd by Rob R (ArtCube)   3 SHN  
697. 12/18/04 Warfield Theater - San Francisco, CA   Source: MBHO603a/ka200n>Sound Devices MP2>Benchmark ad2k+>Digigram vxpocket v2/lifebook p2120 @24bit/48khz ORTF @ Tapers Section by Ian Stone   3 FLAC  
698. 12/18/04 Warfield Theater - San Francisco, CA   Source: Neumann KM54?s> 130 Volt P/S> Lunatec V2> Apogee MiniMe (16/44.1)> Sony M1 (front left corner of the taper section which was right of center and behind the first drink rail) Transfer: Fostex D5> HHB 830> EAC> FLAC Taped by Kyle Porter and Matt Hiles Transfer by Matt Hiles   3 FLAC  
699. 12/18/04 Warfield Theater - San Francisco, CA   Source: A: Ts ADK A 51 LE>Apogee MiniMe > VX Pocket 440 > P4 laptop > Soundforge 7.0.RAW; ROC Transfer: Soundforge 7.0.RAW > FLAC. Unflac'ed > Wavelab 5 (made into single track & gain applied) > CD Wave 1.92 > Flac (8) Taped by rovjon. Transfered by Chris Larson   3 FLAC  
700. 12/18/04 Warfield Theater - San Francisco, CA   Bertha Remaster of the DSBD SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN   3 FLAC  
701. 12/19/04 Warfield Theater - San Francisco, CA   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
702. 12/19/04 Warfield Theater - San Francisco, CA   Source: Oktava MC012 (hypercard) > Graham Patten Dmic20 with Todd mod> Sony PCM-m1 Transfer: Tascam DA-30 mkII>MAudio Audiophile 24/96>soundforge 7>resample to 44.1>CDwav>flac rec @ transfer by C DiPietro   3 FLAC  
703. 12/19/04 Warfield Theater - San Francisco, CA   Source: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern direct to dat using a Tascam Porta 1 mixing board / mic preamp Recorded and Seeded to abgd by Rob R (ArtCube)   3 SHN  
704. 12/19/04 Warfield Theater - San Francisco, CA   Source: MBHO603a/ka200n>Sound Devices MP2>Benchmark ad2k+>Digigram vxpocket v2/lifebook p2120 @24bit/48khz ORTF @ Tapers Section by Ian Stone   3 FLAC  
705. 12/19/04 Warfield Theater - San Francisco, CA   Bertha Remaster of the DSBD SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN   3 FLAC  
706. 12/19/04 Warfield Theater - San Francisco, CA   Source: Nakamichi CM1000?s> Edirol UA5(16/44.1)> Sony D7 Transfer: Fostex D5> Apogee Mini-DAC(usb)> CD Wave Editor> FLAC   3 FLAC  
707. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   Source: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp.   3 FLAC  
708. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   Source: (Balcony, Row 1, DFC) Nakamichi 701?s> Nakamichi MX100> Apogee MiniMe(16/44.1)> Sony M1 Transfer: Fostex D5> HHB 830> EAC> FLAC   3 FLAC  
709. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   **24bit/96khz** FLAC version of MBho603a500hn(Hypers)->V3->Neundo 24/96 Audiolink Multiset->Sony PCG-C1VPK->Wavelab 4.0 Taped By: Marty S (JackRussel) Transfered By: Marty S (Jack Russel)   3 FLAC  
710. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   Summary Source: Mbho603aHypers->V3->Neundo 24/96 Audiolink Multiset->Sony PCG-C1VPK->Wavelab 4.0 24bit 96kHz Dithering: Wavelab 4.0->Apogee dithering algorithm 24bit 96kHz to 16bit 44.1kHz Taped By: Marty S (JackRussel) Transfered By: Marty S (Jack Russel)   4 FLAC  
711. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   4 FLAC  
712. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   Source: Audio Technica AT835ST > Aeta PSP-2 > Tascam DA-P1 Transfer: Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CDWAV > FLAC   4 FLAC  
713. 02/12/05 Bill Graham Civic Auditorium - San Francisco, CA   Source: Matrix (SBD/AUD mixdown): SBD: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) AUD: Mbho603aHypers-> V3-> Neundo 24/96 Audiolink Multiset-> Sony PCG-C1VPK-> Wavelab 4.0 24bit 96kHz; Transfer: Wavelab 4.0->Apogee dithering algorithm 24bit 96kHz to 16bit 44.1kHz (Taped and transferred by Marty S|Jack Russel) - Matrix mixdown by -Ben Scott-Killian (shruggy1987) bscottk@gmail.com   4 FLAC  
714. 05/13/05 The Warfield - San Francisco, CA A- 3 Nak source - good sound, maybe a little bassy/boomy but no flaws. I liked the Across The Universe > Eyes etc , Cryptical > ... and encore segments. The vocals were the weakest point when the men were singing. Sless and Siegel's sound very nice and flowing without being harsh.   3 FLAC notes
715. 05/13/05 The Warfield - San Francisco, CA   Official Free DSBD release from Phillesh.net   3 FLAC  
716. 05/15/05 Berkeley Community Theatre - Berkeley, CA   Source: Aud Lineage: ?>cdr>eac>flac Taped by: Pete Transferred by: Edgar Uploaded by: edgara@gmail.com   3 FLAC  
717. 07/15/05 The Fillmore Auditorum - Denver, CO   1st Row TS/DIN: AKG ck63> JKLabs ECMS-22> V3(optical)> JB3> PlayCenter> CoolEdit> CDWav> FLAC Taped and transferred by Todd R   3 FLAC  
718. 07/15/05 The Fillmore Auditorum - Denver, CO   Source: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp   3 FLAC  
719. 07/15/05 The Fillmore Auditorum - Denver, CO   Source: AKG 463's DIN(unmodded)>Silver Serpent cables>Lunatec V3>JB3. Recorded by nak700/Tony Suraci from OTS, directly behind soundboard, stand at ~10 Feet.   3 FLAC  
720. 07/16/05 Red Rocks Ampitheatre - Morrison, CO   Oktava MC012's(omni ortf 6' stand row 19 center')>Graham Patten Dmic20>Sony PCM-M1 dat@48k trans:Tascam DA MK30II>coax>MAudio 24/96>wavelab 5>resample to 44.1k>CDwav(track split)>flac record and transfer by cdipietro   3 FLAC  
721. 07/16/05 Red Rocks Ampitheatre - Morrison, CO   Source: (OTS, 1st Row, DFC) Modified Vintage Gefell MV692 + M94-> Apogee MiniMe (16/44.1)-> Sony M1 DAT Transfer: Fostex D5-> HHb CDR830-> EAC-> CD Wave-> FLAC   3 FLAC  
722. 07/16/05 Red Rocks Ampitheatre - Morrison, CO   SOURCE: Oktava MC-012 (Cards DIN) > Edirol UA-5 (Oade Digi-mod only) > Optical > Creative Nomad Jukebox 3 (aka JB3) LOCATION: Front left of TS (located behind the board). TRANSFER: Nomad Jukebox 3 > Firewire > Sound Forge 7.0 (mastering; see below) > CD Wave (tracking) > Wave > Flac Frontend > FLAC (level 6) MASTERING: In Sound Forge 7.0: Slight EQ (boost highs 0.5 db - 2.0 db) > Waves L1 Ultramaximizer+ > Waves L2 CONVERSION: Mastered .wav File > Flac Frontend (version 1.7.1) > Level 6 FLAC File TAPER: Mike B.   3 FLAC  
723. 07/16/05 Red Rocks Ampitheatre - Morrison, CO   Lineage: AKG 481s (DIN, center, row 20) > Lunatec V3 @ 48kHz > Sony PCM-M1 > Delta Dio 24/96 > Samplitude 7.0 (48kHz > 44.1kHz) > CDWav > FLAC -- Taped by Nic Brokenleg   3 FLAC  
724. 07/16/05 Red Rocks Ampitheatre - Morrison, CO   Source: AKG 461's>V3>Dat Loaction: Tapers Section, DFC, stand at 7 feet Transfer: Dat>722>Adobe Aud>Cdwav>flac16 Taper: Tony Suraci   3 FLAC  
725. 10/27/05 Bimbo's 365 Club - San Francisco, CA   Source: AT 831 (SP-CMC-2 w/phantom power) -> Mic2496 -> PDAudio-CF (IPAQ 5555) -> SD Card Taper: L. Sanders   3 FLAC  
726. 10/27/05 Bimbo's 365 Club - San Francisco, CA   Source: (fob) Nakamichi 701?s -> Luminous Audio P/S -> Sony M1 DAT (48kHz)   3 FLAC  
727. 10/27/05 Bimbo's 365 Club - San Francisco, CA   Source: B&K 4023 (10' tripod) > Sonisax > Sony Viao via SoundForge 7.0 by Mark Erdheim Transfer: Tracked WAV files to CDR by Mark Erdheim Extraction: CDR > EAC(proper offsets) > WAV > FLAC (level 6) by Marc Pujol on 1/22/2006 (Thanks to Leo Carr for the source discs!!)   3 FLAC  
728. 10/29/05 Sam Boyd Silver Bowl - Las Vegas, NV A- rec: oktava mc012's(cards) fob 75'center>Edirol ua5 warm mod>hosa odl276>jb3@ 44.1 transfer:jb3>soundforge(fades)>cdwave [2005-11-20]Oktava Source - Good sound and pretty good show. Lesh, Osbourne, Herring, Sipe, Barraco, Sless, with Haynes (3 tunes). Nothing that bowled me over. Basic fun time.   2 FLAC notes
729. 10/29/05 Sam Boyd Silver Bowl - Las Vegas, NV   Source:ADK TL 51s> 20'FOB 2'right of DFC> UA-5> JB3(16/44.1 kbs) transfer: JB3>USB>wave lab 5.0>FLAC Frontend taped and transfered:Sean Wentland (slightlys)   2 FLAC  
730. 10/29/05 Sam Boyd Silver Bowl - Las Vegas, NV   Source: Audio Technica AT835ST > Lunatec V3 > Sony PCM-M1 Transfer: Sony PCM-M1 > Echo Gina 24 > Cool Edit 2000 > CdWave > FLAC Frontend > TagScanner taped 'n' transferred by Jules Montell / CivetCat   3 FLAC  
731. 10/29/05 Sam Boyd Silver Bowl - Las Vegas, NV   Source: (fob) Nakamichi 701?s -> Luminous P/S -> Nakamichi MX-100 -> Sony M1 (16/48) Transfer: Fostex D5 -> Tascam DV-RA1000 -> Mackie 1202 VLZ Pro (-4dB 80 Hz Low Sweep) -> HHb 830 (16/44.1) -> EAC-> CD Wave -> FLAC   3 FLAC  
732. 10/29/05 Sam Boyd Silver Bowl - Las Vegas, NV   Source: Soundboard ??>1.4Mbps (approx) Live Internet Stream> Edirol W-mod UA-5 @24/48>Samplitude7.02> Toshiba Portege 3480ct (winXp) (via USB)> 24 bit wavf>Maxtor External Harddrive (via USB). Transfer: Maxtor External Harddrive>Soundforge 6.0 (normalized to -16 dB)>Wavlab 4.0 (downsampled to 44.1, dithered to 16 bit with Apogee UV22HR algorythym)> Cdwav 1.93.3 beta (tracked)>Flac Frontend 1.7.1>flac16. (shntool verified). Recording and transfer by Mark Burgin.   2 FLAC  
733. 10/30/05 The Joint @ Hard Rock Hotel - Las Vegas, NV   (fob) Nakamichi 701?s -> Luminous Audio P/S -> Sony M1 DAT (48kHz)   3 FLAC  
734. 10/30/05 The Joint @ Hard Rock Hotel - Las Vegas, NV   recording: DPA(b&k)4023's(10' stand beside sbd)>sonosax> sony viao>cd taped by Marc Erdheim transfer: cd>eac>flac   3 FLAC  
735. 11/21/05 Sovereign Center - Reading, PA A- Source: Schoeps MK4V'S FOB/DFC 12 th Row Taped and transferred by Jeff Travitz. Nice sound and a cool show. I Liked Girl On The Mountain> Jam>, Hurts Me Too, Who Knows What Tomorrow May Bring> Jam> Big River and the Terrapin is played way up tempo.   3 FLAC notes
736. 11/22/05 New Jersey Performing Arts Center - Newark, NJ A- Source: AKG JWmod 463's>V3>JB3 Location: OTS Stand at 8 feet Transfer: JB3>CDwave>flac Taped, transfered and uploaded by Tony S./nak700 [2006-01-17] Lesh, Molo, Sless, Campbell, Seigel, Robinson. Good sound. Vocals weak in places, but Caution/ Gimmie Shelter fit well and are worth checking out.   3 FLAC notes
737. 11/22/05 New Jersey Performing Arts Center - Newark, NJ   Schoeps mk4 (din, 6'stand, fob, roc)> kc5> cmc6> Lunatec V3 (24/96)> PDAudio-CF> iPaq 3835   3 FLAC  
738. 11/22/05 New Jersey Performing Arts Center - Newark, NJ   DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
739. 11/22/05 New Jersey Performing Arts Center - Newark, NJ   [24 Bit] Schoeps mk4 (din, 6'stand, fob, roc)> kc5> cmc6> Lunatec V3 (24/96)> PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, patch s1t01^ & s2t01^^), CDWave (tracks)   2 FLAC  
740. 11/22/05 New Jersey Performing Arts Center - Newark, NJ   DTS 5.1 (Schoeps mk4 Recorded by Craig Taraszki and Offical Soundboard)   3 FLAC  
741. 11/22/05 New Jersey Performing Arts Center - Newark, NJ   Matrix= DSBD (Mixed and Mastered by Wiz) + Source: Schoeps mk4 (din, 6'stand, fob, roc)> kc5> cmc6> Lunatec V3 (24/96)> > Transfer: PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, patch s1t01^ & s2t01^^), CDWave (tracks)   2 FLAC  
742. 11/22/05 New Jersey Performing Arts Center - Newark, NJ   DTS 5.1 Matrix = SBD: DSBD + AUD: Source: Schoeps mk4 (din, 6'stand, fob, roc)> kc5> cmc6> Lunatec V3 (24/96)> > Transfer: PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, patch s1t01^ & s2t01^^), CDWave (tracks)   3 FLAC  
743. 11/23/05 New Jersey Performing Arts Center - Newark, NJ A- Source : Nakamichi 100 (shotguns) SOund is nice. Pretty good show. Check out the Lovelight to end set 1, Nice SOTOTW/Birdsong/Eyes in set 2 with a jammed out Dark Star encore with some non-standing theme jamming.   3 FLAC notes
744. 11/23/05 New Jersey Performing Arts Center - Newark, NJ   DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
745. 11/23/05 New Jersey Performing Arts Center - Newark, NJ   Source: Schoeps mk4 (din, 6'stand, fob, roc)> kc5> cmc6> Lunatec V3 (24/96)> SD 722> PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, resample, Apogee uv22hr dither), CDWave (tracks) Recorded by Tim Newman & Craig Taraszki   3 FLAC  
746. 11/23/05 New Jersey Performing Arts Center - Newark, NJ   Source: [24bit] Schoeps mk4 (din, 6'stand, fob, roc)> kc5> cmc6> Lunatec V3 (24/96)> PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive) Lineage: Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Taped by: TN & CT Transferred by: Craig Taraszki   3 FLAC  
747. 11/23/05 New Jersey Performing Arts Center - Newark, NJ   Source: Microtech GefellM300>V3>M1>JB3 Transfer: JB3>USB>Soundforge>wave.>flac16   3 FLAC  
748. 11/25/05 Chicago Theatre - Chicago, IL B Source: Schoeps MK4V's -> Schoeps VMS5U -> Edriol R1 (Front row Balcony dead center) Taped and transferred by Jeff Travitz. Sound further back than next night. Sort of odd set list. Operator ok. I say you can skip this one and not miss much.   3 FLAC notes
749. 11/25/05 Chicago Theatre - Chicago, IL   Source: AKG 483(fob) > V3 (HPF2) > MT2496 (16/44.1) > CD Wav MNFL4L Row F Seat 409 Taped and transferred by Jeff Frank   3 FLAC  
750. 11/26/05 Chicago Theater - Chicago, IL B+ Schoeps MK4V's Travitz - solid recording, but the mix isn't as balanced as I'd lik eto hear. Some of the guitars sound too distant. Performance - ok, but not enough for me to want tolisten again. The Feedback > Caution is the best part. Vocals get in the way on 8 Miles High and other songs. Lesh, Robinson, Campbell, Molo, Siegel, Sless. At times I found Molo's drumming too thumpy which surprised me.   3 FLAC notes
751. 11/26/05 Chicago Theater - Chicago, IL   Core Sounds Binaurals (Row HH FOB) > M-Audio Microtrack (48kHZ/24-bit)   3 FLAC  
752. 11/26/05 Chicago Theater - Chicago, IL   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
753. 11/26/05 Chicago Theater - Chicago, IL   75% DSBD 25% FOB Core Sounds Binaurals 16 Bit Version   3 FLAC  
754. 11/26/05 Chicago Theater - Chicago, IL   Untracked 24 Bit Matrix (75% DSBD 25% FOB Core Sounds Binaurals )   3 FLAC  
755. 11/27/05 Eagles Ballroom - Milwaukee, WI   Source: AKG 483(fob) > V3 (HPF2) > MT2496 (16/44.1) > CD Wav Barely FOB and towards the left side right in front of the taper's section. Taped and transferred by Jeff Frank   3 FLAC  
756. 11/29/05 A.J. Palumbo Center, Duquesne University - Pittsburgh, PA   Source: ADK A-51TLs (OTS right side of the board,~7.5'high, hypercardioids DINa) > Canare Starquad XLRs > Edirol UA-5 (Oade digimod) > Nomad Jukebox 3 (@44.1kHz) Transfer: Nomad Jukebox 3 > firewire > Cool Edit Pro (nomalization, fades) > CD Wave > FLAC Frontend Taped and transfered by Alex Herd   3 FLAC  
757. 11/29/05 A.J. Palumbo Center, Duquesne University - Pittsburgh, PA   Source: Sennheiser K6/ ME-66's> Denecke AD-20> Sony PCM-M1 Transfer: Fostex D-5> Edirol UA-D1 (coaxial)> Sony Soundforge 7.0> CD Wave Editor> Flac (level 8) Mics: XY 65*(Oade Method), Stand @ 10',Designated Tapers Section Beside Soundboard, ROC Taped by Melissa Mimna Transferred by Jim & Melissa Mimna   3 FLAC  
758. 12/01/05 Agganis Arena, Boston University - Boston, MA   24 BIT Version 8th row DFC Neumann ak40   3 FLAC  
759. 12/01/05 Agganis Arena, Boston University - Boston, MA   Source: 8th row DFC - Neumann ak40 (XY@110deg)>lc3>ka100 > Oade M248 preamp > Maranatz PMD671 @ 24bit / 48kHz master 24bit .wav files resampled and dithered (apogee uv22hr) with wavlab for redbook version   3 FLAC  
760. 12/01/05 Agganis Arena, Boston University - Boston, MA   Source: AKG 480/ck63 > Oade Warm + mod UA-5 > Nomad JB3 Location: Front row OTS 1 seat right of aisle (OTS was off center right side facing stage) Conversion: JB3 > Firewire > CDWave > FLAC Taper: PG   0 FLAC  
761. 12/02/05 Patriot Center - Fairfax, VA   Source: 1st Set Neumann ak43(M)/ak20(S) 2nd Set Neumann USM69i M(sub)/S(figure 8) V3>VX440>Vaio U3 WL4 @ 24/48 Location: fob/dfc, 25' from stage, 6 1/2' high Transfer: WL5.0(fades, Waves MS decode, Normalize, UV22HR dither, 48>44.1Khz)> CDWave> FlacFrontend(8) Taped & transferred by: Dr.FOB   3 FLAC  
762. 12/02/05 Patriot Center - Fairfax, VA   Source: B&K4022(ortf)>Sonosax>744T Location: fob/dfc, 30' from stage, 6 1/2' high Transfer: 744T>soundforge 7.0(fades/resampling/dithering)>cdwav>flac Taped & transferred by: Craig Davis   3 FLAC  
