Etree - Marc Deardorff - 391 shows
Last Update: Wednesday May 06, 2026

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Grateful Dead http://www.dead.net
  Date Venue - City, State Comments Media  
1. 02/17/77 Sound City - Van Nuys, CA Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp 1 shn notes
2. 02/17/77 Sound City - Van Nuys, CA flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac flac16  
3. 02/17/77 Sound City - Van Nuys, CA flac16/44.1khz Goody pitch fix of 145156. dBpoweramp (WAV) > Audition (Pitch Bender, various amounts; edits to smooth transitions) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) flac16/44  
4. 02/20/77 Sound City - Van Nuys, CA Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno 1 shn notes
5. 02/26/77 Swing Auditorium - San Bernardino, CA SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog 2 shn notes
6. 02/26/77 Swing Auditorium - San Bernardino, CA EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation 2 shn notes
7. 02/26/77 Swing Auditorium - San Bernardino, CA From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD. 2 shn notes
8. 02/26/77 Swing Auditorium - San Bernardino, CA flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB 2 flac notes
9. 02/26/77 Swing Auditorium - San Bernardino, CA SBD>MR>DAT>CD; Editing and mastering by The Wizard 2 shn notes
10. 02/26/77 Swing Auditorium - San Bernardino, CA Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation 2 shn notes
11. 02/26/77 Swing Auditorium - San Bernardino, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) flac16  
12. 02/26/77 Swing Auditorium - San Bernardino, CA Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons. flac16  
13. 02/26/77 Swing Auditorium - San Bernardino, CA Fix Of i.d. 151834. Channels reversed on 151834. This is a remaster & partial upgrade to shnid 83283. Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24-48 DAT transferred & provided by anonymous. Edited & Mastered using Adobe Audition by Joe Noel. February 16, 2020. flac16  
14. 02/26/77 Swing Auditorium - San Bernardino, CA flac1648 Bob Menke's Master Audience Cassettes; Sony ECM-270 mics > Sony 153SD (Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A (Dolby B) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) > Adobe Audition 2025 > DDi codec (Dolby B) > TLH flac2496 flac16/48  
15. 02/26/77 Swing Auditorium - San Bernardino, CA flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020 Flac16  
16. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is. 2 shn notes
17. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018 flac16  
18. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac24; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick flac24  
19. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller flac16  
20. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller flac16  
21. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac24; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
22. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
23. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac1648 Source Info: Bob Menke's Master Audience Cassettes; Sony ECM-280 mics (patched out of Rob Bertrando) > Sony TC-158SD -------------- Revised via Rob Bertrando: "SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg In all cases the cassette transfers are as indicated in the original text file Unfortunately my master cassettes are lost."" -------------- Transfer Info: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Flac16/48  
24. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac1648 Source Info: Bob Menke's Master Audience Cassettes; Sony ECM-280 mics (patched out of Rob Bertrando) > Sony TC-158SD -------------- Revised via Rob Bertrando: "SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg In all cases the cassette transfers are as indicated in the original text file Unfortunately my master cassettes are lost."" -------------- Transfer Info: First Set: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Second Set: Playback on Bob's Technics 1506 > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Flac16/48  
25. 03/18/77 Winterland Arena - San Francisco, CA SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 2 shn notes
26. 03/18/77 Winterland Arena - San Francisco, CA Source info: SBD 1: SBDMR @ 7.5 ips>DAT>CD>EAC>SHN (track 2 and 3) SBD 2: SBD>(unknown analog/digital gens)>CD>EAC>SHN (track 1) AUD: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN (patch in track 3) 1 shn notes
27. 03/18/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
28. 03/18/77 Winterland Arena - San Francisco, CA flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916 0 flac16  
29. 03/18/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123285 & 140918. 0 flac16  
30. 03/18/77 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe flac16  
31. 03/18/77 Winterland Arena - San Francisco, CA flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; pitch corrected version of the two previous fixes Flac24  
32. 03/18/77 Winterland Arena - San Francisco, CA flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16 Flac16  
33. 03/19/77 Winterland Arena - San Francisco, CA SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel 2 shn notes
34. 03/19/77 Winterland Arena - San Francisco, CA flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools 2 flac notes
35. 03/19/77 Winterland Arena - San Francisco, CA flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
flac16  
36. 03/19/77 Winterland Arena - San Francisco, CA flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644 flac16  
37. 03/19/77 Winterland Arena - San Francisco, CA flac16 44.1khz Sony ECM 280 ->Cassette ->DAT. Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel. flac16  
38. 03/19/77 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe flac16  
39. 03/19/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123190 & 139354 flac16  
40. 03/19/77 Winterland Arena - San Francisco, CA Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
flac24  
41. 03/19/77 Winterland Arena - San Francisco, CA flac1644 Bass phase repair. SBD > Reel Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > iZotope RX11 Advanced > FLAC/16 (3 Discs Audio / 1 DVD FLAC) flac16/44  
42. 03/20/77 Winterland Arena - San Francisco, CA SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation 2 shn notes
43. 03/20/77 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller 2 shn notes
44. 03/20/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up flac16  
45. 03/20/77 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN; Mastering & Matrix: Derek McCabe flac16  
