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Grateful Dead
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http://www.dead.net
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Date |
Venue - City, State |
Media |
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| 1. |
07/17/66 |
Fillmore Auditorium - San Francisco,
CA |
SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive
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notes
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| 2. |
07/29/66 |
P.N.E. Garden Auditorium - Vancouver,
BC |
probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler
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notes
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| 3. |
??/??/66 |
Compilation - Compilation,
CA |
Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate ACID TEST REELS COMPILATION: DISCS 1-4
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notes
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| 4. |
03/18/67 |
Winterland Arena - San Francisco,
CA |
MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation
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notes
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| 5. |
10/22/67 |
Winterland Arena - San Francisco,
CA |
SBD -> Rm -> Cass -> Dat via Charlie Miller
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notes
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| 6. |
03/03/68 |
Haight Street - San Francisco,
CA |
Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott
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notes
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| 7. |
09/02/68 |
Betty Nelson's Organic Raspberry Farm - Sultan,
WA |
SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding
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notes
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| 8. |
10/08/68 |
The Matrix - San Francisco,
CA |
Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis
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notes
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| 9. |
10/09/68 |
The Matrix - San Francisco,
CA |
Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details)
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notes
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| 10. |
10/30/68 |
The Matrix - San Francisco,
CA |
Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list
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notes
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| 11. |
12/07/68 |
Bellarmine College - Louisville,
KY |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
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notes
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| 12. |
01/??/69 |
Aoxomoxoa Outtakes - San Mateo,
CA |
Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd
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notes
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| 13. |
03/01/69 |
Fillmore West - San Francisco,
CA |
SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning
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notes
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| 14. |
04/26/69 |
Electric Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
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notes
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| 15. |
08/16/69 |
Max Yasgur's Farm - Bethel,
NY |
SBD>MR>D>CD>EAC>SHN;
8trk Master Reels @ 15ips;
Thanks to David Litfin;
edits/encoding by JCotsman
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notes
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| 16. |
08/28/69 |
Family Dog at the Great Highway - San Francisco,
CA |
SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley
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notes
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| 17. |
09/07/69 |
Family Dog at the Great Highway - San Francisco,
CA |
SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney
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notes
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| 18. |
11/08/69 |
Fillmore Auditorium - San Francisco,
CA |
This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it
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notes
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| 19. |
12/30/69 |
Boston Tea Party - Boston,
MA |
Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
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notes
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| 20. |
03/21/70 |
Capitol Theater (Early) - Port Chester,
NY |
early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch
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notes
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| 21. |
03/21/70 |
Capitol Theater (Late) - Port Chester,
NY |
late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
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notes
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| 22. |
05/06/70 |
Kresge Plaza, M.I.T. - Cambridge,
MA |
MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)->
Otari MX 55 2 track (playback) ->Â TC 2000 Studio Effects Processor
(using only the A->D converter, no effects) ->Â Sonic Solutions (at
20 bits resolution) -> mastered to CD using Sony SBM 2Â (No DAT generations)
-> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky,
D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition
(track boundary at splice)
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notes
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| 23. |
06/24/70 |
Capitol Theater (Late) - Port Chester,
NY |
late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
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notes
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| 24. |
07/12/70 |
Fillmore East - New York,
NY |
source: aud > ??? > shn > wav > shn via SirMick
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notes
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| 25. |
07/14/70 |
Euphoria Ballroom - San Rafael,
CA |
sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030
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notes
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| 26. |
07/30/70 |
Lion's Share - San Anselmo,
CA |
SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman
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notes
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| 27. |
08/18/70 |
Fillmore West - San Francisco,
CA |
AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret
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notes
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| 28. |
08/19/70 |
Fillmore West - San Francisco,
CA |
flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC
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notes
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| 29. |
08/30/70 |
KQED Studios - San Francisco,
CA |
Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9
beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs.
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notes
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| 30. |
09/18/70 |
Fillmore East - New York,
NY |
Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets
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notes
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| 31. |
09/20/70 |
Fillmore East - New York,
NY |
mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."