763. 12/03/05 Shea's Performing Arts Center - Buffalo, NY   SoundForge 8.0 REMIX of Sanjay Suchak Source: MBHO 603a/KA200N > Shure FP-24 > JB3 (see text document)   3 FLAC  
764. 12/03/05 Shea's Performing Arts Center - Buffalo, NY   Source: MBHO 603a/KA200N > Shure FP-24 > JB3 Location: Loge Section 4, Row C (3rd row center loge) Transfer: JB3 > Powerbook G4 > Sound Studio > .wav > xACT > .flac Taper: Sanjay Suchak   3 FLAC  
765. 12/03/05 Shea's Performing Arts Center - Buffalo, NY   Source: AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9   3 FLAC  
766. 12/03/05 Shea's Performing Arts Center - Buffalo, NY   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
767. 12/03/05 Shea's Performing Arts Center - Buffalo, NY   Recorded and transferred by Tim Burke from Centered, Orchestra, Section 3, Row N, Seat 107, ~40' from stage lip using Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > Nomad Jukebox 3 > Flac (16/44)   3 FLAC  
768. 12/04/05 Washington St. Armory - Albany, NY   Source: AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios. Location: Bleachers, back of the floor, DFC, in the taperssection.   3 FLAC  
769. 12/04/05 Washington St. Armory - Albany, NY   Source: Neuamnn KM184> Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 Location: [DIN 90*, 1st row OTS 5' LOC] Transfer: JB3> firewire> Sound Forge 6.0 (fades)> cdWave> FLAC Frontend taped/transfered by: Rob Clarke   3 FLAC  
770. 12/04/05 Washington St. Armory - Albany, NY   Source: Microtech Gefell M20 > JK Labs ECMS-23 > Oade W+ mod UA5 > JB3 (16/44) Transfer: JB3 > CDWave > FLAC Location: FOB|DFC Taped and Transferred by Tim Burke   3 FLAC  
771. 12/04/05 Washington St. Armory - Albany, NY   Recording Source: Neumann SKM184's(ORTF)>PS-2>A/D-20>Optical>Sony MZ-M100(PCM@44.1) Transfer Lineage: Sony MZ-M100>USB>Sonicstage>Renderer>WAV>FLAC Recorded & Transferred by: Sean "Homeslice" Reardon (VTAudio@adelphia.net)   3 FLAC  
772. 12/04/05 Washington St. Armory - Albany, NY   (taper section) Neumann U89i (hypercard, DINA, -80h)> Lunatec V2> Apogee Minime> Hosa ODL-312> Creative Labs NJB3. Creative Labs NJB3> (firewire) Creative Paly Center> Cool Edit Pro 2 (fade in/out, graphic equalizer (add some lows),hard limit)> CD Wave (tracked)> Flac Fronted. Recorded by Ed Guidry   3 FLAC  
773. 12/04/05 Washington St. Armory - Albany, NY   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
774. 12/04/05 Washington St. Armory - Albany, NY   Matrix - Neumann SKM184' aud source plus Official DSBD   3 FLAC  
775. 12/06/05 Chevrolet Theater - Wallingford, CT   Source: JWmod AKG 469's>Lunatec V3>JB3 Location: OTS/DFC Std. at 8 feet Transfer: JB3>CDwave>flac Taper: Tony S.   3 FLAC  
776. 12/08/05 House of Blues - Atlantic City, NJ   Source: Schoeps mk4 (ortf, fob, dfc)> kc5> cmc6> Lunatec V3 (24/96)> PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
777. 12/08/05 House of Blues - Atlantic City, NJ   source: AKG 480b ck63(DIN/OTS/LOC) > Segue Dogstar XLR's > Lunatec V3 > JB3(16/44.1) Transfer: JB3 > USB > Wavelab 5.0 > CD Wave > FLAC(level 8) Taped and Transferred by T.J. Samulis   3 FLAC  
778. 12/08/05 House of Blues - Atlantic City, NJ   ***24 bit*** Source: Schoeps mk5 (cardiods, ortf, fob, dfc)> kc5> cmc6> Lunatec V3 (24/96)> PDAudio-CF> iPaq 3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki   3 FLAC  
779. 12/09/05 House of Blues - Atlantic City, NJ   Source: Microtech Gefel 200 (cardiod) > EAA PSP 3 > SBM1 > Sony D8 > DAT > HHB 850 > CDR CDR > .flac conversion by Eamon Keenan CDR > EAC > .wav > Flac Frontend (level 8,verified, aligned on sector boundaries) > .flac Audience Recording by Freddie G.   3 FLAC  
780. 12/09/05 House of Blues - Atlantic City, NJ   Source: ak43(ortf)> V3> vx440> Vaio U3 (WL4.0) 24/48 WL5.0 (fades, bit depth reduce, resample)> CDWAVE> FlacFrontend (8) Taped and Transfered by Dr.FOB   3 FLAC  
781. 12/09/05 House of Blues - Atlantic City, NJ   Source: [24bit] Schoeps mk5 (cardiods, ortf, fob, dfc)> Lunatec V3 (24/96)> PDAudio-CF> iPaq3835 (Live2496, Addonics Pocket ExDrive) Lineage: Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Taped by: Craig Taraszki Transferred by: Craig Taraszki   3 FLAC  
782. 12/09/05 House of Blues - Atlantic City, NJ   Source: Schoeps mk5 (cardiods, ortf, fob, dfc)> Lunatec V3 (24/96)> PDAudio-CF> iPaq3835 (Live2496, Addonics Pocket ExDrive); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki   3 FLAC  
783. 12/10/05 House Of Blues - Atlantic City, NJ   source: schoeps mk4 (ortf @ 6.75ft, dfc, front row of t/s) > kc5 > cmc6 > minime > m1 transfer: pcmr500 > hhb830 > eac* > cdwav > flac frontend recorded/converted/seeded by david barfield   3 FLAC  
784. 12/10/05 House Of Blues - Atlantic City, NJ   Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)   3 FLAC  
785. 12/10/05 House Of Blues - Atlantic City, NJ   Source: USM69i(90deg,card> V3> vx440> Vaio U3 (WL4.0) 24/48 WL5.0 (fades, eq {Sony 20 band}, normalize, bit depth reduce, resample)> CDWAVE> FlacFrontend (8) Taped and Transfered by: Dr.FOB   3 FLAC  
786. 12/12/05 Fox Theater - Atlanta, GA   Source: Schoeps MK4V'S-> Schoeps VMS5U-> Edriol R1 (FOB/DFC 15th row center/ Stand at Head Level) Taped and Transfered by: Jeff Travitz   3 FLAC  
787. 12/13/05 Fox Theatre - Atlanta, GA   Source: Neumann ak40+ak20 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 44.1khz Location: FOB, DFC, row C (seat 106), mid-side(decoded on fly), 5'10'' stand Transfer: Nomad Jukebox 3 > Firewire > Cool Edit Pro > CDWave > FLAC(level 6) Fades Added in Cool Edit Tracked in CDWave Taped, Transferred, and Seeded by D.P. Swint   3 FLAC  
788. 12/29/05 Fillmore Auditorium - San Francisco, CA   Source:3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp, Recorded by Rob R   3 FLAC  
789. 12/29/05 Fillmore Auditorium - San Francisco, CA   Source: (Vintage 48V modified) Gefell MV 692 + M94 -> Stewart BPS-1?s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48) Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16 By nakguy   3 FLAC  
790. 12/30/05 The Warfield - San Francisco, CA   Source: (Vintage 48V modified) Gefell MV 692 + M94 -> Stewart BPS-1?s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48) Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16 By nakguy   3 FLAC  
791. 12/30/05 The Warfield - San Francisco, CA   Source: Gefell MV 692 + M94 -> Stewart BPS-1?s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48) Transfer: MicroTrack 2496 -> CD Wave -> FLAC24   3 FLAC  
792. 12/31/05 Bill Graham Civic Aud. - San Francisco, CA   Source: (Vintage 48V modified) Gefell MV 692 + M94 -> Stewart BPS-1?s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48) Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16 By nakguy   3 FLAC  
793. 02/10/06 Beacon Theater - New York, NY   Source: AKG JW MOD C463B>V3>722@24/48 LOCATION: OTS STAND AT 8 FEET TRANSFER: 722>SF8>16/44>CDWAVE TAPER: TONY S.   3 FLAC  
794. 02/10/06 Beacon Theater - New York, NY   source: microtech gefell 300s ("dude style" * - clamped to loge facade 2' out - dfc) > v3 (16/48) > m1 transfer: pcmr500 > audiophile usb > wavelab5 (resample/fades) > cdwav (tracks) > flacfrontend (level 6 verify) recordist: "bad-vibe dude" transfer: david barfield   3 FLAC  
795. 02/11/06 Beacon Theater - New York, NY B+ neumann ak43 [2006-05-15] a bit bass heavy w/ some overload in a few places. Haynes shows up this night. Jam > CCat > IKYR is good. Cumberland w/ Sless on peddle steel very good, Shakedown was a bit shaky, but the VLB > H2H > VLB > Bertha was strong, as was teh Caution > FOTM > NFA. Warren did a nice CAT > Golden Road for the encore. Fans of the "Q" will like this show, with some added lightness from Sless   3 FLAC notes
796. 02/11/06 Beacon Theater - New York, NY   recorded by "bad-vibe dude" source: microtech gefell 300 ("dude style" clamped 2' out from loge facade) > v3 (16/48) > m1 transfer via: pcmr500 > audiophile usb > wavlab5 (fades/resample) > cdwav (tracks) > flacfrontend transfer by david barfield   3 FLAC  
797. 02/12/06 Beacon Theatre - New York, NY   nak 300 Steve T   3 FLAC  
798. 02/12/06 Beacon Theatre - New York, NY   Source: Nak 300's with cp1 caps (cards) > SBM-1 > M1 Transfer: Unknown > CD Encode: CD > EAC > WAV > FLAC Taped by Steve T Encoded / Seeded by Ari Jaffess   3 FLAC  
799. 02/12/06 Beacon Theatre - New York, NY   Source: DSBD - Official Release from www.phillesh.net (Mixed and mastered by Derek Featherstone)   3 FLAC  
800. 02/12/06 Beacon Theatre - New York, NY   Source: (Lower Loge) Microtech Geffells m210>V3>DAP-1 (44.1) Taped by: John Lynch Transfer: Tascam DA20-mkII>vx pocket>Toshiba 3490ct>vegas 3.0 (16/44.1)>CdWav Editor>FLAC Transfered by: Scott Gordon   3 FLAC  
801. 02/12/06 Beacon Theatre - New York, NY   AK43   3 FLAC  
802. 02/12/06 Beacon Theatre - New York, NY   source: microtech gefell 300s ("dude style" - dfc - clamped to loge facade 2' out) > v3 > m1 transfer: pcmr500 > audiophile usb > wavelab5 > (fades/resample) > cdwav > flacfrontend recorded: "bad-vibe dude" transferred: david barfield   3 FLAC  
803. 02/12/06 Beacon Theatre - New York, NY   SBD/AUD Matrix (DSBD + mg300s)   3 FLAC  
804. 02/12/06 Beacon Theatre - New York, NY   This is a collection of 'fixes' for a few issues with the phil & friends 2006-2-12 dsbd via phopely. See info file for details   3 FLAC  
805. 02/14/06 Beacon Theater - New York, NY A- Taped by Lee Ramsey OTS (Back Right Corner)Mic stand @ 9' w/ 2-Sennheiser ME66/K6.[2006-05-12] Nice quality to the sound, no flaws. FOTD is nice with Campell's mandolin. SOTOTW is great as always. Rest of the show had some good spots but overall not worth seeking out. Lacks cohesive set flows and sustained delivery of the better Phil shows.   3 FLAC notes
806. 02/14/06 Beacon Theater - New York, NY   Source: schoeps mk4 (ortf-dfc-loge rail) > kc5 > cmc6 > 3' zoalla > minime (16/44) > m1 Lineage: pcmr500 > audiophile usb > audacity (fades) > cdwav (tracks) > flacfrontend (md5 sigs via mkw) Taped and transferred by: david barfield   3 FLAC  
807. 02/15/06 Beacon Theater - New York, NY   Source: JW Mod AKG 469's>V3>722 @24/48 Location: OTS/Stand at 8 feet Transfer: 722>Audtion 2.0 16/44>CDwav>flac16 Taped, Transfered and Uploaded by Tony S./Nak700   3 FLAC  
808. 02/15/06 Beacon Theater - New York, NY   Schoeps mk4 (din-dfc-loge rail) > kc5 > cmc6 > 3' zoalla > minime (16/44) > m1 Transfer: pcmr500 > audiophile usb > audacity (fades) > cdwav > flacfrontend (verify level 6 md5 via mkw) recorded and transferred by david barfield   3 FLAC  
809. 02/17/06 Hammerstein Ballroom - New York, NY A- Microtech Gefell M210's (hyper cardioids) 1st row of the 1st Mezzanine, left of center (OTS), Freedie G tape. [2006-05-12] Good sound. This particular show wasn't at all snappy, more ploddy-like. Compared to the Q, just not tight and integrated. Best are the bluegarssy tunes where Campell's mandolin fits in. Not a show I'd recoomed.   3 FLAC notes
810. 02/17/06 Hammerstein Ballroom - New York, NY   Source: Neuamnn KM184> Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 [DIN 90*, OTS 1st row mezzine LOC] Transfer: JB3> firewire> Sound Forge 6.0 (fades)> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
811. 02/17/06 Hammerstein Ballroom - New York, NY   Source: Schoeps mk4 (din, fob, dfc, 6'stand)> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki   3 FLAC  
812. 02/17/06 Hammerstein Ballroom - New York, NY   Source: Schoeps mk4 (din, fob, dfc, 6'stand)> NBox+> SD 722 (24/96); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24. Recorded by Craig Taraszki Note: This is 24 bit 96kHz ~ 4.3G total file size   3 FLAC  
813. 02/18/06 Hammerstein Ballroom - New York, NY A- neumann clarke [2006-05-15] The songs on this show are a good fit for the lineup, favoring the American Beauty "non-rocker" type songs - Dire Wolf, Peggy-O, Bird Song where the peddle steel and other stringed instruments add the right coloring. SOTOTW and VLB are done well. Set 2 is good until the "Joan Space" which seems forced and not a natural flow for this set. The Good Lovin encore has Joan doing a credible imitation of a Pig rap. Not a bad overall show to get a sense of what this lineup can do. Good sound, not too much crowd noise etc..   3 FLAC notes
814. 02/18/06 Hammerstein Ballroom - New York, NY   Source: Schoeps CCM4's > Reutelhuber Box > Sony PCM-M1 DAT (Mezz-OTS-LOC) Transfer: Panasonic SV 4100 > Lynx One Card XLR Digital > Sound Forge 4.5 > CD Architect > CDR > EAC > FLAC / Recorded and Transfered by Taper Advocat   3 FLAC  
815. 02/18/06 Hammerstein Ballroom - New York, NY   Source: AKG C522 > Lunatec V3 > Sony TCD-D8 DAT (FOB M/S Master) Transfer: Panasonic SV3800 > Lunatec V3 (M/S decode) > HHb CDR-830 > CD-R > Powermac G4 > iTunes v6.0.3(6) > aiff > xACT1.5b3 (track join) > Audacity 1.2.3 > aiff > xACT > FLAC Taper: Jason Loomis / Team Pickle   3 FLAC  
816. 02/18/06 Hammerstein Ballroom - New York, NY   Source: Schoeps mk4 (din, fob, dfc, 6'stand)> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki   3 FLAC  
817. 02/18/06 Hammerstein Ballroom - New York, NY   Source: AKG C480b (CK63) > Edirol UA-5 (BM2) > Nomad Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.3 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios Location: General Admission, front row of the Mezzanine, left side, in the taperssection.   3 FLAC  
818. 02/19/06 Hammerstein Ballroom - New York, NY   Source: Schoeps mk4 (din, fob, dfc, 6'stand)> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
819. 02/19/06 Hammerstein Ballroom - New York, NY   Source: Schoeps mk4 (din, fob, dfc, 6'stand)> NBox+> SD 722 (24/96); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
820. 02/19/06 Hammerstein Ballroom - New York, NY   Source: JW Mod AKG c461b>Lunatec V3>SD722 Location: First Mezz. on Rail, Left of Center, Stand at 9 Feet. Transfer: SD722>Audition 2.0>CDwav>flac Taped, transfered and uploaded by Tony S./nak700   3 FLAC  
821. 02/19/06 Hammerstein Ballroom - New York, NY   ak43(dinA)> lc3ka> km100> V3> 722 (24/96) SF6.0(fades, BDR, resample)> CDWave> FlacFrontend(8)   3 FLAC  
822. 02/21/06 Lupo's @ The Strand - Providence, RI   Source: Oktava Mc012s -> Warm Mod Edirol Ua5 -> Monster Optical -> Nomad JB3 (WAV 44.1k) Transfer: Nomad JB3 -> Firewire -> PC - Sound Forge 7 -> WAV -> FLAC Taped By: Mike Nichols   3 FLAC  
823. 02/21/06 Lupo's @ The Strand - Providence, RI   Schoeps MK4V'S -> Sschoeps VMS5U -> Edriol R1 FOB/DFC about 12 rows back By Jeff Travitz   3 FLAC  
824. 02/21/06 Lupo's @ The Strand - Providence, RI   Source: Neuamnn KM184> Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 [DIN 89*, OTS drink rail behind light board LOC] Transfer: JB3> firewire> Sound Forge 6.0 (fades)> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
825. 02/22/06 Lupo's @ The Strand - Providence, RI   Schoeps MK4V'S -> Schoeps VMS5U-> Edriol R1 FOB/DFC   3 FLAC  
826. 02/22/06 Lupo's @ The Strand - Providence, RI   Source: SP-CMC-3 (AT853's hypers) > Soundpros powerpack > Sony MZ-R50 > Edirol USB UA-3 > Dell Inspiron 8100 > Cool Edit > WAV > FLAC Front end   3 FLAC  
827. 02/24/06 Tower Theater - Upper Darby, PA   Source: (fob) Nakamichi 701?s -> MT 2496 (24/48) Transfer: MT 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC   3 FLAC  
828. 02/24/06 Tower Theater - Upper Darby, PA   Source: Schoeps MK4V'S-> Schoeps VMS5U-> Edriol R1 (15 row 5 seats off center Stand about 7 feet high) By Jeff Travitz   3 FLAC  
829. 02/24/06 Tower Theater - Upper Darby, PA   Source: Schoeps mk4 (din, fob)> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
830. 02/25/06 Tower Theater - Upper Darby, PA   Source: Schoeps mk4 (din, loge rail)> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
831. 02/26/06 Tower Theater - Upper Darby, PA   Source: (fob) Nakamichi 701?s -> MT2496 (24/48) Transfer: MT2496 -> Audacity (16/44.1) -> CD Wave -> FLAC Recorded by: Nakguy   3 FLAC  
832. 02/26/06 Tower Theater - Upper Darby, PA   Source: Schoeps mk4 (din, loge rail, dfc)> NBox+> SD 722 (24/96); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