46. 04/22/77 The Spectrum - Philadelphia, PA Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman 2 shn notes
47. 04/22/77 The Spectrum - Philadelphia, PA FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske 2 shn notes
48. 04/22/77 The Spectrum - Philadelphia, PA flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller 2 flac notes
49. 04/23/77 Springfield Civic Center - Springfield, MA SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation 2 shn notes
50. 04/23/77 Springfield Civic Center - Springfield, MA AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation 2 shn notes
51. 04/23/77 Springfield Civic Center - Springfield, MA Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches. 2 shn notes
52. 04/23/77 Springfield Civic Center - Springfield, MA unknown provenance, but with same digisnit in Sugaree and patch in Franklin's as a previous set; however, note fewer tracks and nonstandard naming- poss reDAE/reshn of some kind?; upgrade in circulation 2 shn notes
53. 04/23/77 Springfield Civic Center - Springfield, MA flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
54. 04/23/77 Springfield Civic Center - Springfield, MA flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 2 flac notes
55. 04/23/77 Springfield Civic Center - Springfield, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
56. 04/23/77 Springfield Civic Center - Springfield, MA retrack> SHNv3 of previous SBD/AUD patch shn set, by Tony Gardner; upgrade in circulation 2 shn notes
57. 04/23/77 Springfield Civic Center - Springfield, MA flac16/48kHz; Recording Info: Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT; Transfer Info: Sony PCM-500 16/48-> Tascam DA-3000 16/48 -> Adobe Audition 3.0 > TLH Flac16/48; Transfer by Charlie Miller; Mastered by Scott Clugston 0 flac16/48  
58. 04/23/77 Springfield Civic Center - Springfield, MA flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021 Flac16/44  
59. 04/25/77 Capitol Theater - Passaic, NJ SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details 1 shn notes
60. 04/25/77 Capitol Theater - Passaic, NJ AUD, via Teddy Good Bear's tree #1; note reported "unlistenable" 2 shn notes
61. 04/25/77 Capitol Theater - Passaic, NJ flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC 1 flac16  
62. 04/25/77 Capitol Theater - Passaic, NJ flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller 0 flac16  
63. 04/25/77 Capitol Theater - Passaic, NJ flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller flac24  
64. 04/26/77 Capitol Theater - Passaic, NJ AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source 2 shn notes
65. 04/27/77 Capitol Theater - Passaic, NJ sbd(fm)>mr>dat>cd; via Ray Hansen; Peter Braverman ; upgrade in circulation 2 shn notes
66. 04/27/77 Capitol Theater - Passaic, NJ Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano 2 shn notes
67. 04/27/77 Capitol Theater - Passaic, NJ Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano 2 shn notes
68. 04/27/77 Capitol Theater - Passaic, NJ flac16; Lineage: FM Cast WNEW FM ->Reel Tapes -> Many Years of Playback ->Sound Forge 6.0-> +4.0DB/2.5 octave bell spread centered at 5Khz-> FLAC via Flac Frontend, level 6, sectors aligned and verified 2 flac notes
69. 04/27/77 Capitol Theater - Passaic, NJ flac24; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded By Rob Berger 3 flac24 notes
70. 04/27/77 Capitol Theater - Passaic, NJ flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 2 flac notes
71. 04/27/77 Capitol Theater - Passaic, NJ flac1648 Barry Glassberg's Master FM Reel (Pioneer TX9500 tuner > TEAC A3300S Reel @ 7 1/2 ips, Maxell UD180B) > 1st Generation Reel @ 3 3/4 ips Transfer Info: 1st Generation Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496 Flac16/48  
72. 04/27/77 Capitol Theater - Passaic, NJ flac2496 Barry Glassberg's Master FM Reel (Pioneer TX9500 tuner > TEAC A3300S Reel @ 7 1/2 ips, Maxell UD180B) > 1st Generation Reel @ 3 3/4 ips Transfer Info: 1st Generation Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496 Flac24/96  
73. 04/29/77 The Palladium - New York, NY AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead 2 shn notes
74. 04/30/77 The Palladium - New York, NY Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation 2 shn notes
75. 04/30/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon 2 shn notes
76. 05/01/77 The Palladium - New York, NY Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd 1 shn notes
77. 05/01/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon 2 shn notes
78. 05/01/77 The Palladium - New York, NY Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus 2 shn notes
79. 05/01/77 The Palladium - New York, NY flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
80. 05/01/77 The Palladium - New York, NY flac16; A Mick Bit Matrix, Set 2 sources: 1) Recording Info: SBD > Master Reel > Dat > CD Transfer Info: CD > Samplitude Professional v7.02 > FLAC All Transfers and Mastering By Charlie Miller (shn id 81739) and 2) Source: Sony ECM-33Ps >Sony TC-152 taped by Jerry Moore from first row loge A > D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit 2000 > Feurio by David Minches (shn id 17953) 1 flac notes
81. 05/01/77 The Palladium - New York, NY flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 flac24/96  
82. 05/01/77 The Palladium - New York, NY flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
83. 05/01/77 The Palladium - New York, NY flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 flac16/48  
84. 05/03/77 The Palladium - New York, NY AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min 2 shn notes
85. 05/03/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon 2 shn notes
86. 05/03/77 The Palladium - New York, NY SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller 1 shn notes
87. 05/03/77 The Palladium - New York, NY flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe 2 flac notes
88. 05/03/77 The Palladium - New York, NY flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
89. 05/04/77 The Palladium - New York, NY d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation 2 shn notes
90. 05/04/77 The Palladium - New York, NY Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon 2 shn notes
91. 05/04/77 The Palladium - New York, NY Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon 1 shn notes
92. 05/04/77 The Palladium - New York, NY flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller 2 flac notes
93. 05/04/77 The Palladium - New York, NY flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 1 flac notes
94. 05/04/77 The Palladium - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