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notes
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| 32. |
11/08/70 |
Capitol Theater - Port Chester,
NY |
AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner
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notes
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| 33. |
11/08/70 |
Capitol Theater - Port Chester,
NY |
flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition
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notes
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| 34. |
??/??/70 |
Studio- Workingman's Dead Outtakes - Unknown,
CA |
|
|
| 35. |
04/27/71 |
Fillmore East - New York,
NY |
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) ->
Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
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notes
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| 36. |
04/28/71 |
Fillmore East - New York,
NY |
flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller
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notes
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| 37. |
04/29/71 |
Fillmore East - New York,
NY |
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
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notes
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| 38. |
08/14/71 |
Berkeley Community Theater - Berkeley,
CA |
SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00
|
notes
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| 39. |
04/08/72 |
Wembley Empire Pool - London,
England |
flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
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| 40. |
04/16/72 |
Stakladen, Aarhus University - Aarhus,
Denmark |
Set 1: SBD>Rm>?>Cass>Sound Forge>SHN
Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN
Set 2 Conversion and Editing By Charlie Miller
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notes
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| 41. |
05/03/72 |
Olympia Theater - Paris,
France |
flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano
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notes
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| 42. |
05/07/72 |
Bickershaw Festival - Wigan,
England |
Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston
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notes
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| 43. |
05/10/72 |
Concertgebouw - Amsterdam,
Netherlands |
S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in
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notes
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| 44. |
05/11/72 |
Rotterdam Civic Hall - Rotterdam,
Netherlands |
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN
|
notes
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| 45. |
05/16/72 |
Theatre Hall - Luxembourg,
Luxembourg |
Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
Apparently, d1t06 is from etree seed 7089 and the rest of the show
is from 10353. Seeded to Etree via Tol.
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notes
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| 46. |
05/18/72 |
Kongressaal Deutsches Museum - München,
Germany |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
notes
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| 47. |
05/23/72 |
Lyceum Ballroom - London,
England |
flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename
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notes
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| 48. |
05/26/72 |
Lyceum Ballroom - London,
England |
S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"
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notes
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| 49. |
07/16/72 |
Dillon Stadium - Hartford,
CT |
source 1: SBD>MR>C>D>CD>EAC>SHN
source 2: AUD>?>SHN
the audience recording supplies:
--all of disc 1,
--on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman
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notes
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| 50. |
08/27/72 |
Old Renaissance Faire Grounds - Veneta,
OR |
SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not
|
notes
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| 51. |
10/26/72 |
Cincinnati Music Hall - Cincinnati,
OH |
SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN
(1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
|
notes
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| 52. |
02/19/73 |
International Amphitheatre - Chicago,
IL |
flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
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| 53. |
03/21/73 |
Utica Memorial Auditorium - Utica,
NY |
Recording Info: SBD -> Master Reel -> PCM -> Dat
Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio
discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
|
notes
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| 54. |
06/10/73 |
Robert F. Kennedy Stadium - Washington,
DC |
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
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notes
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| 55. |
07/01/73 |
Universal Amphitheatre - Universal City,
CA |
daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs
|
notes
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| 56. |
07/28/73 |
Grand Prix Racecourse - Watkins Glen,
NY |
Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches.
Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
|
notes
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| 57. |
08/??/73 |
Record Plant - Sausalito,
CA |
Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.
|
notes
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| 58. |
09/21/73 |
The Spectrum - Philadelphia,
PA |
SBD; via Mike Lai from Bruce Fried DAT; encore missing
|
notes
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| 59. |
09/26/73 |
Community War Memorial Auditorium - Buffalo,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin
|
notes
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| 60. |
10/30/73 |
Kiel Auditorium - St. Louis,
MO |
flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
|
notes
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| 61. |
11/17/73 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)
|
notes
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| 62. |
11/30/73 |
Music Hall - Boston,
MA |
sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go
buy it
|
notes
|
| 63. |
12/06/73 |
Public Hall - Cleveland,
OH |
SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton
|
notes
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| 64. |
??/??/73 |
Studio Rehearsals - Various,
CA |
|
|
| 65. |
02/22/74 |
Winterland Arena - San Francisco,
CA |
mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
|
notes
|
| 66. |
02/23/74 |
Winterland Arena - San Francisco,
CA |
complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min
|
notes
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| 67. |
02/24/74 |
Winterland Arena - San Francisco,
CA |
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional?
PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)>
SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated
in accompanying info file, and thus does not require overburning (possibly
was EZCD artifact?); no flaws noticed
|
notes
|
| 68. |
03/23/74 |
Cow Palace - Daly City,
CA |
Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it
|
notes
|
| 69. |
06/18/74 |
Freedom Hall - Louisville,
KY |
SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed
11/8
|
notes
|
| 70. |
08/06/74 |
Roosevelt Stadium - Jersey City,
NJ |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
|
notes
|
| 71. |
10/19/74 |
Winterland Arena - San Francisco,
CA |
SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3
Beginning of Sugar Magnolia is cut; note some material from show appears
on album Steal Your Face- go buy
it
|
notes
|
| 72. |
06/03/76 |
Paramount Theatre - Portland,
OR |
AUDMC > DAT > WAV > SHN
Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
|
notes
|
| 73. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
|
notes
|
| 74. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut
|
notes
|
| 75. |
09/30/76 |
Mershon Auditorium, Ohio State University - Columbus,
OH |
FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus
|
notes
|
| 76. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge
|
notes
|
| 77. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:
CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 78. |
10/02/76 |
Riverfront Coliseum - Cincinnati,
OH |
AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
|
notes
|
| 79. |
02/17/77 |
Sound City - Van Nuys,
CA |
Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp
|
notes
|
| 80. |
03/18/77 |
Winterland Arena - San Francisco,
CA |
SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions:
Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN;
note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45;
d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06
|
notes
|
| 81. |
05/01/77 |
The Palladium - New York,
NY |
Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd
|
notes
|
| 82. |
05/04/77 |
The Palladium - New York,
NY |
d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation
|
notes
|
| 83. |
05/19/77 |
Fox Theatre - Atlanta,
GA |
Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source.
SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA
|
notes
|
| 84. |
01/22/78 |
McArthur Court, University Of Oregon - Eugene,
OR |
Source: Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
see additional notes in info file
via John D'Auria
|
notes
|
| 85. |
05/06/78 |
Patrick Gymnasium, University Of Vermont - Burlington,
VT |
1st set: SBD>MC>?>CD>EAC>SHN;
2nd set: AUD>MC>D>SHN;
probably not more than one analog gen for the sbd portion;
Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon;
edits/encoding by JCotsman
|
notes
|
| 86. |
05/11/78 |
Springfield Civic Center - Springfield,
MA |
FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs
|
notes
|
| 87. |
05/11/78 |
Springfield Civic Center - Springfield,
MA |
SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller
|
notes
|
| 88. |
08/18/78 |
Club Front - San Rafael,
CA |
Shakedown Street sessions with Lowell George
(Sbd>??>Cdr); Seeded to etree by Tzuriel
|
notes
|
| 89. |
09/16/78 |
Gizah Sound and Light Theater - Cairo,
Egypt |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 90. |
11/20/78 |
Cleveland Music Hall - Cleveland,
OH |
complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation
|
notes
|
| 91. |
11/20/78 |
Cleveland Music Hall - Cleveland,
OH |
Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.
|
notes
|
| 92. |
12/31/78 |
Winterland Arena - San Francisco,
CA |
SBD> MR> PCM> DAT> CDA, except first 3 tracks plus patches FMMR (Tandberg TD20ASE)> Sony (SBM-1)> CDA (Tascam CDRW700); via Jay Ashley; upgrade in circulation
|
notes
|
| 93. |
02/17/79 |
Oakland-Alameda County Coliseum - Oakland,
CA |
SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T.
Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from
source DAT cleaned up : upgrade now in circulation.
|
notes
|
| 94. |
04/16/79 |
Studio Rehersal, Club Front - San Rafael,
CA |
sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol
|
notes
|
| 95. |
12/03/79 |
Uptown Theater - Chicago,
IL |
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
|
notes
|
| 96. |
06/08/80 |
Folsom Field, University Of Colorado - Boulder,
CO |
Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome
|
notes
|
| 97. |
08/31/80 |
Capital Centre - Landover,
MD |
Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi
|
notes
|
| 98. |
09/25/80 |
Warfield Theater - San Francisco,
CA |
Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 99. |
10/14/80 |
Warfield Theater - San Francisco,
CA |
Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments
|
notes
|
| 100. |
10/31/80 |
Radio City Music Hall - New York,
NY |
Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
|
notes
|
| 101. |
12/31/80 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin
|
notes
|
| 102. |
03/10/81 |
Madison Square Garden - New York,
NY |
Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation
|
notes
|
| 103. |
05/11/81 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 104. |
08/28/81 |
Long Beach Arena - Long Beach,
CA |
flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking)
|
notes
|
| 105. |
10/19/81 |
Sports Palace - Barcelona,
Spain |
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 106. |
12/31/81 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
|
notes
|
| 107. |
04/06/82 |
The Spectrum - Philadelphia,
PA |
flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 108. |
04/17/82 |
Hartford Civic Center - Hartford,
CT |
Bertha Remaster of unknown Soundboard source
(*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 109. |
04/18/82 |
Hartford Civic Center - Hartford,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 110. |
04/19/82 |
Baltimore Civic Center - Baltimore,
MD |
flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
|
notes
|
| 111. |
05/28/82 |
Moscone Convention Center - San Francisco,
CA |
flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5
Taper: unknown
Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax >
Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer >
.wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8).
|
notes
|
| 112. |
07/27/82 |
Red Rocks Amphitheatre - Morrison,
CO |
Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip
|
notes
|
| 113. |
04/17/83 |
Meadowlands Arena - East Rutherford,
NJ |
AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check
|
notes
|
| 114. |
05/14/83 |
Greek Theatre, University Of California - Berkeley,
CA |
FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN
seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com)
see notes for patch information.
|
notes
|
| 115. |
06/18/83 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 116. |
10/31/83 |
Marin County Veterans Auditorium - San Rafael,
CA |
Master Soundboard Cassette > DAT > CDR; with possible matrix patch (see notes); CD Mastering, EAC'ed / SHN'ed by Scott Clugston ; upgrade in circulation
|
notes
|
| 117. |
06/30/84 |
Indianapolis Sports and Music Center - Indianapolis,
IN |
FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan.
|
notes
|
| 118. |
06/30/84 |
Indianapolis Sports and Music Center - Indianapolis,
IN |
set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?
|
notes
|
| 119. |
07/13/84 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 120. |
10/12/84 |
Augusta Civic Center - Augusta,
ME |
Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details
|
notes
|
| 121. |
03/28/85 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
|
notes
|
| 122. |
06/14/85 |
Greek Theatre, U. Of California - Berkeley,
CA |
Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks
|
notes
|
| 123. |
06/25/85 |
Blossom Music Center - Cuyahoga Falls,
OH |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 124. |
11/08/85 |
Community War Memorial Auditorium - Rochester,
NY |
AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor
|
notes
|
| 125. |
11/21/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai
|
notes
|
| 126. |
06/30/86 |
Riverbend Music Center - Cincinnati,
OH |
flac16; Recording Info: Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (This fileset fixes an error in d1t02 of shn id 87348.)
|
notes
|
| 127. |
12/15/86 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]
|
notes
|
| 128. |
12/27/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN
Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L
|
notes
|
| 129. |
12/31/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo
|
notes
|
| 130. |
11/15/87 |
Long Beach Arena - Long Beach,
CA |
SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki
|
notes
|
| 131. |
03/30/88 |
Meadowlands Arena - East Rutherford,
NJ |
SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first
|
notes
|
| 132. |
06/25/88 |
Buckeye Lake Music Center - Hebron,
OH |
Schoeps MK2s fob; Unknown seeder
|
notes
|
| 133. |
07/02/88 |
Oxford Plains Speedway - Oxford,
ME |
SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
|
notes
|
| 134. |
07/03/88 |
Oxford Plains Speedway - Oxford,
ME |
SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko
|
notes
|
| 135. |
10/16/88 |
Bayfront Center - St. Petersburg,
FL |
AUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle
|
notes
|
| 136. |
10/16/88 |
Bayfront Center - St. Petersburg,
FL |
flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set).