833. 02/26/06 Tower Theater - Upper Darby, PA   Source: Schoeps mk4 (din, loge rail, dfc)> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
834. 06/18/06 Bonnaroo Music Festival - Manchester, TN   Source: Peluso cemc6/ck4's(DIN,7'FOB,DFC,50'from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>creative playcenter>cdwave>flac Recorded and transferred by Jon Buffington (stirinthesauce@hotmail.com)   3 FLAC  
835. 06/18/06 Bonnaroo Music Festival - Manchester, TN   Source: Neumann KM140 (ORTF) > V3 (analog out) > 722 Location: FOB, DFC, 50' from stage Transfer: 722 > firewire > wavelab (fades, tracking, dither, resample) > flac frontend Taped and Tracked by Brad Wolf   3 FLAC  
836. 06/23/06 Tampa Bay Performing Arts Center - Tampa, FL   Source: Schoeps mk4/cmc6 -> Lunatech V3 -> Sound Devices 722 Tracked: CDWav FLAC: FLAC Frontend Taped by: Steve Bazley   3 FLAC  
837. 06/24/06 Hard Rock Live - Orlando, FL   Source: KM140(ORTF)>W/UA-5>JB3 Transfer: JB3>USB>WAVELAB5>CD WAVE>FLAC by admkrk   3 FLAC  
838. 06/25/06 Hi-Fi Buys Ampitheatre - Atlanta, GA   KM140(ORTF)>W/UA-5>JB3 JB3>USB>WAVELAB5>CD WAVE>FLAC by admkrk   3 FLAC  
839. 06/27/06 Asheville Civic Center - Asheville, NC   Source: Schoeps mk4/cmc6 -> Sound Devices 722 Tracked: CDWav FLAC: FLAC Frontend Taped by: Steve Bazley   3 FLAC  
840. 06/28/06 Alltel Pavilion At Walnut Creek - Raleigh, NC   Source: Schoeps mk4/cmc6 -> Sound Devices 722 Tracked: CDWav FLAC: FLAC Frontend Taped by: Steve Bazley   3 FLAC  
841. 06/28/06 Alltel Pavilion At Walnut Creek - Raleigh, NC   Source: FOB Nakamichi Cm300 (active mod)/cp1 (DIN)> Edirol UA-5> Jb3 (wav @ 44.1 khz) || Taped and Transferred by Patrick Moore (pat@taperssection.com)   2 FLAC  
842. 06/30/06 Tweeter Center - Camden, NJ   Source: JWMod AKG 461's(ORTF@110%)>Lunatec V3>722(24/96) Transfer: 722>Adobe Aud. 2.0>Cdwav>flac16 Location: OTS Lawn Center Taped, transfered and uploaded by: Tony S. ****16 BIT Version****   3 FLAC  
843. 06/30/06 Tweeter Center - Camden, NJ   24bit/48khz Source: Schoeps MK4 > Active Cables > NBox > RCA to 1/4" TRS > Microtrack 24/96 @ 24bit/48Hz Location: FOB Section 101 Row M Seat 2 (25ft in front right stack), DIN @ 6ft Transfer: Microtrack 24/96 > USB > Wavlab 5.00a (fades/tracking) > Flac Frontend 1.7.1 (Level 8) Recorded and compiled by: Chris Kantner   3 FLAC  
844. 07/01/06 PNC Bank Arts Center - Holmdel, NJ   source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend taped/transfered by Rob Clarke   2 FLAC  
845. 07/01/06 PNC Bank Arts Center - Holmdel, NJ   Source: (fob) Nakamichi 701’s -> Luminous P/S -> Marenius MM-4210 -> Sony M1 DAT (48 kHz) Transfer: Fostex D5 -> HHb CDR830 -> EAC -> CD Wave -> FLAC by nakguy   3 FLAC  
846. 07/02/06 Saratoga Performing Arts Center - Saratoga Springs, NY   source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
847. 07/02/06 Saratoga Performing Arts Center - Saratoga Springs, NY   Source: AT853RX (H) > Marantz PMD-660 (Oade-ACM) (16/44.1) Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 6.0 > WAV > Flac Frontend 1.7.1 > FLAC   3 FLAC  
848. 07/03/06 New England Dodge Music Center - Hartford, CT   source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend taped/transfered by Rob Clarke   2 FLAC  
849. 07/06/06 Tweeter Center - Mansfield, MA   source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
850. 07/06/06 Tweeter Center - Mansfield, MA   Source: AKG c34 > Oade T+ UA-5 > MT Lineage: MT > PC > WaveLab > FLAC16 Taped and transfered by: nickspicks   3 FLAC  
851. 07/06/06 Tweeter Center - Mansfield, MA   Source: DPA 4022 > Sonosax SX-M2 > SBM-1 > M-Audio Microtrack (16bit-48k) Location: FOB DFC Section 2, Row X, Seat 24 - ORTF in a hat Transfer: WAV (48) > Flac (44.1) taper and transfer: j braveman   3 FLAC  
852. 07/07/06 Nikon Jones Beach Theater - Wantagh, NY   neumann km140\'s > sound devices mp-2 > sony sbm-1(toddmod) > sony d8 sony d8 > tascam cd-rw700 > cd-r eac > cool edit > cd wave > flac   3 FLAC  
853. 07/08/06 Darien Lake Performing Arts Centre - Darien Lake, NY   Source: AKG CK63|C460B > Sound Devices MP-2 > Edirol R-1 (16bit/44.1khz) Transfer: CF > usb2.0 > Adobe Audition 1.5 > CD Wave > FLAC Frontend > .flac16 Taped & Transferred by: Andrew Berg   3 FLAC  
854. 07/08/06 Darien Lake Performing Arts Centre - Darien Lake, NY   Source: AKG C480b (CK63) > Tascam HD-P2 Location: Lawn, DFC, center stack. Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 6.0 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios (dnolanjr@yahoo.com)   2 FLAC  
855. 07/09/06 Bethel Woods Center for the Arts - Bethel, NY   THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) Mixed and mastered by Wiz CD covers can be found at www.phillesh.net Big thanks to all the mirror sites!   3 FLAC  
856. 07/09/06 Bethel Woods Center for the Arts - Bethel, NY   DTS-Audio-CD 5.1 Mix - Woodstock Take 2 - via Dan Haugh   1 FLAC  
857. 07/09/06 Bethel Woods Center for the Arts - Bethel, NY   Source: JWMod AKG 461's>V3>722(24/96) Location: OTS Lawn Center Transfer: 722>Adobe Aud. 2.0 16/44>CDwav>flac Taped, transfered and uploaded by Tony S.   3 FLAC  
858. 07/09/06 Bethel Woods Center for the Arts - Bethel, NY   source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
859. 07/09/06 Bethel Woods Center for the Arts - Bethel, NY   Source: AKG C480b (CK61) > Tascam HD-P2 Location: Lawn, DFC, center stack. Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 6.0 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios (dnolanjr@yahoo.com)   3 FLAC  
860. 07/11/06 Toyota Pavilion @ Montage Mountain - Scranton, PA   Source: AKG C480b (CK61) > Tascam HD-P2 Location: Lawn, DFC, center stack. Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 6.0 > WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios (dnolanjr@yahoo.com)   3 FLAC  
861. 07/11/06 Toyota Pavilion @ Montage Mountain - Scranton, PA   source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
862. 07/11/06 Toyota Pavilion @ Montage Mountain - Scranton, PA   Source: AKG CK1x(din@90%)>JWMod AKG 460's>722(24/96) Location: Lawn OTS Center Transfer: 722>Adobe Aud>16/44>CDwav>flac Taped, transfered and uploaded by Tony S.   3 FLAC  
863. 07/11/06 Toyota Pavilion @ Montage Mountain - Scranton, PA   Source: Schoeps mk4 (DIN-ish, 22nd row center @ 6')> NBox+> SD 722 (24/96); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
864. 07/12/06 Champlain Valley Fairgrounds - Essex Junction, VT   Source: Neumann U89i (card, DIN, -80h)> Lunatec V2> Apogee Minime> Tascam HD-P2 (16/44.1). (at the right corner of the soundboard) Transfer: Cool Edit Pro 2 (fade in/out, hard limit)> CD Wave (tracked)> Flac Fronted. Recorded by Ed Guidry   3 FLAC  
865. 07/14/06 Lifestyle Community Pavilion - Columbus, OH   Source: Matrix AKG 586's & Nak 300's w/CP-1's > Edirol R-4 Transfer: Edirol R-4 > Wave editor > MKW Taped by Tapecat & the Brain Transferred: Tapecat   3 FLAC  
866. 07/14/06 Lifestyle Community Pavilion - Columbus, OH   Source: AKGc451b's > MP2 > Edirol R-09 @ 48 KHz Transfer: R-09 > usb > hard drive > cool edit pro > tracks > resampled to 44.1 KHz at highest setting Location: DFC, FOB, bottom of hill on the grass, stand 12' high Taped/Transferred/Seeded by Bill Weed   3 FLAC  
867. 07/15/06 The Lawn at White River State Park - Indianapolis, IN   Source: DPA4022> Lunatec V3 (24/44.1, SPDIF out)> MT set 1: tapers section, mics 90 deg, 6.5" spacing, w/ UA0896 windscreens (big ones) Thanks to Jeff Frank for the clamp. set 2: FOB sweet spot, couple feet right of center, ORTF w/ DUA0020 screens (small ones) Taped by BC Transfer: Dither with Waves L2, level 1/normal. Track in CDWAV V1.9b. Fades w/ SF6.   3 FLAC  
868. 07/15/06 The Lawn at White River State Park - Indianapolis, IN   Source: ADK A51-TL (omni, split 8\') > edirol R-4 (16/44.1) Location: FOB, 8\' ROC, stand @ 7.5\' Conversion: R-4 > USB > wav > > cd wave (tracking) > wav > FLAC Frontend 1.1.1 (Level 8) Taped/Converted/Seeded: Shawn Smith   3 FLAC  
869. 07/15/06 The Lawn at White River State Park - Indianapolis, IN   Source: 2-Sennheiser ME66/K6->Sound Devices 722 (24/96) taped by Lee Ramsey, FOB, ~5' ROC, Mic stand at 13' Transfer: Sound Devices 722(firewire)->Apple Powerbook G4 Editing: Peak 5.0 LE (resample, dither (16/44.1)), Audacity 1.2.3 (track, fades) Burning: Dragon Burn V4.1.20 Flac: xACT Level 6 compression & fix SBE   3 FLAC  
870. 07/18/06 Palace Theater - Louisville, KY   ***24 bit*** source: Schoeps mk4 > kc5 > cmc6xt > Sonosax SX-M2 > Mytek Stereo 192 > Tascam HD-P2 (24/48) Row N, ctr. lineage: HD-P2 > firewire > Spark XL 2.82 (fades, tracking) > xACT > .flac (24/48)   3 FLAC  
871. 07/18/06 Palace Theater - Louisville, KY   source: Schoeps mk4 > kc5 > cmc6xt > Sonosax SX-M2 > Mytek Stereo 192 > Tascam HD-P2 (24/48) FOB, Row N center lineage: HD-P2 > firewire > Spark XL 2.82 (dither, resample, tracking) > xACT > .flac (16/44)   3 FLAC  
872. 07/19/06 Starlight Theatre - Kansas City, MO   Source: AKG 480/ck61 > Lunatec V3 (24bit/48khz) > MT2496 Conversion: Wavelab5.0 (fades) (resample/dither 16bit/44.1khz) > .shn mkwACT Source/Conversion: Phil Borghese   3 FLAC  
873. 07/19/06 Starlight Theatre - Kansas City, MO   Source: Peluso CEMC6/ck4 > SD MP-2 > mod SBM-1 > D100 Location: FOB / slightly ROC / DIN 70' / mics clamped @ 10' Lineage: DA-20 mkII > Dio 2448 > Cool Edit Pro > Wav > Flac Taped & Transferred by: KCMoeJoe   3 FLAC  
874. 07/19/06 Starlight Theatre - Kansas City, MO   Source- ADK-A51TL(M/S,slightly ROC)>MME>Microtrack@24/44.1 Lineage- Microtrack>Nuendo(mixdown,DSP)>Wavelab(DSP,tracking)>Flac Note: This is a 24 bit / 44.1 khz fileset   3 FLAC  
875. 07/21/06 10,000 Lakes Festival (Soo-Pass Lodge) - Detroit Lakes, MN   Source: ADK51TL/o> BBee hypers> Oade T+mod UA5 >JB3 44.1 wav Location: 20' LOC VIP Lawn Mic Config: 10' split ~7'^ Source: ADK51TL/o> BBee hypers> Oade T+mod UA5 >JB3 44.1 wav Taped by: (o-canis) dpaulku@gmail.com Conversion: JB3 > sb1394 > CPC v3.02.5 > Pc > Flac burn Format: 16-bit, 44.1 kHz Editing: CD-Wave (tracking), Adobe Audition 1.0 (fades,EQ,NR,limiting*)   3 FLAC  
876. 07/21/06 10,000 Lakes Festival (Soo-Pass Lodge) - Detroit Lakes, MN   Source:Neumann U89i's(omni-14'spread-FOB-VIPsection)>ApogeeA/D1000(uv16)>tascamDA-P1(48khz) Lineage:DAT>soundblasterX-fi>soundforge9.0(fades/tracks/resampled>44.1khz)>flac frontend Recorded and mastered by Steve Schneider S.F.,CA   3 FLAC  
877. 07/21/06 10,000 Lakes Festival (Soo-Pass Lodge) - Detroit Lakes, MN   Taped and Transferred by Pete Coffan Source: ADK A51 TLs (Cardiod) DIN DFC> Segue Dogstar Silverclad Cables > wMod UA5 > JB3 Transfer: JB3 >USB > CD Wave (Splits)> Flac Frontend (flac)   3 FLAC  
878. 07/21/06 10,000 Lakes Festival (Soo-Pass Lodge) - Detroit Lakes, MN   Sennheiser 421’s > Sony M1 DAT. Transfer done with Fostex D5 DAT > Sound forge >CD Wave.>CDR Recorded by Mike Mahoney   3 FLAC  
879. 07/21/06 10,000 Lakes Festival (Soo-Pass Lodge) - Detroit Lakes, MN   Lineage: AKG 481s (NOS, Front row of OTS, DFC) > Lunatec V3 @ 48kHz > Sony PCM-M1 > Delta Dio 2496 > Samplitude 2496 (48kHz > 44.1k) > CDWav > WAV > FLAC Taped/Transferred by Nic Brokenleg (nnbroken@hotmail.com)   3 FLAC  
880. 10/28/06 Orleans Arena - Las Vegas, NV   Set 1 only Source: Milab VM-44 Link -> RME QuadMic -> Edirol R4 (24/48) Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC   2 FLAC  
881. 10/28/06 Orleans Arena - Las Vegas, NV   ------ Set 2 only ------ Source: Studio Projects C4s > Segue Dogstars XLR's > Edirol UA-5 > Optical > JB3 (44.1khz) Transfer: JB3 > firewire > WavePad > wav > CDWav > wav > flac Config: DIN (20cm @90*) Location: OTS - behind SBD - Stand @ 8ft   1 FLAC  
882. 10/28/06 Orleans Arena - Las Vegas, NV   Source: Schoeps MSTC 64 -> Luminous Audio -> SD722 (24/48) Transfer: SD722-> PC -> DVD -> Audacity (16/44) -> CD Wave -> FLAC   3 FLAC  
883. 10/28/06 Orleans Arena - Las Vegas, NV   Source: NeumannU89i's(hypercards.-18' spread-tapers section behind board)>ApogeeA/D1000>set1 TascamDA-P1(DAT16bit-48khz) ;set2 TascamHD-P2(CF20bit-48khz) Lineage: Dat/CF>soundforge9.0(fades,tracks,norm.,resampled48>44.1,bit depth converter 2nd set)>flac frontend Taped by: Steve Schneider Transferred by: Rhino   3 FLAC  
884. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   Source: AKG ck1x > mk46 > 460 (DIN) + ADK A51TL (omnis, split 12') > edirol R-4 (24/96) Location: FOB, DFC, mics at 8.5' Conversion: R-4 > USB > wav > Audacity (fades/resample/dither) > wav >cd wave (tracking) > wav > FLAC Frontend 1.1.2 (Level 8) Taped/Converted/Seeded: Shawn Smith   2 FLAC  
885. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   Source: Audio Technica AT835ST > Lunatec V3 > Sony PCM-M1 Location: Front of soundboard, slightly left of center Transfer: Sony PCM-M1 > Echo Gina 24 > Cool Edit 2000 > CdWave > FLAC Frontend > TagScanner taped 'n' transferred by Jules Montell / CivetCat   3 FLAC  
886. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   Source: akg483> lunatec v3> dap1 @48k(din-fob-dfc)9ft high Transfer: DA30MKII> SD 722 (AES Digital) > Wavelab 5.0[resampled to 44.1k]> Cdwav v1.94.5[tracking]> wave> flac16(level 8) Recorded and Transfered by: Justin Hoogerwerf   2 FLAC  
887. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   record: Oktava MC012 (card) fob 60' center > Graham Patten Dmic20 with Todd mod> maudio c02> jb3 @ 48k transfer: jb3>wavelab(resample and fades)>cdwav>flac recorded and transferd by c dipietro   2 FLAC  
888. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   Source: Milab VM-44 Link -> RME QuadMic -> Edirol R4 (24/48) Location: fob, dfc, 9’ Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC   3 FLAC  
889. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   24 Bit Source: AKG ck1x > mk46 > 460 (DIN) + ADK A51TL (omnis, split 12') > edirol R-4 (24/96) Location: FOB, DFC, mics at 8.5' Conversion: R-4 > USB > wav > Audacity (fades/normalize/mix) > wav >cd wave (tracking) > wav > FLAC Frontend 1.1.2 (Level 8) Taped/Converted/Seeded: Shawn Smith   2 FLAC  
890. 10/29/06 Double Down Stage (Vegoose Music Festival) - Las Vegas, NV   Source: Studio Projects C4s > Segue Dogstars XLR's > Edirol UA-5 > Optical > JB3 (44.1khz) Transfer: JB3 > firewire > WavePad > wav > CDWav > wav > flac Location: FOB - 60ft from stage - 8ft stand - center Config: Cards/NOS (30cm @ 90*) Taped/Transferred by: (jbanyai97@yahoo.com)   2 FLAC  
891. 11/08/06 SOBs Nightclub - New York, NY   Phil Lesh University - Source: Multitrack Soundboard > Mixed down to 2 Channel 44.1/16 > CDR Transfer: CDR > EAC > Flac16   3 FLAC  
892. 04/10/07 S.O.B.'s - New York, NY   Schoeps mk4> NBox+> Edirol R09 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> Wave Lab 5 (resample, Apogee uv22hr dither)> FLAC16 Recorded by Craig Taraszki   3 FLAC  
893. 04/10/07 S.O.B.'s - New York, NY   Source: Schoeps mk4> NBox+> Edirol R09 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24. Recorded by Craig Taraszki   3 FLAC  
894. 04/10/07 S.O.B.'s - New York, NY   Source: B+K 4021's/PSP3/PMD660 Taped by: Todd Hinden with special thanks to Tommy Chin. Seeded by bryan@treetheatre.com   3 FLAC  
895. 06/03/07 Hunter Mountain - Hunter, NY   ource: Neumann km184> v2> sbm-1> optical 7pin> h120 Transfer: h120> USB> Sound Forge 6.0> cdWave> FLAC Frontend Taped/Transfered by Rob Clarke   3 FLAC  
896. 06/03/07 Hunter Mountain - Hunter, NY   Source: JWmod AKG 461's>Lunatec V3>722 @24/96 Location: OTS, left side of SBD Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 Taped, transfered and uploaded by Tony Suraci   3 FLAC  
897. 06/03/07 Hunter Mountain - Hunter, NY   source: schoeps mk4 (ortf @ 7', fob, dfc) > kc5 > cmc6 > sd 744t (24/96) > audacity (fades/dither/downsample to 16/44) > cdwav (tracks) >flacfrontend recorded/transferred/seeded: david barfield   3 FLAC  
898. 06/03/07 Hunter Mountain - Hunter, NY   Summary Schoeps mk41v (dina, fob) > kc5 > m222 > nt222 > SD744T (24/96); Wavelab 5 (matrix, fades, resample, dither UV22HR, tracking) Recorded By: SonicSound   3 FLAC  