95. 05/04/77 The Palladium - New York, NY flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 flac16/48  
96. 05/04/77 The Palladium - New York, NY flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 flac24/96  
97. 05/05/77 Veterans Memorial Coliseum - New Haven, CT Betty Board master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn; via Troy Wallwork; upgrade in circulation 2 shn notes
98. 05/05/77 Veterans Memorial Coliseum - New Haven, CT Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details 2 shn notes
99. 05/05/77 Veterans Memorial Coliseum - New Haven, CT Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation 2 shn notes
100. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller 2 flac16  
101. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac16 44.1khz Source: Audience (Mic's ?) ->Cassette ->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel flac16  
102. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac16/44 Patched, pitch corrected and remastered version of Pete Ebel's shnid 139355 flac16  
103. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac16/48 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 flac16/48  
104. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 flac24/96  
105. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel flac24  
106. 05/05/77 Veterans Memorial Coliseum - New Haven, CT flac16; 2 Source Matrix by dusborne flac16  
107. 05/07/77 Boston Garden - Boston, MA SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around) 2 shn notes
108. 05/07/77 Boston Garden - Boston, MA Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing 2 shn notes
109. 05/07/77 Boston Garden - Boston, MA SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. 2 shn notes
110. 05/07/77 Boston Garden - Boston, MA Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes 2 shn notes
111. 05/07/77 Boston Garden - Boston, MA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
112. 05/07/77 Boston Garden - Boston, MA flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner 2 flac16  
113. 05/07/77 Boston Garden - Boston, MA Source: Shure Sm57 > Sony-tc158 (dolby ??) > Master Cassettes
Transfer: Master Cassettes > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
114. 05/07/77 Boston Garden - Boston, MA flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736 Flac24/48  
115. 05/08/77 Barton Hall, Cornell University - Ithaca, NY freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin 3 shn notes
116. 05/08/77 Barton Hall, Cornell University - Ithaca, NY Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks 2 shn notes
117. 05/08/77 Barton Hall, Cornell University - Ithaca, NY DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version 1 flac notes
118. 05/08/77 Barton Hall, Cornell University - Ithaca, NY MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs 2 shn notes
119. 05/08/77 Barton Hall, Cornell University - Ithaca, NY Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2" 2 flac notes
120. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt) 2 flac notes
121. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson 2 flac notes
122. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) 5 flac24 notes
123. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation 1 flac notes
124. 05/08/77 Barton Hall, Cornell University - Ithaca, NY w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation 2 shn notes
125. 05/08/77 Barton Hall, Cornell University - Ithaca, NY Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 1 shn notes
126. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation 2 flac notes
127. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller flac16  
128. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson flac16  
129. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation flac16  
130. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274 flac16  
131. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller flac24  
132. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac24; 3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels transfer:technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson flac24  
133. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48 Flac24/48  
134. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation 2 shn notes
135. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston 2 shn notes
136. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon 2 shn notes
137. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) 2 flac notes
138. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller 2 flac16  
139. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:123480)SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k),Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN,Mastering Info:SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC,Original Mastering By Charlie Connor Remastered By Charlie Miller;Audience (shnid:008036)Recorded by Steve Maizner Sony ECM-33Ps > Nak 550 Lineage: MAC>R>D>CD source cdr mastering by Jack Warner 2 flac16  
140. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY SBD>REEL>PCM>DAT>CDR>EAC>SHN>Sound Forge>SHN (Seekable) shn  
141. 05/11/77 St. Paul Civic Center - St. Paul, MN SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation 2 shn notes
142. 05/11/77 St. Paul Civic Center - St. Paul, MN flac16; SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller; upgrade in circulation 2 flac notes
143. 05/11/77 St. Paul Civic Center - St. Paul, MN flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller ; upgrade in circulation 2 flac notes
144. 05/11/77 St. Paul Civic Center - St. Paul, MN flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller 2 flac notes
145. 05/11/77 St. Paul Civic Center - St. Paul, MN master soundboard reel @ 7.5 IPS (baked) > DAT > Cassette > DAT > CD; via yubah, with thanks to Jools; to abgd; upgrade in circulation 2 shn notes
146. 05/11/77 St. Paul Civic Center - St. Paul, MN flac16/44 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 Flac16/44  
147. 05/11/77 St. Paul Civic Center - St. Paul, MN flac24/96 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res ditor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 Flac24/96  
148. 05/12/77 Auditorium Theatre - Chicago, IL Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min 2 shn notes
149. 05/12/77 Auditorium Theatre - Chicago, IL flac16; Source: Master Audience cassette> DAT> CDR; Recorded by Keith Gatto; Shure 96s> Sony TC-152; Transfer information unknown flac16  
150. 05/13/77 Auditorium Theatre - Chicago, IL SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller 2 shn notes