Taper: Mark McCue
Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16.
transfer from Sony D5 through CDR by Mark McCue.
transfer from CDR through FLAC16 by Alex Ford on 03/08/05.
|
notes
|
| 137. |
04/08/89 |
Riverfront Arena - Cincinnati,
OH |
Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor
|
notes
|
| 138. |
04/15/89 |
The Mecca - Milwaukee,
WI |
flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B
decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009.
|
notes
|
| 139. |
07/02/89 |
Sullivan Stadium - Foxboro,
MA |
flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander
Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC
|
notes
|
| 140. |
07/17/89 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
|
notes
|
| 141. |
08/18/89 |
The Greek Theatre - University of California - Berkeley,
CA |
Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3
|
notes
|
| 142. |
10/08/89 |
Hampton Coliseum - Hampton,
VA |
FOBÂ Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego
II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado
|
notes
|
| 143. |
10/09/89 |
Hampton Coliseum - Hampton,
VA |
SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com
|
notes
|
| 144. |
10/09/89 |
Hampton Coliseum - Hampton,
VA |
DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates
|
notes
|
| 145. |
10/16/89 |
Meadowlands Arena - East Rutherford,
NJ |
source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it
|
notes
|
| 146. |
10/16/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Taper: M. Laurentus; Taper Section 2, Row U, Seat 12; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 147. |
10/26/89 |
Miami Arena - Miami,
FL |
Soundboard > Cassette > DATs > CDRs > EAC > SHN; via Peter L., Sean Cribbs, Darrin Sacks
|
notes
|
| 148. |
12/31/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
FMS > DAT > CDR > EAC (secure mode, test and copy) > SHN; EAC> SHN> etree by G. Gorinsky; with thanks to Glenn Gillis
|
notes
|
| 149. |
03/22/90 |
Copps Coliseum - Hamilton,
ON |
SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
|
notes
|
| 150. |
03/24/90 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 151. |
03/30/90 |
Nassau Coliseum - Uniondale,
NY |
FM> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ
|
notes
|
| 152. |
04/01/90 |
The Omni - Atlanta,
GA |
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro> RME46/8> SoundForge> CD> EAC> SHN
|
notes
|
| 153. |
04/02/90 |
The Omni - Atlanta,
GA |
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD> EAC> SHN
|
notes
|
| 154. |
06/09/90 |
Cal Expo - Sacramento,
CA |
B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC
|
notes
|
| 155. |
06/09/90 |
Cal Expo - Sacramento,
CA |
SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller
|
notes
|
| 156. |
07/12/90 |
Robert F. Kennedy Stadium - Washington,
DC |
SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment
|
notes
|
| 157. |
09/19/90 |
Madison Square Garden - New York,
NY |
Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M.
|
notes
|
| 158. |
09/28/90 |
Front Street - San Rafael,
CA |
Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M
|
notes
|
| 159. |
05/10/91 |
Shoreline Amphitheatre - Mountain View,
CA |
SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller
|
notes
|
| 160. |
06/11/91 |
Charlotte Coliseum - Charlotte,
NC |
SBD > CM > DAT > CDR; DAE: EAC (high, secure, offset corrected) > shntools (boundaries confirmed) > MKWACT > SHNv3 by Chris L.; with thanks to J.Valter for seed; reported problems in West LA- upgrade now in circulation
|
notes
|
| 161. |
06/17/91 |
Giants Stadium - East Rutherford,
NJ |
sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
|
notes
|
| 162. |
09/06/91 |
Richfield Coliseum - Richfield,
OH |
flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 163. |
09/10/91 |
Madison Square Garden - New York,
NY |
complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
|
notes
|
| 164. |
09/24/91 |
Boston Garden - Boston,
MA |
SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies
|
notes
|
| 165. |
09/26/91 |
Boston Garden - Boston,
MA |
SBD> MC> DAT> CDA; high pitched buzz (9200hz- 10200hz) throughout the show removed with a 30% notch filter; via Jay Ashley; etreed; presumably identical source to abgd copy, but md5s differ
|
notes
|
| 166. |
09/26/91 |
Boston Garden - Boston,
MA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 167. |
11/03/91 |
Polo Field, Golden Gate Park - San Francisco,
CA |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 168. |
02/13/92 |
Club Front - San Rafael,
CA |
DSBD->CD->EAC->SHN by Joe Samaritano
Studio Rehearsal of So Many Roads
|
notes
|
| 169. |
02/21/92 |
Club Front Studio - San Rafael,
CA |
Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here.