899. 06/03/07 Hunter Mountain - Hunter, NY   Source: Milab VM44 Link -> V2 -> Korg MR-1000 (1bit/5.6MHz DSD) Location: very fob, 10' left of center, 8' stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
900. 06/03/07 Hunter Mountain - Hunter, NY   Recordist : Tim Burke Location : ~10 Left Of Center, ~100' from stage lip, ~9' high (set up at the front left corner of the soundboard) Mic Config : 17 cm, 110º (ORTF) Source : Brüel & Kjær 4022 > Oade ACM Marantz PMD671 Recorded Format : 16 bit, 44.1 kHz Conversion : Compact Flash Card > IBM ThinkPad T41 Editing : none Dither : none Final Format : 16 bit, 44.1 kHz Tracking : CD Wave v1.93.3 Compression : FLAC v1.1.4, FLAC Frontend, Level 8, Sector Boundaries Aligned DSP performed by Tim Burke on June 04, 2007.   3 FLAC  
901. 06/03/07 Hunter Mountain - Hunter, NY   **24-bit** Source: schoeps mk4 (ortf @ 7', fob, dfc) > kc5 > cmc6 > sd 744t (24/96) > audacity (fades) > cdwav (tracks) > flacfrontend -- md5 sig via mkw; ** all audio files @ 24/96** recorded/transferred/seeded: david barfield   3 FLAC  
902. 06/03/07 Hunter Mountain - Hunter, NY   Source: Schoeps mk21 (NOS)> NBox+> SD 722 (24/48); Wave Lab 5 (fades, Waves Q2 Paragraphic EQ, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
903. 06/03/07 Hunter Mountain - Hunter, NY   ***24 bit*** Source: Schoeps mk21 (NOS)> NBox+> SD 722 (24/48); Wave Lab 5 (fades, Waves Q2 Paragraphic EQ)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
904. 06/03/07 Hunter Mountain - Hunter, NY   Source: 2- Sennheiser MD421421-u5-2's>Digi-Mod-UA5(@44.1khz)>Nomad JB3(@44.1khz) Transfer:JB3>Nomad explorer>WAV>Poulderbits (fades/track cuts)>Flacfrontend>flac16 Taped Left of soundboard at 12ft high Taped and transfered by: Muletaper   3 FLAC  
905. 06/03/07 Hunter Mountain - Hunter, NY   24bit Schoeps mk41v (dina, fob) > kc5 > m222 > nt222 > SD744T (24/96); Wavelab 5 (matrix, fades, tracking) Recorded By: SonicSound   3 FLAC  
906. 07/07/07 Sweetwater Saloon - Mill Valley, CA   Neumann skm 140s->sound devices 722 (@ 24/192) via rosemary.dyndns.org   3 FLAC  
907. 07/21/07 The Independent - San Francisco, CA   Source: Schoeps mk4v > Lunatec V3 > Sound Devices 744T Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC Recorded by Pete Gilmore, Monkey Tunes Transfered by Dawne Gilmore   3 FLAC  
908. 07/21/07 The Independent - San Francisco, CA   Source: Neumann AK-40s > LC3s > KM100s > Edirol R4 (24/48) Location: mics in hat, Middle of floor, 20 feet back from stage, DFC Lineage: R4 > PC > Soundforge 7 (resample/dither to 16/44.1) > CDWave > FLAC Taped, edited and circulated by Andrew Pierce (aapierce / gmail)   3 FLAC  
909. 09/22/07 Santa Barbara Bowl - Santa Barbara, CA   Source: Neumann USM69i(hypercards-X/Y)>Sound Device 744T(line 1,2)+ Neumann M147Tube>Presonus TubePre>SD 744T(line 3)+ Neumann U89i(hypercard)>Presonus TubePre>SD 744T(line 4) Recorded 24/96 Lineage: SD744T>Audacity>Soundforge 8.0(fades,tracked,normalized,resampled 96>44.1khz,bit depth converter 24>16bit)>Flac Frontend Recorded, mastered by Steve Schneider   2 FLAC  
910. 09/23/07 Greek Theatre - Berkeley, CA   Shure sm-89 shotguns > marantz pmd 670 > PCM 44.1 wav 16 bit>D8. Taper: Scott Fraser   3 FLAC  
911. 09/23/07 Greek Theatre - Berkeley, CA   Source: Neumann USM69i(hypercards-X/Y)>Sound Device 744T(line 1,2)+Neumann M147Tube>Presonus TubePre>SD 744T(line 3)+Neumann U89i(hypercard)>Presonus TubePre>SD 744T(line 4)Recorded 24/96 Lineage: SD744T>Audacity>Soundforge 8.0(fades,tracked,normalized,resampled 96>44.1khz,bit depth converter 24>16bit)>Flac Frontend Recorded, Mastered & Transferred by: Steve Schneider   2 FLAC  
912. 09/28/07 Fillmore Auditorium - Denver, CO   Source: AKG CK3x caps>JWmod AKG 460's>722@24/96 Location: OTS, DFC Stand at 10 feet* Transfer: 722>Adobe Aud>16bit>CDwav>flac16 Taper: Tony Suraci   3 FLAC  
913. 09/28/07 Fillmore Auditorium - Denver, CO   Source: AKG C 480 B comb/ CK61-ULS (DIN a) > Lunatec V3 (optical out) > iRiver iHP-120 Location: OTS, center, 8' up Master format: 44.1 kHz, 16 bit, stereo (.WAV) Digital transfer: iRiver iHP-120 > USB > PC Digital editing: Wavelab (pre and post set fades) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller   3 FLAC  
914. 09/28/07 Fillmore Auditorium - Denver, CO   ource: Josephson c42mp (DIN) > Busman Tmod Edirol R-4 (65%) + Avenson STO-2 (Healy) > Busman Tmod Edirol R-4 (35%) @ 24/48 Transfer: R-4 > PC > Sound Forge 9.0 > CD Wave > flac @ 16/44.1 Recorded and transferred by Bob Fager   3 FLAC  
915. 09/28/07 Fillmore Auditorium - Denver, CO   Rode NT 2000 (side) + Rode NT 5 (mid) Firebox Cubase (88.2/24 > 44.1/16) ->; xACT (Flac)   3 FLAC  
916. 09/28/07 Fillmore Auditorium - Denver, CO   Source: Schoeps MK-41 @90* 3.5" 1/2 ORTF > KCY Active Cable > Schoeps VMS 5u > Kind Kables Belden Quad Star > Grace V-3 @ 24/48 > Kind Kables 75ohm > Tascam HD-P2. 30' center 6' 4" on the human stand. Transfer info: HD-P2 > Windows XP > Wavelab 5.0 ( bit depth & sample rate change) > CD wave > Flac This is a Deaheaded, C.B. Taper, Travitz recording.   3 FLAC  
917. 09/29/07 Red Rocks Amphitheatre - Morrison, CO   Source: Neumann USM69i(hypercards-X/Y)>Sound Device 744T(line 1,2)+ Neumann M147Tube>Presonus TubePre>SD 744T(line 3)+ Neumann U89i(omni)>Presonus TubePre>SD 744T(line 4) Recorded 24/96 Lineage: SD744T>Audacity>Soundforge 8.0(fades,tracked,normalized,resampled 96>44.1khz,bit depth converter 24>16bit)>Flac Frontend Recorded & mastered by Steve Schneider   3 FLAC  
918. 09/29/07 Red Rocks Amphitheatre - Morrison, CO   Source : Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location : front rail OTS, dfc, 7’ stand Transfer: Korg MR-1000 -> AudioGate -> CD Wave -> FLAC   3 FLAC  
919. 09/29/07 Red Rocks Amphitheatre - Morrison, CO   Recording Information: 6th row center 6' 4" on the human stand. Schoeps MK-41 90* 3.5" 1/2 ORTF > KCY Active Cable > Schoeps VMS 5u > Kind Kables Belden > Grace V-3 @ 24/48 > Kind Kables 75ohm > Tascam HD-P2. Windscreens: set 1 & 2 Schoeps B5, Set 3 Schoeps B5D. Transfer info: HD-P2 > Windows XP > Wavelab 5.0 ( bit depth & sample rate change) > CD wave > Flac This is a Deaheaded, C.B. Taper, Travitz recording.   4 FLAC  
920. 09/29/07 Red Rocks Amphitheatre - Morrison, CO   Source: Josephson c42mp (DIN) > Busman Tmod Edirol R-4 (60%) + Avenson STO-2 (Healy) > Busman Tmod Edirol R-4 (40%) @ 24/48 Transfer: R-4 > PC > Sound Forge 9.0 > CD Wave > flac @ 16/44.1 Recorded and transfered by Bob Fager   3 FLAC  
921. 09/30/07 Paolo Solari - Santa Fe, NM   Source: AKG c1000s-> Shure FP-24-> PCM-M1 Transfer: (By JAZ) DAT Master-> PCM-R300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Ozone3, Fades, L2 Dither 16b/44.1kHz-> Traders Little Helper flac8 Taped by: Jaz   2 FLAC  
922. 09/30/07 Paolo Solari - Santa Fe, NM   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
923. 09/30/07 Paolo Solari - Santa Fe, NM   Source: Neumann USM69i(hypercards-X/Y)>Sound Device 744T(line 1,2)+ Neumann M147Tube>Presonus TubePre>SD 744T(line 3)+ Neumann U89i(omni)>Presonus TubePre>SD 744T(line 4) Recorded 24/96 Lineage: SD744T>Audacity>Soundforge 8.0(fades,tracked,normalized,resampled 96>44.1khz,bit depth converter 24>16bit)>Flac Frontend Recorded/mastered/tranferred by Steve Schneider   3 FLAC  
924. 10/02/07 The Pageant - St. Louis, MO   SOURCE: B&K 4021s (XY) > EAA-PSP2 > 722 @ 24/96 slightly right of center just in front of the board. LINEAGE: 722 > Wavelab (fades, normalize, resample & dither to 16/44.1 > CD Wave > Flac Frontend level 6. Taped and transfered by Steve Brothers   3 FLAC  
925. 10/02/07 The Pageant - St. Louis, MO   Source:AKG c1000s > Zoom H4 > SanDisk SD Transfer:USB > Adobe Audition 2 > TLH Flac lvl6 Credit:Taped by Tom F (tieditritip)   3 FLAC  
926. 10/03/07 Uptown Theater - Kansas City, MO   Source: AKG c1000s > Zoom H4 > SanDisk SD Transfer: USB > Adobe Audition 2 > TLH Flac lvl6 Recorded by Tom F, Presented by James E   3 FLAC  
927. 10/05/07 Riviera Theater - Chicago, IL   recording info: ots, roc, 7.5ft, neumann km184 (nos, 30cm, 90 degrees)>fostex fr2le (busman vintage mod) @ 24/48 transfer info: fostex fr2le>usb>hd>wavelab>uv22 dither (for conversion to 16/44.1)>cdwav>tlh   3 FLAC  
928. 10/05/07 Riviera Theater - Chicago, IL   Source: Schoeps ccm4v > grace lunatec V2 > sound devices 722 (analog out) > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Z-Man and Shawn Smith   3 FLAC  
929. 10/05/07 Riviera Theater - Chicago, IL   balc, sp c4's(bass rolloff)> bumblebees> acm 660 cf>cdwav>flac   3 FLAC  
930. 10/05/07 Riviera Theater - Chicago, IL   Source: Nakamichi 330 mics with shotguns > Sony D-100 > HK CDR20 > Silver Disc Lineage: EAC > Soundforge (levels, EQ, patching) > CDWave > dBPowerAmp (FLAC)   3 FLAC  
931. 10/05/07 Riviera Theater - Chicago, IL   Source: AKG 483's (MiAGi II Silver Cables)> Busman Hybrid R4 (W Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b (Resample/UV22HR Dither) > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
932. 10/05/07 Riviera Theater - Chicago, IL   Source: Schoeps mk41|cmc4 > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Shawn Smith   3 FLAC  
933. 10/05/07 Riviera Theater - Chicago, IL   Neumann SKM150's DIN > LC3 Active Cables > KM100's > Lunatec V3 (analog out) > Sound Devices 702 @ 24/48 (dithered to 16/44.1 in Adobe Audition for this upload) taped by John Dewey. Conversion: Sandisk Ultra II 8GB Compactflash Card > Sandisk CF Card Reader > Adobe Audition > CD Wave Editor > Flac Frontend   3 FLAC  
934. 10/05/07 Riviera Theater - Chicago, IL   Source: Schoeps mk41|cmc4 > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Shawn Smith (24 bit version)   3 FLAC  
935. 10/05/07 Riviera Theater - Chicago, IL   ***24bit*** Source: AKG 483's (MiAGi II Silver Cables)> Busman Hybrid R4 (W Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> CD Wav Editor> Wavelab 5.01b > FLAC Frontend 1.1.4b(Verify/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
936. 10/06/07 Riviera Theater - Chicago, IL   recording info: ots, roc, 8ft, neumann km184 (nos, 30cm, 90 degrees)>hi ho silver interconnects>fostex fr2le (busman vintage mod) @ 24/48 transfer info: fostex fr2le>usb>hd>wavelab>uv22 dither (for conversion to 16/44.1) taper info: kingfishcigars@gmail.com   3 FLAC  
937. 10/06/07 Riviera Theater - Chicago, IL   Source: ADK A-51TL MP (Blumlein)> Grace Lunatec V3 (Hi Ho Silver Custom Cables) > Busman Hybrid R4 (W Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b (Resample/UV22HR Dither) > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 8) Mics: DFC, clamped to the balcony railing Taped & Transferred By Jim Mimna   3 FLAC  
938. 10/06/07 Riviera Theater - Chicago, IL   Source: AKG 483's (MiAGi II Silver Cables)> Busman Hybrid R4 (T Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b (Resample/UV22HR Dither) > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
939. 10/06/07 Riviera Theater - Chicago, IL   Source: Schoeps mk41|cmc4 > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Shawn Smith   3 FLAC  
940. 10/06/07 Riviera Theater - Chicago, IL   Source: Schoeps mk41|cmc4 > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Shawn Smith (24 bit version)   3 FLAC  
941. 10/06/07 Riviera Theater - Chicago, IL   ***24bit***Source: ADK A-51TL MP (Blumlein)> Grace Lunatec V3 (Hi Ho Silver Cables) > Busman Hybrid R4 (W Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Level 8) Mics: DFC, clamped to the balcony railing Taped & Transferred By Jim Mimna   3 FLAC  
942. 10/06/07 Riviera Theater - Chicago, IL   ***24bit*** Source: AKG 483's (MiAGi II Silver Cables)> Busman Hybrid R4 (t Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> CD Wav Editor> Wavelab 5.01b > FLAC Frontend 1.1.4b(Verify/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
943. 10/07/07 The Riviera - Chicago, IL   recording info: ots, roc, 8ft, neumann km184 (nos, 30cm, 90 degrees)>hi ho silver interconnects>fostex fr2le (busman vintage mod) @ 24/48 transfer info: fostex fr2le>usb>hd>wavelab>uv22 dither (for conversion to 16/44.1) taperinfo: kingfishcigars@gmail.com   3 FLAC  
944. 10/07/07 The Riviera - Chicago, IL   Source: ADK A-51TL MP (Blumlein)MiAGi II Silver Cables > Busman Hybrid R4 (W Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b (Resample/UV22HR Dither) > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
945. 10/07/07 The Riviera - Chicago, IL   Source: AKG 483's (Hi Ho Silver Cables)> Grace Lunatec V3 > Busman Hybrid R4 (T Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b (Resample/UV22HR Dither) > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Align On Sector Boundaries/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
946. 10/07/07 The Riviera - Chicago, IL   Source: Schoeps mk41|cmc4 > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Shawn Smith   3 FLAC  
947. 10/07/07 The Riviera - Chicago, IL   Source: Schoeps mk41|cmc4 > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Shawn Smith (24 bit version)   3 FLAC  
948. 10/07/07 The Riviera - Chicago, IL   Source: Schoeps ccm4v > grace lunatec V2 > sound devices 722 (analog out) > edirol R4 (oade basic mod) Conversion: R-4 > USB > wav > Audacity (normalize/fades) > cd wave (track) > FLAC Taped/Converted/Seeded: Z-Man and Shawn Smith   3 FLAC  
949. 10/07/07 The Riviera - Chicago, IL   ***24bit*** Source: ADK A-51TL MP (Blumlein)MiAGi II Silver Cables > Busman Hybrid R4 (W Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Wavelab 5.01b > CD Wav Editor > FLAC Frontend 1.1.4b(Verify/Level 8) Taped & Transferred By Jim Mimna   3 FLAC  
950. 10/09/07 Orpheum Theatre - Boston, MA   Source: GSA Omnidirectional Powered Stereo Microphone > Sony MZ-RH910 Transfer: SonicStage > .wav > Nero WaveEditor (tracking) > FLAC Frontend 1.7.1 > .flac Taped by: Jon Landis (proici@gmail.com - www.lonjandis.com)   3 FLAC  
951. 10/10/07 Orpheum Theatre - Boston, MA   Source: Nak CM300 shotguns > Hydra > AD20 > H120 xfer: H120 > audacity (level,fades) > flac Setup: official taper's section, guns at stacks Taped/xfer/seeded by: SmokinJoe   3 FLAC  
952. 10/10/07 Orpheum Theatre - Boston, MA   Peluso P2 (XY) > Apogee MMP > Korg MR1 @ 1b/2.8gHz audiogate software for DSD > PCM conversion (straight to redbook) center mezz rail   3 FLAC  
953. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   MAC; (FOB) 2 Sennheiser e835s > Hosa cables > Sony D5 > 3 Maxell XLII's Taper: Old School Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Izotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1> CD Wave Editor > TLH > FLAC ( 8 ). Transfer, edits and upload by Alex Ford October 2007.   3 FLAC  
954. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   Schoeps MK4V's>NBOX+>Korg MR-1 (1Bit/2.8MHZ)>Audiogate(Conversion to 16bit/44.1khz)>Wavelab5(Fades)>CDWAV>FLAC Recorded from Section 102 Row B by NickyC & Watson, conversion by Keith L.   3 FLAC  
955. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   Schoeps MK4V's>NBOX+>Korg MR-1 (1Bit/2.8MHZ)>Audiogate(Conversion to 24bit/48khz)>Wavelab5(Fades)>CDWAV>FLAC Recorded from Section 102 Row B by NickyC & Watson, conversion by Keith Litzenberger   3 FLAC  
956. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   source: schoeps mk4 (din, dfc, row 20-ish, @ 7.5') > nbox > sd722 (24/48 to cf card) > audacity (snap segments/fades) > cdwav (tracks) > flac frontend (level 6, md5 via mkw) recorded: craig taraszki ctaraszki at hotmail transferred/seeded: david barfield   3 FLAC  
957. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   (FOB) Sennheiser MD421's > Digi-Mod Edirol UA5 > NJB3 (44.1khz); JB3 > PoulderbitS(fades/cuts) > Flac Frontend(level 8); Taped and Transferred by MULETAPER   3 FLAC  
958. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   Source: AKG 461's>V3(analog out)>722@24/96 Location: FOB, Sec.101 Row W, ROC, STD. at 12 Feet Transfer: 722>Adobe Aud.>16bit>Cdwav>flac Taperd, Transfered and uploaded by Tony Suraci   3 FLAC  
959. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   SOURCE: CAD E-200 > D100 @ SBD TRANSFER: D10 > TSCM-7 > EAC > FLAC (LEVEL 8) TAPED, TRANSFERED, TRACKED, ENCODED & UPLOADED BY LANCE   3 FLAC  
960. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   ***24 bit*** Source: Schoeps mk4 (DIN, sec 102 row N center, @ 7.5')> NBox+> SD 722 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
961. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   Source: Schoeps mk4 (DIN, sec 102 row N center, @ 7.5')> NBox+> SD 722 (24/48); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
962. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   **Acoustic Set Only** Source: MXL 990/991 > Zoom H4 Lineage: Zoom H4 (usb) > CD Wave > FLAC16 Taped by: Ethan & Kory Transferred by: Ethan   1 FLAC  
963. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   ***DTS 5.1*** Source 1: unknown but very clean source; Source 2: Schoeps MK4V's>NBOX+>Korg MR-1 (1Bit/2.8MHZ)>Audiogate(Conversion to 16bit/44.1khz)>Wavelab5(Fades)>CDWAV>FLAC Recorded from Section 102 Row B by NickyC & Watson, conversion by Keith L.; Source 3: MAC; (FOB) 2 Sennheiser e835s > Hosa cables > Sony D5 > 3 Maxell XLII's Mic Config: PAS @ 6 ft.   3 FLAC  
964. 10/12/07 Tweeter Center at the Waterfront - Camden, NJ   MTX; Source 1: unknown but very clean source; Source 2: Schoeps MK4V's>NBOX+>Korg MR-1 (1Bit/2.8MHZ)>Audiogate(Conversion to 16bit/44.1khz)>Wavelab5(Fades)>CDWAV>FLAC Recorded from Section 102 Row B by NickyC & Watson, conversion by Keith L.; Source 3: MAC; (FOB) 2 Sennheiser e835s > Hosa cables > Sony D5 > 3 Maxell XLII's Mic Config: PAS @ 6 ft.   3 FLAC  
965. 10/13/07 Charlottesville Pavilion - Charlottesville, VA   Source: B&K4022(ortf)>Sonosax>744T Location: fob/dfc, Row 17/seat 9, stand @5'10" Transfer: 744T>cd wave>wavelab(fades/resample/UV22)>flac Taped & transferred by Craig Davis   3 FLAC  
966. 10/13/07 Charlottesville Pavilion - Charlottesville, VA   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: dead front stage center Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
967. 10/13/07 Charlottesville Pavilion - Charlottesville, VA   source: soomlos 15th row center neumann km140's > lunatec v3 > m-audio mt24/96 (24/48) audacity > r8brain > cd wave > flac (16/44.1)   3 FLAC  
968. 10/13/07 Charlottesville Pavilion - Charlottesville, VA   SRC: AKG C480Bs (CK-63 hypers in ORTF config behind soundboard) > Tascam HD-P2 > 24 bit/48 khz WAV > dithered, rendered to 16 bit and downsampled to 44.1 khz in Wavelab 5.0 > FLAC Recorded, edited and uploaded by Bill Tetzeli (laptaper@gmail.com)   3 FLAC  
969. 10/13/07 Charlottesville Pavilion - Charlottesville, VA   SRC: AKG C480Bs (CK-63 hypers in ORTF config behind soundboard) > Tascam HD-P2 > 24 bit/48 khz WAV > FLAC Recorded, edited and uploaded by Bill Tetzeli (laptaper@gmail.com) (24 bit version)   3 FLAC  
970. 10/14/07 The Echo Project - Atlanta, GA   Taper Section:DPA(B&K)4011s->Luminous Monarchs->V2->Luminous Synchestra Signature XLRs->AD2K@ 24/96->722. SD722 -> CD Wave (tracking) -> Wavelab 5(edit/resample/dither)-> FLAC. Recorded and transfered by Mark Lynn(mark@ninebullets.org).   3 FLAC  
971. 10/14/07 The Echo Project - Atlanta, GA   Source: ADK A51TL Cardioids (DINa) > Hydra Silver clad XLRs > SD722 (40Hz/12dB low cut filter) @ 24bits/96KHz Location: FOB Center @ 9' Lineage: 722 > CEP2 +4dB gain, resampled, dithered to 16bits/44.1KHz > CDWave >Flac Frontend Level 6 > FLAC16 Taped, transferred, tracked, encoded by R Graham   3 FLAC  
972. 10/14/07 The Echo Project - Atlanta, GA   Source:LSD2 ( Fig 8 @ 45 w/10db pad ) > ModSBM1 > D8 Mic's @ 12 Ft - 6 ft right of DFD by Sound Board Transfer: Mstr DAT > D8 > RM-D3k > Optical > Sound Blaster > WAV Recorded and Transfered by: Tim "Flip" Ruberg flipandi@peoplepc.com   3 FLAC  
973. 10/16/07 Lyric Opera House - Baltimore, MD   Source: Schoeps mk4 (DIN, Orch, row G, seat 118, 7' stand)> NBox+> SD 722 (24/48); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
974. 10/16/07 Lyric Opera House - Baltimore, MD   **24 bit** Source: Schoeps mk4 (DIN, Orch, row G, seat 118, 7' stand)> NBox+> SD 722 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   3 FLAC  
975. 10/18/07 Shea's Theater - Buffalo, NY   AKG391>Wendt X2>Marantz PMD660(16bit/44khz) Row T seat 103/104(left of center by 3 seats) Recorded by CLaPorte@upstatetapers.org   3 FLAC  
976. 10/19/07 Mohegan Sun Arena - Uncasville, CT   Source: AKG c1000s > Sony D-7 > CDR > EAC > WAV >Trader's Little Helper > FLAC. Taped by Dan Pepperman.   3 FLAC  
977. 10/20/07 Glens Falls Civic Center - Glens Falls, NY   (tapers section DFC) Neumann U89i (hypercard, DIN, -80h)> Lunatec V2> Apogee Minime> Tascam HD-P2 (24/48) on a Sandisc Ultra II 4gb CF card. Fade in/out, resample, and dithered using Apogee Uv22hr in Wavelab 4.Recorded by Ed Guidry   3 FLAC  
978. 10/20/07 Glens Falls Civic Center - Glens Falls, NY   Source: 2-Sennheiser-MD421's(u5-2's) >Digi-Mod Edirol UA5>optical out>(44.1khz)>NJB3>(44.1khz) Transfer: JB3>Nomad Explorer>PoulderbitS(fades/cuts)Flacfontend(level 8)>FLAC 16   3 FLAC  
979. 10/20/07 Glens Falls Civic Center - Glens Falls, NY   source: Neumann km184> v2> SBM-1 (48 kHz)> optical 7-pin> iRiver h120 [DIN 90* Tapers section front and center ] transfer: h120> USB> Soundforge 6.0 (resample, fades)> cdWave> FLAC Frontend taped/transfered by Rob Clarke   3 FLAC  
980. 10/20/07 Glens Falls Civic Center - Glens Falls, NY   Source: Nakamichi CM-1000 CP-101 (Sank P48) > Aerco MP-2 > Edirol R09 (24/48) Location: Floor, Taperssection behind the SBD, DFC. Mastering: WAV (24/48) > Adobe Audition 1.5 > WAV (16/44.1) > Totalrecorder 6.1 > WAV (16/44.1) > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios(dnolanjr@yahoo.com)   3 FLAC  
981. 10/20/07 Glens Falls Civic Center - Glens Falls, NY   AKG 391>Wendt X2(LINE out)>ZOOM H2(LINE in) 24bit/48hz 4ft behind SBD in Tapers Section on Floor. PC>Audacity>CDwave>FLAC   3 FLAC  
982. 10/20/07 Glens Falls Civic Center - Glens Falls, NY   Source: Joe Meek 27's>(pointed at stacks at 8ft high)-Oade-P-Mod-Edirol-UA5>Nomad-JB3@48KHZ. Location: OTS. Taper: Shaunpeker Transfer:JB3>Nomad Explorer>48khz wave files>Wavelab 5.0(dithered to 44.1khz)>Poulderbits Sound Editor> (fades/Track cuts)>Flacfrontend( Level 8)>Flac16/44.1. Transfered by Muletaper   3 FLAC  
983. 10/21/07 War Memorial - Syracuse, NY   Source: Nakamichi CM-1000 CP-101 > Aerco MP-2 > Edirol R09 (24/48) Location: Floor, Taperssection behind the SBD, DFC. Mastering: WAV (24/48) > Adobe Audition 1.5 > WAV (16/44.1) > Totalrecorder 6.1 > WAV (16/44.1) > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios(dnolanjr@yahoo.com)   3 FLAC  
984. 10/21/07 War Memorial - Syracuse, NY   Recordist : Tim Burke - tburke@upstatetapers.org Location : Floor, Section 2, Row H (14th Row), Centered, ~50' from the stage lip, ~6' high Mic Config : 17 cm, 110º (ORTF) Source : Brüel & Kjær 4022 > Sound Devices 722 Recorded Format : 24 bit, 48 kHz Conversion : 722 > IBM ThinkPad T41 Editing : Steinberg WaveLab v5.01b (+4.15 dB increase to set 1 and +4.45 dB increase to set 2 via "change gain" command, resample, dither) Dither : MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format : 16 bit, 44.1 kHz Tracking : CD Wave v1.93.3 Compression : FLAC v1.2.1b, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned   3 FLAC  
985. 10/21/07 War Memorial - Syracuse, NY   Source: JWmod AKG 461's>V3(analog out)>722@24/96 Location: OTS, DFC STD. at 12 Feet Transfer: 722>Adobe Aud.>16bit>Cdwav>flac Taperd, Transfered and uploaded by Tony Suraci   3 FLAC  
986. 10/21/07 War Memorial - Syracuse, NY   AKG391>WendtX2(left and right XLR outs set to LINE OUT)>Hosa xlr/mini cable > ZOOM2(LINE IN)(24bit,48khz)>4gbSDcard SDcard>PC>dithered/resampled to 16bit/44.1khz.   3 FLAC  
987. 10/31/07 Nokia Theater - New York, NY   rodes mics > apogee mini me > creative jb3   3 FLAC  
988. 10/31/07 Nokia Theater - New York, NY   Source: B+K 4021's/PSP3/PMD660. Taped by: Todd Hinden   3 FLAC  
989. 10/31/07 Nokia Theater - New York, NY   FREE SOUNDBOARD   3 FLAC  
990. 11/01/07 Nokia Theater - New York, NY   nak 100 mics > sony sbm1 > sony pcm 1; Taped by Steve T.   3 FLAC  
991. 11/01/07 Nokia Theater - New York, NY   Source: B+K 4021's/PSP3/PMD660 Taped by: Todd Hinden, Special thanks to Q and Johnny Rocket   3 FLAC  
992. 11/01/07 Nokia Theater - New York, NY   FREE SOUNDBOARD   3 FLAC  
993. 11/02/07 Nokia Theater - New York, NY   nak 100 mics > sony sbm1 > sony pcm1; Taped by Steve T.   3 FLAC  
994. 11/02/07 Nokia Theater - New York, NY   a mid/side stereo recording rode nt2000 (side), rode nt5 (mid) -> presonus Firebox -> cubase 88.2/24 -> 44.1/16 -> xACT(flac) recorded/tweeked/uploaded by adam crandall   3 FLAC  
995. 11/02/07 Nokia Theater - New York, NY   FREE SOUNDBOARD   3 FLAC  
996. 11/02/07 Nokia Theater - New York, NY   Source: B+K 4021's/PSP3/PMD660 Taped by: Todd Hinden Special thanks to Q and Johnny Rocket   3 FLAC  
997. 11/02/07 Nokia Theater - New York, NY   (FOB) Master Audience Cassettes; 2 x Rode NTG-1 > Apogee Mini Me > Sony TCM-D5 Tapers: Big T and Mark McCue 24bit cassette transfer, editing, conversion & upload to archive.org by Alex Ford November 2007.   3 FLAC  
998. 11/03/07 Nokia Theatre - New York, NY   Master Audience Cassettes; (FOB) 2 x Sennheiser e835 > Sony D5 > 2 x Maxell XLII 110 Taper: Mark McCue. Transfer and mastering by Alex Ford February 2008.   3 FLAC  
999. 11/03/07 Nokia Theatre - New York, NY   FREE SOUNDBOARD   3 FLAC  
1000. 11/03/07 Nokia Theatre - New York, NY   ***24 bit*** Source: Schoeps mk4 (DIN)> NBox+> SD 722 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki   3 FLAC  
1001. 11/03/07 Nokia Theatre - New York, NY   Source: Schoeps mk4 (DIN)> NBox+> SD 722 (24/48); Wave Lab 5 (fades, resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16. Recorded by Craig Taraszki   3 FLAC  
1002. 11/03/07 Nokia Theatre - New York, NY   Source: Schoeps mk41v (dina, fob) > kc5 > m222 > nt222 + mk5 (omni, nos, fob) kc5 > cmc6 > lunatec V3 (analog out) > SD744T (24/96); Wavelab 5 (matrix, fades, resample, dither UV22HR, tracking) Recorded By: SonicSound   3 FLAC  
1003. 11/03/07 Nokia Theatre - New York, NY   1st set : rodes ntg-1's mics > apogee mini me > nomad jb3 2nd set : nak 100 mics > sony sbm1 > sony d-8 Taped by Tony (1st set) and Steve T. (2nd set)   3 FLAC  
1004. 11/05/07 Nokia Theater - New York, NY   Source: B+K 4021's/PSP3/PMD660 Taped by: Todd Hinden Special thanks to Q and Johnny Rocket   3 FLAC  
1005. 11/05/07 Nokia Theater - New York, NY   B+K 4021's > PSP3 > PMD660; Taped by Todd Hinden   3 FLAC  
1006. 11/05/07 Nokia Theater - New York, NY   Neumann km140 > Sound Devices 722; Taped by Cali Phil   4 FLAC  
1007. 11/05/07 Nokia Theater - New York, NY   Master Audience Cassettes; (FOB) 2 Sennheiser e835s > Sony TC-DM5 Tapers: Mark McCue and Alex Ford Master Cassettes transferred @ 24bit/96kHz.   3 FLAC  
1008. 11/05/07 Nokia Theater - New York, NY   a mid/side stereo recording rode nt2000 (side), rode nt5 (mid) -> presonus Firebox -> cubase 88.2/24 -> 44.1/16 -> xACT(flac) recorded/tweeked/uploaded by adam crandall   3 FLAC  
1009. 11/06/07 Nokia Theater - New York, NY   Taper: Lee Ramsey Location: FOH 10' LOC 40' from stage Mic stand at 12', 2-Schoeps CMC64ST->Sound Devices 722 (24/96). Transfer: Sound Devices 722(firewire)->Apple Powerbook G4. Editing: Audacity 1.2.4 (resample, dither, track & fades) Flac: xACT Level 6 compression & fix SBE   3 FLAC  
1010. 11/06/07 Nokia Theater - New York, NY   a mid/side stereo recording rode nt2000 (side), rode nt5 (mid) -> presonus Firebox -> cubase 88.2/24 -> 44.1/16 -> xACT(flac) recorded/tweeked/uploaded by adam crandall   3 FLAC  
1011. 11/06/07 Nokia Theater - New York, NY   nak 100 mics > sony sbm1 > sony d-8; Taped by Steve T.   3 FLAC  
1012. 11/06/07 Nokia Theater - New York, NY   FREE SOUNDBOARD   3 FLAC  
1013. 11/06/07 Nokia Theater - New York, NY   Master Audience Cassettes; (FOB) 2 Sennheiser e835s > Sony D5. Taper: Mark McCue. Master cassettes provided by Mark McCue. 24 bit transfer, edits, conversion, etc. by Alex Ford December 2007.   3 FLAC  
1014. 11/08/07 Nokia Theater - New York, NY   a mid/side stereo recording rode nt2000 (side), rode nt5 (mid) -> presonus Firebox -> macG4 -> cubase 88.2/24 -> 44.1/16 -> xACT(flac) recorded/tweeked/uploaded by adam crandall   3 FLAC  
1015. 11/08/07 Nokia Theater - New York, NY   SBD/AUD Matrix of fixed SBD source 89595 and AUD source 88759 by SIRMick.   3 FLAC  
1016. 11/08/07 Nokia Theater - New York, NY   THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) **note: this is a fix of the fixed version, seeded Jan 19, 2008   3 FLAC  
1017. 11/08/07 Nokia Theater - New York, NY   nak 100 mics > sony sbm1 > sony d-8 taper : steve t ''aka'' the big red bag ''aka'' duct tape king ''aka'' cheese danish & decaf   3 FLAC  
1018. 11/08/07 Nokia Theater - New York, NY   recording info: ots, roc, 8ft, nuemann km184 (nos, 30cm, 90 degrees)>fostex fr2le (busman vintage mod) @ 24/48 transfer info: fostex fr2le>usb>hd>wavelab>uv22hr plug in (dither/conversion to 16/44.1)>cdwav>tlh taper: kingfishcigars@gmail.com   3 FLAC  
1019. 11/08/07 Nokia Theater - New York, NY   **24bit flac** Neumann KM-150s (AK-50 Hypercardiod Capsules) + DPA 4021s (Cardiods) > Edirol R4 (Oade Mod) > 4 Track 24bit 48kHz wav files > digital coaxial > M-Audio Microtrack (2-channel mixdown) > CD Wave 1.95 > Flac Frontend (Level 8) > 24/48 Flac files; recorded/produced by Dan Lynch.   3 FLAC  
1020. 11/08/07 Nokia Theater - New York, NY   FREE SOUNDBOARD   3 FLAC  
1021. 11/08/07 Nokia Theater - New York, NY   ***24 bit*** recording info: ots, roc, 8ft, nuemann km184 (nos, 30cm, 90 degrees)>fostex fr2le (busman vintage mod) @ 24/48 transfer info: fostex fr2le>usb>hd>wavelab (for fades)>cdwav>tlh taper: kingfishcigars@gmail.com   3 FLAC  
1022. 11/09/07 Nokia Theatre - New York, NY   Nak 100 > Sony SBM-1 > Sony D8; Taped by Steve T.   3 FLAC  
1023. 11/09/07 Nokia Theatre - New York, NY   FREE SOUNDBOARD   3 FLAC  
1024. 11/09/07 Nokia Theatre - New York, NY   THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) **note: fixed version, seeded Jan 19, 2008   3 FLAC  
1025. 11/10/07 Nokia Theatre - New York, NY   Nak 100 > Sony SBM-1 > Sony D8; Taped by Steve T.   3 FLAC  
1026. 11/10/07 Nokia Theatre - New York, NY   (FOB) Neumann SKM 140 > Lunatec V2 > Sony SBM1(mod) > Tascam DA-P1; Tascam DA-20mkII > HHb CDR850 > EAC > Flac Frontend; Taped & Transfered by Frank D'Auria   3 FLAC  
1027. 11/10/07 Nokia Theatre - New York, NY   Source: AKG 461's>V3(analog out)>722@24/96 Location: FOB, OTS, ROC, STD. at 12 Feet Transfer: 722>Adobe Aud.>16bit>Cdwav>flac Taperd, Transfered and uploaded by Tony Suraci ****16 Bit Version****   3 FLAC  
1028. 11/10/07 Nokia Theatre - New York, NY   Audience: FOB - right of center at rail above front floor / B&K(DPA)4021s (10'stand, XY) > Lunatec V3 (mic in 33db, 16/44.1) > Digigram VX Pocket / Sony Vaio Picturebook PCG-C1VS/BW / SoundForge 4.5 (record) 7.0 (trim, fade) / CD Wave Editor (tracking) / FLAC 1.7.1 by ericv   3 FLAC  
1029. 11/10/07 Nokia Theatre - New York, NY   Source: Schoeps mk4 (DIN)> NBox+> SD 722 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> FLAC24. Recorded by Craig Taraszki   3 FLAC  
1030. 11/11/07 Nokia Theatre - New York, NY   taper : steve t ''aka'' the big red bag nak 100 mics > sony sbm1 > sony d-8   3 FLAC  
1031. 11/11/07 Nokia Theatre - New York, NY   a mid/side stereo recording rode nt2000 (side), rode nt5 (mid) -> presonus Firebox -> macG4 -> cubase 88.2/24 -> 44.1/16 -> xACT(flac) recorded/tweeked/uploaded by adam crandall   3 FLAC  
1032. 11/11/07 Nokia Theatre - New York, NY   MAC; 2 x Sennheiser e835 > Sony D5 > 3 Maxell XLII 110s. Master Audience Cassettes recorded and provided by Mark McCue. Transfer and mastering by Alex Ford February 2008.   3 FLAC  