151. 05/13/77 Auditorium Theatre - Chicago, IL Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B- 2 shn notes
152. 05/13/77 Auditorium Theatre - Chicago, IL Pre-FM > Master Reel > DAT > CD; upgrade in circulation 2 shn notes
153. 05/15/77 The Arena - St. Louis, MO Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Kevin Gills; Lazy lightning beginning cut; upgrade in circulation 2 shn notes
154. 05/15/77 The Arena - St. Louis, MO SBD MR>??>CDR; different text file and md5s than the other circulating SBD MR>??>CDR; upgrade in circulation 2 shn notes
155. 05/15/77 The Arena - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 2 flac notes
156. 05/15/77 The Arena - St. Louis, MO flac24/48; Bertha Remaster of the Master Reel source source: sbd > mr > dat > wav > flac > daw(Bertha) > wav > audio dvd > dvd audio ripper > wav > adobe audtion > flac Notes: This is a straight rip from the DVD. The flac files have been encoded at 24 bit/48,000 KHz and CANNOT be burned as an audio cd Original Notes with DVD: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on April 16, 2005. Although the sound of the original source is very good, the mix is a bit of a kick mix and the low bass was not able to be brought up without having an obtrusively thumping kick. Some compenstation was made in the mid bass frequencies which resulted in a nice balance between the bass and the kick. From the original text file, prior to Bertha Remastering: Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller 4/11/05 Thanks to RjHythloday for making the DVD available. SIRMICK November 2005 2 flac notes
157. 05/15/77 The Arena - St. Louis, MO flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding 2 flac notes
158. 05/15/77 The Arena - St. Louis, MO flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008 flac16  
159. 05/15/77 The Arena - St. Louis, MO flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac flac16  
160. 05/15/77 The Arena - St. Louis, MO flac1644 Keith Gatto's Master (FOB) Audience Cassettes; Sony Stereo mic > Sony TC-158 > PCM (x1) > Tim McKenzies' DAT (x1)(TDK DA-R) Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD flac16/44  
161. 05/15/77 The Arena - St. Louis, MO flac24; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac flac24  
162. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation 2 shn notes
163. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner 2 shn notes
164. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded 2 flac notes
165. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation 2 shn notes
166. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL flac16; 2 source matrix: Soundboard (shnid=18554): SBDMR > DAT > CD > EAC > SHN and Aud (shnid=88771): Recording by Steve Maizner: Sony ECM-990s>Sony TC153; Transfer of 1st Generation Cassette (Thanks Alan Z.) Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded flac16  
167. 05/18/77 Fox Theatre - Atlanta, GA SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation 2 shn notes
168. 05/18/77 Fox Theatre - Atlanta, GA SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation 2 shn notes
169. 05/18/77 Fox Theatre - Atlanta, GA flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC 2 flac notes
170. 05/19/77 Fox Theatre - Atlanta, GA Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf 2 shn notes
171. 05/19/77 Fox Theatre - Atlanta, GA Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA 2 shn notes
172. 05/19/77 Fox Theatre - Atlanta, GA Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set 2 shn notes
173. 05/19/77 Fox Theatre - Atlanta, GA flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 0 flac16/48  
174. 05/21/77 Lakeland Civic Center - Lakeland, FL SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99? 2 shn notes
175. 05/21/77 Lakeland Civic Center - Lakeland, FL flac1644Source: Unknown audience recording (low gen) from the collection of Doug Lamarre. Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick flac16/44  
176. 05/21/77 Lakeland Civic Center - Lakeland, FL flac2496Source: Unknown audience recording (low gen) from the collection of Doug Lamarre. Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > CD Wave > Flac24 editerd and mastered SIRMickj flac24/96  
177. 05/21/77 Lakeland Civic Center - Lakeland, FL flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 flac16  
178. 05/22/77 The Sportatorium - Pembroke Pines, FL SBD>MR>C>D>CD>Toast>SHN 1 shn notes
179. 05/22/77 The Sportatorium - Pembroke Pines, FL WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo 2 shn notes
180. 05/22/77 The Sportatorium - Pembroke Pines, FL flac16; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller 0 flac16  
181. 05/22/77 The Sportatorium - Pembroke Pines, FL flac24; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller 0 flac24  
182. 05/22/77 The Sportatorium - Pembroke Pines, FL flac16/44 Matrix created in Adobe Audition by Joe Noel flac16  
183. 05/22/77 The Sportatorium - Pembroke Pines, FL flac16/44.1khz Recording Info: SBD > Master Reel (7in 7.5ips Half trk) > dbx922 > DAT (Panasonic SV-3700-44.1k) Transfer Info: DAT (Panasonic SV-3800) > Pro Tools > WAV (16-bit-44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC16 Transferred by Rob Eaton. Mastered By Charlie Miller. November 22, 2020 flac16  
184. 05/25/77 The Mosque - Richmond, VA SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation 2 shn notes
185. 05/25/77 The Mosque - Richmond, VA Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used. 2 shn notes
186. 05/25/77 The Mosque - Richmond, VA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation 2 flac notes
187. 05/25/77 The Mosque - Richmond, VA flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation 2 flac notes
188. 05/25/77 The Mosque - Richmond, VA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539 2 flac notes
189. 05/25/77 The Mosque - Richmond, VA flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. This is the 16/44.1 version. flac16  
190. 05/25/77 The Mosque - Richmond, VA flac16; Matrix 2 Source Mix - SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - matrix mixing by Kevin Tobin flac16  
191. 05/26/77 Baltimore Civic Center - Baltimore, MD Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits 2 shn notes
192. 05/26/77 Baltimore Civic Center - Baltimore, MD SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin 2 shn notes
193. 05/26/77 Baltimore Civic Center - Baltimore, MD AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon 2 shn notes
194. 05/26/77 Baltimore Civic Center - Baltimore, MD AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN 2 flac notes
195. 05/26/77 Baltimore Civic Center - Baltimore, MD SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD
Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show)
Editing and Mastering by The Wizard
2 flac notes
196. 05/26/77 Baltimore Civic Center - Baltimore, MD SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614 2 shn notes
197. 05/26/77 Baltimore Civic Center - Baltimore, MD flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell. 2 flac notes
198. 05/28/77 Hartford Civic Center - Hartford, CT Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 2 shn notes
199. 05/28/77 Hartford Civic Center - Hartford, CT SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa 2 shn notes
200. 05/28/77 Hartford Civic Center - Hartford, CT Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches. 2 shn notes
201. 05/28/77 Hartford Civic Center - Hartford, CT SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN 2 shn & flac16 notes
202. 05/28/77 Hartford Civic Center - Hartford, CT flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.) 2 flac notes
203. 05/28/77 Hartford Civic Center - Hartford, CT flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell. 2 flac notes
204. 05/28/77 Hartford Civic Center - Hartford, CT flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.) 2 shn notes
205. 05/28/77 Hartford Civic Center - Hartford, CT Source: Shure Sm57 > Sony-tc158 (dolby Off)
Transfer: Mc (set I Udxl-i 90; Set Ii Ud-c 120) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition> Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsd Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
206. 05/28/77 Hartford Civic Center - Hartford, CT flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 Flac16  
207. 05/28/77 Hartford Civic Center - Hartford, CT flac16/44 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton from about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick May 2021 Flac16/44  
208. 05/28/77 Hartford Civic Center - Hartford, CT flac24/96 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick May 2021 Flac24/96  
209. 06/04/77 The Forum - Inglewood, CA Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some 2 shn notes
210. 06/04/77 The Forum - Inglewood, CA flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096 2 flac notes
211. 06/04/77 The Forum - Inglewood, CA flac24; 2 x AKG 224E => Sony TC-15XSD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096 5 flac24 notes
212. 06/07/77 Winterland Arena - San Francisco, CA Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation 2 shn notes
213. 06/07/77 Winterland Arena - San Francisco, CA SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode 2 shn notes
214. 06/07/77 Winterland Arena - San Francisco, CA flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below) 2 flac notes
215. 06/07/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
216. 06/07/77 Winterland Arena - San Francisco, CA flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 flac16  
217. 06/07/77 Winterland Arena - San Francisco, CA flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 Flac24/96  
218. 06/08/77 Winterland Arena - San Francisco, CA SBDMR > PCM > DAT > CDR > EAC > SHN> wav> retrack> seeking shn; initial EAC > SHN by Jason Parmer; retracking> seekable shn by Tony Gardner; upgrade in circulation 2 shn notes
219. 06/08/77 Winterland Arena - San Francisco, CA Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR; Master Audience Cassette > Reel to Reel source supplies various patches see info file for details; Patching/CD Mastering and shn'ed by Scott Clugston; to abgd via Charlie Connor; upgrade in circulation 2 shn notes
220. 06/08/77 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller 2 shn notes
221. 06/08/77 Winterland Arena - San Francisco, CA AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters 2 shn notes
222. 06/08/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
223. 06/08/77 Winterland Arena - San Francisco, CA flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018; This file set is 16 bit @ 44.1 flac16  
224. 06/08/77 Winterland Arena - San Francisco, CA flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018 Flac24  
225. 06/09/77 Winterland Arena - San Francisco, CA SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation 2 shn notes
226. 06/09/77 Winterland Arena - San Francisco, CA SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation 2 shn notes
227. 06/09/77 Winterland Arena - San Francisco, CA AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD; DAT transfer info unknown; EAC> SHN by D. Winters 2 SHN notes
228. 06/09/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD 2 flac notes
229. 06/09/77 Winterland Arena - San Francisco, CA Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; transfer/shn by John D'Auria; phasing problems from transfer DAT; ; upgrade in circulation 2 shn notes
230. 06/09/77 Winterland Arena - San Francisco, CA flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) 2 flac notes
231. 06/09/77 Winterland Arena - San Francisco, CA flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day 2 flac16  
232. 06/09/77 Winterland Arena - San Francisco, CA flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 Flac16/44  
233. 06/09/77 Winterland Arena - San Francisco, CA flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 Flac24/96  
234. 06/09/77 Winterland Arena - San Francisco, CA Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; no phasing probs; via John D'Auria; upgrade in circulation shn  
235. 09/03/77 Raceway Park - Englishtown, NJ Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.] 2 shn notes
236. 09/03/77 Raceway Park - Englishtown, NJ flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F. 2 flac notes
237. 09/03/77 Raceway Park - Englishtown, NJ flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's 2 flac notes
238. 09/03/77 Raceway Park - Englishtown, NJ flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding 2 flac16  
239. 09/03/77 Raceway Park - Englishtown, NJ flac16; aud cassette master, tc-153, taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels/resample 16/44.1)>cd wave(tracking)>flactransferred by Rob Berger Flac16  
240. 09/28/77 Paramount Theatre - Seattle, WA Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor 1 shn notes
241. 09/28/77 Paramount Theatre - Seattle, WA flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky 2 flac notes
242. 09/28/77 Paramount Theatre - Seattle, WA flac1644 Analog Audience Source: AKG D224E Microphones > Sony TC 158SD; front row loge just right of center Medium Stock Brands: Maxell UDXL II Cassettes Analog Sound Peservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz  