|
notes
|
| 170. |
05/31/92 |
Sam Boyd Silver Bowl, U.N.L.V - Las Vegas,
NV |
flac16;
SBD -> Dat -> Cassette Master -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 ->
Samplitude Professional v9.11 -> FLAC
All Transfers and Mastering By Charlie Miller
|
notes
|
| 171. |
06/18/92 |
Charlotte Coliseum - Charlotte,
NC |
AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone
|
notes
|
| 172. |
03/17/93 |
Capital Centre - Landover,
MD |
SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed
|
notes
|
| 173. |
06/11/93 |
Buckeye Lake Music Center - Hebron,
OH |
Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano.
|
notes
|
| 174. |
06/11/93 |
Buckeye Lake Music Center - Hebron,
OH |
AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates]
|
notes
|
| 175. |
06/11/93 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; 3-Source SBD/AUD Matrix: SBD: shnid=34399, AUD 1: shnid=34163, and AUD 2: shnid=3192 see info files for details
|
notes
|
| 176. |
06/11/93 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 177. |
06/11/93 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8)
|
notes
|
| 178. |
06/11/93 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony Tc We-325 Home Cassette Deck(PLayback)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper
|
notes
|
| 179. |
06/22/93 |
Deer Creek Music Center - Noblesville,
IN |
SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file
|
notes
|
| 180. |
09/13/93 |
The Spectrum - Philadelphia,
PA |
flac16;
SBD -> Master Dat (48k)
All Transfers and Mastering By Charlie Miller
|
notes
|
| 181. |
03/21/94 |
Richfield Coliseum - Richfield,
OH |
flac16; Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 182. |
10/03/94 |
Boston Garden - Boston,
MA |
unknown audience> bootleg cd (The Dead In Bloom)> eac> shn; via Bill Stube or David Doumani?; can be tracked for 2x80
|
notes
|
| 183. |
10/03/94 |
Boston Garden - Boston,
MA |
PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol
|
notes
|
| 184. |
10/10/94 |
USAir Arena - Landover,
MD |
SBD>DATx2>C>HiFi VHS>?>DAT>Delta Dio2496>SHN(seekable) NO DAE ; Patched Source: Schoeps MK4,AUD>DAT>CDR ; Via Rob Harrison ; Seeded to etree by T. Wiley
|
notes
|
| 185. |
02/21/95 |
Delta Center - Salt Lake City,
UT |
DSBD > 1C > DAT; Seeded to etree by Dan Stephens
|
notes
|
| 186. |
02/25/95 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate
|
notes
|
| 187. |
05/26/95 |
Memorial Stadium - Seattle,
WA |
flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz)
Conversion: DAT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r by Chris Larson
|
notes
|
| 188. |
06/30/95 |
Three Rivers Stadium - Pittsburgh,
PA |
FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai
|
notes
|
| 189. |
07/02/95 |
Deer Creek Music Center - Noblesville,
IN |
via B. Ball; fixed 12/8; defective version etreed 12/6 (fixed md5s
are listed)
|
notes
|
| 190. |
07/08/95 |
Soldier Field - Chicago,
IL |
FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter;
Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner
|
notes
|
| 191. |
07/08/95 |
Soldier Field - Chicago,
IL |
SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo
|
notes
|
| 192. |
07/09/95 |
Soldier Field - Chicago,
IL |
DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley
|
notes
|