1033. 11/11/07 Nokia Theatre - New York, NY   Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD); Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1034. 11/27/07 Warfield Theater - San Francisco, CA   Source: Schoeps mk4v > Lunatec V3 > Sound Devices 744T Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC Recorded by Pete Gilmore, Monkey Tunes Transferred by Dawne Gilmore   3 FLAC  
1035. 01/25/08 The Fillmore - San Francisco, CA   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: OTS, 8’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CDWave -> FLAC   3 FLAC  
1036. 01/25/08 The Fillmore - San Francisco, CA   Source: ADK 51tlMP(hyper)>UA5(t+mod)>mt24/96>CDWave>CD. Recorded & Transferred by RIPJJG   3 FLAC  
1037. 01/26/08 Bill Graham Civic Auditorium - San Francisco, CA   Source: Nakamichi 300 shotguns > Lunatec V3 > Sound Devices 744T. Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC. Recorded by Pete Gilmore, Monkey Tunes Transferred by Dawne Gilmore   3 FLAC  
1038. 01/26/08 Bill Graham Civic Auditorium - San Francisco, CA   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Location: ots, 8’ stand. Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1039. 01/28/08 Crystal Ballroom - Portland, OR   Source: Schoeps MK4/CMC6 > Lunatec V2 > Tascam HD-P2 (24/48). Lineage: WaveLab 5 (UV22R/Dithering) > CD WAVE > FLAC frontend Notes: recorded from official taping section (under balcony in the corner of the room) mics ortf at 90 deg. approx 7 ft. van den Hul Intergration Hybrid mic cables/van den Hul The First Ultimate interconnects. Recorded and transferred by Dean Grabski   3 FLAC  
1040. 01/29/08 Crystal Ballroom - Portland, OR   Neumann KMF4i > Denecke PS2 > Modified D8; Tascam DA-20mkII > Prodif Gold > Soundforge 6.0 (fades & Normalization) > CD wave (tracks) > Flac(8)   3 FLAC  
1041. 01/29/08 Crystal Ballroom - Portland, OR   Source: Schoeps MK4/CMC6 > Lunatec V2 > Tascam HD-P2 (24/48) Lineage: WaveLab 5 (UV22R/Dithering) > CD WAVE > FLAC frontend Notes: recorded from official taping section (under balcony in the corner of the room) mics semi-ortf at 80 deg. approx 7 ft. van den Hul Intergration Hybrid mic cables/van den Hul The First Ultimate interconnects - tightened up the angle between the microphones to help eliminate some of the room reverb recorded and transferred by Dean Grabski   3 FLAC  
1042. 01/29/08 Crystal Ballroom - Portland, OR   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Location: fob, loc, 20’ from stage. Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1043. 02/04/08 Warfield Theatre - San Francisco, CA   Taped & Seeded by: Ian Stone Source: Schoeps mk41>kc5>cmc6>lunatec v2>sound devices 722 @24/48 at taper's section, right of center.   3 FLAC  
1044. 02/04/08 Warfield Theatre - San Francisco, CA   Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp   3 FLAC  
1045. 03/09/08 Langerado Festival - Big Cypress, FL   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8 MHz DSD); Location: fob, center rail, 8’ stand; Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1046. 03/09/08 Langerado Festival - Big Cypress, FL   (FOB) JW MODDED AKG 463's ( Din ) > Lunatec V3 ( 44.1) Optical Mod > JB3 (16/44.1). Recorded and transferred by Larry - FLDEADHEAD. EAC and mastering by Alex Ford.   3 FLAC  
1047. 03/09/08 Langerado Festival - Big Cypress, FL   ***24 bit*** Set 1 Only Source: AKG ck61|c460b > Segue Dogstar XLRs > Fostex FR-2LE (24bit/48khz). Transfer: CF Card > .bwf > Audacity (fades/gain)> CDWav > .wav > .flac. Config: ORTF (17cm @ 110*) Location: FOB, 8' LOC, 60' from stage, stand @ 10' taped/transferred by: (jbanyai97@yahoo.com)   0 FLAC  
1048. 04/12/08 NASA Ames Research Center - Moffett Field, CA   Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz)   1 FLAC  
1049. 05/07/08 KBCO-FM Studio C - Boulder, CO   Source = KBCO FM Broadcast: Lineage = McIntosh MR 77 Tuner -> RME DIGI Interface -> Samplitude 6.0 -> Flac via Patrick Hayes   1 FLAC  
1050. 05/08/08 The Fillmore Auditorium - Denver, CO   Recording info: FOBH 40' center Schoeps MK-41 3.5" @ 90* 6' 5" a top the human mic stand > Schoeps Kcy Active Cable > Schoeps VMS 5u > Kind Kables prototype Belden 8424 > Korg Mr-1000 line in 1 bit @ 2.8 MHz.   3 FLAC  
1051. 05/08/08 The Fillmore Auditorium - Denver, CO   Source: Josephson c42mp (DIN) > Busman Tmod Edirol R-4 + Avenson STO-2 (Healy) > Busman Tmod Edirol R-4 @ 24/48 Transfer: R-4 > PC > Sound Forge 9.0 (mix, fades, sample rate, bit depth) > CD Wave (track)   3 FLAC  
1052. 05/08/08 The Fillmore Auditorium - Denver, CO   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit via bittorrent at http://rosemary.dyndns.org   3 FLAC  
1053. 05/09/08 The Fillmore Auditorium - Denver, CO   Neumann skm 140s > Sound Devices 722 > Resample-1.8+(24/192 > 16/44.1khz)...via bit torrent at http://rosemary.dyndns.org   3 FLAC  
1054. 05/09/08 The Fillmore Auditorium - Denver, CO   MAC; (FOB) 2 x Sennheiser MD421 > Sony D5 > Maxell XLII 110 (Set I) XLII-S 100 (Set II) Recorded by Mark McCue and Alex Ford. Cassettes transferred @ 24bit/96Hz. ; upgrade in circulation   3 FLAC  
1055. 05/09/08 The Fillmore Auditorium - Denver, CO   MAC; (FOB) 2 x Sennheiser MD421 > Sony D5 > 2 x Maxell XLII-S. Tapers: Mark McCue and Alex Ford. Master Audience Cassettes transferred @ 24/96.- Remastered version of shnid 91845 - by Alex Ford   3 FLAC  
1056. 05/09/08 The Fillmore Auditorium - Denver, CO   Schoeps MK-41 3.5" @ 90* 6' 5" atop the human mic stand > Schoeps Kcy Active Cable > Schoeps VMS 5u > Kind Kables prototype Belden 8424 > Korg Mr-1000 line in 1 bit DFF @ 5.6 MHz.   3 FLAC  
1057. 05/11/08 Greek Theater - Los Angeles, CA   Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit via bittorrent at http://rosemary.dyndns.org   2 FLAC  
1058. 05/11/08 Greek Theater - Los Angeles, CA   Source: Schoeps CCM4V > 722 at Row P ~ Right Stack ~ 7.5' High. Transfer: 722 > Firewire > Samplitude SE v8 > CD Wave 1.94.8. Lineage: 24bit/48kHz > 16bit/44.1kHz > FLAC (Level 8). Taped and Edited by Mikey Jones   3 FLAC  
1059. 05/13/08 Warfield Theatre - San Francisco, CA   Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit via http://rosemary.dyndns.org   3 FLAC  
1060. 05/14/08 Warfield Theatre - San Francisco, CA   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit, taped by Cali Phil   3 FLAC  
1061. 05/16/08 Warfield Theater - San Francisco, CA   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit.   3 FLAC  
1062. 05/17/08 The Warfield - San Francisco, CA   Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes, fades, etc. w/ cooledit via P.Hopely at http://rosemary.dyndns.org   3 FLAC  
1063. 05/17/08 The Warfield - San Francisco, CA   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1064. 05/18/08 Warfield Theater - San Francisco, CA   Sound path: Neumann skm 140s->Sound Devices 722 -> Resample-1.8+(24/192-> 16/44.1khz); minor glitch fixes, fades, etc. w/ cooledit. email: phopely@seas.upenn.edu For your green bittorrent downloads, head to the source @ http://rosemary.dyndns.org   5 FLAC  
1065. 05/18/08 Warfield Theater - San Francisco, CA   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   5 FLAC  
1066. 06/12/08 Promowest Pavilion - Columbus, OH   Source: Schoeps CCM4V'S(din)>Lunatec V3>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP 30' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: The Z-Man   3 FLAC  
1067. 06/12/08 Promowest Pavilion - Columbus, OH   **24 bit** Source: Schoeps CCM4V'S(din)>Lunatec V3>Sound Devices 722 (24/48)->CF Card location: FOB/DFC/KFC/ZFC/AARP 30' From Stage, 7' High DSP: CF Card->Card Reader->Audacity (tracked)->xACT Flac24 Recorded By: The Z-Man Transfer & Tracked By: ekoostikal   1 FLAC  
1068. 06/12/08 Promowest Pavilion - Columbus, OH   bsc1/k4(nos,fob, dfc, 6')>bumblebees>acm 660 usb>cdwav*>traders little helper via Live Music Archive. Caveat emptor: the crackling that can be heard throughout the show was due to damage caused by the storm to some of the equipment on stage.   3 FLAC  
1069. 06/13/08 Charter One Pavilion - Chicago, IL   Source: AKG CK1x Cardioid Capsules (DIN, 10' ROC, 8' High) > MK46 Active Cables > AKG C460B Mic Bodies > Sound Devices 744t (recorded at 24-Bit/48khz, dithered to 16-Bit/44.1khz) Conversion: Compactflash Card > Sandisk Card Reader > Adobe Audition > CD Wave Editor > FLAC Frontend > Trader's Little Helper   3 FLAC  
1070. 06/13/08 Charter One Pavilion - Chicago, IL   bsc1/k4(nos,6',#)>bumblebees>acm 660 usb>cdwav*>traders little helper{flac6}via Live Music Archive   3 FLAC  
1071. 06/13/08 Charter One Pavilion - Chicago, IL   ***24 bit / 48 khz *** Source: ATPRO-24 > Edirol R-09 (24 Bit/48kHz) FOB/DFC - Section 103 Row S Seat 15 Taped By: Lukas Olsen and Dave Martin Transfer: Edirol R-09 > USB > Sound Studio > xACT > FLAC Transferred By: Lukas Olsen   3 FLAC  
1072. 06/14/08 Bonnaroo – Which Stage (late night) - Manchester, TN   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: fob, slightly right of dfc, 8’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1073. 06/14/08 Bonnaroo – Which Stage (late night) - Manchester, TN   Nakamichi CM1000/CP101's > Lunatec V3(@24bit/48kHz) > M-Audio MT24/96. Taped and transferred by: Rodeo   3 FLAC  
1074. 06/15/08 Bonnaroo Music Festival - Manchester, TN   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD). Location: fob, dfc, 6’ stand. Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   2 FLAC  
1075. 06/15/08 Bonnaroo Music Festival - Manchester, TN   taped and transfered by zanos source: 2 fostex mc10st Mics -> Edirol R-01 -> 16bit wave. storage and editing: Edirol R-01 usb link -> Dell Inspiron 2200 -> Adobe Audition 1.5 -> Maxter 320gig HD   2 FLAC  
1076. 06/17/08 Innsbrook Pavilion - Glen Allen, VA   source: B&K4022(ortf)>Sonosax>744t (24/48) location: fob/dfc, inside back edge of Gold Circle fence transfer744T>wavelab(fades/resample/bit depth)>cd wave>flac recorded & seeded: craig davis   3 FLAC  
1077. 06/17/08 Innsbrook Pavilion - Glen Allen, VA   ***24 Bit*** source: B&K4022(ortf)>Sonosax>744t (24/48). location: fob/dfc, inside back edge of Gold Circle fence, 7'. transfer744T>wavelab(fades)>cd wave>flac recorded & seeded: craig davis   3 FLAC  
1078. 06/17/08 Innsbrook Pavilion - Glen Allen, VA   FOB DPA(B&K) 4011s->Luminous Monarchs->SD 722 @ 24/96.SD722 ->Wavelab(dither/resample)->CD Wave (tracking) -> Wavelab 5(edit)-> FLAC.Recorded and transfered by Mark Lynn(mark@ninebullets.org).   3 FLAC  
1079. 06/17/08 Innsbrook Pavilion - Glen Allen, VA   Source: Busman BSC1-K3 (hypers) > Bublebee XLR's > FR-2LE (24/48) Location : Right Corner of SBD, 10 ft. ROC, ~45 ft. from stage at ~ 8 feet. Transfer: CF Card > Audacity (edits, resample, dither) > CDWave (tracking) > Flac Recorded and Transferred by Drew Olsen   3 FLAC  
1080. 06/19/08 Penn's Peak - Jim Thorpe, PA   Schoeps MK41's>Schoeps VST 62ui>Sound Devices 744t(@24/96)>Soundforge 9 (fades, Sample Rate & Bit Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded & Processed By Keith Litzenberger on 13ft stand 8ft FOB   3 FLAC  
1081. 06/19/08 Penn's Peak - Jim Thorpe, PA   Schoeps MK8 + MK21>nbox>Sound Devices 744t(@24/96)>Soundforge 9 (M/S decoding, fades, Sample Rate & Bit Rate Conversion)>CDWAV>FLAC Recorded & Processed By Keith Litzenberger   3 FLAC  
1082. 06/19/08 Penn's Peak - Jim Thorpe, PA   Source: JWmod AKG 463's>Lunatec V2>SD722@24/96 Location: Balcony Rail, DFC. Transfer: SD722>Adobe Aud.>16bit>CDwav>flac16 Taped, transfered and uploaded by Tony Suraci   3 FLAC  
1083. 06/19/08 Penn's Peak - Jim Thorpe, PA   Source: Nak 100 mic's w/cp4 Shotguns > Sony Sbm 1 > Sony Pcm1 Transfer: Tascam Dap1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend -Taper : Steve T ''AKA'' The Big Red Bag -Editing : Joe D'Amico ''AKA'' Joebeacon   3 FLAC  
1084. 06/19/08 Penn's Peak - Jim Thorpe, PA   Recorded by Chris LaPorte. FOB, DFC, 9 1/2 ft, DIN. Neumann SKM184 > Wendt X2 > Fostex Fr-2LE @ 24bit/44.1Khz. Adobe Audition: fade ins/outs, 16bit. CDwave: tracking. Trader's little Helper: md5, ffp, flac.   3 FLAC  
1085. 06/19/08 Penn's Peak - Jim Thorpe, PA   Taped by: Ethan Deitrich & Kory McGeehan Source: MXL990 / MXL991 > H4 Lineage: H4 > USB > Audacity > CD Wave > Flac Frontend (Level 8) > FLAC16   3 FLAC  
1086. 06/19/08 Penn's Peak - Jim Thorpe, PA   Source:Schoeps MK4(DIN)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96) FOB! SWEET SPOT! Transfer: Sample Manger (resample/Dither)>Sound Studio (Track)> Xact(Flac) Taped and Transfered by Jon Merin   3 FLAC  
1087. 06/19/08 Penn's Peak - Jim Thorpe, PA   Taped, transferred, & edited by Spyder9 Studios(dnolanjr@yahoo.com). Location: FOB, DFC, at the SBD, in the back of the room. Source: Rode NTG-1 > Aerco MP-2 > Tascam DR-1 (24/44.1). Mastering: (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 7.0 >(16/44.1) WAV > Flac Frontend 1.7.1 > FLAC   3 FLAC  
1088. 06/20/08 Penn's Landing - Philadelphia, PA   Source:Schoeps MK4(DIN)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96) FOB! Transfer: Sample Manger (resample/Dither)>Sound Studio (Track)> Xact(Flac) Taped and Transfered by Jon Merin   3 FLAC  
1089. 06/20/08 Penn's Landing - Philadelphia, PA   Schoeps mk41v (dina, fob) > kc5 > m222 > nt222 + mk5 (omni, nos, fob) > kc5 > cmc6 > lunatec V3 (analog out) > SD744T (24/96); Wavelab 5 (matrix, fades, resample, dither UV22HR, tracking). Recorded By: SonicSound   3 FLAC  
1090. 06/20/08 Penn's Landing - Philadelphia, PA   Source: Schoeps mk21 (NOS)> NBox+> Edirol R-09HR> SDHC; Wave Lab 5 (fades, Resampler 192KHz resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki   3 FLAC  
1091. 06/20/08 Penn's Landing - Philadelphia, PA   Source: Microtech Gefell 210 Hypercardioids (DIN) with Shure A81 Windscreens > Hydra Silver clad XLRs > Sound Devices 722 (40Hz/12dB low cut filter) @ 24bits/96KHz Location: Taper section beside boards @ ~9.5' Lineage: SD722 > Cool Edit Pro 2 gain, fades, dithered, resampled to 16bits/44.1KHz > CDWave >Flac Frontend Level 6 > FLAC16 Taped, transferred, tracked, encoded by R Graham   3 FLAC  
1092. 06/20/08 Penn's Landing - Philadelphia, PA   Taper : Steve T ''AKA'' Big Red Bag Editing : Joe D'amico ''AKA'' Joebeacon Nak 700 Mic's > Sony Sbm 1 > Sony Pcm1 Tascam Dap1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend   3 FLAC  
1093. 06/20/08 Penn's Landing - Philadelphia, PA   source: aud > Sony ECM-MS957's > Sony WM-D6 > mac taped by John Bleich transfer: mac > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac by SirMick   3 FLAC  
1094. 06/20/08 Penn's Landing - Philadelphia, PA   Source: Rode NTG-1 > Aerco MP-2 > Tascam DR-1 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 7.0 > (16/44.1) WAV > Flac Frontend 1.7.1 > FLAC Taped, transferred, & edited by Spyder9 Studios(dnolanjr@yahoo.com) Released July 2, 2008 Location: General Admission, Official Taperssection, LOC, at the SBD.   3 FLAC  
1095. 06/21/08 Bank Of America Pavilion - Boston, MA   Source: Schoeps MK4>KC5>CMC6>Sonosax SX-M2>Apogee Mini-me(@24 Bit 96khz aes out)>COAX>Edirol R-4 Lineage: Edirol R-4(@ 24 bit/96 khz WAV)>USB>Soundforge 8.0(tracking,resample/dithering 44.1 khz/16 bit)>Flac Taped by: Andy Murray   3 FLAC  
1096. 06/21/08 Bank Of America Pavilion - Boston, MA   ow Q seat 15 fob/dfc Schoeps MK8/4 (mid side) VST62ui > Oade m248 > Korg MR1 @ 1bit / 2.8gHz Hydra-Audio IC's Korg audiogate software for WSD>PCM converstion sony SF9 for mid-side mixing and edits. CD-WAV for tracking and FLAC encoding. mastered by nick@nickspicks.com   3 FLAC  
1097. 06/22/08 Meadowbrook U.S. Cellular Pavilion - Gilford, NH   AKG c460b/ck61(din,fob,60'fs,9'high) > uA-5 BM2P+ > Optical > H120(16/44.1)Wave > Soundforge 7.0(fade,tracking) > Flac. Taped, Transfered & Seeded by Ted Gakidis tgakidis@gmail.com   3 FLAC  
1098. 06/22/08 Meadowbrook U.S. Cellular Pavilion - Gilford, NH   Source: Sennheiser K6-ME66 > Vintage-mod Busman R-4 (24/48) Setup: PAS, OTS Transfer: R4 > audacity > ssrc (to 16/44) > shntool split > flac Taped/transferred/seeded by: SmokinJoe   3 FLAC  