243. 09/29/77 Paramount Theatre - Seattle, WA Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston 2 shn notes
244. 09/29/77 Paramount Theatre - Seattle, WA SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.] 2 shn notes
245. 09/29/77 Paramount Theatre - Seattle, WA flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008 2 flac notes
246. 09/29/77 Paramount Theatre - Seattle, WA flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 Flac24/96  
247. 09/29/77 Paramount Theatre - Seattle, WA flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
248. 10/01/77 Paramount Theatre - Portland, OR Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation 2 shn notes
249. 10/01/77 Paramount Theatre - Portland, OR SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com 2 shn notes
250. 10/01/77 Paramount Theatre - Portland, OR flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0 2 flac notes
251. 10/01/77 Paramount Theatre - Portland, OR flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston 0 flac16  
252. 10/01/77 Paramount Theatre - Portland, OR flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available 0 flac16  
253. 10/01/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation flac16  
254. 10/01/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
255. 10/02/77 Paramount Theatre - Portland, OR WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation 2 shn notes
256. 10/02/77 Paramount Theatre - Portland, OR flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). 2 flac notes
257. 10/02/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
258. 10/02/77 Paramount Theatre - Portland, OR flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E. flac16/44  
259. 10/02/77 Paramount Theatre - Portland, OR flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp Flac16/48  
260. 10/02/77 Paramount Theatre - Portland, OR flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496 Flac24  
261. 10/06/77 Activity Center, Arizona State University - Tempe, AZ Source: Reel Master > Cassette > DAT > CD; DAE, SHN encoding by Brian Heath; upgrade in circulation 2 shn notes
262. 10/06/77 Activity Center, Arizona State University - Tempe, AZ SBD> MR> C> C> DAT> CDR> EAC> SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; from Ron Speer seed; upgrade in circulation 2 shn notes
263. 10/06/77 Activity Center, Arizona State University - Tempe, AZ flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC 1 flac notes
264. 10/06/77 Activity Center, Arizona State University - Tempe, AZ flac16; lineage: King Biscuit Flower Hour FM broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips > Maxell UD 35-90 7" reel > Teax X-700R > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned) flac16  
265. 10/06/77 Activity Center, Arizona State University - Tempe, AZ flac24; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Traders Little Helper > Flac flac24  
266. 10/06/77 Activity Center, Arizona State University - Tempe, AZ flac16; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Cool Edit Dithered To 16/44 > Traders Little Helper > Flac flac16  
267. 10/06/77 Activity Center, Arizona State University - Tempe, AZ Recording Info: SBD > Cassette Master > DAT (48k) > WAV
Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
flac16/48  
268. 10/06/77 Activity Center, Arizona State University - Tempe, AZ Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 Patch Info: FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies: Promised Land (0:00 - 0:13) AUD > ? > Cassette supplies: They Love Each Other (3:35 - 4:38) Eyes Of The World (9:36 - 10:35) Uncle John's Band (0:00 - 1:26) (7:46 - end of track) All Mastering by Charlie Miller. charliemiller87@earthlink.net. July 27, 2018 (original mastering) April 10, 2023 (dozens of clicks cleaned up) May 22, 2023 (patched tape flips) Flac16/48  
269. 10/06/77 Activity Center, Arizona State University - Tempe, AZ flac1648 Audience source of unknown provenance from Dan Gale's collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > 24/96 .wav > Adobe Audition 2023 > 16/48 .wav > TLH flac1648 Flac16/48  
270. 10/07/77 University Arena, University Of New Mexico - Albuquerque, NM partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation 1 shn notes
271. 10/07/77 University Arena, University Of New Mexico - Albuquerque, NM flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
272. 10/07/77 University Arena, University Of New Mexico - Albuquerque, NM flac16; Set 2 only: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC; upgrade in circulation 1 flac notes
273. 10/07/77 University Arena, University Of New Mexico - Albuquerque, NM flac1644 SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller flac16/44  
274. 10/09/77 McNichols Sports Arena - Denver, CO SBD> ?> CDR> EAC> SHN; via Doug Moog?; missing Casey Jones; upgrade in circulation 2 shn notes
275. 10/09/77 McNichols Sports Arena - Denver, CO Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation 2 shn notes
276. 10/09/77 McNichols Sports Arena - Denver, CO flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
277. 10/09/77 McNichols Sports Arena - Denver, CO flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
278. 10/09/77 McNichols Sports Arena - Denver, CO flac16/48kHz; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 flac16/48  
279. 10/09/77 McNichols Sports Arena - Denver, CO flac24; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 Flac24  
280. 10/09/77 McNichols Sports Arena - Denver, CO flac1648 Set 2 Unknown AUD > ? > Cassette, with special thanks to Ben Tiffany for the source tape. Transfer: Maxell XLII-100 > Denon DRS-640 (Dolby Out) > Tascam DA-3000 @24/96WAV > Wavelab > CD-Wave (24bit) > TLH > FLAC 2496. Mastering by AndrewF Flac16/48  
281. 10/09/77 McNichols Sports Arena - Denver, CO flac2496 Set 2 Unknown AUD > ? > Cassette, with special thanks to Ben Tiffany for the source tape. Transfer: Maxell XLII-100 > Denon DRS-640 (Dolby Out) > Tascam DA-3000 @24/96WAV > Wavelab > CD-Wave (24bit) > TLH > FLAC 2496. Mastering by AndrewF Flac24/96  
282. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circulation 2 shn notes
283. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK SBD>MR>D>C>D>CD>EAC>SHN; with aud patches; via J. Cotsman see info file for flaw notes; Thanks to S. Milewski for updated aud patch; upgrade in circulation 2 shn notes
284. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK Source: SBD>MR>DAT>WAV>.shn transfer by: Jake Clemens; upgrade in circulation 2 shn notes
285. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation 2 shn notes
286. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
287. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007 flac16  
288. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK flac16/44 Source: Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 Flac16  
289. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK flac24/96 Source: Unknown udience cassettes from the collection of Doug Lamarre. Each set is from a difference source. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 Flac24/96  
290. 10/12/77 Manor Downs - Austin, TX no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation 2 shn notes
291. 10/12/77 Manor Downs - Austin, TX SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches 2 shn notes
292. 10/12/77 Manor Downs - Austin, TX flac16; Set 2 Only. Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/44.1K; All Transfers and Mastering By Charlie Miller 1 flac notes
293. 10/12/77 Manor Downs - Austin, TX flac16/48kHz; Set 2 Only. Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/48kHz; All Transfers and Mastering By Charlie Miller Flac16/48  
294. 10/14/77 Hofheinz Pavilion - Houston, TX SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden 2 shn notes
295. 10/14/77 Hofheinz Pavilion - Houston, TX Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details 2 shn notes
296. 10/14/77 Hofheinz Pavilion - Houston, TX flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400 flac16  
297. 10/14/77 Hofheinz Pavilion - Houston, TX flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation flac16  
298. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation 2 shn notes
299. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected 2 shn notes
300. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac 2 flac16  
301. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:19154), SBD>MC>R>D>CD>EAC>SHN and Audience (shnid:125642),Master AUD -> 1st gen Hi-Fi VHS -> wav -> flac 2 flac16  
302. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac flac16  
303. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac24; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 Flac24  
304. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac16; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F.; This file set is 16 bit @ 44.1 Flac16  
305. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA sdb> MR> C> D> CD; via Mike Lai 2 shn notes
306. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr 1 flac notes
307. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA Master Soundboard Reels > Cassette > DAT > CDR
Patched version of SHNID 3350
flac16  
308. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA Flac 24 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes
Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
Flac24  
309. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA Flac 1648 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes
Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
Flac16/48  
310. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy 2 shn notes
311. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
312. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding 2 flac notes
313. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS DTS-Audio-CD 5.1 Mix; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin 3 DTS Audio notes
314. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin 2 flac notes
315. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 flac16  
316. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka 2 shn notes
317. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 2 shn notes
318. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon 2 shn notes
319. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 2 flac notes
320. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
321. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools 2 flac notes
322. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons flac16  
323. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller flac16  
324. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:92085) Recording Info: SBD -> Master Reel -> PCM -> Dat -> CDTransfer Info:CD -> Samplitude Professional v10.02 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:108010), Recorded By Steve Maizner, Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF, Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller Flac16  
325. 10/30/77 Assembly Hall - Bloomington, IN sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation 2 shn notes
326. 10/30/77 Assembly Hall - Bloomington, IN Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki 2 shn notes
327. 10/30/77 Assembly Hall - Bloomington, IN flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765 2 flac notes
328. 10/30/77 Assembly Hall - Bloomington, IN flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation 2 flac notes
329. 10/30/77 Assembly Hall - Bloomington, IN flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:99838), Recording Info: SBD -> Master Reel -> PCM -> Dat,Transfer Info:Dat -> Samplitude Professional v10.21 -> FLAC, All Transfers and Mastering By Charlie Miller,Audience (shnid:100165), Recorded by Steve Maizner,Sony ECM-990> Master Cassette; Transfer and FLAC encoding by David Minches:Master cassette> reel> FLAC; 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC flac16  
330. 10/30/77 Assembly Hall - Bloomington, IN flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones Flac16  
331. 10/30/77 Assembly Hall - Bloomington, IN flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac Flac16  
332. 11/01/77 Cobo Arena - Detroit, MI SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation 2 shn notes
333. 11/01/77 Cobo Arena - Detroit, MI flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
334. 11/02/77 Field House, Seneca College - Toronto, ON Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy 2 shn notes
335. 11/02/77 Field House, Seneca College - Toronto, ON flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC 2 flac notes
336. 11/02/77 Field House, Seneca College - Toronto, ON flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell. 2 flac notes
337. 11/02/77 Field House, Seneca College - Toronto, ON flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012) 2 flac notes
338. 11/02/77 Field House, Seneca College - Toronto, ON Source: Shure Sm57 Mics > Sony-tc158 (dolby On)
Transfer: Master Cassettes (2x Udxli 90) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
339. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation 2 shn notes
340. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner. 2 shn notes
341. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell 2 flac notes
342. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC 2 flac notes
343. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman 2 shn notes
344. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac16; SBD Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac 2 flac16  
345. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 0 flac16  
346. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 Flac24  
347. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 Flac16  
348. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6 Flac16  
349. 11/05/77 Community War Memorial Auditorium - Rochester, NY A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs 2 shn notes
350. 11/05/77 Community War Memorial Auditorium - Rochester, NY Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd 2 shn notes
351. 11/05/77 Community War Memorial Auditorium - Rochester, NY Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.] 2 shn notes
352. 11/05/77 Community War Memorial Auditorium - Rochester, NY flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC 2 flac notes
353. 11/05/77 Community War Memorial Auditorium - Rochester, NY flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 Flac16/48  
354. 11/05/77 Community War Memorial Auditorium - Rochester, NY flac24/96 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 Flac24/96  
355. 11/06/77 Broome County Arena - Binghamton, NY Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki 2 shn notes
356. 11/06/77 Broome County Arena - Binghamton, NY A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs 2 shn notes
357. 11/06/77 Broome County Arena - Binghamton, NY flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 2 flac notes
358. 11/06/77 Broome County Arena - Binghamton, NY flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44 flac16  
359. 11/06/77 Broome County Arena - Binghamton, NY flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH flac16  
360. 11/06/77 Broome County Arena - Binghamton, NY flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
361. 11/06/77 Broome County Arena - Binghamton, NY flac24; 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24/96  
362. 11/06/77 Broome County Arena - Binghamton, NY flac2448; 1st Set & Partial 2nd Set; Source: Unknown AUD from the tape collection of Rich Petrunis & with thanks to John Petrunis. Transfer: TDK D-120 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. flac24/48  
363. 12/27/77 Winterland Arena - San Francisco, CA Master Reel > DAT > Sonic Solutions remastering > Gans CD-R; via redbeard to abgd; possibly different extraction relative to previous circulation?; "F*cker" in Wharf Rat was muted out during remastering; sonic glitch in Around is present on the master reel; missing Samson; upgrade in circulation 2 shn notes
364. 12/27/77 Winterland Arena - San Francisco, CA Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN 2 shn notes
365. 12/27/77 Winterland Arena - San Francisco, CA SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches 2 shn notes
366. 12/27/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
367. 12/29/77 Winterland Arena - San Francisco, CA Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station 1 shn notes
368. 12/29/77 Winterland Arena - San Francisco, CA Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit 2 shn notes
369. 12/29/77 Winterland Arena - San Francisco, CA flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac 1 flac notes
370. 12/29/77 Winterland Arena - San Francisco, CA flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller 1 flac16/48  
371. 12/29/77 Winterland Arena - San Francisco, CA flac16; Updated Source Info: Audience recording (Sennheiser 421s) > Cass x 2 > cdr > eac > wav 16/44.1; Recorded by Ron Ellner; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wav TLH > Flac16; edited and mastered SIRMick 0 flac16  
372. 12/29/77 Winterland Arena - San Francisco, CA flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith flac16  
373. 12/29/77 Winterland Arena - San Francisco, CA flac24; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith flac24  
374. 12/29/77 Winterland Arena - San Francisco, CA flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
375. 12/30/77 Winterland Arena - San Francisco, CA partial; SBD> MR> DAT> CD; via Candyman 2 shn notes
376. 12/30/77 Winterland Arena - San Francisco, CA SBDMR>DAT>Sonic Solutions>CD>EAC>SHN 1 shn notes
377. 12/30/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller 2 flac16  
378. 12/30/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379 0 flac16  
379. 12/30/77 Winterland Arena - San Francisco, CA flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 flac24  
380. 12/30/77 Winterland Arena - San Francisco, CA flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin flac16  
381. 12/31/77 Winterland Arena - San Francisco, CA SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim 2 shn notes
382. 12/31/77 Winterland Arena - San Francisco, CA Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) 2 shn notes
383. 12/31/77 Winterland Arena - San Francisco, CA Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN 2 shn notes
384. 12/31/77 Winterland Arena - San Francisco, CA flac24; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 0 flac24  
385. 12/31/77 Winterland Arena - San Francisco, CA flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp 0 flac16  
386. 12/31/77 Winterland Arena - San Francisco, CA flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin 0 flac16  
387. 12/31/77 Winterland Arena - San Francisco, CA flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596.
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
flac16  
388. 12/31/77 Winterland Arena - San Francisco, CA flac2496 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151251 + 151298), please don't continue to share them elsewhere. 24 Bit 96 kHz FLAC Level 8
flac24  
389. 12/31/77 Winterland Arena - San Francisco, CA flac16; Matrix 2 Source Mix - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin flac16  
390. 12/31/77 Winterland Arena - San Francisco, CA flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018 Flac16  

Grateful Dead Video  
  Date Venue - City, State Comments Media  
1. 04/26/77 Capitol Theater - Passaic, NJ BHP capture of low gen vhs - partial end of 1st set and start of 2nd set
Show Type: B&W Pro-shot Generation (if known): Low
Media Type: DVD5 Media Count: 1
Upgrade ?: NO
Lossless Source shnid= 260
Misc Link(s): LosslessLegs Page
NOTE: Wolfgang's Vault version became available around 2015 and any reproduction of it is not allowed. This partial BHP version became available in 2007.
DVD5  

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