1099. 07/03/08 The Pageant - St. Louis, MO   bsc1/k4(OTS,PaS,11')>bumblebees>acm 660 usb>cdwav*>TLR(flac6)   3 FLAC  
1100. 07/05/08 Grandview Park - Sioux City, IA   Source- MBHO603a/ka500(FOB,DFC)>R4@24/44.1 Lineage- R4>Wavelab(DSP,dither to 16bit)>Flac Taped and Transferred by snoof   1 FLAC  
1101. 07/05/08 Grandview Park - Sioux City, IA   Source: AKG480/ck61> Grace Lunatec V3 (24b-48khz)> MicroTrack 2496 Conversion: Wavelab5(Tracks/fades dither/resample)> Flac level6 Source/Conversion: Phil@BittorrentMusic www.bittorrentmusic.com Photos: By Bittorrentmusic.com Taped by : Phil Borghese   1 FLAC  
1102. 07/05/08 Grandview Park - Sioux City, IA   Source: AKG480/ck61> Grace Lunatec V3 (24b-48khz)> MicroTrack 2496 Conversion: Wavelab5(Tracks/fades dither/resample)> Flac level6 Source/Conversion: Phil@BittorrentMusic www.bittorrentmusic.com Photos: By Bittorrentmusic.com Taped by : Phil Borghese   1 FLAC  
1103. 07/05/08 Grandview Park - Sioux City, IA   Source: Neumann ak40 -> lc3 -> km100 -> Oade mod Edirol R4-Pro (mono .wav files @ 24/48) Location: DIN | FOB | DFC | @ ~10' DSP: 24/48 .wav files -> Audacity -> CD Wave Editor -> WaveLab -> .flac (6) Recorded, DSP'd, and seeded by Dustin Hassenstab   1 FLAC  
1104. 07/05/08 Grandview Park - Sioux City, IA   Source: Neumann ak40 -> lc3 -> km100 -> Oade mod Edirol R4-Pro (mono .wav files @ 24/48) Location: DIN | FOB | DFC | @ ~10' DSP: 24/48 .wav files -> Audacity -> CD Wave Editor -> WaveLab -> .flac (6) Recorded, DSP'd, and seeded by Dustin Hassenstab   1 FLAC  
1105. 07/05/08 Grandview Park - Sioux City, IA   *** 24 bit *** Source: Neumann ak40 -> lc3 -> km100 -> Oade mod Edirol R4-Pro (mono .wav files @ 24/48). Location: DIN | FOB | DFC | @ ~10'. DSP: 24/48 .wav files -> Audacity -> CD Wave Editor -> .flac (6). Recorded, DSP'd, and seeded by Dustin Hassenstab   1 FLAC  
1106. 07/05/08 Grandview Park - Sioux City, IA   Source: AKG414 -> Oade mod Edirol R4-Pro (mono .wav files @ 24/48) Location: subcard | FOB | DFC | @ ~10' DSP: 24/48 .wav files -> Audacity -> Fission -> WaveLab -> .flac (6) Darby's mics, Darby's stand, Darby's config, recorded on the R4 Pro with channels 3 & 4 Recorded by Mike Darby and Dustin Hassenstab DSP'd and seeded by Dustin Hassenstab   2 FLAC  
1107. 07/05/08 Grandview Park - Sioux City, IA   Source: AKG414 -> Oade mod Edirol R4-Pro (mono .wav files @ 24/48) Location: subcard | FOB | DFC | @ ~10' DSP: 24/48 .wav files -> Audacity -> Fission -> WaveLab -> .flac (6) Darby's mics, Darby's stand, Darby's config, recorded on the R4 Pro with channels 3 & 4 Recorded by Mike Darby and Dustin Hassenstab DSP'd and seeded by Dustin Hassenstab   2 FLAC  
1108. 07/05/08 Grandview Park - Sioux City, IA   Source: AKG 451EB/ck8's -> Lunatec V3 -> Tascam HD-P2 @ 24/48 Location: PAS | FOB | DFC | 7 ft DSP: HD-P2 -> HDD -> Amadeus Pro (tracking/fades/FLAC8) - 24/48 -> 16/44.1 via WaveLab -> .flac16 (6) by Dustin Hassenstab Recorded and DSP'd by Mike Darby Compiled and uploaded by Dustin Hassenstab   2 FLAC  
1109. 07/06/08 Double J Ranch - Rothbury, MI   source: (fob/dfc/stand@8') Peluso cemc6/ck4 -> Bmp2+ UA-5 -> JB3; transfer: JB3 -> Creative PC -> CD Wave Editor -> Wavelab 5.0 -> FLAC (6). recorded by: Chris Davis & Col. George. (with patch from Jeff Frank, shn id # 92712)   3 FLAC  
1110. 07/06/08 Double J Ranch - Rothbury, MI   Source: Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP 100' From Stage, 7' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: The Z-Man Seeded By: The Z-Man   3 FLAC  
1111. 07/06/08 Double J Ranch - Rothbury, MI   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: fob, dfc, 9’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1112. 07/06/08 Double J Ranch - Rothbury, MI   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: fob, dfc, 9’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1113. 07/06/08 Double J Ranch - Rothbury, MI   Peluso CEMC6/CK21->PS2->AD20->H120- ->CDWave->Nero Wave Editor (fades)- ->TLH->flac. fob, dfc taped by Will P.   3 FLAC  
1114. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   **16 Bit** source: B&K4022(ortf)>Sonosax>744t (24/48) location: fob/slight loc, Row 14, Seat 13(Set 1)/11 (Set 2), stand 5'10" transfer744T>wavelab(fades/resample/bit depth)>cd wave>flac recorded & seeded: craig davis   3 FLAC  
1115. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   **16 Bit** Source: mk41 > kc5 > cmc6 > m248 > minime > hd-p2 (24/96) Location: OTS, DFC, 7.5' stand, pointed at stacks Transfer: CF Card > Wavelab (tracking/fades/resampling/dithering) > FLAC (lvl 6) Taped & transferred by Todd (titotito at gmail)   3 FLAC  
1116. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   *** 24bit *** Source: mk41 > kc5 > cmc6 > m248 > minime > hd-p2 (24/96) Location: OTS, DFC, 7.5' stand, pointed at stacks Transfer: CF Card > Wavelab (tracking/fades) > FLAC (lvl 6) Taped & transferred by Todd (titotito at gmail)   1 FLAC  
1117. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   AKG C480B's (CK-61 cards, pointed at stacks) > Tascam HD-P2 (transparent mod. preamps) > WAV (24 bit/48 khz) > dithered using L3 plugin, rendered to 16 bit and downsampled to 44.1 khz in Wavelab 5.0 > FLAC   3 FLAC  
1118. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   ***16 BIT*** Source: Schoeps mk4v's(ORTF)>kc5>m222>nt222>744 Location: FOB/LOC Row 14, Seat 13 (Set 1)/Seat 11 (Set 2) Transfer: 744t>CD Wave>Wavelab 5>Flac Taped and Transferred by Derek Davis   3 FLAC  
1119. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   *** 24 bit *** AKG C480B's (CK-61 cards, pointed at stacks) > Tascam HD-P2 (transparent mod. preamps) > WAV (24 bit/48 khz) > FLAC   3 FLAC  
1120. 07/08/08 Charlottesville Pavilion - Charlottesville, VA   ***24 bit*** B&K4022(ortf)>Sonosax>744t (24/48) location: fob/slight loc, Row 14, Seat 13(Set 1)/11 (Set 2), stand 5'10"; transfer744T>Soundforge>cd wave>flac recorded & seeded: craig davis   3 FLAC  
1121. 07/09/08 House Of Blues - Myrtle Beach, SC   **24 Bit** source: Schoeps mk41v(dina) > kc5 > m222 > nt222 + mk21(nos) > kcy > vms5u > 744t (24/48) location: fob/dfc dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8) recorded & seeded: charles fox   3 FLAC  
1122. 07/09/08 House Of Blues - Myrtle Beach, SC   **16 Bit** source: Schoeps mk41v(dina) > kc5 > m222 > nt222 + mk21(nos) > kcy > vms5u > 744t (24/48) location: fob/dfc dsp: 744t > wavelab5 > cdwave > wavelab5 > flac(8) recorded & seeded: charles fox   3 FLAC  
1123. 07/11/08 Marvin's Mountain Top - Masontown, WV   Taper: Timothy Brown from OTS. Source: AKG C460Bs/CK 61-ULS (ORTF, ~8-12ft on stand)->Kind Kables->PS2->AD20->JB3(Optical In) Transfer: JB3->Firewire->PC. Processing: Fade-in and fade-out applied using Sound Forge 8.0. Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5   2 FLAC  
1124. 07/11/08 Marvin's Mountain Top - Masontown, WV   Taper: Timothy Brown from OTS. Source: AKG C460Bs/CK 61-ULS (ORTF, ~8-12ft on stand)->Kind Kables->PS2->AD20->JB3(Optical In) Transfer: JB3->Firewire->PC. Processing: Fade-in and fade-out applied using Sound Forge 8.0. Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5   2 FLAC  
1125. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: Schoeps mk21 + mk8 (m/s, fob, center, 6' stand)> NBox+> Edirol R-09HR (24/48); Wave Lab 5 (fades, m/s>stereo with S1-Imager, Resampler 192kHz resampler, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   2 FLAC  
1126. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: DPA-4021 (ORTF, 12ft, ~FOB) > Busman HD-P2. Conversion: CF Card > Harddrive > Audition 3.0 > CDWave > FLAC Recorded and Mastered By: Tonedeaf (stevetoney1@hotmail.com)   2 FLAC  
1127. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: Schoeps mk21 + mk8 (m/s, fob, center, 6' stand)> NBox+> Edirol R-09HR (24/48); Wave Lab 5 (fades, m/s>stereo with S1-Imager)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki (ctaraszki@hotmail.com)   2 FLAC  
1128. 07/11/08 Marvin's Mountain Top - Masontown, WV   Taper: Timothy Brown (timothydavidbrown@gmail.com) Location: OTS Source: AKG C460Bs/CK 61-ULS (ORTF, ~8-12ft on stand)->Kind Kables->PS2->AD20->JB3(Optical In) Transfer: JB3->Firewire->PC Processing: Fade-in and fade-out applied using Sound Forge 8.0 Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5   2 FLAC  
1129. 07/11/08 Marvin's Mountain Top - Masontown, WV   *** 24 bit *** DPA-4021 (ORTF, 12ft, ~FOB) > Busman HD-P2 Conversion: CF Card > Harddrive > Audition 3.0 > CDWave > FLAC Recorded and Mastered By: Tonedeaf   2 FLAC  
1130. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: ADK A-51TL's (Hi Ho Silver Cables) > Busman Hybrid R4 (W-Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Sony Sound Forge 7.0 (Edits, Resample, & Dither)> CD Wave Editor> FLAC Frontend 1.1.4b(Verify/Align on sector boundaries/Level 8) Mics: Blumlein, DFC, ROC, in the DTS @ 10.5' high Taped & Transferred by Jim Mimna   2 FLAC  
1131. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: ADK A-51TL's (Hi Ho Silver Cables) > Busman Hybrid R4 (W-Mod) @24/48 Lineage: Busman Hybrid R4 (USB)> Sony Sound Forge 7.0 (Edits)> CD Wave Editor> FLAC Frontend 1.1.4b(Verify/Level 8) Mics: Blumlein, DFC, ROC, in the DTS @ 10.5' high Taped & Transferred by Jim Mimna   2 FLAC  
1132. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: Busman Audio BSC1-K1's> Grace Lunatec V3 (Phatman Silver Custom Cables & Interconnects) > Busman Hybrid R4 @24/48 Lineage: Busman Hybrid R4 (USB)> Sony Sound Forge 7.0 (Edits, Resample, & Dither)> CD Wave Editor> FLAC Frontend 1.1.4b(Verify/Align on sector boundaries/Level 8) Mics: Card's, ORTF, LOC, in the DTS @ 10.5' high Taped & Transferred by Jim Mimna   2 FLAC  
1133. 07/11/08 Marvin's Mountain Top - Masontown, WV   Source: Busman Audio BSC1-K1's> Grace Lunatec V3 (Phatman Silver Custom Cables & Interconnects) > Busman Hybrid R4 @24/48 Lineage: Busman Hybrid R4 (USB)> Sony Sound Forge 7.0 (Edits)> CD Wave Editor> FLAC Frontend 1.1.4b(Verify/Level 8) Mics: Card's, ORTF, ROC, in the DTS @ 10.5' high Taped & Transferred by Jim Mimna   2 FLAC  
1134. 07/11/08 Marvin's Mountain Top - Masontown, WV   Schoeps mk41v (dina, fob) > kc5 > m222 > nt222 + mk5 (omni, nos, fob) > kc5 > cmc6 > lunatec V3 (analog out) > SD744T (24/96); Wavelab 5 (matrix, fades, resample, dither UV22HR, tracking) Recorded By: SonicSound   2 FLAC  
1135. 07/11/08 Marvin's Mountain Top - Masontown, WV   ***24-BIT/48kHz*** Source: MBHO KA500 HN(DINa KwonBar/ROSBD/OTS) >>> Hi Ho Silver Actives >>> MBHO MBP 603 A >>> Hi Ho Silver XLR's >>> Sound Devices 722 [24-Bit/48kHz] Transfer: 722 > WaveLab 5.01b(Set 1[+3.0db Gain] Set 2[+1.7db Gain]) > CD Wave 1.97 > FLAC Frontend 1.1.4b(Verify/Level 6) Taped/Transferred/Uploaded by Bean (diskobean@taperssection.com)   2 FLAC  
1136. 07/12/08 Highland Bowl - Rochester, NY   Source: Nakamichi CM-1000 CP-101 (Sank P48) > Aerco MP-2 > Tascam DR-1 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0 > (16/44.1) WAV > Totalrecorder 7.0> (16/44.1) WAV > Flac Frontend 1.7.1 > FLAC   3 FLAC  
1137. 07/12/08 Highland Bowl - Rochester, NY   Source: Beyerdynamic MC 930's -> Busman T-mod Edirol R4 Transfer: Audition (fades/dither) -> CdWav -> flac   3 FLAC  
1138. 07/12/08 Highland Bowl - Rochester, NY   *** 24 bit *** Brüel & Kjær 4022 > Sound Devices 722 Front Of Board, ~2' Left Of Center, ~35' from the stage lip, ~7' high recorded and transferred by Tim Burke   3 FLAC  
1139. 07/12/08 Highland Bowl - Rochester, NY   Recording by Tim Burke from Front Of Board, ~2' Left Of Center, ~35' from the stage lip, ~7' high. Brüel & Kjær 4022 > Sound Devices 722 @24 bit, 48 kHz   3 FLAC  
1140. 07/13/08 Jones Beach Theater - Wantagh, NY   Taper : Steve T ''AKA'' You Have A Diet Coke Editing : Joe D'Amico ''AKA''Joebeacon Source: Nak 700 Mic's > Battery Box > Sony Sbm1 > Sony D-8. Transfer: Tascam Dap1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend   3 FLAC  
1141. 07/26/08 10,000 Lakes Festival Soo Pass Ranch Main Stage - Detroit Lakes, MN   Busman BSC1 (K1, Cardioid Caps) > HD-P2, 24/48 Format: 16-bit, 44.1 kHz, R8Brain (dither, resample) Samsung 8gb CF>Soundforge>WAV Taped and transferred by Cliff Morse   3 FLAC  
1142. 07/26/08 10,000 Lakes Festival Soo Pass Ranch Main Stage - Detroit Lakes, MN   Busman BSC1 (K1, Cardioid Caps) > HD-P2, 24/48 Format: 16-bit, 44.1 kHz, R8Brain (dither, resample) Samsung 8gb CF>Soundforge>WAV Taped and transferred by Cliff Morse   3 FLAC  
1143. 07/26/08 10,000 Lakes Festival Soo Pass Ranch Main Stage - Detroit Lakes, MN   Source: Microtech Gefell m200 > vovox silver > sd722 @ 24/48. Mic Config: DIN (90 degrees 20 cm). Location: Lawn, FOB 10-12' - 6' right of center - 9' stand Transfer: CF > USB 2.0 > PC. Volume, Fades, & Resample to 44.1Hz Soundforge 9.0. Dither to 16 bits Izotope Ozone 3 MBIT+. Tracks Split with CD Wave Editor > FLAC Frontend. taped & transferred by David Lawrence   3 FLAC  
1144. 07/26/08 10,000 Lakes Festival Soo Pass Ranch Main Stage - Detroit Lakes, MN   Schoeps mk41v>cmc6>unl2>HDP2 (Oade Mod.) 44.1 24 bit location: edge of VIP Lawn ROC Transfer: HDP2>G4>Digital Performer recorded by Steve S.   3 FLAC  
1145. 07/26/08 10,000 Lakes Festival Soo Pass Ranch Main Stage - Detroit Lakes, MN   Source: Josephson's C42MP -> Marantz PMD 660 -> CF* @ 16bits/44.1Khz   3 FLAC  
1146. 07/26/08 10,000 Lakes Festival Soo Pass Ranch Main Stage - Detroit Lakes, MN   Taped by: dave kunath (o-canis) dpaulku@gmail.com Location: 10' ROC ~40-50'FOB OTS ~7'^ Mic Config: PAS Source: Nak CM1000/CP-101> Musilux> Oade T+mod UA5(opti @16/48)> JB3 wav Conversion: JB3> sb1394> Pc (CPC v3.02.5)> Flac burn   3 FLAC  
1147. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   source: Neumann KM184> v2> R44 (24bit/48 kHz) transfer: HCSD> USB> Samplitutde Pro 7.0> cdWave> FLAC taped/transfered by Rob Clarke   2 FLAC  
1148. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   DPA 4006TL's w\ 50mm APE> V3> 744t (24\96) transfer: 744t>Firewire> Soundforge 9.0> CDWave>Flac Taped and transfered by David Sampson (swillysampson@aol.com)   3 FLAC  
1149. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   source: Schoeps MK 21's (NOS)> 744t (24\96) transfer: 744t>Firewire> Soundforge 9.0> CDWave>Flac Taped and transfered by David Sampson (swillysampson@aol.com)   3 FLAC  
1150. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   source: Neumann KM184> v2> R44 (24bit/48 kHz) transfer: HCSD> USB> Samplitutde Pro 7.0> cdWave> FLAC taped/transfered by Rob Clarke   2 FLAC  
1151. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   AKG c460b/ck63(DINa,OTS,ROC,10'high) > R-4 BM T-mod(24/96) wave > Soundforge 9.0(fade,track,dither,resample 16/44.1) > Flac Taped, Transfered & Seeded by Ted Gakidis tgakidis@gmail.com   3 FLAC  
1152. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   Source: (OTS 15ft ROC) Neumann U89i (Subcard, NOS, -80h)> Apogee Minimp> Apogee Minime> (Digital) + Neumann KM184 (DIN)> Grace Design Lunatec V2> (Analog) Edirol R-44 (with Oade concert modification). All 4 channels recorded at 24/48 on a 8gb Transcend class 6 SD card. All 4 microphones were on the same microphone stand at approximately 9ft. Transfer: SD card> Card reader> PC. Samplitued SE No9 (Normalize, fade in/out, resample, dither, merge two sources)> CD Wav (tracked and converted to Flac). Recorded by: Ed Guidry   3 FLAC  
1153. 08/02/08 Gathering of the Vibes Seaside Park - Bridgeport, CT   *****24/96**** AKG c460b/ck63(DINa,OTS,ROC,10'high) > R-4 BM T-mod(24/96) wave > Soundforge 9.0(fade,track) > TLH> Flac Taped, Transfered & Seeded by Ted Gakidis tgakidis@gmail.com   6 FLAC  
1154. 08/31/08 Fort Mason Meadows - San Francisco, CA   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit taped and transferred by P. Hopely. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   2 FLAC  
1155. 09/24/08 Sweetwater Station - Larkspur, CA   Source: CM-2M -> MR-1   2 FLAC  
1156. 09/25/08 Sweetwater Station - Larkspur, CA   "Sweetwater Session #4" unknown source via Green bittorrent downloads available from us @ http://rosemary.dyndns.org   2 FLAC  
1157. 09/30/08 Merriweather Post Pavilion - Columbia, MD   Source: Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP Row K, Between Seats 113 and 114, 6' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: The Z-Man Seeded By: The Z-Man   2 FLAC  
1158. 10/01/08 Verizon Wireless Amphitheater - Virginia Beach, VA   Schoeps MK41's>Nbox>Sound Devices 744t(@24/96)>Soundfroge 9(Fades, Sample Rate/Bit Rate Conversion)>CDwav>FLAC Recorded & Processed By Keith Litzenberger From Section 102 Row D   2 FLAC  
1159. 10/01/08 Verizon Wireless Amphitheater - Virginia Beach, VA   Schoeps MK41's>Nbox> Sound Devices 744t + Schoeps MK8/MK21>Schoeps VST62ui>Lunatec V3>Sound Devices 744t(@24/96)>Soundfroge 9(Fades, M/S Decoding, Mix of both sources,Sample Rate/Bit Rate Conversion)>CDwav>FLAC Recorded & Processed By Keith Litzenberger From Section 102 Row D   2 FLAC  
1160. 10/01/08 Verizon Wireless Amphitheater - Virginia Beach, VA   **24BIT/96KHZ** Schoeps MK41's>Nbox> Sound Devices 744t + Schoeps MK8/MK21>Schoeps VST62ui>Lunatec V3>Sound Devices 744t(@24/96)>Soundfroge 9 (Fades, M/S Decoding, mix of both sources)>CDwav>FLAC Recorded & Processed By Keith Litzenberger From Section 102 Row D   4 FLAC  
1161. 10/03/08 Walnut Creek Amphitheatre - Raleigh, NC   Source: FOB-FOH-5th Row Dead Center (stage mix) 2-Sennheiser MD421-u5-2's@11ft high>Edirol Digi-Mod UA5>Nomad JB3. Recorded at 44.1 khz. Recorded by MULETAPER. Transfer: JB-3>Nomad Explorer 2.0>CDwav>Flac 16 bit.   2 FLAC  
1162. 10/03/08 Walnut Creek Amphitheatre - Raleigh, NC   Schoeps MK4 (ORTF) > KC5 > CMC6 > Lunatec V3 > Marantz PMD-671 at 24/48 Location: Section 2, Row L, Seat 27 Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end. Recording & conversion by Robbie Dunn   2 FLAC  
1163. 10/03/08 Walnut Creek Amphitheatre - Raleigh, NC   (FOB/FOH) 2 x Sennheiser MD421-U5-2 > Edirol Digi-Mod UA5 > Nomad JB3 (@44.1 kHz). Recorded and transferred by MULETAPER. Re-Mastered by Alex Ford. Re-Mastering of shnid=95190.   2 FLAC  
1164. 10/04/08 Verizon Wireless Amp - Charlotte, NC   Source: Microtech Gefell 210 Hypercardioids (DIN) > Hydra Silver clad XLRs > Sound Devices 722 (40Hz/12dB low cut filter) @ 24bits/96KHz Location: Section 106, Row P, Right of Center, @ ~12' Lineage: SD722 > Cool Edit Pro 2 gain, fades, dithered, resampled to 16bits/44.1KHz > CDWave >Flac Frontend Level 6 > FLAC16 Taped by D Bishop, R Graham Transferred, tracked, encoded by R Graham   2 FLAC  
1165. 10/05/08 Verizon Wireless Amphitheater - Alpharetta, GA   Source: Schoeps MK4(ortf) > KC5 > CMC6 + MK21|MK8(mid-side) > Kynd Kables > Busman Mod Edirol R-4 Pro Location: DFC - 2nd Row behind SBD @ 9.5' Lineage: Edirol R4 Pro @ 24/48 > HD > Wavelab 5 > CDWave Tape and Transfer: Jeff Hatcher (habit1973@gmail.com)   2 FLAC  
1166. 10/05/08 Verizon Wireless Amphitheater - Alpharetta, GA   Source: Schoeps CCM 4 Lg (25cm, 110 degrees) > Sound Devices 702 (24/48) Location: DFC / 2 rows behind the soundboard Transfer: CF > HD > Wavelab > CD Wave > FLAC Taped, Transferred & Seeded by Dennis Tyler   2 FLAC  
1167. 10/05/08 Verizon Wireless Amphitheater - Alpharetta, GA   Source: Microtech Gefell 210 Hypercardioids (DIN) > Hydra Silver clad XLRs > Sound Devices 722 (40Hz/12dB low cut filter) @ 24bits/96KHz Location: Section 103, Row C, Set 15, DFC, @ ~9.5' Lineage: SD722 > Cool Edit Pro 2 gain, fades, dithered, resampled to 16bits/44.1KHz > CDWave >Flac Frontend Level 6 > FLAC16 Taped by R Graham Transferred, tracked, encoded by R Graham   2 FLAC  
1168. 10/07/08 Verizon Wireless Ampitheater - Pelham, AL   Source: Schoeps MK4(ortf) > KC5 > CMC6 + MK21|MK8(mid-side) > Kynd Kables > Busman Mod Edirol R-4 Pro Location: FOB/DFC @ 9.5' Lineage: Edirol R4 Pro @ 24/48 > HD > Wavelab 5 > CDWave Tape and Transfer: Jeff Hatcher (habit1973@gmail.com)   2 FLAC  
1169. 10/07/08 Verizon Wireless Ampitheater - Pelham, AL   Source: DPA 4023 (NOS)->Lunatec ACM V3->Sound Devices 744t (24/48) Location: FOB/DFC Transfer: 744t->HDD->Wavelab 5.01b->CD Wave->Flac 16 Recorded and Transfered by: Chris Hall   2 FLAC  
1170. 10/08/08 The Wharf Amphitheater - Orange Beach, AL   Source: Schoeps MK4(nos) > KC5 > CMC6 + MK21|MK8(mid-side) > CMC6 > Kynd Kables > Busman Mod Edirol R-4 Pro Location: FOB/LOC @ 9.5' Lineage: Edirol R4 Pro @ 24/48 > HD > Wavelab 5 > CDWave Tape and Transfer: Jeff Hatcher (habit1973@gmail.com)   2 FLAC  
1171. 10/08/08 The Wharf Amphitheater - Orange Beach, AL   Source: Schoeps CCM 4 Lg (25cm, 110 degrees) > Sonosax SX-M2 > Sound Devices 702 (24/48) Location: FOB / 10' LOC Transfer: CF > HD > Wavelab > CD Wave > FLAC Taped, Transferred & Seeded by Dennis Tyler   2 FLAC  
1172. 10/31/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > CoolEdit Pro > Flac Frontend   3 FLAC  
1173. 10/31/08 Nokia Theatre - New York, NY   Source: DPA 4023's>Lunatec V2>SD722@24/96 Location: FOB, ROC Stand at 10 Feet Transfer and Editing: SD722>Adobe Aud 2.0.>16bit>CDwav>Flac16 Taped, transfered and uploaded by Tony Suraci   3 FLAC  
1174. 10/31/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  
1175. 11/01/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 12 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit   3 FLAC  
1176. 11/01/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 >Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > CollEdit Pro > Flac Frontend   3 FLAC  
1177. 11/01/08 Nokia Theatre - New York, NY   (FOB) DPA 4022's (DIN) > Lunatec V3 (opti-mod) > Nomad JB3 (16/44.1). Recorded and transferred by Larry - FLDEADHEAD. Edited and mastered by Alex Ford.   3 FLAC  
1178. 11/02/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 12 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit   3 FLAC  
1179. 11/02/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000> Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1180. 11/02/08 Nokia Theatre - New York, NY   ****** FIXED VERSION ******** Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 12 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit ******FIXED THE FIRST SET OF A FEW DIGI BLIPS AND CROSS CHANNELING******   3 FLAC  
1181. 11/02/08 Nokia Theatre - New York, NY   Neumann TLM-170 (cardoid, lower floor tapers section, just right of center)->Sound Devices 722 (@24/96). FLAC File processing in SoundForge Audio Studio 9.0c (Peak Level Normalize to 0db; resample to 44.1 with interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in cdwav   3 FLAC  
1182. 11/02/08 Nokia Theatre - New York, NY   ***24 bit / 96khz *** Neumann TLM-170 (cardoid, lower floor tapers section, just right of center)->Sound Devices 722 (@24/96) Tracked in cdwav. No other processing.   0 FLAC  
1183. 11/03/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 12 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit   3 FLAC  
1184. 11/03/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000> Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1185. 11/03/08 Nokia Theatre - New York, NY   (FOB) DPA 4022's (DIN) > Lunatec V3 (Optical Mod) > Nomad JB3 (16/44.1). Location: Rear of floor, 8ft. ROC, mics at 9 ft. Transfer/Lineage: JB3>USB>Creative PlayCenter>WaveLab 5.0>CD Wave Editor>TLH>FLAC16. Recorded by Larry - FLDEADHEAD. Transferred and mastered by Alex Ford.   3 FLAC  
1186. 11/03/08 Nokia Theatre - New York, NY   Source: DPA 4023's>V2>722@24/96 Location: FOB Stand at 9 Feet Transfer: 722>A.A. 3.0>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci   3 FLAC  
1187. 11/03/08 Nokia Theatre - New York, NY   Neumann TLM-170 (hypercardoid, split 30' in balcony) -> Sound Devices 722 (24/96). No other processing. Taped and transferred by Scott Bernstein   1 FLAC  
1188. 11/03/08 Nokia Theatre - New York, NY   Neumann TLM-170 (hypercardoid, split 30' in balcony) -> Sound Devices 722 (24/96) -> Soundforge Audio Studio 9.0c (Peak Level Normalize to 0db; resample to 44.1 w/interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither w/high pass contour noise shaping). Taped and transferred by Scott Bernstein   1 FLAC  
1189. 11/05/08 Late Night w/ Conan O'Brien - New York, NY   SOURCE: MARANTZ-PMD620 TAPED/SEEDED: LANCE (seventyvoltz@yahoo.com)   1 FLAC  
1190. 11/06/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1191. 11/06/08 Nokia Theatre - New York, NY   Summary Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 13 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit   3 FLAC  
1192. 11/07/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1193. 11/08/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' J oebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1194. 11/08/08 Nokia Theatre - New York, NY   Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. Recorded from Tapers Section, on the right side of the mid-level rail. Courtesy of Steve T, who let me clamp onto his mic pole.   3 FLAC  
1195. 11/08/08 Nokia Theatre - New York, NY   Source: Schoeps mk4+mk8 (m/s)> NBox+> Edirol R-09HR (24/48); Wave Lab 5 (fades, m/s>stereo with Waves S1-Imager, Waves Q1 Eq, Resampler 192kHz resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki   3 FLAC  
1196. 11/08/08 Nokia Theatre - New York, NY   ***24 bit*** Source: Schoeps mk4+mk8 (m/s)> NBox+> Edirol R-09HR (24/48); Wave Lab 5 (fades, m/s>stereo with Waves S1-Imager, Waves Q1 Eq)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki   0 FLAC  
1197. 11/09/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1198. 11/09/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 15 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (FOB-OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit   3 FLAC  
1199. 11/09/08 Nokia Theatre - New York, NY   Source: Schoeps mk4+mk8 (m/s)> NBox+> Edirol R-09HR (24/48); Wave Lab 5 (fades, m/s>stereo with Waves S1-Imager plugin, Resampler 192kHz resample, Apogee uv22hr dither)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki   0 FLAC  
1200. 11/09/08 Nokia Theatre - New York, NY   ***24 bit*** Source: Schoeps mk4+mk8 (m/s)> NBox+> Edirol R-09HR (24/48); Wave Lab 5 (fades, m/s>stereo with Waves S1-Imager plugin)> CDWave (tracks)> FLAC24 Recorded by Craig Taraszki   0 FLAC  
1201. 11/11/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1202. 11/11/08 Nokia Theatre - New York, NY   2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF)@ 15 ft high >Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded from ROC (FOB-OTS-Offical Taper Section) Recorded by MULETAPER Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit   3 FLAC  
1203. 11/11/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  
1204. 11/13/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF) @ 13ft high> Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) (mics run no windscreens) Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit Recorded from R.O.C (FOB-OTS-Offical Taper Section) Recorded by MULETAPER   3 FLAC  
1205. 11/13/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  
1206. 11/13/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1207. 11/14/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V3 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit > Flac Frontend   3 FLAC  
1208. 11/14/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF) @ 13ft high> Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit Recorded from R.O.C (FOB-OTS-Offical Taper Section) Recorded by MULETAPER   3 FLAC  
1209. 11/14/08 Nokia Theatre - New York, NY   **24 Bit** Source: 2x Beyerdynamic MC930's(Matched Stereo Pair) @ 13ft high> Canare Cables > Digi-Mod Edirol UA5 > Sony PCM-D50 @48/24 Recorded with MULETAPER's rig/ patch by Marc Pujol   3 FLAC  
1210. 11/14/08 Nokia Theatre - New York, NY   Neumann TLM-170 (cardoid, lower floor tapers section, just right of center)->Sound Devices 722 (@24/96) FLAC File processing in SoundForge Audio Studio 9.0c (Peak Level Normalize to 0db; resample to 44.1 with interpolation accuracy 4, anti-alias filter; 24->16 bit highpass triangular dither with high pass contour noise shaping); Tracked in cdwav   3 FLAC  
1211. 11/14/08 Nokia Theatre - New York, NY   ***24 bit*** Neumann TLM-170 (cardoid, lower floor tapers section, just right of center)->Sound Devices 722 (@24/96)   0 FLAC  
1212. 11/14/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  
1213. 11/15/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1214. 11/15/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930\'s(Matched Stereo Pair)(OTRF) @ 13ft high> Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Recorded by MULETAPER   3 FLAC  
1215. 11/15/08 Nokia Theatre - New York, NY   **24 Bit** Source: 2x Beyerdynamic MC930's(Matched Stereo Pair) @ 13ft high> Canare Cables > Digi-Mod Edirol UA5 > Sony PCM-D50 @48/24 Recorded with MULETAPER's rig/ patch by Marc Pujol   3 FLAC  
1216. 11/15/08 Nokia Theatre - New York, NY   Source: DPA 4023's>V2>722@24/96 Location: FOB Stand at 9 Feet Transfer: 722>A.A. 3.0>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci   3 FLAC  
1217. 11/15/08 Nokia Theatre - New York, NY   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (24bit/48MHz) Location: OTS, 10’ Right of Center, 9’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1218. 11/15/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  
1219. 11/16/08 Nokia Theatre - New York, NY   Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) Location: OTS, 10’ Right of Center, 9’ stand Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC   3 FLAC  
1220. 11/16/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1221. 11/16/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF) @ 13ft high> Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit Recorded from R.O.C (FOB-OTS-Offical Taper Section) Recorded by MULETAPER   2 FLAC  
1222. 11/16/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  
1223. 11/18/08 Nokia Theatre - New York, NY   Source: Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) Location: FOB/DRFC/KFC/ZFC/AARP Top of the First Landing, 8 1/2' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man   0 FLAC  
1224. 11/18/08 Nokia Theatre - New York, NY   Taper : Joe D'Amico ''AKA'' J oebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend   3 FLAC  
1225. 11/18/08 Nokia Theatre - New York, NY   Source: 2x Beyerdynamic MC930's(Matched Stereo Pair)(OTRF) @ 13ft high> Canare Cables>Digi-Mod Edirol UA5>Nomad JB3(44.1 khz) Transfer:JB3>Nomad Explorer>Wavlab 5.0(fades/track cuts)>Flacfronted>Flac 16bit Recorded from R.O.C (FOB-OTS-Offical Taper Section) Recorded by MULETAPER   3 FLAC  
1226. 11/18/08 Nokia Theatre - New York, NY   Sound path: Neumann skm 140s->Sound Devices 722->Resample-1.8+(24/192->16/44.1khz); minor glitch fixes w/ cooledit. Green bittorrent downloads available from us @ http://rosemary.dyndns.org   3 FLAC  

Phish http://www.phish.com
  Date Venue - City, State My Sound Rating Notes   Media  
1. 09/17/99 Shoreline Amphitheatre - Mountain View, CA       3 SHN  

Rusted Root http://www.rustedroot.com
  Date Venue - City, State My Sound Rating Notes   Media  
1. 06/27/03 Electric Factory - Philadelphia, PA   portion w/ members of The Dead, akg   1 SHN  

Seastones  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 06/06/75 Dominican College - San Rafael, CA   Disk 4 of Seastones   1 SHN  

Sing Out For SEVA  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 05/15/98 Berkeley Community Theater - Berkeley, CA B+ I have this because Phil Lesh appeared on a few tracks. Sony mics.   3 SHN notes

Warren Haynes Christmas Jam  
  Date Venue - City, State My Sound Rating Notes   Media  
1. 12/21/01 Asheville Civic Center - Asheville, NC A- Source: MBHO 603a/Ka200(active)>MP2>ADC 20>DAP1 Location: 1 row left of soundboard. Taper: Ben Ehrsam Conversion: CDR > EAC(secure) > mkwact(seekable) by mvernon54@attbi.com   6 SHN notes

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